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Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Simon Colton: The Painting Fool in New Dimensions. In: Computational Creativity 2011 ICCC 2011, p. 165. == DOI == == Abstract …“

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Die Seite wurde neu angelegt: „ == Reference == Simon Colton: The Painting Fool in New Dimensions. In: Computational Creativity 2011 ICCC 2011, p. 165. == DOI == == Abstract …“

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== Reference ==
[[Simon Colton]]: [[The Painting Fool in New Dimensions]]. In: [[Computational Creativity 2011 ICCC 2011]], p. 165.

== DOI ==

== Abstract ==
The Painting Fool is software which we hope will one day
be taken seriously as a creative artist in its own right. We
have recently implemented many improvements that enable
the software to produce more interesting pictures, charac-
terised along the following axes:

• Artistic: The Painting Fool is able to produce more messy
pictures via a process which turns a set of colour regions
into a single line. The heuristic nature of this process intro-
duces unpredictable corrections often resulting in large paint
strokes that add visually to the pieces produced.

• Time and Movement: The software can now output anima-
tions, whereby paint/pencil strokes dance around the screen,
occasionally coming together to produce coherent pictures.

• Spatial: The Painting Fool can generate 3D virtual gal-
leries and produce Google-maps style online browsing
mechanisms. This framework will provide an arena for the
software to undertake more provocative framing exercises,
e.g., by writing wall text, curating its own pictures, etc. We
will use the same technology to produce 3D sculptures using
evolutionary approaches, and to construct and paint scenes
by placing 3D models in a virtual world.

• Size: The software can now produce very large images
containing literally billions of pixels. This has enabled
pixelation-free printing up to A0 sizes and beyond. Such
images take a long time to produce, so we have also im-
plemented abilities for the software to perform preliminary
sketches for approval beforehand.

• Interaction: The software can use various third party pro-
grams (such as context-free design grammars and evolu-
tionary art software) in order to generate paintings from
a perceived imagination. The Painting Fool also has ac-
cess to all of the web-sourcing and graphics techniques
available in the Computational Creativity Collective (see
ccg.doc.ic.ac.uk/collective/).

• Efficiency: The software can now simulate so-called hand-
over-hand painting, whereby multi-core processors are used,
with each thread controlling a different paint brush. In addi-
tion to greatly increasing efficiency, this also produces more
painterly effects, as the paints from the multiple brushes mix
in unpredictable ways.

• Intellectual: The Painting Fool has increased abilities to
create meaningful collages which illustrate news stories.

== Extended Abstract ==

== Bibtex ==

== Used References ==
none

== Links ==
=== Full Text ===
http://iccc11.cua.uam.mx/proceedings/show_and_tell/colton_2_iccc11.pdf

[[intern file]]

=== Sonstige Links ===

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	== Bibtex ==		== Bibtex ==
		+	@inproceedings{
		+	author = {Simon Colton},
		+	title = {The Painting Fool in New Dimensions},
		+	editor = {Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease and Geraint Wiggins},
		+	booktitle = {Proceedings of the Second International Conference on Computational Creativity},
		+	series = {ICCC2011},
		+	year = {2011},
		+	month = {April},
		+	location = {México City, México},
		+	pages = {165},
		+	url = {http://iccc11.cua.uam.mx/proceedings/show_and_tell/colton_2_iccc11.pdf, http://de.evo-art.org/index.php?title=The_Painting_Fool_in_New_Dimensions },
		+	publisher = {International Association for Computational Creativity},
		+	keywords = {computational, creativity},
		+	}

	== Used References ==		== Used References ==

The Painting Fool in New Dimensions - Versionsgeschichte

Gubachelier am 13. November 2015 um 22:28 Uhr

Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Simon Colton: The Painting Fool in New Dimensions. In: Computational Creativity 2011 ICCC 2011, p. 165. == DOI == == Abstract …“