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		<title>Tilings of Sequences of Co-evolved Images - Versionsgeschichte</title>
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		<updated>2026-04-19T13:18:32Z</updated>
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		<id>http://de.evo-art.org/index.php?title=Tilings_of_Sequences_of_Co-evolved_Images&amp;diff=31717&amp;oldid=prev</id>
		<title>Gubachelier am 2. November 2015 um 09:45 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Tilings_of_Sequences_of_Co-evolved_Images&amp;diff=31717&amp;oldid=prev"/>
				<updated>2015-11-02T09:45:13Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 2. November 2015, 09:45 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Zeile 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; @incollection{&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year={2004},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn={978-3-540-21378-9},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; booktitle={Applications of Evolutionary Computing},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; volume={3005},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; series={Lecture Notes in Computer Science},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; editor={Raidl, GüntherR. and Cagnoni, Stefano and Branke, Jürgen and Corne, DavidWolfe and Drechsler, Rolf and Jin, Yaochu and Johnson, ColinG. and Machado, Penousal and Marchiori, Elena and Rothlauf, Franz and Smith, GeorgeD. and Squillero, Giovanni},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; doi={10.1007/978-3-540-24653-4_44},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title={Tilings of Sequences of Co-evolved Images},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url={http://dx.doi.org/10.1007/978-3-540-24653-4_44 http://de.evo-art.org/index.php?title=Tilings_of_Sequences_of_Co-evolved_Images },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher={Springer Berlin Heidelberg},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; author={Greenfield, Gary},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; pages={427-436},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; language={English}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; }&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Tilings_of_Sequences_of_Co-evolved_Images&amp;diff=668&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „  == Reference ==  Greenfield, Gary: Tilings of Sequences of Co-evolved Images. In: Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_200…“</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Tilings_of_Sequences_of_Co-evolved_Images&amp;diff=668&amp;oldid=prev"/>
				<updated>2014-10-16T13:24:44Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „  == Reference == &lt;a href=&quot;/index.php?title=Gary_Greenfield&quot; title=&quot;Gary Greenfield&quot;&gt; Greenfield, Gary&lt;/a&gt;: Tilings of Sequences of Co-evolved Images. In: Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_200…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
== Reference ==&lt;br /&gt;
[[Gary Greenfield | Greenfield, Gary]]: Tilings of Sequences of Co-evolved Images. In: [[Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_2004_2 | EvoMUSART 2004]], S. 427-436. &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
http://link.springer.com/10.1007/978-3-540-24653-4_44&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Sims’ well-known technique for using evolving expressions to generate abstract images is paired with a co-evolutionary hosts and parasites fitness scheme to instantiate an evolutionary simulation. An added twist is that image populations are completely replaced after each generation. The goal is to identify evolutionary epochs where significant aesthetic themes emerge so that sequences of maximally fit images can be culled. Culled sequences are used to construct tilings. The technique yields abstract tilings where the interplay between creation, competition, and cooperation of visual themes combine to produce some surprising aesthetic results.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
Baluja, S., Pomerleau, D., Jochem, T.: Towards automated artificial evolution for computer-generated images. Connection Science 6, 325–354 (1994) &lt;br /&gt;
&lt;br /&gt;
Bedwell, E., Ebert, D.: Artificial evolution for implicit surfaces. In: Conference Abstracts and Applications, Computer Graphics Annual Conference Series, Association for Computing Machinery, New York, NY, p. 261 (1998)&lt;br /&gt;
&lt;br /&gt;
Dawkins, R.: The evolution of evolvability, Artificial Life. In: Langton, C. (ed.), pp. 201–220. Addison-Wesley, Reading (1989)&lt;br /&gt;
&lt;br /&gt;
Graf, J., Banzhaf, W.: Interactive evolution of images. In: McDonnell, J., et al. (eds.) Genetic Programming IV: Proceedings of the Fourth Annual Conference on Evolutionary Programming, pp. 53–65. MIT Press, Cambridge (1995)&lt;br /&gt;
&lt;br /&gt;
Greenfield, G.: Art and artificial life — a coevolutionary approach. In: Bedau, M., et al. (eds.) Artificial Life VII Conference Proceedings, pp. 529–536. MIT Press, Cambridge (2000)&lt;br /&gt;
&lt;br /&gt;
Greenfield, G.: Mathematical building blocks for evolving expressions. In: Sarhangi, R. (ed.) 2000 Bridges Conference Proceedings, Central Plain Book Manufacturing, Winfield, KS, pp. 61–70 (2000)&lt;br /&gt;
&lt;br /&gt;
Hillis, D.: Co-evolving parasites improves simulated evolution as an optimization procedure. In: Langton, C., et al. (eds.), Artificial Life II, pp. 313–324. Addison-Wesley, Reading (1991)&lt;br /&gt;
&lt;br /&gt;
Hitchcock, N.: Painting pictures through time. Computer Artist (December/ January 1996)&lt;br /&gt;
&lt;br /&gt;
Ibrahim, A.: GenShade, Ph.D. Dissertation, Texas A&amp;amp;M University (1998)&lt;br /&gt;
&lt;br /&gt;
Lewis, M.: Creating continuous design spaces using interactive genetic algorithms with layered, correlated, pattern functions. Ph.D. Dissertation, Ohio State University (2001)&lt;br /&gt;
&lt;br /&gt;
Machado, P., Cardoso, A.: Computing aesthetics. In: de Oliveira, F.M. (ed.) SBIA 1998. LNCS (LNAI), vol. 1515, pp. 219–229. Springer, Heidelberg (1998) &lt;br /&gt;
&lt;br /&gt;
McGuire, F.: The origins of sculpture: evolutionary 3D design. IEEE Computer Graphics &amp;amp; Applications, 9–12 (January 1993)&lt;br /&gt;
&lt;br /&gt;
Mount, J.: http://mzlabs.com/gart/g4.html&lt;br /&gt;
&lt;br /&gt;
Musgrave, K.: http://www.wizardnet.com/musgrave/mutatis.html&lt;br /&gt;
&lt;br /&gt;
Rooke, S.: Personal communication&lt;br /&gt;
&lt;br /&gt;
Rowbottom, A.: Evolutionary art and form. In: Bentley, P. (ed.), Evolutionary Design by Computers, pp. 261–277. Morgan Kaufmann Publishers, San Francisco (1999)&lt;br /&gt;
&lt;br /&gt;
Sims, K.: Artificial evolution for computer graphics. Computer Graphics 25, 319–328 (1991) &lt;br /&gt;
&lt;br /&gt;
Sims, K.: Interactive evolution of dynamical systems. In: Toward a Practice of Autonomous Systems: Proceedings of the First European Conference on Artificial Life, pp. 171–178. MIT Press, Cambridge (1991)&lt;br /&gt;
&lt;br /&gt;
Sprott, J.: The computer artist and art critic. In: Pickover. C. (ed.), Fractal Horizons, pp. 77–115 (1996)&lt;br /&gt;
&lt;br /&gt;
Staudek, T.: Computer-aided aesthetic evaluation of visual patterns. In: Barrallo, J., et al. (eds.) ISAMA/Bridges 2003 Conference Proceedings, University of Granada, Granada, Spain, pp. 143–150 (2003)&lt;br /&gt;
&lt;br /&gt;
Thomas, D.: Aesthetic selection of developmental art forms. In: Standish, R., et al. (eds.) Artificial Live VIII Conference Proceedings, pp. 157–163. MIT Press, Cambridge (2003)&lt;br /&gt;
&lt;br /&gt;
Todd, S., Latham, W.: Evolutionary Art and Computers, Academic Press, San Diego (1992)&lt;br /&gt;
&lt;br /&gt;
Unemi, T.: SBART 2.4: an IEC tool for creating two-dimensional images, movies, and collages. Leonardo 35, 189–192 (2002) &lt;br /&gt;
&lt;br /&gt;
Voss, D.: Sex is best. WIRED, December 1995, pp. 156–157 (1995)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
[extern file]&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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