Computer-Ästhetik: Unterschied zwischen den Versionen

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'''Using Curves'''
 
'''Using Curves'''
  
* Ling Xu, David Mould: Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields. 1-80 DOI: 10.2312/COMPAESTH/COMPAESTH09/001-008
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* Ling Xu, David Mould: Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields. 1-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/001-008
* Sanghyun Seo, Jinwan Park, Kyunghyun Yoon: A Painterly Rendering Based on Stroke Profile and Database. 9-160 DOI: 10.2312/COMPAESTH/COMPAESTH09/009-016
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* Sanghyun Seo, Jinwan Park, Kyunghyun Yoon: A Painterly Rendering Based on Stroke Profile and Database. 9-160 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/009-016
* Soon Tee Teoh: Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings. 17-240 DOI: 10.2312/COMPAESTH/COMPAESTH09/017-024
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* Soon Tee Teoh: Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings. 17-240 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/017-024
  
 
'''Depicting the Natural World'''
 
'''Depicting the Natural World'''
  
* Yasuhiro Akagi, Mitsunori Kataama, Katsuhiro Kitajima: Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts. 25-320 DOI: 10.2312/COMPAESTH/COMPAESTH09/025-032
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* Yasuhiro Akagi, Mitsunori Kataama, Katsuhiro Kitajima: Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts. 25-320 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/025-032
* Margarita Bratkova, William B. Thompson, Peter Shirley: Automatic Views of Natural Scenes. 33-400 DOI: 10.2312/COMPAESTH/COMPAESTH09/033-040
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* Margarita Bratkova, William B. Thompson, Peter Shirley: Automatic Views of Natural Scenes. 33-400 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/033-040
* Pauline Jepp, Bruno Araújo, Joaquim A. Jorge, Brian Wyvill, Mario Costa Sousa: Style Nodes and Repolygonization for Hierarchical Tree-Based Implicit Surface Modelling. 41-480 DOI: 10.2312/COMPAESTH/COMPAESTH09/041-048
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* Pauline Jepp, Bruno Araújo, Joaquim A. Jorge, Brian Wyvill, Mario Costa Sousa: Style Nodes and Repolygonization for Hierarchical Tree-Based Implicit Surface Modelling. 41-480 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/041-048
  
 
'''Aesthetic Analyses'''
 
'''Aesthetic Analyses'''
  
*Mathias Pohl, Markus Schmitt, Stephan Diehl: Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis. 49-560 DOI: 10.2312/COMPAESTH/COMPAESTH09/049-056
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*Mathias Pohl, Markus Schmitt, Stephan Diehl: Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis. 49-560 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/049-056
*Marcel Spehr, Christian Wallraven, Roland W. Fleming: Image Statistics for Clustering Paintings According to their Visual Appearance. 57-640 DOI: 10.2312/COMPAESTH/COMPAESTH09/057-064
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*Marcel Spehr, Christian Wallraven, Roland W. Fleming: Image Statistics for Clustering Paintings According to their Visual Appearance. 57-640 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/057-064
  
 
'''Using and Modelling Cameras'''
 
'''Using and Modelling Cameras'''
  
* Nisha Sudarsanam, Cindy Grimm, Karan Singh: CubeCam: A Screen-space Camera Manipulation Tool. 65-710 DOI: 10.2312/COMPAESTH/COMPAESTH09/065-071
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* Nisha Sudarsanam, Cindy Grimm, Karan Singh: CubeCam: A Screen-space Camera Manipulation Tool. 65-710 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/065-071
* Chuan Li, Peter M. Hall, Philip Willis: ARTcams: Attributed Rational Tensor Cameras. 73-810 DOI: 10.2312/COMPAESTH/COMPAESTH09/073-081
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* Chuan Li, Peter M. Hall, Philip Willis: ARTcams: Attributed Rational Tensor Cameras. 73-810 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/073-081
* Min H. Kim, Jan Kautz: Consistent Scene Illumination using a Chromatic Flash. 83-890 DOI: 10.2312/COMPAESTH/COMPAESTH09/083-089
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* Min H. Kim, Jan Kautz: Consistent Scene Illumination using a Chromatic Flash. 83-890 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/083-089
  
 
'''Image Manipulation'''
 
'''Image Manipulation'''
  
* Stephen Brooks: Movie Posters from Video by Example. 91-980 DOI: 10.2312/COMPAESTH/COMPAESTH09/091-098
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* Stephen Brooks: Movie Posters from Video by Example. 91-980 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/091-098
* Cindy Grimm: Adding Lighting and Viewing Effects to Digital Images. 99-1050 DOI: 10.2312/COMPAESTH/COMPAESTH09/099-105
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* Cindy Grimm: Adding Lighting and Viewing Effects to Digital Images. 99-1050 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/099-105
* Neil A. Dodgson, Mark Grundland, Rahul Vohra: Contrast Brushes: Interactive Image Enhancement by Direct Manipulation. 107-1140 DOI: 10.2312/COMPAESTH/COMPAESTH09/107-114
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* Neil A. Dodgson, Mark Grundland, Rahul Vohra: Contrast Brushes: Interactive Image Enhancement by Direct Manipulation. 107-1140 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/107-114
  
 
'''Automated Synthesis'''
 
'''Automated Synthesis'''
  
* Alex Kalaidjian, Craig S. Kaplan, Stephen Mann: Automated Landscape Painting in the Style of Bob Ross. 115-1220 DOI: 10.2312/COMPAESTH/COMPAESTH09/115-122
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* Alex Kalaidjian, Craig S. Kaplan, Stephen Mann: Automated Landscape Painting in the Style of Bob Ross. 115-1220 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/115-122
* Oliver Deussen: Aesthetic Placement of Points Using Generalized Lloyd Relaxation. 123-1280 DOI: 10.2312/COMPAESTH/COMPAESTH09/123-128
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* Oliver Deussen: Aesthetic Placement of Points Using Generalized Lloyd Relaxation. 123-1280 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/123-128
  
 
'''Aesthetics'''
 
'''Aesthetics'''
  
* Lyn Bartram, Ai Nakatani: Distinctive Parameters of Expressive Motion. 129-1360 DOI: 10.2312/COMPAESTH/COMPAESTH09/129-136
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* Lyn Bartram, Ai Nakatani: Distinctive Parameters of Expressive Motion. 129-1360 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/129-136
* Christian Wallraven, Douglas W. Cunningham, Jaume Rigau, Miquel Feixas, Mateu Sbert: Aesthetic Appraisal of Art - from Eye Movements to Computers. 137-1440 DOI: 10.2312/COMPAESTH/COMPAESTH09/137-144
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* Christian Wallraven, Douglas W. Cunningham, Jaume Rigau, Miquel Feixas, Mateu Sbert: Aesthetic Appraisal of Art - from Eye Movements to Computers. 137-1440 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/137-144
  
  
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'''Artistic Content'''
 
'''Artistic Content'''
  
* Murat Germen: Inadvertent - Ars Accidentalis. 1-8
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* Murat Germen: Inadvertent - Ars Accidentalis. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008
* Elodie Fourquet: Composition in Perspectives. 9-16
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* Elodie Fourquet: Composition in Perspectives. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016
* Sven Banisch, Mateu Sbert: Fast Visualisation and Interactive Design of Deterministic Fractals. 17-24
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* Sven Banisch, Mateu Sbert: Fast Visualisation and Interactive Design of Deterministic Fractals. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024
* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: Animating Persian Floral Patterns. 25-32
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* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: Animating Persian Floral Patterns. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032
  
 
'''Annotation and Representation'''
 
'''Annotation and Representation'''
  
* Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. 33-40
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* Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. 33-40 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/033-040
* Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. 41-48
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* Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. 41-48 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048
* Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. 49-56
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* Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. 49-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056
  
 
'''Stylized Rendering'''
 
'''Stylized Rendering'''
  
* Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: Watercolor Illustrations of CAD Data. 57-63
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* Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: Watercolor Illustrations of CAD Data. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056
* Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: Arty Shapes. 65-72
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* Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: Arty Shapes. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072
* Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. 73-80
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* Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/073-080
  
 
'''Computational Photography'''
 
'''Computational Photography'''
  
* Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. 81-88
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* Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/081-088
* László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. 89-97
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* László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/089-097
* Daniel M. Germán: Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent. 99-106
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* Daniel M. Germán: Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent. 99-106 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106
  
 
'''Automated Analysis of Art'''
 
'''Automated Analysis of Art'''
  
* Neil A. Dodgson: Regularity and Randomness in Bridget Riley's Aarly Op Art. 107-114
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* Neil A. Dodgson: Regularity and Randomness in Bridget Riley's Aarly Op Art. 107-114 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/107-114
* Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh's Paintings. 115-122
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* Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh's Paintings. 115-122 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122
* Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: Pictorial Analysis of Line-drawings. 123-130
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* Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: Pictorial Analysis of Line-drawings. 123-130 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/123-130
* Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: Perceptual and Computational Categories in Art. 131-138
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* Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: Perceptual and Computational Categories in Art. 131-138 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138
  
  

Version vom 25. September 2014, 10:45 Uhr

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Begriff

Ästhetik Maße und Metriken

Konferenzen, Workshops

Proceedingsüberblick

Computational Aesthetics 2013

Donald H. House, Cindy Grimm (Eds.): Workshop on Computational Aesthetics, Anaheim, California, USA, 2013. Proceedings. ACM 2013. ISBN 978-1-4503-2203-4

Computational Aesthetics 2012

Douglas W. Cunningham, Donald H. House (Eds.): Computational Aesthetics 2012: Eurographics Workshop on Computational Aesthetics, Annecy, France, 4-6 June 2012. Proceedings. Eurographics Association 2012 ISBN 978-3-905674-43-9

Computational Aesthetics 2011

Douglas W. Cunningham, Tobias Isenberg (Eds.): Computational Aesthetics 2011: Eurographics Workshop on Computational Aesthetics, Vancouver, Canada, 2011. Proceedings. Eurographics Association 2011 ISBN 978-1-4503-0908-0

Computational Aesthetics 2010

Pauline Jepp, Oliver Deussen (Eds.): Computational Aesthetics 2010: Eurographics Workshop on Computational Aesthetics, London, United Kingdom, 2010. Eurographics Association 2010 ISBN 978-3-905674-24-8

Computational Aesthetics 2009

Oliver Deussen, Peter Hall (Eds.): Computational Aesthetics 2009: Eurographics Workshop on Computational Aesthetics, Victoria, British Columbia, Canada, 2009. Eurographics Association 2009 ISBN 978-3-905674-17-0

Computational Aesthetics 2008

Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8

Computational Aesthetics 2007

Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging, Banff, Alberta, Canada, June 20-22, 2007. Eurographics Association 2007 ISBN 978-3-905673-43-2

Computational Aesthetics 2006

Bruce Gooch, Laszlo Neumann, Werner Purgathofer and Mateu Sbert: Computational Aesthetics 2006: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2006 - 06221 Dagstuhl Report. Internationales Begegnungs- und Forschungszentrum für Informatik (IBFI), Schloss Dagstuhl, 2007, Dagstuhl, ISSN 1862-4405 http://drops.dagstuhl.de/opus/volltexte/2007/875/

Computational Aesthetics 2005

Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005 László Neumann, Mateu Sbert, Bruce Gooch, Werner Purgathofer (Eds.): Computational Aesthetics 2005: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2005, Girona, Spain, May 18-20, 2005. Eurographics Association 2005 ISBN 3-905673-27-4


Artikel

Artikel aus dem Kontext Evolutionäre Kunst

Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu; An Interface for Fitness Function Design. In: EvoMUSART 2014, S. 13-25

Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73

Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84

Gary Greenfield: An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images. In: EvoMUSART 2014, S. 85-94

Jon McCormack: Aesthetics, Art, Evolution. In: EvoMUSART 2013, S. 1-12

Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58

Kate Reed: Aesthetic Measures for Evolutionary Vase Design. In: EvoMUSART 2013, S. 59-71

João Correia, Penousal Machado, Juan Romero, Adrián Carballal: Feature Selection and Novelty in Computational Aesthetics. In: EvoMUSART 2013, S. 133-144

Colin G. Johnson: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: EvoMUSART 2012, S. 129-140

Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164

Heijer, E. den; Eiben, A.E.: Evolving Art Using Multiple Aesthetic Measures. In: EvoMUSART 2011, S. 234-243

Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403

Heijer, E. den; Eiben, A.E.: Comparing Aesthetic Measures for Evolutionary Art. In: EvoMUSART 2010, S. 311-320

Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415.

Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641

Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446

Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456

Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569




Artikel aus Computational Aesthetics Konferenzen

Computational Aesthetics 2013

Fill Patterns

  • Amir Semmo, Jan Eric Kyprianidis, Matthias Trapp, Jürgen Döllner: Real-Time Rendering of Water Surfaces with Cartography-Oriented Design. 5-14 DOI: 10.1145/2487276.2487277
  • Zainab AlMeraj, Craig S. Kaplan, Paul Asente: Patch-Based Geometric Texture Synthesis. 15-20 DOI: 10.1145/2487276.2487278

Modeling Characters

  • Shelley Gao, Christopher Werner, Amy Ashurst Gooch: Morphable guidelines for the human head. 21-28 DOI: 10.1145/2487276.2487281

Human Interfaces and Education

  • Colin Ware: Perceiving Complex Causation Through Interaction. 29-36 DOI: 10.1145/2487276.2487279

Algorithm aesthetics

  • Angus Forbes, Tobias Höllerer, George Legrady: Generative Fluid Profiles for Interactive Media Arts Projects. 37-44 DOI: 10.1145/2487276.2487287
  • Michael Burch, Daniel Weiskopf: The Aesthetics of Rapidly-Exploring Random Trees. 45-52 DOI: 10.1145/2487276.2487285

Pixels and Vectors

  • Marta Kryven, Elodie Fourquet: Generating Knitting Patterns from a Sketch: a CSP Approach. 53-62 DOI: 10.1145/2487276.2487284
  • Paul Asente, Nathan Carr: Creating Contour Gradients using 3D Bevels. 63-66 DOI: 10.1145/2487276.2487283

Image Processing / Vision

  • Paul L. Rosin, Yu-Kun Lai: Non-Photorealistic Rendering with Spot Colour. 67-76 DOI: 10.1145/2487276.2487280
  • Peter M. Hall, Yi-Zhe Song: Simple Art as Abstractions of Photographs. 77-86 DOI: 10.1145/2487276.2487288
  • Xihe Gao, Stephen Brooks, Dirk V. Arnold: Virtual Photograph Based Saliency Analysis of High Dynamic Range Images. 87-92 DOI: 10.1145/2487276.2487286
  • Seyed Ali Amirshahi, Christoph Redies, Joachim Denzler: How Self-Similar are Artworks at Different Levels of Spatial Resolution?. 93-100 DOI: 10.1145/2487276.2487282



Computational Aesthetics 2012

Art in Action

  • Jarek Rossignac, Mark Luffel, Alvar Vinacua: SAMBA: Steadied Choreographies. 1-9 DOI: 10.2312/COMPAESTH/COMPAESTH12/001-009
  • Barbara P. Castro, L. Velho, D. Kosminsky: Integrarte: Digital Art Using Body Interaction. 11-15 DOI: 10.2312/COMPAESTH/COMPAESTH12/011-015
  • Patrick A. Tresset, Frederic F. Leymarie: Sketches by Paul the Robot. 17-24 DOI: 10.2312/COMPAESTH/COMPAESTH12/017-024

Making it Change

  • Oliver Deussen, Thomas Lindemeier, Sören Pirk, Mark Tautzenberger: Feedback-guided Stroke Placement for a Painting Machine. 25-33 DOI: 10.2312/COMPAESTH/COMPAESTH12/025-033
  • Matt Lockyer, Lyn Bartram: The aMotion Toolkit: Painting with Affective Motion Textures. 35-43 DOI: 10.2312/COMPAESTH/COMPAESTH12/035-043
  • Ashwin Bangalore, Donald H. House: A Technique for Art Direction of Physically Based Fire Simulation. 45-54 DOI: 10.2312/COMPAESTH/COMPAESTH12/045-054

Aesthetics and Perspective

  • Shehroz S. Khan, Daniel Vogel: Evaluating Visual Aesthetics in Photographic Portraiture. 55-62 DOI: 10.2312/COMPAESTH/COMPAESTH12/055-062
  • Brian Wyvill, Paul G. Kry, Raimund Seidel, David Mould: Determining an Aesthetic Inscribed Curve. 63-70 DOI: 10.2312/COMPAESTH/COMPAESTH12/063-070
  • Carol MacGillivray, B. Mathez, Frederic Fol Leymarie: Developing a System of Screen-less Animation for Experiments in Perception of Movement. 71-80 DOI: 10.2312/COMPAESTH/COMPAESTH12/071-080

Pixelation and Colour

  • Henrik Lieng, Christian Richardt, Neil A. Dodgson: Random Discrete Colour Sampling. 81-87 DOI: 10.2312/COMPAESTH/COMPAESTH12/081-087
  • Hasti Seifi, Steve DiPaola, James T. Enns: Exploring the Effect of Color Palette in Painterly Rendered Character Sequences. 89-97 DOI: 10.2312/COMPAESTH/COMPAESTH12/089-097

Lines, Strokes and Textures in 3D

  • Pradeep Garigipati, Ergun Akleman: Duotone Surfaces. 99-106 DOI: 10.2312/COMPAESTH/COMPAESTH12/099-106
  • Qing Xing, Ergun Akleman, Gabriel Taubin, Jianer Chen: Surface Covering Curves. 107-114 DOI: 10.2312/COMPAESTH/COMPAESTH12/107-114

Image Processing, Image to Art

  • Jordan Miller, David Mould: Accurate and Discernible Photocollages. 115-124 DOI: 10.2312/COMPAESTH/COMPAESTH12/115-124



Computational Aesthetics 2011

Evaluation and Aesthetics

  • Jay Vidyarthi, Bernhard E. Riecke, Alissa Nicole Antle: Sympathetic Guitar: Humans Respond Socially to Interactive Technology in an Abstract, Expressive Context. 9-16 DOI: 10.2312/COMPAESTH/COMPAESTH11/009-016

Illusions

  • Marc Alexa, Wojciech Matusik: Images from Self-Occlusion. 17-24 DOI: 10.2312/COMPAESTH/COMPAESTH11/017-024
  • Tiffany Inglis, Craig S. Kaplan: Generating Op Art Lines. 25-32 DOI: 10.2312/COMPAESTH/COMPAESTH11/025-032

Symmetry and Geometry

  • Brian Cullen, Carol O'Sullivan: Symmetry Hybrids. 33-38 DOI: 10.2312/COMPAESTH/COMPAESTH11/033-038

Sketching & Design

  • A. Wanner: Building The Plotter - an Aesthetic Exploration with Drawing Robots. 39-46 DOI: 10.2312/COMPAESTH/COMPAESTH11/039-046

Rendering and Abstraction

  • J. Love, P. Pasquier, B. Wyvill, S. Gibson, George Tzanetakis: Aesthetic Agents: Swarm-based Non-photorealistic Rendering using Multiple Images. 47-54 DOI: 10.2312/COMPAESTH/COMPAESTH11/047-054

Animation

  • Shelley Gao, Lucy Pullen, Amy Ashurst Gooch: Double Meandering Algorithm: From Drawing Game to Automated Animation. 55-62 DOI: 10.2312/COMPAESTH/COMPAESTH11/055-062

Enhancing Sketching

  • Travis Kirton: Artistic Canvases for Gestural and Non-linear Typography. 63-70 DOI: 10.2312/COMPAESTH/COMPAESTH11/063-070

Light and Shadow

  • Aleksandra Dulic, Kenneth C. Newby: Performing Animator Instrument for Live Media. 71-80 DOI: 10.2312/COMPAESTH/COMPAESTH11/071-080

Perception

  • Christopher Gat, Hanyu Zhang, Daniel M. Germán, Melanie Tory: gamutHeatMap: Visualizing the Colour Shift of Rendering Intent Transformations. 81-88 DOI: 10.2312/COMPAESTH/COMPAESTH11/081-088
  • Matt Lockyer, Lyn Bartram, Bernhard E. Riecke: Simple Motion Textures for Ambient Affect. 89-96 DOI: 10.2312/COMPAESTH/COMPAESTH11/089-096
  • Christian Richardt, Lech Swirski, Ian P. Davies, Neil A. Dodgson: Predicting Stereoscopic Viewing Comfort Using a Coherence-Based Computational Model. 97-104 DOI: 10.2312/COMPAESTH/COMPAESTH11/097-104

Artistic Stylization

  • Jonathan Haber, Sean Lynch, M. Sheelagh T. Carpendale: ColourVis: Exploring Colour Usage in Paintings Over Time. 105-112 DOI: 10.2312/COMPAESTH/COMPAESTH11/105-112

Visualization & Beautification

  • Kristin Carlson, Thecla Schiphorst, C. Shaw: ActionPlot: A Visualization Tool for Contemporary Dance Analysis. 113-120 DOI: 10.2312/COMPAESTH/COMPAESTH11/113-120
  • Pattarawut Subyen, Diego S. Maranan, Thecla Schiphorst, Philippe Pasquier, Lyn Bartram: EMVIZ: The Poetics of Movement Quality Visualization. 121-128 DOI: 10.2312/COMPAESTH/COMPAESTH11/121-128

Modelling and Concepts

  • Nader Hamekasi, Faramarz F. Samavati, Ahmad H. Nasri: Interactive Modeling of Muqarnas. 129-136 DOI: 10.2312/COMPAESTH/COMPAESTH11/129-136


Computational Aesthetics 2010

Weird Images

  • Ligang Liu, Yong Jin, Qingbiao Wu: Realtime Aesthetic Image Retargeting. 1-8 doi: 10.2312/COMPAESTH/COMPAESTH10/001-008
  • Thomas K. Sharpless, Bruno Postle, Daniel M. Germán: Pannini: A New Projection for RenderingWide Angle Perspective Images . doi: 9-16 10.2312/COMPAESTH/COMPAESTH10/009-016
  • László Neumann, Ramón Hegedüs: A Robust and Universal Gradient Domain Imaging Solver Using Gradient Variables and Locally Varying Metrics. 17-24 doi: 10.2312/COMPAESTH/COMPAESTH10/017-024

Suggestive Lines

  • Mayank Singh, Scott Schaefer: Suggestive Hatching. 25-32 doi: 10.2312/COMPAESTH/COMPAESTH10/025-032
  • Brian Wyvill, Neil A. Dodgson: Recursive Scene Graphs for Art and Design. 33-40 doi: 10.2312/COMPAESTH/COMPAESTH10/033-040
  • Christian Hörr, Guido Brunnett, Christian Vix: Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts. 41-49 doi: 10.2312/COMPAESTH/COMPAESTH10/041-049
  • Marc Ruiz, Imma Boada, Miquel Feixas, Mateu Sbert: Interactive Volume Illustration Using Intensity Filtering. 51-58 doi: 10.2312/COMPAESTH/COMPAESTH10/051-058

Magic Brushes

  • Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. 59-66 doi: 10.2312/COMPAESTH/COMPAESTH10/059-066
  • Simon Colton: Stroke Matching for Paint Dances. 67-74 doi:10.2312/COMPAESTH/COMPAESTH10/067-074

Freaky Geometry

  • Michael Hansmeyer: Subdivision Beyond Smoothness. 75-81 doi: 10.2312/COMPAESTH/COMPAESTH10/075-081
  • Kate Kinnear, Craig S. Kaplan: Procedural Generation of Surface Detail for Science Fiction Spaceships. 83-90 doi: 10.2312/COMPAESTH/COMPAESTH10/083-090
  • Davide Cavagnino, Marco Gribaudo: Discretization of 3D Models Using Voxel Elements of Different Shapes. 91-98 doi: 10.2312/COMPAESTH/COMPAESTH10/091-098

Mental to Metal

  • Jaume Rigau, Miquel Feixas, Mateu Sbert, Christian Wallraven: Toward Auvers Period: Evolution of van Gogh's Style. 99-106 doi: 10.2312/COMPAESTH/COMPAESTH10/099-106

Crossover

  • Elodie Fourquet: Learning about Shadows from Artists. 107-114 doi: 10.2312/COMPAESTH/COMPAESTH10/107-114




Computational Aesthetics 2009

Using Curves

Depicting the Natural World

Aesthetic Analyses

Using and Modelling Cameras

Image Manipulation

Automated Synthesis

Aesthetics


Computational Aesthetics 2008

Artistic Content

Annotation and Representation

Stylized Rendering

Computational Photography

Automated Analysis of Art



Computational Aesthetics 2007

Computer Graphics and Projections

  • Daniel M. Germán, Pablo d'Angelo, Michael Gross, Bruno Postle: New Methods to Project Panoramas for Practical and Aesthetic Purposes. 15-22
  • Daniel M. Germán, Lloyd Burchill, Alexandre Duret-Lutz, Sébastien Pérez-Duarte, Emmanuel Pérez-Duarte, Josh Sommers: Flattening the Viewable Sphere. 23-28
  • Francisco González García, Mateu Sbert, Miquel Feixas: An Information-Theoretic Ambient Occlusion. 29-36

Stylized Images

  • Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: Composition Principles for Quality Depiction and Aesthetics. 37-44
  • David Mould: Stipple Placement using Distance in a Weighted Graph. 45-52
  • Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: Aesthetics of Hand-Drawn vs. Computer-Generated Stippling. 53-56

Colors and Visualization

  • Chris Bennett, Jody Ryall, Leo Spalteholz, Amy Gooch: The Aesthetics of Graph Visualization. 57-64
  • Caroline Larboulette: Celtic Knots Colorization based on Color Harmony Principles. 65-72
  • László Neumann, Martin Cadík, Antal Nemcsics: An Efficient Perception-based Adaptive Color to Gray Transformation. 73-80

Model Manipulation

  • Franz Gruber, Georg Glaeser: Magnetism and Minimal Surfaces - a Different Tool for Surface Design. 81-88
  • Douglas W. Cunningham, Christian Wallraven, Roland W. Fleming, Wolfgang Straßer: Perceptual Reparameterization of Material Properties. 89-96
  • Yuki Morimoto, Reiji Tsuruno, Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing. 97-104

Style Analysis and Metrics

  • Jaume Rigau, Miquel Feixas, Mateu Sbert: Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity. 105-112
  • Marc Alexa: Extracting the Essence from Sets of Images. 113-120

Interaction

  • Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell, Heinrich H. Bülthoff: In the Eye of the Beholder - Perception of Indeterminate Art. 121-128
  • Arlene Stamp, Tobias Isenberg, M. Sheelagh T. Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist. 129-134
  • Holly Schmidt, Uta Hinrichs, Alan Dunning, M. Sheelagh T. Carpendale: memory [en]code - Building a Collective Memory within a Tabletop Installation. 135-142
  • David W. Sprague, Amy Ashurst Gooch: Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments. 143-149

Artistic Papers

  • Jeremy Rotsztain: ColorScheme. 151-156
  • Randy Jones: A Poetics of Simulation for Audiovisual Performance. 157-162
  • Vicky Isley, Paul Smith: Theatre of Restless Automata. 163-166
  • Elif E. Ayiter: The Bridge Project. 167-170
  • Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. 171-177



Computational Aesthetics 2006

kein Proceedings, sondern nur Abstract-Sammlung als Dagstuhl Report 06221

  • Bartz, Dirk; Fischer, Jan; Salah, Zein; Cunningham, Douglas; Wallraven, Christian: Stylized Reality
  • Cadik, Martin; Wimmer, M.; Neumann, L.; Artusi, A.: Evaluation of Tone Mapping Operators Using Image Attributes
  • Cadik, Martin; Neumann, László: Evaluation of Tone Mapping Operators Using Image Attributes
  • Cunningham, Douglas W.; Wallraven, Christian; Bartz, Dirk; Fischer, Jan; Bülthoff, Heinrich H.; Straßer, Wolfgang: Facial expressions, stylization, and psychophysical evaluation
  • Ebert, David S.; Sousa, Mario Costa; Stredney, Don; Svakhine, Nikolai: Illustrative Visualization: Goals and Questions
  • Feixas, Miquel; Sbert, Mateu; González, Francisco; Rigau, Jaume: A Unified Information-Theoretic Framework for Viewpoint Selection
  • Glaeser, Georg; Gruber, Franz: The Beauty of Developable Surfaces
  • Amy Gooch: Visualizing Pentimenti: the Hidden History in a Painting
  • Gary R. Greenfield: Evolutionary Computation and Image Re-Coloring
  • Hartmann, Knut; Götzelmann, Timo ; Kamran, Ali; Strothotte, Thomas: Mapped Pictures: Aesthetic Image Annotations
  • Donald H. House: An Approach to the Perceptual Optimization of Visualizations
  • Interrante, Victoria; Saunders, P. Coleman: Color Aesthetics in Visualization and Natural Images
  • Isenberg, Tobias; Neumann, Petra; Carpendale, Sheelagh; Costa Sousa, Mario; Jorge, Joaquim A.: Aesthetics of Hand-Drawn and Computer-Generated Illustrations
  • Jepp, Pauline; Wyvill, Brian; Sousa, Mario Costa: Flocking Strokes
  • Craig S. Kaplan: A note on optimization
  • Leyvand, Tommer; Cohen-Or, Daniel; Dror, Gideon; Lischinski, Dani: Digital Face Beautification
  • Gary Meyer: What Will Make Us Aesthetics Experts?
  • Smith, Kaleigh; Krawczyk, Grzegorz; Myszkowski, Karol; Seidel, Hans-Peter: Beyond Tone Mapping: Enhanced Depiction of Tone Mapped HDR Images http://www.mpi-inf.mpg.de/resources/hdr/enhancedHDR/
  • Klaus Müller: Sub-Resolution Detail Generation for Illustrative Rendering Using Constrained Texture Synthesis
  • Neumann, Attila; Neumann László: High Dynamic Range Imaging using Multi-CLAHE methods
  • Neumann, László; Cadik, Martin: Gradient Importance based High Dynamic Range Imaging
  • Georg Petschnigg: Faithful Color with Flash
  • Sbert, Mateu; Feixas, Miquel; González, Francisco; García, Ismael; Castelló, Pascual Chover Miguel: A Unified Information-Theoretic Framework for Viewpoint Selection: Applications to Mesh Visibility, Saliency and Simplification
  • Georgios Stylianou: Crest Lines and Viewpoint Selection
  • Vazquez, Pere-Pau; Andújar, Carlos: Silhouette-aware saliency
  • Ivan Viola: Importance-Driven Focus of Attention
  • Daniel Weiskopf: Aesthetics and Relativity



Computational Aesthetics 2005

http://www.informatik.uni-trier.de/~ley/db/conf/cae/cae2005.html

Computational Aesthetics

  • Gary Greenfield: On the Origins of the Term "Computational Aesthetics". 9-12
  • Florian Hoenig: Defining Computational Aesthetics. 13-18

Non-Photorealistic Rendering

  • Hui Xu, Nathan Gossett, Baoquan Chen: Abstraction and Depiction of Sparsely Scanned Outdoor Environments. 19-27
  • Gianpiero di Blasi, Giovanni Gallo, Maria P. Petralia: Fast Techniques for Mosaic Rendering. 29-39
  • Tobias Isenberg, M. Sheelagh T. Carpendale, Mario Costa Sousa: Breaking the Pixel Barrier. 41-48
  • Matthew Kaplan, Elaine Cohen: A Generative Model For Dynamic Canvas Motion. 49-56
  • Mario Costa Sousa, Amy Ashurst Gooch, Bruce Gooch: Illustrative Scientific Visualization Framework. 57-65
  • Brian Wyvill, Kevin Foster, Pauline Jepp, Ryan Schmidt, Mario Costa Sousa, Joaquim A. Jorge: Sketch Based Construction and Rendering of Implicit Models. 67-74

Color and Imaging

  • Todor Georgiev: Aesthetics in Covariant Image Reconstruction. 75-81
  • Amy Ashurst Gooch, Bruce Gooch: Enhancing Perceived Depth in Images Via Artistic Matting. 83-89
  • Gary R. Greenfield, Donald H. House: A Palette-Driven Approach to Image Color Transfer. 91-99
  • Mark Grundland, Neil A. Dodgson: Color Search and Replace. 101-109
  • Attila Neumann, László Neumann: Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching. 111-122

Geometry

  • Georg Glaeser: On Nonlinear Perspectives in Science, Art and Nature. 123-132
  • Alain Marty: Straight away on Curved Spaces. 133-141
  • Efstathios Stavrakis, Margrit Gelautz: Computer Generated Stereoscopic Artwork. 143-149

Metrics of Aesthetics

  • Gary R. Greenfield: Designing Metrics for the Purpose of Aesthetically Evaluating. 151-158
  • Kresimir Matkovic, László Neumann, Attila Neumann, Thomas Psik, Werner Purgathofer: Global Contrast Factor - a New Approach to Image Contrast. 159-167
  • Esteve del Acebo, Mateu Sbert: Benford's Law for Natural and Synthetic Images. 169-176
  • Jaume Rigau, Miquel Feixas, Mateu Sbert: An Information-Theoretic Framework for Image Complexity. 177-184
  • Mateu Sbert, Dimitri Plemenos, Miquel Feixas, Francisco González García: Viewpoint Quality: Measures and Applications. 185-192

Visualization

  • Timo Götzelmann, Kamran Ali, Knut Hartmann, Thomas Strothotte: Form Follows Function: Aesthetic Interactive Labels. 193-200
  • Mario Costa Sousa, David S. Ebert, Don Stredney, Nikolai A. Svakhine: Illustrative Visualization for Medical Training. 201-208
  • Ivan Viola, Eduard Gröller: Smart Visibility in Visualization. 209-216

Color Design

  • Gary W. Meyer, Clement Shimizu: Computational Automotive Color Appearance. 217-222
  • Clement Shimizu, Gary W. Meyer: Computer Aided Color Appearance Design using Environment Map Based Lighting. 223-230
  • László Neumann, Antal Nemcsics, Attila Neumann: Computational Color Harmony based on Coloroid System. 231-240
  • Alexander Wilkie, Caroline Larboulette, Werner Purgathofer: Spectral Colour Order Systems and Appearance Metrics for Fluorescent Solid Colours. 241-245

Externe Links

http://www.computational-aesthetics.org/

http://en.wikipedia.org/wiki/Aesthetics#Computational_inference_of_aesthetics







Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005 18 - 20 May, 2005 in Girona, Spain

Proceedings http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH05


Non-photorealistic Rendering 1

- T. Isenberg, M. Costa Sousa, M. Sheelagh T. Carpendale: Breaking the Pixel Barrier

- B. Wyvill, K. Foster, P. Jepp, R. Schmidt, M. Costa Sousa, J. A. Jorge: Stylistic Rendering of Implicit Models

- M. Grundland, Ch. Gibbs, N. A. Dodgson: Stylized Rendering for Multiresolution Image Representation

- M. Costa Sousa, B. Gooch, A. Gooch: The NPR Pipeline

Stylization Techniques

- M. Kaplan, E. Cohen: Stylizations- Automatically Producing Expressive Renderings and Drawings

- E. Akleman: Automatic Creation of Expressive Caricatures: A Grand Challenge For Computer Graphics

- B. Chen : Abstraction and Depiction of Sparsely Scanned Outdoor Environments

INVITED TALK: David Salesin: From Kant to Computation: Why Aesthetics Matter Now More than Ever, and What We Can Do about It

Non- photorealistic Rendering 2

-J. Wan Park, Kyung hyun Yoon: Layered Mosaics for Stackable Objects

- G. Di Blasi, G. Gallo, M. Petralia: Fast Techniques for Mosaic Rendering

- M. Kaplan, E. Cohen: A Generative Model For Dynamic Canvas Motion

- E. Stavrakis, M. Gelautz: Computer Generated Stereoscopic Artwork

Visualization Methods

- I. Viola, M. E. Gröller: Smart Visibility in Visualization

- D. S. Ebert, D. Stredney, M. Costa Sousa: Computer- generated Illustrative Visualization Medical Training

- D. House, A. Bair, C. Ware : On the Optimization of Visualizations of Complex Phenomena

Color Transfer

- Ph. Bekaert, K. Vanhoutte, E. Joris: Radical Confluence: Translating Omni- Directional Video into Strategies of Performativity

- G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer

- L. Neumann, A. Neumann: Color- Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching

Artistic Imaging

- T. Georgiev: Aesthetics in Covariant Image Reconstruction

- L. Neumann, A. Neumann: Gradient Domain Imaging

- G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer

Color

- A. Wilkie, C. Larboulette, W. Purgathofer: Spectral Colour Ordering Systems and Appearance Metrics for Fluorescent Solid Colours

- G. W. Meyer, C. Shimizu: Computational Automotive Color Appearance

- L. Neumann, A. Nemcsics, A. Neumann: Computational Color Harmony based on Coloroid System

- B. Gooch: Color2Gray: Salience- Preserving Color Removal

INVITED TALK: Antal Nemcsics: The Coloroid color-order system and its application in the environmental color planning

Metrics

- B. Gooch: Enhancing Perceived Depth in Images Via Artistic Matting

- J. Rigau, M. Feixas, M. Sbert: An Information Theoretic Framework for Image Complexity

- G. R. Greenfield: On Designing and Testing Metrics to Aesthetically Evaluate Images

- K. Matkovic, A. Neumann, L. Neumann, Th. Psik, W. Purgathofer: Global Contrast Factor and a Framework for Aesthetical Metrics

Metrics and Complexity

- D. Plemenos, M. Sbert, M. Feixas: Viewpoint complexity of 3D scenes: definitions and applications

- K. Hartmann, K. Ali, T. Götzelmann, Th. Strothotte: Form Follows Function: Aesthetic Labeling Styles

- E. Del Acebo, M. Sbert: How Benford's Law can help in image analysis and classification

INVITED TALK: Oliver Deussen: Good looking landscapes, do we need more than accurate rendering?

Art

- G. Glaeser: Non-linear Perspectives in Nature, Art and Science

- A. Marty: Straight away on curved spaces

- A. Moroni: ArTbitrating JaVOX: an evolutionary environment for visual and sound composition



Computational Aesthetics in Graphics, Visualization and Imaging CAe 2006 28. Mai – 02. Juni 2006, Dagstuhl Seminar 06221


Computational Aesthetics in Graphics, Visualization and Imaging CAe 2007 20–22 June 2007 Banff, Alberta, Canada Proceedings: http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH07


Computational Aesthetics in Graphics, Visualization and Imaging CAe 2008 June 18–20 2008 Lisbon, Portugal

Computational Aesthetics in Graphics, Visualization and Imaging CAe 2009 May 28–30 2009 Victoria, British Columbia, Canada Using Curves

Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields (Ling Xu and David Mould)

A Painterly Rendering on Stroke Profile and Database (SangHyun Seo, JinWan Par, and KyungHyun Yoon)

Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings (Soon Tee Teoh)

Depicting the Natural World

Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts (Yasuhiro Akagi, Mitsunori Kataama, and Katsuhiro Kitajima)

Automatic Views of Natural Scenes (Margarita Bratkova, William B. Thompson, and Peter Shirley)

Style Nodes for Hierarchical Tree-Based Implicit Surface Modelling (Pauline Jepp, Bruno Rodrigues De Araujo, Joaquim Jorge, Brian Wyvill, and Mario Costa Sousa)

Aesthetic Analyses

Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis (Stephan Diehl, Mathias Pohl, and Markus Schmitt)

Image Statistics for Clustering Paintings According to Their Visual Appearance (Christian Wallraven)

Using and Modelling Cameras

CubeCam: A Screen-Space Camera Manipulation Tool (Cindy Grimm, Nisha Sudarsanam Singh, and Karan Singh)

ARTcams: Attributed Rational Tensor Cameras (Chuan Li, Peter Hall, and Phillip Willis)

Consistent Scene Illumination using a Chromatic Flash (Jan Kautz and Min H. Kim)

Image Manipulation

Movie Posters from Video by Example (Stephen Brooks)

Adding Lighting and Viewing Effects to Digital Images (Cindy Grimm)

Contrast Brushes: Direct, Local, Contrast Adjustment (Neil Dodgson, Mark Grundland, and Rahul Vohra)

Automated Synthesis

Automated Landscape Painting in the Style of Bob Ross (Alex Kalaidjian, Craig S. Kaplan, and Stephen Mann)

Aesthetic Placement of Points Using Generalized Lloyd Relaxation (Oliver Deussen)

Aesthetics

Distinctive Parameters of Expressive Motion (Lyn Bartram and Ai Nakatani)

Aesthetic Appraisal of Art – From Eye Movements to Computers (Christian Wallraven)








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