http://de.evo-art.org/index.php?action=history&feed=atom&title=RANDOMNESS%2C_%28DIS%29ORDER%2C_AND_GENERATIVITY 2026-04-07T01:13:17Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=RANDOMNESS,_(DIS)ORDER,_AND_GENERATIVITY&diff=3728&oldid=prev 2015-01-24T21:33:43Z

<p>Die Seite wurde neu angelegt: „== Reference == Marie-Pascale Corcuff, Renaud Munch, Gwenn Rannou: <a href="/index.php?title=RANDOMNESS,_(DIS)ORDER,_AND_GENERATIVITY" title="RANDOMNESS, (DIS)ORDER, AND GENERATIVITY">RANDOMNESS, (DIS)ORDER, AND GENERATIVITY</a>. In: <a href="/index.php?title=Generative_Art_2014" title="Generative Art 2014">Generative Art 2014</a>. == DOI == == A…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> Marie-Pascale Corcuff, Renaud Munch, Gwenn Rannou: [[RANDOMNESS, (DIS)ORDER, AND GENERATIVITY]]. In: [[Generative Art 2014]]. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> One of the most used, but maybe most controversial, terms, when one refers to<br /> generative art, is randomness.<br /> <br /> In “Chance and Generativity” (GA 2008), chance (randomness) was examined<br /> relatively to generative processes, and mainly considered along the huge possibilities<br /> of combinatorics and the necessity of arbitrarily (and then randomly) choosing<br /> among results, which are all, though not strictly identical, definitively similar.<br /> Here we explore randomness with its links to order and disorder, and its capacity to<br /> generate forms or structures.<br /> <br /> First, one needs to objectively define those terms (randomness, disorder), along with<br /> others like entropy, complexity, and confront their reality, which can be measured as<br /> probabilities, to our perception of them. For instance, interacting randomness may<br /> lead to something which seems more ordered, though actually it is not (cf Jennifer<br /> Galanis and Martin Ehler, “Disorder disguised as Order”, GA 2011). This topics can<br /> be illustrated in many ways.<br /> <br /> Those illustrations of randomness comprise constrained packings (of rods, circles,<br /> ..., which must not overlap) and the more or less ordered structures they generate,<br /> according to the rules one gives oneself in the packing.<br /> <br /> Some rules may be interpreted as behaviours. Then we can see how more or less<br /> random behaviours (erratic walk especially) may paradoxically generate forms that<br /> are ordered at some level.<br /> <br /> All those experiments illustrate phenomena like emergence, spontaneous patterns,<br /> crystallisation, and so on, and let us think about the links between nature, science,<br /> and art.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] http://en.wikipedia.org/wiki/Randomness<br /> <br /> [2] http://www.pi314.net/fr/aleatoire.php<br /> <br /> [3] Georges-Louis Leclerc de Buffon, 1777, “Mémoire sur le jeu du franc carreau”,<br /> Essai d’arithmétique morale<br /> <br /> [4] http://nazim.fates.free.fr/Epistemo/IntroAC/introduction_automates_cellulaires.html<br /> <br /> [5] Boris D. Lubachevsky, Ron L. Graham, Frank H. Stillinger, “Spontaneous<br /> Patterns in Disk Packings” https://www.princeton.edu/~fhs/paper239/index.htm<br /> <br /> [6] Marie-Pascale Corcuff, Marie-Pascale Corcuff, “Chance and Generativity”, GA<br /> 2008, Milano, 2008<br /> <br /> [7] http://en.wikipedia.org/wiki/Emergence<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://www.generativeart.com/GA2014_proceedings.pdf#page=230<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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