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		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „  == Reference == Monro, Gordon: THE CONCEPT OF EMERGENCE IN GENERATIVE ART. Master-Thesis, Sydney Conservatorium of Music, University of Sydney, 2007   == DOI…“&lt;/p&gt;
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== Reference ==&lt;br /&gt;
Monro, Gordon: THE CONCEPT OF EMERGENCE IN GENERATIVE ART. Master-Thesis, Sydney Conservatorium of Music, University of Sydney, 2007 &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Generative art is any art practice where the artist creates a process that in turn acts with some&lt;br /&gt;
degree of autonomy to create all or part of an artwork. It represents a particularly intriguing&lt;br /&gt;
interaction between art and science, as not only does the artist use technological means&lt;br /&gt;
(typically computer programs), but also the art itself often relates to fundamental questions&lt;br /&gt;
about life and what it is to be human in the face of rapid technical advance. Indeed much&lt;br /&gt;
generative art is closely allied to the scientific discipline called Artificial Life, which asks&lt;br /&gt;
similar questions from a scientific point of view.&lt;br /&gt;
A concept underlying much generative art, and the science of Artificial Life, is that of&lt;br /&gt;
emergence. Broadly speaking, a system exhibits emergent behaviour if something “extra”&lt;br /&gt;
occurs; in some sense more comes out of it than was put in. The concept of emergence has&lt;br /&gt;
links to several disciplines, and it has no clear definition; it appears that there are several&lt;br /&gt;
concepts going under the same name. This essay aims to tease out a definition of emergence&lt;br /&gt;
suitable for discussions of generative art.&lt;br /&gt;
The first two chapters of the essay contain introductory remarks on definitions and on&lt;br /&gt;
generative art. Chapter 3 considers examples of emergent phenomena in science; these&lt;br /&gt;
examples are largely, but not exclusively, connected with Artificial Life. Chapter 4 discusses&lt;br /&gt;
several definitions of emergence from the literature; again these are mostly connected with&lt;br /&gt;
Artificial Life, and have some relation to discussions of generative art. In Chapter 5 a&lt;br /&gt;
definition of “generative-art emergence” is proposed; this definition is specifically adapted to&lt;br /&gt;
discussions of generative art. Chapter 6 applies the definition to a selection of generative&lt;br /&gt;
artworks that are contenders for exhibiting emergence. The essay concludes with reflections&lt;br /&gt;
on some of the issues raised.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://www.gommog.com/archive/docs/MMus_Essay.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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