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		<title>Stigmmetry Prints from Patterns of Circles - Versionsgeschichte</title>
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		<title>Gbachelier: Die Seite wurde neu angelegt: „== Reference == Gary Greenfield: Stigmmetry Prints from Patterns of Circles. In: Bridges 2012. Pages 291–298   == DOI ==  == Abstract == Stigmerg…“</title>
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				<updated>2015-01-02T13:45:39Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == &lt;a href=&quot;/index.php?title=Gary_Greenfield&quot; title=&quot;Gary Greenfield&quot;&gt;Gary Greenfield&lt;/a&gt;: &lt;a href=&quot;/index.php?title=Stigmmetry_Prints_from_Patterns_of_Circles&quot; title=&quot;Stigmmetry Prints from Patterns of Circles&quot;&gt;Stigmmetry Prints from Patterns of Circles&lt;/a&gt;. In: &lt;a href=&quot;/index.php?title=Bridges_2012&quot; title=&quot;Bridges 2012&quot;&gt;Bridges 2012&lt;/a&gt;. Pages 291–298   == DOI ==  == Abstract == Stigmerg…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
[[Gary Greenfield]]: [[Stigmmetry Prints from Patterns of Circles]]. In: [[Bridges 2012]]. Pages 291–298 &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Stigmergy is a form of self-organization that is brought about by indirect coordination of agents or actions. Urbano&lt;br /&gt;
proposed a model based on stigmergy for simulating the nest formation of the species T. albipennis that occurs&lt;br /&gt;
from collecting virtual grains of sand. By making different colonies of the species sensitive to different colors&lt;br /&gt;
of virtual sand grains, Urbano produced what he called “sand paintings”. We exploit this technique by carefully&lt;br /&gt;
assigning centers, radii, and colors to colonies in such a way that the stigmergy model self-organizes a uniform&lt;br /&gt;
density distribution of virtual sand grains into sand paintings that exhibit various types of color preserving, and color&lt;br /&gt;
reversing, symmetry. We call these algorithmic, computer-drawn compositions “stigmmetry prints”.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
[1] Annunziato, M., Pierucci, P., Relazioni emergenti: experiments with the art of emergence, Leonardo,&lt;br /&gt;
vol. 35, no. 2, 2002, 147–152.&lt;br /&gt;
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[2] Aupetit, S., Bordeau, V., Monmarch ́e, N., Slimane, M., Venturini, G.: Interactive evolution of ant&lt;br /&gt;
paintings, 2003 Congress on Evolutionary Computation Proceedings (eds. B. McKay et al.), IEEE&lt;br /&gt;
Press, vol. 2, 2003, 1376–1383.&lt;br /&gt;
&lt;br /&gt;
[3] Greenfield, G., Abstract overlays using a transport network model, BRIDGES 2011 Conference Pro-&lt;br /&gt;
ceedings, eds. C. Sequin and R. Sarhangi, 2011, 45–50.&lt;br /&gt;
&lt;br /&gt;
[4] Greenfield, G., Ant paintings using a multiple pheromone model, BRIDGES 2006 Conference Proceed-&lt;br /&gt;
ings (eds. R. Sarhangi and J. Sharp), 2006, 319–326.&lt;br /&gt;
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[5] Greenfield, G., Evolutionary methods for ant colony paintings, Applications of Evolutionary Comput-&lt;br /&gt;
ing, EvoWorkshops 2005 Proceedings, Springer-Verlag Lecture Notes in Computer Science, LNCS&lt;br /&gt;
3449 (eds. F. Rotlauf et al), 2005, 478–487.&lt;br /&gt;
&lt;br /&gt;
[6] Greenfield, G., On evolving multi-pheromone ant paintings, 2006 IEEE World Congress on Compu-&lt;br /&gt;
tational Intelligence, Vancouver, BC, Canada, IEEE Press, WCCI06 Conference Proceedings, (DVD-&lt;br /&gt;
ROM ISBN: 0-7803-9489-5), 2006, 7425–7431.&lt;br /&gt;
&lt;br /&gt;
[7] Greenfield, G., On variation within swarm paintings, Proceedings of ISAMA 2009, Eighth Interdis-&lt;br /&gt;
ciplinary Conference of the International Society of the Arts, Mathematics, and Architecture, eds. E.&lt;br /&gt;
Akleman and N. Friedman, Hyperseeing, Spring 2009, 5–12.&lt;br /&gt;
&lt;br /&gt;
[8] Greenfield, G.. Machado, P., Simulating artist and critic dynamics — an agent-based application of&lt;br /&gt;
an evolutionary art system, Proceedings of the International Joint Conference on Computational In-&lt;br /&gt;
telligence, Funchal, Portugal, 5-7 October 2009, eds. A. Dourado, A. Rosa and K. Madani, 2009,&lt;br /&gt;
190–197.&lt;br /&gt;
&lt;br /&gt;
[9] Hoar, R., Penner, J., Jacob, C., Transcription and evolution of a virtual bacteria culture, 2003 Congress&lt;br /&gt;
on Evolutionary Computation Proceedings, IEEE Press, 2003, 54–61.&lt;br /&gt;
&lt;br /&gt;
[10] Jacob, C., Hushlak, G., Boyd, J., Sayles, M., Nuytten, P., Pilat, M., Swarmart: Interactive art from&lt;br /&gt;
swarm intelligence, Leonardo, vol. 40, no. 3, 2007, 248–254.&lt;br /&gt;
&lt;br /&gt;
[11] Jones J., characteristics of pattern formation and evolution approximations of Physarum transport net-&lt;br /&gt;
works, Artifical Life, 16, 2010, 127–153.&lt;br /&gt;
&lt;br /&gt;
[12] Moura, L., Pereira, H., Man + Robots: Symbiotic Art, Institut d’Art Contemporain, Lyon/Villeurbanne,&lt;br /&gt;
France, 2004.&lt;br /&gt;
&lt;br /&gt;
[13] Moura, L., Ramos, V., Swarm paintings — nonhuman art, Architopia: Book, Art, Architecture, and&lt;br /&gt;
Science (eds. J. Maubant et al.), Institut d’Art Contemporain, Lyon/Villeurbanne, France, 2002, 5–24.&lt;br /&gt;
&lt;br /&gt;
[14] Ramos, V., Almeida, F., Artificial ant colonies in digital image habitats - a mass behaviour effect study&lt;br /&gt;
on pattern recognition, Proceedings of ANTS’2000 - 2nd International Workshop on Ant Algorithms:&lt;br /&gt;
From Ant Colonies to Artificial Ants (eds. M. Dorigo et al.), Brussels, Belgium, 2000, 113–116.&lt;br /&gt;
&lt;br /&gt;
[15] Ramos, V., Merelo, J., Self-organized stigmergic document maps: environment as a mechanism for&lt;br /&gt;
context learning, AEB 2002, First Spanish Conference on Evolutionary and Bio-Inspired Algorithms&lt;br /&gt;
(eds. E. Alba et al.), M ́erida, Spain, 2002, 284–293.&lt;br /&gt;
&lt;br /&gt;
[16] Ramos, V., Self-organizing the abstract: canvas as a swarm habitat for collective memory, perception&lt;br /&gt;
and cooperative distributed creativity, First Art &amp;amp; Science Symposium, Models to Know Reality (eds. J.&lt;br /&gt;
Rekalde et al.), Bilbao, Spain, 2003, 59–59.&lt;br /&gt;
&lt;br /&gt;
[17] Semet, Y., O’Reilly, U., Durand, F., An interactive artificial ant approach to non-photorealistic ren-&lt;br /&gt;
dering, Genetic and Evolutionary Computation - GECCO 2004, (eds K. Deb et al.), Springer-Verlag&lt;br /&gt;
Lecture Notes in Computer Science, LNCS 3102, 2004, 188–200.&lt;br /&gt;
&lt;br /&gt;
[18] Theraulaz, G., Bonabeau, E., A brief history of stigmergy, Artifical Life, vol. 5, no. 2, 1999, 97–116.&lt;br /&gt;
&lt;br /&gt;
[19] Urbano, P., Playing in the pheromone playground: experiences in swarm painting, Applications of Evo-&lt;br /&gt;
lutionary Computing, EvoWorkshops 2005 Proceedings, Springer-Verlag Lecture Notes in Computer&lt;br /&gt;
Science, LNCS 3449 (eds. F. Rothlauf et al.), 2005, 478–487.&lt;br /&gt;
&lt;br /&gt;
[20] Urbano, P., The T. albipennis sand painting artists, Applications of Evolutionary Computation,&lt;br /&gt;
Springer-Verlag Lecture Notes in Computer Science,LNCS 6625, 2011, 414–423&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://archive.bridgesmathart.org/2012/bridges2012-291.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://archive.bridgesmathart.org/2012/bridges2012-291.html&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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