Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Manaris, B., Romero, J., Machado, P., Krehbiel, D., Hirzel, T., Pharr, W., Davis, R. (2005). Zipf’s law, music classification and aesthetic…“

2014-11-12T20:58:23Z

Die Seite wurde neu angelegt: „ == Reference == Manaris, B., Romero, J., Machado, P., Krehbiel, D., Hirzel, T., Pharr, W., Davis, R. (2005). Zipf’s law, music classification and aesthetic…“

Neue Seite

== Reference ==
Manaris, B., Romero, J., Machado, P., Krehbiel, D., Hirzel, T., Pharr, W., Davis, R. (2005). Zipf’s law, music classification and aesthetics. Computer Music Journal, 29(1): 55–69.

== DOI ==
http://dx.doi.org/10.1162/comj.2005.29.1.55

== Abstract ==

== Extended Abstract ==

== Bibtex ==

== Used References ==
Adamic, L. A., and B. A. Huberman. 2000. “The Nature of
Markets in the World Wide Web.” Quarterly Journal of
Electronic Commerce 1(1):5–12.

Anderson, C. M. 2000. “From Molecules to Mindfulness:
How Vertically Convergent Fractal Time Fluctuations
Unify Cognition and Emotion.” Consciousness & Emotion 1:2:193–226.

Arnheim, R. 1971. Entropy and Art: An Essay on Disor-
der and Order. Berkeley: University of California Press.

Aucouturier, J.-J., and F. Pachet. 2003. “Representing Mu-
sical Genre: A State of the Art.” Journal of New Music
Research 32(1):83–93.

Bak, P. 1996. How Nature Works: The Science of Self-
Organized Criticality. New York: Springer-Verlag.

Bak, P., C. Tang, and K. Wiesenfeld. 1987. “Self-Organized
Criticality: An Explanation for 1/f Noise.” Physical Re-
view Letters 59:381–384.

Barrett, L. F., and J. A. Russell. 1999. “The Structure of
Current Affect: Controversies and Emerging Consen-
sus.” Current Directions in Psychological Science
8(1):10–14.

Burgos, J. D., and P. Moreno-Tovar. 1996 “Zipf-Scaling
Behavior in the Immune System.” Biosystems 39(3):
227–232.

Eco, U. 1986. Art and Beauty in the Middle Ages. H.
Bredin, trans. New Haven: Yale University Press.

Elliot, J., and E. Atwell. 2000. “Is Anybody Out There?
The Detection of Intelligent and Generic Language-
Like Features.” Journal of the British Interplanetary
Society 53(1/2):13–22.

Ferrer Cancho, R., and R. V. Solé. 2003. “Least Effort and
the Origins of Scaling in Human Language.” Proceed-
ings of the National Academy of Sciences, U.S.A
100(3):788–791.

Hsu, K. J., and A. Hsu. 1991. “Self-Similarity of the ‘1/f
Noise’ Called Music.” Proceedings of the National
Academy of Sciences, U.S.A. 88(8):3507–3509.

Li, W. 1992. “Random Texts Exhibit Zipf’s-Law-Like
Word Frequency Distribution.” IEEE Transactions on
Information Theory 38(6):1842–1845.

Li, W. 1998. “Letter to the Editor.” Complexity 3(5):9–10.

Li, W., and Y. Yang. 2002. “Zipf’s Law in Importance of
Genes for Cancer Classification using Microarray
Data.” Journal of Theoretical Biology 219:539–551.

Livio, M. 2002. The Golden Ratio. New York: Broadway Books.

Machado, P., et al. 2003. “Power to the Critics—A Frame-
work for the Development of Artificial Critics.” Pro-
ceedings of 3rd Workshop on Creative Systems, 18th
International Joint Conference on Artificial Intelli-
gence (IJCAI 2003). Coimbra, Portugal: Center for
Informatics and Systems, University of Coimbra,
pp. 55–64.

Machado, P., et al. 2004. “Adaptive Critics for Evolutionary Artists.” Proceedings of EvoMUSART2004—2nd
European Workshop on Evolutionary Music and Art.
Berlin: Springer-Verlag, pp. 437–446.

Manaris, B., T. Purewal, and C. McCormick. 2002. “Pro-
gress Towards Recognizing and Classifying Beautiful
Music with Computers: MIDI-Encoded Music and the
Zipf-Mandelbrot Law.” Proceedings of the IEEE South-
eastCon 2002. New York: Institute of Electrical and
Electronics Engineers, pp. 52–57.

Manaris, B., et al. 2003. “Evolutionary Music and the
Zipf-Mandelbrot Law: Progress towards Developing Fit-
ness Functions for Pleasant Music.” Proceedings of
EvoMUSART2003—1st European Workshop on Evolu-
tionary Music and Art. Berlin: Springer-Verlag,
pp. 522–534.

Mandelbrot, B. B. 1977. The Fractal Geometry of Nature.
New York: W. H. Freeman.

Maslov, S., C. Tang, and Y.-C. Zhang. 1999. “1/f Noise in
Bak-Tang-Wiesenfeld Models on Narrow Stripes.”
Physical Review Letters 83(12):2449–2452.

May, M. 1996. “Did Mozart Use the Golden Section?”
American Scientist 84(2):118.

Meyer, L. B. 2001. “Music and Emotion: Distinctions and
Uncertainties.” In P. N. Juslin and J. A. Sloboda, eds.
Music and Emotion—Theory and Research. Oxford:
Oxford University Press: 341–360.

Miranda, E. R. 2001. Composing Music with Computers.
Oxford: Focal Press.

Miranda, E. R., et al. 2003. “On Harnessing the Electroen-
cephalogram for the Musical Braincap.” Computer Mu-
sic Journal 27(2):80–102.

Nettheim, N. 1997. “A Bibliography of Statistical Appli-
cations in Musicology.” Musicology Australia 20:94–
106.

Pampalk E., S. Dixon, and G. Widmer. 2004. “Exploring
Music Collections by Browsing Different Views.”
Computer Music Journal 28(2):49–62.

Ritossa, D. A., and N. S. Rickard. 2004. “The Relative
Utility of ‘Pleasantness’ and ‘Liking’ Dimensions in
Predicting the Emotions Expressed in Music.” Psychol-
ogy of Music 32(1):5–22.

Salingaros, N. A., and B. J. West. 1999. “A Universal Rule
for the Distribution of Sizes.” Environment and Plan-
ning B: Planning and Design 26:909–923.

Schroeder, M. 1991. Fractals, Chaos, Power Laws: Min-
utes from an Infinite Paradise. New York: W. H. Freeman.

Schubert, E. 1996. “Enjoyment of Negative Emotions in
Music: An Associative Network Explanation.” Psy-
chology of Music 24(1):18–28.

Schubert, E. 2001. “Continuous Measurement of Self-
Report Emotional Response to Music.” In P. N. Juslin
and J. A. Sloboda, eds. Music and Emotion—Theory
and Research. Oxford: Oxford University Press,
pp. 393–414.

Spehar, B., et al. 2003. “Universal Aesthetic of Fractals.”
Computers and Graphics 27:813–820.

Taylor, R. P., A. P. Micolich, and D. Jonas. 1999. “Fractal
Analysis Of Pollock’s Drip Paintings.” Nature
399:422.

Tzanetakis, G., G. Essl, and P. Cook. 2001. “Automatic
Musical Genre Classification of Audio Signals.” Pro-
ceedings of 2nd Annual International Symposium on
Music Information Retrieval. Bloomington: University
of Indiana Press, pp. 205–210.

Voss, R. F., and J. Clarke. 1975. “1/f Noise in Music and
Speech.” Nature 258:317–318.

Voss, R. F., and J. Clarke. 1978. “1/f Noise in Music: Mu-
sic from 1/f Noise.” Journal of the Acoustical Society
of America 63(1):258–263.

Wolfram, S. 2002. A New Kind of Science. Champaign,
Illinois: Wolfram Media.

Zhang, K., and T. J. Sejnowski. 2000. “A Universal Scaling
Law between Gray Matter and White Matter of Cere-
bral Cortex.” Proceedings of the National Academy of
Sciences, U.S.A 97(10):5621–5626.

Zipf, G. K. 1949. Human Behavior and the Principle of
Least Effort. New York: Addison-Wesley.

== Links ==
=== Full Text ===
http://www.idi.ntnu.no/emner/tdt4/2010%20articles/Zipf-music-johannes.pdf

[[intern file]]

=== Sonstige Links ===

Zipf’s law, music classification and aesthetics - Versionsgeschichte

Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Manaris, B., Romero, J., Machado, P., Krehbiel, D., Hirzel, T., Pharr, W., Davis, R. (2005). Zipf’s law, music classification and aesthetic…“