Argenia, a Natural Generative Design
Soddu, C.: Argenia, a Natural Generative Design. In: Generative Art 1998, Milano, Italy (1998).
Leon Battista Alberti defines the Beauty of Architecture "a concert of all the parts together, performed with proportion and logic in something in which it is possible to find again each event, in a modality that will not allow the inserting, extracting out or changing anything without decreasing its Beauty". With generative art we can approach, directly, this complex paradigm of proportions and logic, and we can directly design the Beauty, or better our idea of beauty, before the realization of each single possible artificial event. This is the heart of generative approach. The Generative Art work for the beauty, in the sense of the humanistic approach of Renaissance, because the generative code, which is the project of generative design, is the real structure of the idea. It defines how to concert all the parts and the dynamic relationship among these parts in the evolution of complexity. The generative project defines which is the law of proportion and which logic the dynamic evolution will follow. All the events that this code can generate will be, in humanistic sense, beautiful, or, if we prefer, will belong and represent our Idea of world. And more. The generative art produces events that are unique and complex. The uniqueness and complexity are strongly related one each other. As in Nature, each event is generated through an artificial life, which, as in the natural life, produces uniqueness, identity and complexity during a identifiable time. This complexity is a natural-like complexity. We can recognise, in the artificial ware we produce through this generative approach, the harmony and the beauty of the natural-like complexity that refers to the Humanistic approach of Renaissance: Man, Geometry, and Nature as references for "the harmony which is not thought as an individual caprice but as conscious reasoning." (L.B.Alberti, De re aedificatoria).
Celestino Soddu, “L’artificiale progettato” (designing the artificial ware), Casa del Libro Publisher, Reggio C. 1979.
Celestino Soddu, “L’immagine non euclidea” (not-euclidean image), Gengemi Publisher , Roma 1986.
Celestino Soddu, “Citta’ Aleatorie”(Random Cities), Masson Publisher , Milano 1989.
Celestino Soddu, Enrica Colabella, “Il progetto ambientale di morfogenesi” (Environmental Generative Design), Esculapio Publisher, Bologna 1992.
C.Soddu, “Progetto di specie”, (design of species) in the magazine “Sinopie” n.4, Milano 1991.
C.Soddu, “Simulation tools for the dynamic evolution of town shape”, in “Global change and local problems, Abstact book”, Oxford Polytechnic 1991.
C.Soddu, “La simulazione della dinamica evolutiva della forma, dagli scenari metropolitani ad design morfogenetico”, (The simulation of the evolutive dynamics shape. From urban scenarios to the morphogenetic industrial design), in the proceedings of the conference “La citta interattiva”, Milano, June 1991
C.Soddu, “Simulation tools for the learning approach to dynamic evolution of town shape, architecture and industrial design”, in “Proceedings. International Conference on computer aided learning and instruction in science and engineering”, published by Press Polytecniques et Universitaries Romandes. Lausanne 1991.
C.Soddu, E.Colabella, “Spatial and image dynamical models for controlling and planning the development of differences in an increasingly international and interdipendent world”, in the proceedings of the conference “Planning in a time of Change”, Stockholm 1992
C.Soddu, E.Colabella, “The project of morphogenesis to design the DNA or architecture”, in the proceedings of “CIB'92, World Building Congress”, Montreal 1992.
C.Soddu, “Il progetto ambientale attraverso i codici morfogenetici del naturale artificiale”, (the environmental design using morphogenetic codes of natural/artificial systems), in the book “Poiesis, l'informatica nel progetto euristico”, Citta' Studi Publisher, Milano 1993.
C.Soddu, lecture and art installation at the Gestaltung Museum of Zurich, “Morphogenetishes design: Architekturen” in “New Realities - Neue Wirklichkeiten II
ArchitekturAnimationenInstallationen” 27 Jan/4 Apr 1993, Museum fur Gestaltung Zurich.
C.Soddu, E.Colabella, “The morphogenetic design as an artificial intelligence system to support the management of design procedures through the total quality of the built-environment”, in the proceedings of “The management of Information Technology for Construction. First International Conference” Singapore, 17/20 August 1993.
C.Soddu, “The design of morphogenesis to design the genetic code of the artificial environment”, in 33rd European Congress of Regional Science Association, Moscow, August 1993.
C.Soddu, “Human machine interaction in design processes. A new search software to gene- rate the simulation of the increasing complexity of an idea about architecture, environment and industrial design”. in the proceeding of the congress “Computer Science, Communications and Society: A Technical and Cultural Challenge “ Neuchatel, 22/24 September. 1993.
C.Soddu, “Progetto di morfogenesi per un'architettura dei componenti. I pannelli metallici di copertura e di parete”, (The morphogenetic architectural design using components), in the proceedings of the congress AIPPEG at SAIE, 22 October 1993, Bologna, published in the magazine Rassegna AIPPEG n.1, Milano 1994.
C.Soddu, E.Colabella, “Experimental CBL original software to teach project approach and designing procedures in architecture and industrial design”, in the proceedings of the International Conference of Computer Based Learning in Science”, Wien 18/21 September 1993.
C.Soddu, “Il progetto di morfogenesi / Design of morphogenesis”, in the magazine Demetra, n.5 December 1993, Palermo. (in italian and english)
C.Soddu, E.Colabella, “La progettazione morfogenetica dell'ambiente urbano”, (Morphogenetic environmental design) in “Ridisegna la Citta'” catalogue of the exhibition Casaidea 1994, Roma 1994.
C.Soddu, “Intelligenza Artificiale e progetto di architettura. Dai vecchi CAD a nuovi strumenti che incrementano la creativita' progettuale come pensiero del possibile”, (AI and architectural design. From old CAD to new tools that increase the creativity as thought of possible events), in the magazine Archimedia n.4 1994
C.Soddu, E.Colabella, “The project of morphogenesis. A way to design the evolution code of the environment”, AESOP congress, Istambul 23-26 August 1994.
C.Soddu, E.Colabella, “Artificial Intelligence in the teching of architectural design”, in the proceedings of the conference Hypermedia in Sheffield, Sheffield 1995
C.Soddu, E.Colabella, “Recreating the city's identity with a morphogenetical urban design”, International Conference on Making the Cities Livable, Freiburg 1995.
C.Soddu, E.Colabella, “Artificial Intelligence and Architectural design”, CAAD Futures '95, Singapore 1995.
C.Soddu, E.Colabella, "Argenic design", paper at the International Conference "Contextual Design - Design in Contexts", The European Academy of Design, Stockholm 13-15.4.1997
C.Soddu, "Argenia, il progetto genetico dell'auto naturale", (Argenìa, the genetic project of natural car), in the proceedings of the congress “Mobilita' ed evoluzione dell'ambiente del XXI secolo, Motor Show Bologna 1997. Published in the book "Mobilita' del XXI secolo", Promotor publisher, Bologna 1997
C.Soddu, E.Colabella, "A Natural Approach to Industrial Design: Argenic Design", New Simplicity? international furniture design conference, Helsinki Aug 1997.
C.Soddu, Gege' Telesforo, "100% pure live funk and generative art", TV movie, STREAM. C.Soddu, Conference at the Demo Center, Modena, on "Argenia, la progettazione generati- va per i prodotti naturale dell'uomo" (Argenia, the generative design for the incoming natural ware), 23 Aprile , Modena 1998
C.Soddu, "Argenia, the natural approach to Architecture and Industrial Design" in the proceedings of Mecatronic workshop at the Universtity of Lancaster, 27/28 May 1998. (ISBN 1-86220-057-2).
C.Soddu, installation "La citta' naturale" (the natural city) at the exhibition HighLife at Smau 1998, with the show, in real time, of cities and argenic architecture. The exhibition has used the 360 degree anamorphic representation that is a patent by C.Soddu.
C.Soddu, "Argenia, una citta' naturale", (Argenìa, a natural city) at the conference Piazze Telematiche, with the link in videoconference with Milano, Roma, S.Marino, Frankfurt.. The proceedings are published in the book "Piazze telematiche", Piazzetelematiche ass. 1997