http://de.evo-art.org/index.php?action=history&feed=atom&title=Ways_of_Seeing%3A_Visualization_of_Artificial_Life_Environments 2026-05-17T21:35:01Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Ways_of_Seeing:_Visualization_of_Artificial_Life_Environments&diff=3250&oldid=prev 2015-01-13T12:17:54Z

<p>Die Seite wurde neu angelegt: „== Reference == <a href="/index.php?title=Jon_McCormack" title="Jon McCormack">Jon McCormack</a> and <a href="/index.php?title=Alan_Dorin&amp;action=edit&amp;redlink=1" class="new" title="Alan Dorin (Seite nicht vorhanden)">Alan Dorin</a>: <a href="/index.php?title=Ways_of_Seeing:_Visualization_of_Artificial_Life_Environments" title="Ways of Seeing: Visualization of Artificial Life Environments">Ways of Seeing: Visualization of Artificial Life Environments</a>. Workshop Proceedings of the 8th Intern…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> [[Jon McCormack]] and [[Alan Dorin]]: [[Ways of Seeing: Visualization of Artificial Life Environments]]. Workshop Proceedings of the 8th International Conference on the Simulation and Synthesis of Living Systems (Artificial Life VIII - Workshops), NSW, Australia, 10 December 2002, University of New South Wales, NSW, Australia, ISBN: 0-7317-0509-2, pp 155-162. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> This paper investigates the significance of cultural assump-<br /> tions associated with the methodology and epistemology of<br /> visualization in simulations. Starting with ideas from art<br /> theory on ‘ways of seeing’ in the context of painting, we<br /> look at the concepts of truth and representation in the visual<br /> image. Example images on the subject of evolution and arti-<br /> ficial life are examined to reveal the assumptions and im-<br /> plicit knowledge used by the creators and viewers. We use<br /> examples of visualization from other cultures to clarify the<br /> means by which knowledge influences conventions in repre-<br /> sentation, and how alternate modes of visual representation<br /> may offer new insights for visualization of artificial life sys-<br /> tems.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> Bedau, M.A., et al. 2000. Open problems in artificial life.<br /> Artificial Life 6(4):363-376.<br /> <br /> Benjamin, W. and Arendt, H. 1968. Illuminations. (1st<br /> Edition). New York: Harcourt Brace &amp; World.<br /> <br /> Berger, J. 1972. Ways of seeing: Based on the BBC televi-<br /> sion series with John Berger. London; Harmond-<br /> sworth: British Broadcasting Corporation; Penguin.<br /> <br /> Boden, M.A. 1996. The philosophy of artificial life. Oxford<br /> readings in philosophy, Oxford; New York: Ox-<br /> ford University Press.<br /> <br /> Cordle, D. 1999. Postmodern postures : Literature, science<br /> and the two cultures debate. Aldershot: Ashgate.<br /> <br /> Goodman, N. 1968. Languages of art; an approach to a<br /> theory of symbols. Indianapolis: Bobbs-Merrill.<br /> <br /> Langton, C.G. 1989. Artificial life. In Langton, C.G., ed.<br /> Artificial life, SFI studies in the sciences of com-<br /> plexity, Vol. VI. Addison-Wesley. 1-47.<br /> <br /> McCormack, J. 1998. Beyond the screen: Strategies for<br /> visualizing the impossible (web page),<br /> http://www.csse.monash.edu.au/~jonmc/stms/ (Accessed July 15, 2002).<br /> <br /> Pattee, H.H. 1988. Simulations, realizations, and theories<br /> of life. In Langton, C.G., ed. Artificial life, SFI<br /> studies in the sciences of complexity, Vol. VI.<br /> Addison-Wesley. 63-77.<br /> <br /> Raven, P.H. and Johnson, G.B. 1986. Biology. St. Louis,<br /> Missouri: Times Mirror/Mosby College Publishing.<br /> <br /> Singer, P. 1999. A darwinian left : politics, evolution and<br /> cooperation. Darwinism today, London: Weiden-<br /> feld &amp; Nicolson.<br /> <br /> Snow, C.P. 1959. The two cultures and the scientific revo-<br /> lution. Rede lectures ; 1959, London: Cambridge<br /> U.P.<br /> <br /> Solso, R.L. 1994. Cognition and the visual arts. The MIT<br /> press/Bradford books series in cognitive psychol-<br /> ogy, Cambridge, Mass.: MIT Press.<br /> <br /> Stokstad, M. 1995. Art history. New York, New Jersey:<br /> Prentice Hall, Inc., Harry N. Abrams, Inc.<br /> <br /> Taylor, T. 2002. Creativity in evolution: Individuals, inter-<br /> actions, and environments. In Bentley, P.J. and<br /> Corne, D.W. eds., Creative evolutionary systems,<br /> London: Academic Press. 79-108.<br /> <br /> Yaeger, L. 1994. Computational genetics, physiology, me-<br /> tabolism, neural systems, learning, vision, and be-<br /> havior or PolyWorld: Life in a new context. In<br /> Langton, C.G., ed. Artificial life III, SFI studies in<br /> the sciences of complexity, proceedings, Vol.<br /> XVII. Redwood City, CA: Addison-Wesley. 263-<br /> 298.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://www.csse.monash.edu.au/~jonmc/research/Papers/ways_of_seeing.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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