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(Used References)
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Humphrey, N.K.: The illusion of beauty. Perception 2, 429–439 (1973)
 
Humphrey, N.K.: The illusion of beauty. Perception 2, 429–439 (1973)
  
Johnson, C.G.: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 129–140. Springer, Heidelberg (2012) CrossRef
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Johnson, C.G.: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 129–140. Springer, Heidelberg (2012)  
  
 
Kant, I.: The critique of judgement. No. 246, 180. Clarendon Press, Oxford (1952)
 
Kant, I.: The critique of judgement. No. 246, 180. Clarendon Press, Oxford (1952)
Zeile 66: Zeile 66:
 
Martindale, C., Locher, P., Petrov, V.M. (eds.): Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Foundations and Frontiers in Aesthetics. Baywood Publishing Co., Inc. (2007)
 
Martindale, C., Locher, P., Petrov, V.M. (eds.): Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Foundations and Frontiers in Aesthetics. Baywood Publishing Co., Inc. (2007)
  
McCormack, J.: Open Problems in Evolutionary Music and Art. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 428–436. Springer, Heidelberg (2005) CrossRef
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McCormack, J.: Open Problems in Evolutionary Music and Art. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 428–436. Springer, Heidelberg (2005)  
 
   
 
   
 
McCormack, J.: Facing the future: Evolutionary possibilities for human-machine creativity. In: Machado, P., Romero, J. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, pp. 417–451. Springer (2008)
 
McCormack, J.: Facing the future: Evolutionary possibilities for human-machine creativity. In: Machado, P., Romero, J. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, pp. 417–451. Springer (2008)
Zeile 74: Zeile 74:
 
McCormack, J., Dorin, A.: Art, emergence and the computational sublime. In: Dorin, A. (ed.) Second Iteration: Conference on Generative Systems in the Electronic Arts, pp. 67–81. CEMA, Melbourne (2001)
 
McCormack, J., Dorin, A.: Art, emergence and the computational sublime. In: Dorin, A. (ed.) Second Iteration: Conference on Generative Systems in the Electronic Arts, pp. 67–81. CEMA, Melbourne (2001)
  
Nake, F.: Construction and intuition: Creativity in early computer art. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, pp. 61–94. Springer, Heidelberg (2012) CrossRef
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Nake, F.: Construction and intuition: Creativity in early computer art. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, pp. 61–94. Springer, Heidelberg (2012)  
  
O’Hear, A.: Art and technology: An old tension. Royal Institute of Philosophy Supplement 38, 143–158 (1995) CrossRef
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O’Hear, A.: Art and technology: An old tension. Royal Institute of Philosophy Supplement 38, 143–158 (1995)  
  
Oreskes, N., Shrader-Frechette, K., Belitz, K.: Verification, validation, and confirmation of numerical models in the earth sciences. Science 263, 641–646 (1994) CrossRef
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Oreskes, N., Shrader-Frechette, K., Belitz, K.: Verification, validation, and confirmation of numerical models in the earth sciences. Science 263, 641–646 (1994)  
  
 
Parikka, J.: Leonardo book review: The art of artificial evolution: A handbook on evolutionary art and music, http://www.leonardo.info/reviews/nov2008/parikka_art.html
 
Parikka, J.: Leonardo book review: The art of artificial evolution: A handbook on evolutionary art and music, http://www.leonardo.info/reviews/nov2008/parikka_art.html
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Scruton, R.: Beauty. Oxford University Press, Oxford (2009)
 
Scruton, R.: Beauty. Oxford University Press, Oxford (2009)
  
Takagi, H.: Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation. Proceedings of the IEEE 89, 1275–1296 (2001) CrossRef
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Takagi, H.: Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation. Proceedings of the IEEE 89, 1275–1296 (2001)  
  
 
Todd, S., Latham, W.: Mutator: a subjective human interface for evolution of computer sculptures. Tech. rep. (1991)
 
Todd, S., Latham, W.: Mutator: a subjective human interface for evolution of computer sculptures. Tech. rep. (1991)
  
 
Whitelaw, M.: Metacreation: art and artificial life. MIT Press, Cambridge (2004)
 
Whitelaw, M.: Metacreation: art and artificial life. MIT Press, Cambridge (2004)
 
  
 
== Links ==
 
== Links ==

Version vom 11. Oktober 2014, 16:03 Uhr

Referenz

Jon McCormack: Aesthetics, Art, Evolution. In: EvoMUSART 2013, S. 1-12.

DOI

http://link.springer.com/10.1007/978-3-642-36955-1_1

Abstract

This paper discusses issues in evolutionary art related to Art Theory and Aesthetics with a view to better understanding how they might contribute to both research and practice. Aesthetics is a term often used in evolutionary art, but is regularly used with conflicting or naïve understandings. A selective history of evolutionary art as art is provided, with an examination of some art theories from within the field. A brief review of aesthetics as studied in philosophy and art theory follows. It is proposed that evolutionary art needs to resolve some important conflicts and be clearer about what what it means by terms like “art” and “aesthetics”. Finally some possibilities for how to resolve these conflicts are described.

Extended Abstract

Bibtex

Used References

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McCormack, J.: Open Problems in Evolutionary Music and Art. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 428–436. Springer, Heidelberg (2005)

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McCormack, J., Dorin, A.: Art, emergence and the computational sublime. In: Dorin, A. (ed.) Second Iteration: Conference on Generative Systems in the Electronic Arts, pp. 67–81. CEMA, Melbourne (2001)

Nake, F.: Construction and intuition: Creativity in early computer art. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, pp. 61–94. Springer, Heidelberg (2012)

O’Hear, A.: Art and technology: An old tension. Royal Institute of Philosophy Supplement 38, 143–158 (1995)

Oreskes, N., Shrader-Frechette, K., Belitz, K.: Verification, validation, and confirmation of numerical models in the earth sciences. Science 263, 641–646 (1994)

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Takagi, H.: Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation. Proceedings of the IEEE 89, 1275–1296 (2001)

Todd, S., Latham, W.: Mutator: a subjective human interface for evolution of computer sculptures. Tech. rep. (1991)

Whitelaw, M.: Metacreation: art and artificial life. MIT Press, Cambridge (2004)

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