http://de.evo-art.org/index.php?action=history&feed=atom&title=Vasarely%27s_Work%E2%80%94Invitation_to_Mathematical_and_Combinatorial_Visual_Games 2026-04-04T08:21:11Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Vasarely%27s_Work%E2%80%94Invitation_to_Mathematical_and_Combinatorial_Visual_Games&diff=4041&oldid=prev 2015-01-29T16:44:30Z

<p>Die Seite wurde neu angelegt: „ == Reference == Ljiljana Radovic and Slavik Jablan: <a href="/index.php?title=Vasarely%27s_Work%E2%80%94Invitation_to_Mathematical_and_Combinatorial_Visual_Games" title="Vasarely's Work—Invitation to Mathematical and Combinatorial Visual Games">Vasarely&#039;s Work—Invitation to Mathematical and Combinatorial Visual Games</a>. In: <a href="/index.php?title=Bridges_2010" title="Bridges 2010">Bridges 2010</a>. Pa…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Ljiljana Radovic and Slavik Jablan: [[Vasarely&#039;s Work—Invitation to Mathematical and Combinatorial Visual Games]]. In: [[Bridges 2010]]. Pages 127–134 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> We analyze Victor Vasarely’s works from the viewpoints of the theory of visual perception,<br /> mathematics and modularity. The conclusion is that almost all construction methods, modular elements,<br /> optical effects, and visual illusions belonging to these fields were (re)discovered by Vasarely, mostly by<br /> intuition, creative visual thinking, and experimenting, and then used in his artworks.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Collection of the Vasarely Museum, Pécs 1 .<br /> <br /> [2] C. Barrett, Op art, Studio Vista, London, 1970.<br /> <br /> [3] R. Arnheim, Visual thinking, University of California Press, Berkeley, 1969.<br /> <br /> [4] S.V. Jablan, Symmetry, Ornament and Modularity, World Scientific, New Jersey, London, Singapore,<br /> Hong Kong, 2002.<br /> <br /> [5] S.V. Jablan, Modularity in Science and Art, Visual Mathematics, 4, 1, 2002<br /> (http://www.mi.sanu.ac.rs/vismath/jablan/cover.htm).<br /> <br /> [6] B. Ernst, The Magic Mirror of M.C. Escher, Taschen, 1994.<br /> <br /> [7] Lj. Radovic and S. Jablan, Antisymmetry and Modularity in Ornamental Art, Visual Mathematics, 3,<br /> 2, 2001 (reprint from “Bridges” Proceedings, 2001, pp. 55-66),<br /> (http://www.mi.sanu.ac.rs/vismath/radovic/index.html)<br /> <br /> [8] N. Asakura, Fundamental Problems of Creating in the Three-Dimensional Space, Rikuyosha<br /> Publishing, Tokyo, 1992.<br /> <br /> [9] R. Sarhangi, S. Jablan and R. Sazdanovic, Modularity in Medieval Persian Mosaics: Textual,<br /> Empirical, Analytical, and Theoretical Considerations, Visual Mathematics, 7, 1, 2005 (reprint from<br /> “Bridges” Proceedings, 2004, pp. 281-292), (http://www.mi.sanu.ac.rs/vismath/sarhangi/index.html)<br /> <br /> [10] A. Kitaoka, Akiyoshi’s illusion pages, http://www.ritsumei.ac.jp/~akitaoka/index-e.html<br /> <br /> [11] From the Collections of the Janus Pannonius Museum in Pécs, Olmouc Museum of Art, Janos<br /> Pannonius Museum, Pécs, 2007.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2010/bridges2010-127.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2010/bridges2010-127.html</div>

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