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		<title>Preconceptual Creativity - Versionsgeschichte</title>
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		<id>http://de.evo-art.org/index.php?title=Preconceptual_Creativity&amp;diff=31755&amp;oldid=prev</id>
		<title>Gubachelier: /* Bibtex */</title>
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				<updated>2015-11-02T20:06:22Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Bibtex&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 2. November 2015, 20:06 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot; &gt;Zeile 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; location = {Park City, Utah, USA},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; location = {Park City, Utah, USA},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; pages = {252-259},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; pages = {252-259},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; url = {http://computationalcreativity.net/iccc2015/proceedings/11_2Takala.pdf &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;},&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; url = {http://computationalcreativity.net/iccc2015/proceedings/11_2Takala.pdf http://de.evo-art.org/index.php?title=Preconceptual_Creativity },&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#160; url = {&lt;/del&gt;http://de.evo-art.org/index.php?title=Preconceptual_Creativity },&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; publisher = {International Association for Computational Creativity},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; publisher = {International Association for Computational Creativity},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; keywords = {computational, creativity},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160; keywords = {computational, creativity},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Preconceptual_Creativity&amp;diff=31439&amp;oldid=prev</id>
		<title>Gubachelier: Die Seite wurde neu angelegt: „== Reference == Tapio Takala: Preconceptual Creativity. In: Computational Creativity 2015 ICCC 2015, 252-259.   == DOI ==  == Abstract == Creativity, w…“</title>
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				<updated>2015-10-30T20:39:14Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == Tapio Takala: &lt;a href=&quot;/index.php?title=Preconceptual_Creativity&quot; title=&quot;Preconceptual Creativity&quot;&gt;Preconceptual Creativity&lt;/a&gt;. In: &lt;a href=&quot;/index.php?title=Computational_Creativity_2015_ICCC_2015&quot; title=&quot;Computational Creativity 2015 ICCC 2015&quot;&gt;Computational Creativity 2015 ICCC 2015&lt;/a&gt;, 252-259.   == DOI ==  == Abstract == Creativity, w…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
Tapio Takala: [[Preconceptual Creativity]]. In: [[Computational Creativity 2015 ICCC 2015]], 252-259. &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Creativity, whether seen in personal or historical scope,&lt;br /&gt;
is always relative, subject to the contextual expectations&lt;br /&gt;
of an observer. From the point of view of a creative&lt;br /&gt;
agent, such expectations can be seen as soft constraints&lt;br /&gt;
that must be violated in order to be deemed as creative.&lt;br /&gt;
In the present work, learned conventions are modeled&lt;br /&gt;
as emergent activity clusters (pre-concepts) in a selforganizing&lt;br /&gt;
memory. That is used as a framework to&lt;br /&gt;
model such phenomena as stereotypical categorization&lt;br /&gt;
and mental inertia which restrain the mind when searching&lt;br /&gt;
for new solutions. Using the kinematics of a robotic&lt;br /&gt;
hand as an example, the models&amp;#039; dynamic behavior&lt;br /&gt;
demonstrates primitive creativity without symbolic reasoning.&lt;br /&gt;
The model suggests cognitive mechanisms that&lt;br /&gt;
potentially explain how expectations are formed and&lt;br /&gt;
under which conditions an agent is able to break out of&lt;br /&gt;
them and surprise itself.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
 @inproceedings{&lt;br /&gt;
  author = {Takala, Tapio},&lt;br /&gt;
  title = {Preconceptual Creativity},&lt;br /&gt;
  booktitle = {Proceedings of the Sixth International Conference on Computational Creativity},&lt;br /&gt;
  series = {ICCC2015},&lt;br /&gt;
  year = {2015},&lt;br /&gt;
  month = {Jun},&lt;br /&gt;
  location = {Park City, Utah, USA},&lt;br /&gt;
  pages = {252-259},&lt;br /&gt;
  url = {http://computationalcreativity.net/iccc2015/proceedings/11_2Takala.pdf },&lt;br /&gt;
  url = {http://de.evo-art.org/index.php?title=Preconceptual_Creativity },&lt;br /&gt;
  publisher = {International Association for Computational Creativity},&lt;br /&gt;
  keywords = {computational, creativity},&lt;br /&gt;
 }&lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
Boden, M. (1990). The Creative Mind: Myths and Mechanisms,&lt;br /&gt;
Weidenfeld &amp;amp; Nicholson (2nd ed. Routledge, 2004).&lt;br /&gt;
&lt;br /&gt;
Brooks, R. (1991). Intelligence without representation.&lt;br /&gt;
Artificial intelligence, 47(1), 139-159.&lt;br /&gt;
&lt;br /&gt;
Brooks, R., &amp;amp; Stein, L. (1994). Building brains for bodies.&lt;br /&gt;
Autonomous Robots, 1(1), 7-25.&lt;br /&gt;
&lt;br /&gt;
Chella, A., Gaglio, S., Oliveri, G., Augello, A., &amp;amp; Pilato,&lt;br /&gt;
G. (2014). Creativity in Conceptual Spaces. In 5th Intl.&lt;br /&gt;
Conf. on Computational Creativity, 306-314.&lt;br /&gt;
&lt;br /&gt;
Csikszentmihalyi, M. (1997). Creativity: flow and the psychology&lt;br /&gt;
of discovery and invention. Harper Perennial.&lt;br /&gt;
&lt;br /&gt;
Duka, A. V. (2014). Neural network based inverse kinematics&lt;br /&gt;
solution for trajectory tracking of a robotic arm.&lt;br /&gt;
Procedia Technology, 12, 20-27.&lt;br /&gt;
&lt;br /&gt;
Egner, T., Monti, J. &amp;amp; Summerfield, C. (2010). Expectation&lt;br /&gt;
and Surprise Determine Neural Population Responses&lt;br /&gt;
in the Ventral Visual Stream. The Journal of Neuroscience,&lt;br /&gt;
30(49), 16601–16608.&lt;br /&gt;
&lt;br /&gt;
Gabora, L. (2010). Revenge of the &amp;#039;neurds&amp;#039;: Characterizing&lt;br /&gt;
creative thought in terms of the structure and dynamics of&lt;br /&gt;
human memory. Creativity Research Journal, 22(1), 1-13.&lt;br /&gt;
&lt;br /&gt;
Gärdenfors, P. (2004). Conceptual spaces: The geometry of&lt;br /&gt;
thought. MIT press.&lt;br /&gt;
&lt;br /&gt;
Goldstone, R. L., &amp;amp; Hendrickson, A. T. (2010). Categorical&lt;br /&gt;
perception. Wiley Interdisciplinary Reviews: Cognitive&lt;br /&gt;
Science, 1(1), 69-78.&lt;br /&gt;
&lt;br /&gt;
Grace, K., &amp;amp; Maher, M. L. (2014). What to expect when&lt;br /&gt;
you’re expecting: the role of unexpectedness in computationally&lt;br /&gt;
evaluating creativity. In 4th Intl. Conf. on Computational&lt;br /&gt;
Creativity, 120-128.&lt;br /&gt;
&lt;br /&gt;
Hofstadter, D., &amp;amp; Mitchell, M. (1994). The copycat project:&lt;br /&gt;
A model of mental fluidity and analogy-making. Advances&lt;br /&gt;
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2(31-112), 29-30.&lt;br /&gt;
&lt;br /&gt;
Hristovski, R., Davids, K., Araujo, D., &amp;amp; Passos, P. (2011).&lt;br /&gt;
Constraints-induced emergence of functional novelty in&lt;br /&gt;
complex neurobiological systems: a basis for creativity in&lt;br /&gt;
sport. Nonlinear Dynamics, Psychology and Life Sciences,&lt;br /&gt;
15(2), 175-206.&lt;br /&gt;
&lt;br /&gt;
Jansson, D. G., &amp;amp; Smith, S. M. (1991). Design fixation.&lt;br /&gt;
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&lt;br /&gt;
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performance. Psychological bulletin, 70(6p1), 387-403.&lt;br /&gt;
Kohonen, T. (2001). Self-organizing maps (Vol. 30).&lt;br /&gt;
Springer Science &amp;amp; Business Media.&lt;br /&gt;
&lt;br /&gt;
Kohonen, T., Kaski, S., Lagus, K., Salojarvi, J., Honkela,&lt;br /&gt;
J., Paatero, V., &amp;amp; Saarela, A. (2000). Self organization of a&lt;br /&gt;
massive document collection. Neural Networks, IEEE&lt;br /&gt;
Transactions on, 11(3), 574-585.&lt;br /&gt;
&lt;br /&gt;
Lorini, E., &amp;amp; Falcone, R. (2005). Modeling expectations in&lt;br /&gt;
cognitive agents. In AAAI 2005 Fall Symposium: From&lt;br /&gt;
Reactive to Anticipatory Cognitive Embodied Systems.&lt;br /&gt;
114-121.&lt;br /&gt;
&lt;br /&gt;
Maher, M. L., Brady, K., &amp;amp; Fisher, D. (2013). Computational&lt;br /&gt;
models of surprise in evaluating creative design. In&lt;br /&gt;
4th Intl. Conf. on Computational Creativity, 147-151.&lt;br /&gt;
&lt;br /&gt;
Mumford, M. D. (2003). Where have we been, where are&lt;br /&gt;
we going? Taking stock in creativity research. Creativity&lt;br /&gt;
Research Journal, 15(2-3), 107-120.&lt;br /&gt;
&lt;br /&gt;
Newell, A., Shaw, C., &amp;amp; Simon, H. A. (1959). The processes&lt;br /&gt;
of creative thinking. Santa Monica, CA: Rand Corporation.&lt;br /&gt;
Pylyshyn, Z. (2001). Visual indexes, preconceptual objects,&lt;br /&gt;
and situated vision. Cognition 80(1), 127-158.&lt;br /&gt;
&lt;br /&gt;
Rosch, E. (1973). Natural categories. Cognitive psychology,&lt;br /&gt;
4(3), 328-350.&lt;br /&gt;
&lt;br /&gt;
Rosch, E., Thompson, E., &amp;amp; Varela, F. (1992). The embodied&lt;br /&gt;
mind: Cognitive science and human experience. MIT&lt;br /&gt;
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&lt;br /&gt;
Stewart, J. R., Gapenne, O., &amp;amp; Di Paolo, E. A. (Eds.).&lt;br /&gt;
(2010). Enaction: Toward a new paradigm for cognitive&lt;br /&gt;
science. MIT Press.&lt;br /&gt;
&lt;br /&gt;
Takala, T. (2005). Creativity as disruptive adaptation – a&lt;br /&gt;
computational case study. In: Gero and Maher (eds.),&lt;br /&gt;
Computational and Cognitive Models of Creative Design&lt;br /&gt;
VI, Univ. of Sydney, 95-110.&lt;br /&gt;
&lt;br /&gt;
Wiley, D. J., &amp;amp; Hahn, J. K. (1997). Interpolation synthesis&lt;br /&gt;
of articulated figure motion. Computer Graphics and Applications,&lt;br /&gt;
IEEE, 17(6), 39-45.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://computationalcreativity.net/iccc2015/proceedings/11_2Takala.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

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