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		<title>The Aesthetics of the Underworld - Versionsgeschichte</title>
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	<entry>
		<id>http://de.evo-art.org/index.php?title=The_Aesthetics_of_the_Underworld&amp;diff=31974&amp;oldid=prev</id>
		<title>Gubachelier am 9. November 2015 um 12:02 Uhr</title>
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				<updated>2015-11-09T12:02:53Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 9. November 2015, 12:02 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Zeile 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; @inproceedings{Boukhelifa:2008:AU:2381333.2381341,&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; author = {Boukhelifa, N. and Duke, D. J.},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title = {The Aesthetics of the Underworld},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; booktitle = {Proceedings of the Fourth Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; series = {Computational Aesthetics&amp;#039;08},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year = {2008},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn = {978-3-905674-08-8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; location = {Lisbon, Portugal},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; pages = {41--48},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; numpages = {8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url = {http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048, http://de.evo-art.org/index.php?title=The_Aesthetics_of_the_Underworld },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; doi = {10.2312/COMPAESTH/COMPAESTH08/041-048},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; acmid = {2381341},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher = {Eurographics Association},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; address = {Aire-la-Ville, Switzerland, Switzerland},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; } &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=The_Aesthetics_of_the_Underworld&amp;diff=1940&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „  == Reference == Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack …“</title>
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				<updated>2014-12-02T16:27:28Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „  == Reference == Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack …“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
== Reference ==&lt;br /&gt;
Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 41-48&lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048 &lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Although the development of computational aesthetics has largely concentrated on 3D geometry and illustrative rendering, aesthetics are equally an important principle underlying 2D graphics and information visualization. A canonical example is Beck&amp;#039;s design of the London underground map, which not only produced an informative and practical artefact, but also established a design aesthetic that has been widely adopted in other applications. This paper contributes a novel hybrid view to the debate on aesthetics. It arises from a practical industrial problem, that of mapping the vast network of underground assets, and producing outputs that can be readily comprehended by a range of users, from back-office planning staff through to on-site excavation teams. This work describes the link between asset drawing aesthetics and tasks, and discusses methods developed to support the presentation of integrated asset data. It distinguishes a holistic approach to visual complexity, taking clutter as one component of aesthetics, from the graph-theoretic reductionist model needed to measure and remove clutter. We argue that ?de-cluttering&amp;#039; does not mean loss of information, but rather repackaging details to make them more accessible. In this respect, aesthetics have a fundamental role in implementing Schneiderman&amp;#039;s mantra of &amp;#039;overview, zoom &amp;amp; filter, details-on-demand&amp;#039; for information visualization.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
Maneesh Agrawala , Chris Stolte, Rendering effective route maps: improving usability through generalization, Proceedings of the 28th annual conference on Computer graphics and interactive techniques, p.241-249, August 2001  http://doi.acm.org/10.1145/383259.383286&lt;br /&gt;
&lt;br /&gt;
BECK A. R., COHN A. G., SANDERSON M., RAMAGE S., TAGG C., FU G., BENNETT B., STELL J. G.: UK utility data integration: overcoming schematic heterogeneity. In Proc. Geoinformatics (in prep) (2008).&lt;br /&gt;
&lt;br /&gt;
BERTIN J.: Sémiologie graphique. Editions Gauthier-Villars, Paris, 1983.&lt;br /&gt;
&lt;br /&gt;
BURTWELLA M., FARAGHER E., NEVILLE D., OVERTON C., ROGERS C., WOODWARD T.: Locating underground plant and equipment: Proposals for a research programme. UK Water Industry Research (UKWIR) Report (Ref. 03/WM/12/4) (2004).&lt;br /&gt;
&lt;br /&gt;
BRUCE V., GREEN P., GEORGESON M.: Visual Perception: physiological, psychology and ecology, 3rd edition. Psychology Press Ltd, 2003.&lt;br /&gt;
&lt;br /&gt;
BARTRAM L., STONE M.: Whisper, don&amp;#039;t scream: Characterizing subtle grids. Proc. IEEE InfoVis Poster Compendium (2007), 30-31.&lt;br /&gt;
&lt;br /&gt;
Pascal Barla , Joelle Thollot , François X. Sillion, Geometric clustering for line drawing simplification, Proceedings of the Sixteenth Eurographics conference on Rendering Techniques, June 29-July 01, 2005, Konstanz, Germany  http://dx.doi.org/10.2312/EGWR/EGSR05/183-192&lt;br /&gt;
&lt;br /&gt;
CORNSWEET T.: The staircase-method in psychophsyics. American Journal of Psychology 75 (1962), 485-461.&lt;br /&gt;
&lt;br /&gt;
DUKE D. J., BARNARD P. J., HALPER N., MELLIN M.: Rendering and affect. Computer Graphics Forum 22 (2003), 359-368.&lt;br /&gt;
&lt;br /&gt;
Alan Dix , Geoff Ellis, by chance enhancing interaction with large data sets through statistical sampling, Proceedings of the Working Conference on Advanced Visual Interfaces, May 22-24, 2002, Trento, Italy  http://doi.acm.org/10.1145/1556262.1556289&lt;br /&gt;
&lt;br /&gt;
FAIRBAIRN D.: Measuring map complexity. The Cartographic Journal 43 (2006), 224-238.&lt;br /&gt;
&lt;br /&gt;
FARRIMOND M.: UK water industry research (UKWIR) internal national underground asset group (NUAG) steering group briefing note. UKWIR (March 2006).&lt;br /&gt;
&lt;br /&gt;
Danny Holten, Hierarchical Edge Bundles: Visualization of Adjacency Relations in Hierarchical Data, IEEE Transactions on Visualization and Computer Graphics, v.12 n.5, p.741-748, September 2006  http://dx.doi.org/10.1109/TVCG.2006.147&lt;br /&gt;
&lt;br /&gt;
MARVIN S., SLATE S.: Urban infrastructure: the contemporary conflict between roads and utilities. Progress in Planning 48 (1997), 247-318.&lt;br /&gt;
&lt;br /&gt;
NATIONAL UNDERGROUND ASSET GROUP (NUAG): Capturing, recording, storing and sharing underground asset information - a review of current practices and future requirements. UKWIR (2006).&lt;br /&gt;
&lt;br /&gt;
ONLINE ENGLISH DICTIONARY (OED):, 2008. http://dictionary.oed.com.&lt;br /&gt;
&lt;br /&gt;
Helen C. Purchase , Jo-Anne Allder , David A. Carrington, User Preference of Graph Layout Aesthetics: A UML Study, Proceedings of the 8th International Symposium on Graph Drawing, p.5-18, September 20-23, 2000 http://dl.acm.org/citation.cfm?id=729416&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
Helen C. Purchase, Which Aesthetic has the Greatest Effect on Human Understanding?, Proceedings of the 5th International Symposium on Graph Drawing, p.248-261, September 18-20, 1997 http://dl.acm.org/citation.cfm?id=728779&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
Martin Rotard , Mark Giereth , Thomas Ertl, Visual Analytics: Semantic lenses: Seamless augmentation of web pages with context information from implicit queries, Computers and Graphics, v.31 n.3, p.361-369, June, 2007  http://dx.doi.org/10.1016/j.cag.2007.01.027&lt;br /&gt;
&lt;br /&gt;
ROBINSON A.: The look of Maps. university of Wisconsin Press, Madison, 1952.&lt;br /&gt;
&lt;br /&gt;
Ben Shneiderman, The Eyes Have It: A Task by Data Type Taxonomy for Information Visualizations, Proceedings of the 1996 IEEE Symposium on Visual Languages, p.336, September 03-06, 1996 http://dl.acm.org/citation.cfm?id=834354&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
STROTHOTTE T., PREIM B., RAAB A., SCHUMANN J., FORSEY D.: How to render frames and influence people. In Proc. of Visual Languages (1996), IEEE Computer Science Press, pp. 336-343.&lt;br /&gt;
&lt;br /&gt;
Edward R. Tufte, The visual display of quantitative information, Graphics Press, Cheshire, CT, 1986 http://dl.acm.org/citation.cfm?id=33404&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
TUFTE E. R.: Information Aesthetics. Graphics Press, 2006.&lt;br /&gt;
&lt;br /&gt;
Vista project, 2007. http://www.vistadtiproject.org/.&lt;br /&gt;
&lt;br /&gt;
Colin Ware , Helen Purchase , Linda Colpoys , Matthew McGill, Cognitive measurements of graph aesthetics, Information Visualization, v.1 n.2, p.103-110, June 2002  http://dx.doi.org/10.1057/palgrave.ivs.9500013&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://www.aviz.fr/~nb/publications/2008_Boukhelifa_AestheticsOfTheUnderworld.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://dl.acm.org/citation.cfm?id=2381333.2381341&amp;amp;coll=DL&amp;amp;dl=GUIDE&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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