http://de.evo-art.org/index.php?action=history&feed=atom&title=Visual_Liquidizer_or_Virtual_Merge 2026-05-19T00:47:33Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Visual_Liquidizer_or_Virtual_Merge&diff=3725&oldid=prev 2015-01-24T21:21:50Z

<p>Die Seite wurde neu angelegt: „== Reference == <a href="/index.php?title=Tatsuo_Unemi" title="Tatsuo Unemi">Tatsuo Unemi</a> and Daniel Bisig: <a href="/index.php?title=Visual_Liquidizer_or_Virtual_Merge#1_.28Installation.29" title="Visual Liquidizer or Virtual Merge">Visual Liquidizer or Virtual Merge #1 (Installation)</a>. In: <a href="/index.php?title=Generative_Art_2014" title="Generative Art 2014">Generative Art 2014</a>. == DOI == == Abstr…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> [[Tatsuo Unemi]] and Daniel Bisig: [[Visual Liquidizer or Virtual Merge #1 (Installation)]]. In: [[Generative Art 2014]]. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> This article describes a detail of the authors’ artwork entitled Visual Liquidizer or<br /> Virtual Merge, an interactive audio-visual installation inspired by an imaginary drug in<br /> a science fiction entitled Wetware by Rudy Rucker. This drug temporarily liquidizes<br /> the taker&#039;s body, which causes a type of tripping experience by mixing bodies of a<br /> couple of lovers. To provide the virtual experience of such kind to visitors, we<br /> designed a system that displays dynamic deformed figure of visitors using two types<br /> of swarm simulations for the image processing on the camera image and rendering<br /> on the display screen. Sounds are also generated to provide more impressive<br /> experience for visitors.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Rudy Rucker, “Wetware”, Avon Books, New York, US, 1988.<br /> <br /> [2] T. Unemi, SBART 2.4: an IEC Tool for Creating 2D Images, Movies, and Collage,<br /> Leonardo, Vol. 35, No. 2, pp. 171, 189-191, MIT Press, 2002.<br /> <br /> [3] Tatsuo Unemi and Daniel Bisig, “Flocking Orchestra - to play a type of generative<br /> music by interaction between human and flocking agents.” in C. Soddu ed.<br /> Proceedings of the eighth Generative Art Conference, Milan, Italy, December 15-<br /> 17, pp. 19-21, 2005.<br /> <br /> [4] Daniel Bisig and Tatsuo Unemi: MediaFlies - An Interactive Flocking Based Tool<br /> for the Remixing of Media, Proceedings of the 19th International FLAIRS<br /> Conference, Melbourne, FL, USA, 2006.<br /> <br /> [5] Tatsuo Unemi and Daniel Bisig: Flocking Messengers. in C. Soddu ed.<br /> Proceedings of the 9th Generative Art Conference, Milan, Italy, pp. 272-280,<br /> 2006.<br /> <br /> [6] Tatsuo Unemi and Daniel Bisig, “Identity SA - an interactive swarm-based<br /> animation with a deformed reflection.” in C. Soddu ed. Proceedings of the 10th<br /> Generative Art Conference, Milan, Italy, pp. 269-279, 2007.<br /> <br /> [7] Daniel Bisig and Tatsuo Unemi, &quot;Cycles - Blending Natural and Artificial<br /> Properties in a Generative Artwork.&quot; in C. Soddu ed. Proceedings of the 13th<br /> Generative Art Conference, Milan, Italy, pp. 140-154, 2010.<br /> <br /> [8] Chris Langton ed., &quot;Artificial Life.&quot; Addison-Wesley, 1989.<br /> <br /> [9] Tatsuo Unemi and Daniel Bisig, “Visual Deformation by Swarm – a Technique for<br /> Virtual Liquidizer of Objects.” in C. Soddu ed. Proceedings of the 17th Generative<br /> Art Conference, Rome, Italy, 2014.<br /> <br /> [10] Microsoft, &quot;Skeletal Tracking,&quot; Natural User Interface, Microsoft Developer<br /> Network, http://msdn.microsoft.com/en-us/library/hh973074.aspx#ID4ENB<br /> <br /> [11] OpenKinect, http://openkinect.org , 2011-2013.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://www.generativeart.com/GA2014_proceedings.pdf#page=384<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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