http://de.evo-art.org/index.php?action=history&feed=atom&title=The_Planar_Space_Groups_of_Mamluk_Patterns 2026-06-10T00:14:32Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=The_Planar_Space_Groups_of_Mamluk_Patterns&diff=3829&oldid=prev 2015-01-27T13:34:52Z

<p>Die Seite wurde neu angelegt: „== Reference == B. Lynn Bodner: <a href="/index.php?title=The_Planar_Space_Groups_of_Mamluk_Patterns" title="The Planar Space Groups of Mamluk Patterns">The Planar Space Groups of Mamluk Patterns</a>. In: <a href="/index.php?title=Bridges_2014" title="Bridges 2014">Bridges 2014</a>. Pages 35–42 == DOI == == Abstract == In the region e…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> B. Lynn Bodner: [[The Planar Space Groups of Mamluk Patterns]]. In: [[Bridges 2014]]. Pages 35–42 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> In the region extending from Arabia to Southern Anatolia, elaborate geometric tilings and patterns still cover the walls,<br /> floors and ceilings of extant monuments from the Mamluk period (1250 – 1517). These planar Islamic patterns may be<br /> classified as belonging to the various two-dimensional space groups based on the distance-preserving transformations<br /> or isometries of the plane (translations, rotations, reflections and glide-reflections) that they possess. Classifying the<br /> ornamental patterns of these Mamluk monuments allows us to determine which symmetries were preferred and<br /> intuitively recognized as being “right” by the Mamluk culture. This paper will discuss and illustrate examples of the<br /> different wallpaper groups represented in the Mamluk art found in present day Egypt and Syria.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] D. Ayalon. Studies on the Mamluks of Egypt (1250 – 1517). Variorum Reprints, 1977. Original from<br /> the University of Michigan. Digitized September 11, 2008.<br /> <br /> [2] D. Behrens-Abouseif. Cairo of the Mamluks: A History of the Architecture and Its Culture. New<br /> York: I. B. Tauris, 2007.<br /> <br /> [3] B. L. Bodner. “The Planar Crystallographic Groups Represented at the Alhambra,” Bridges:<br /> Mathematical Connections in Art, Music, and Science Conference Proceedings, (2014).<br /> <br /> [4] W. K. Chorbachi. In the Tower of Babel: Beyond Symmetry in Islamic Art. Computers &amp; Mathematics<br /> with applications, Vol. 17b, pp. 751 – 189, (1989).<br /> <br /> [5] the Islamic Art and Architecture Collection of the ARTstor Digital Library, available at<br /> http://www.library.artstor.org/library.<br /> <br /> [6] B. Lewis, R. Ettinghausen, O. Grabar, &amp; R. M Savory. The World of Islam: Faith, People, Culture.<br /> Thames and Hudson, 1992.<br /> <br /> [7] The Mamluk Collection of the Archnet Digital Library, available at http://archnet.org/library.<br /> <br /> [8] E. A. Müller, Gruppentheoretische und Strukturanalytische Untersuchungen der Maurischen<br /> Ornamente aus der Alhambra in Granada, University of Zürich, 1944.<br /> <br /> [9] Pattern in Islamic Art: The Wade Photo Archive, available at http://www.patternsinislamicart.com.<br /> <br /> [10] D. Schattschneider, The Plane Symmetry Groups: Their Recognition and Notation, Amer. Math.<br /> Monthly (85) 1978, 439 – 450.<br /> <br /> [11] Thesaurus Islamicus Foundation Islamic Art Network Photo Archive, available at http://www.islamic-art.org/PhotoArchive/.<br /> <br /> [12] D. K. Washburn and D.W. Crowe, Symmetries of Culture: Theory and Practice of Plane Pattern Analysis. University of Washington Press, 1988.<br /> <br /> [13] http://www.discoverislamicart.org/database_item.php?id=monument;ISL;pa;Mon01;13;en.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2014/bridges2014-35.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2014/bridges2014-35.html</div>

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