Swarmic Paintings and Colour Attention - Versionsgeschichte

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== Referenz ==
[[Mohammad Majid al-Rifaie]], [[John Mark Bishop]]: Swarmic Paintings and Colour Attention. In: [[Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_2013_2 | EvoMUSART 2013]], S. 97-108.

== DOI ==
http://link.springer.com/10.1007/978-3-642-36955-1_9

== Abstract ==
Swarm-based multi-agent systems have been deployed in non-photorealistic rendering for many years. This paper introduces a novel approach in adapting a swarm intelligence algorithm – Stochastic Diffusion Search – for producing non-photorealistic images. The swarm-based system is presented with a digital image and the agents move throughout the digital canvas in an attempt to satisfy the dynamic roles – attention to different colours – associated to them via their fitness function. Having associated the rendering process with the concepts of ‘attention’ in general and colour attention in particular, this papers briefly discusses the ‘computational creativity’ of the work through two prerequisites of creativity (i.e. freedom and constraints) within the swarm intelligence’s two infamous phases of exploration and exploitation.

== Extended Abstract ==

== Bibtex ==

== Links ==
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@@ Zeile 23: / Zeile 23: @@
   doi={10.1007/978-3-642-36955-1_9},
   title={Swarmic Paintings and Colour Attention},
-  url={http://dx.doi.org/10.1007/978-3-642-36955-1_9 },
+  url={http://dx.doi.org/10.1007/978-3-642-36955-1_9 http://de.evo-art.org/index.php?title=Swarmic_Paintings_and_Colour_Attention },
   publisher={Springer Berlin Heidelberg},
   author={al-Rifaie, MohammadMajid and Bishop, JohnMark},

@@ Zeile 14: / Zeile 14: @@
 == Bibtex ==
+ @incollection{
 == Used References ==

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	== Bibtex ==		== Bibtex ==
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		+	== Used References ==
		+	Al-Rifaie, M.M., Aber, A., Bishop, M.: Cooperation of nature and physiologically inspired mechanisms in visualisation. In: Ursyn, A. (ed.) Biologically-Inspired Computing for the Arts: Scientific Data through Graphics. IGI Global, United States (2012) ISBN13: 9781466609426, ISBN10: 1466609427
		+
		+	Al-Rifaie, M.M., Bishop, M.: Weak vs. strong computational creativity. In: AISB 2012: Computing and Philosophy, University of Birmingham, Birmingham, U.K. (2012)
		+
		+	Al-Rifaie, M.M., Bishop, M.: Swarmic Sketches Deploy Attention Mechanism. In: Machado, P., McDermott, J., Carballal, A. (eds.) EvoMUSART 2013. LNCS, vol. 7834, pp. 85–96. Springer, Heidelberg (2013)
		+
		+	Al-Rifaie, M.M., Bishop, M., Blackwell, T.: An investigation into the merger of stochastic diffusion search and particle swarm optimisation. In: GECCO 2011: Proceedings of the 2011 GECCO Conference Companion on Genetic and Evolutionary Computation, pp. 37–44. ACM (2011)
		+
		+	Al-Rifaie, M.M., Bishop, M., Blackwell, T.: Information sharing impact of stochastic diffusion search on differential evolution algorithm. In: Journal of Memetic Computing, pp. 1–12. Springer, Heidelberg (2012), http://dx.doi.org/10.1007/s12293-012-0094-y , doi:10.1007/s12293-012-0094-y
		+
		+	Al-Rifaie, M.M., Bishop, M., Caines, S.: Creativity and Autonomy in Swarm Intelligence Systems. In: Bishop, M., Erden, Y. (eds.) Journal of Cognitive Computation: Computational Creativity, Intelligence and Autonomy, vol. 3, pp. 320–331. Springer, Heidelberg (2012)
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		+	Aupetit, S., Bordeau, V., Monmarche, N., Slimane, M., Venturini, G.: Interactive evolution of ant paintings. In: The 2003 Congress on Evolutionary Computation, CEC 2003, vol. 2, pp. 1376–1383 (2004)
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		+	Bishop, J.: Stochastic searching networks. In: Proc. 1st IEE Conf. on Artificial Neural Networks, London, UK, pp. 329–331 (1989)
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		+	Greenfield, G.: Evolutionary Methods for Ant Colony Paintings. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 478–487. Springer, Heidelberg (2005)
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		+	James, W.: The principles of psychology (1890)
		+
		+	Johnson-Laird, P.N.: Freedom and constraint in creativity. In: Sternberg, R.J. (ed.) The Nature of Creativity: Contemporary Psychological Perspectives, pp. 202–219. Cambridge University Press (1988)
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		+	Kames, H.H.: Elements of Criticism (1769)
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		+	Moglich, M., Maschwitz, U., Holldobler, B.: Tandem calling: A new kind of signal in ant communication. Science 186(4168), 1046–1047 (1974)
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		+	Monmarche, N., Aupetit, S., Bordeau, V., Slimane, M., Venturini, G.: Interactive evolution of ant paintings. In: McKay, B., et al. (eds.) 2003 Congress on Evolutionary Computation, vol. 2, pp. 1376–1383. IEEE Press (2003)
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		+	Moura, L., Ramos, V.: Swarm paintings–nonhuman art. Architopia Book, Art, Architecture and Science, 5–24 (2007)
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		+	Taylor, C.C.W.: Berkeley’s theory of abstract ideas. The Philosophical Quarterly, 97–115 (1978)
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		+	Titchener, E.B.: Lectures on the elementary psychology of feeling and attention. The Macmillan Company (1908)
		+
		+	Turner, C.: Exhibition: Industrial paint’s artistic legacy. Nature 452, 412 (2008)
		+
		+	Urbano, P.: Playing in the Pheromone Playground: Experiences in Swarm Painting. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 527–532. Springer, Heidelberg (2005)
		+
		+	Urbano, P.: Consensual Paintings. In: Rothlauf, F., Branke, J., Cagnoni, S., Costa, E., Cotta, C., Drechsler, R., Lutton, E., Machado, P., Moore, J.H., Romero, J., Smith, G.D., Squillero, G., Takagi, H. (eds.) EvoWorkshops 2006. LNCS, vol. 3907, pp. 622–632. Springer, Heidelberg (2006)
		+
		+	Vu, P.: Historical Overview of Research on Attention. Sage Publications, Incorporated (2003)
		+
		+	Weesatchanam, A.M.: Are Paintings by Elephants Really Art? The Elephant Art Gallery (July 31, 2006)
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	== Links ==		== Links ==