Exploring aesthetic pattern formation

Aus de_evolutionary_art_org
Wechseln zu: Navigation, Suche


Reference

Katie A Bentley: Exploring aesthetic pattern formation. In: Generative Art 2002, pp. 201–213 (2002).


DOI

Abstract

This paper is an exploration of an interdisciplinary nature. Through studies in fine art, pattern formation in nature, and artificial life, a mechanism for the artistic process is presented. Asynchronous updating schemes implemented in cellular automata and pheromonal agent swarms were evolved to produce aesthetic patterns and compared favourably to non-evolved synchronous production methods. The curious adaptive properties of the resulting patterns were investigated.

Extended Abstract

Bibtex

Used References

Frisch, K, V. (1975). Animal Architecture. Hutchinson of London, 1st edition.

Di Paolo, E. A. (2001). Rhythmic and non-rhythmic attractors in asynchronous random boolean networks. To appear in BioSystems.

Harvey, I. and Bossomaier, T. (ECAL97). Time out of joint: Attractors in asynchronous random boolean networks. In Husbands, P. and Harvey, I., editors, Proceedings of the Fourth European Conference on Artificial Life, pages 67–75.

Wolpert, L. and Stein, W, D. (1984). Positional information and pattern formation. In Malacinski, G. M. and Bryant, S. V, editors, Pattern Formation, pages 3–22. Macmillan Publishing Company, New York.

Kauffman, S. (1984). Pattern generation and regeneration. In Malacinski, G. M. and Bryant, S. V., editors, Pattern Formation, pages 73–102. Macmillan Publishing Company, New York.

Bonabeau, E., Guerin, S., Snyers, D., Kuntz, P., and Theraulaz, G. (1992). Three dimensional architectures grown by simple stigmergic agents. Biosystems, 56:13–32.

Grass ́e, P.-P. (1959). La Reconstruction du nid et les coordinations inter- individuelles chez Bellicositermes natalensis et Cubitermes sp. La th ́eorie de la stigmergie:. Elsevier Science.

Pask, G. (1962). Principles of Self-organisation, chapter A Proposed Evolutionary Model, pages 229–253. Symposium Publications Division, Pergamon Press, Oxford.

Dawkins, R. (1991). The Blind Watchmaker. Penguin Books.

Sims, K. (1991). Artificial evolution for computer graphics. In Computer Graphics (Siggraph ’91 proceedings), pages 319–328.

Dorin, A. (2001). Aesthetic fitness and artificial evolution for the selection of imagery from the mythical library. To appear in Advances in Artificial Life Proc 6th European Conf on Artificial Life.

Hornby, G. and Pollack, J. (2001b). Evolving l-systems to generate virtual creatures. Elsevier Science Ireland.

Coates, P and Carranza, P, M. (2001). Swarm modelling: The use of swarm intelligence to generate architectural form. CECA University of East London, London. http://ceca.uel.ac.uk/cad/ : visited 2002-03-14.

Tchalenko, J. (2002). The painters eye revisited. Science and Art: Seeing Both Sides, Wellcome News Supplement, The Wellcome Trust, 5:24–25.

Ades, D. (1995). Dali. World of Art Series, Thames and Hudson Ltd.

Donaldson, J. (1970). The Elements of Beauty. Also, Reflections on the harmony of sensibility and reason. Garland Publishing, New York.

Graven, J. (1968). Non Human Thought. Arlington Books, London.

Bentley, K. (2002). Evolving Asynchronous Adaptive Systems for an Exploration of Aesthetic Pattern Formation. EASy MSc Thesis. Available at: www.cs.ucl.ac.uk/staff/k.bentley (14/11/02).

Murray, J. D. (1989). Mathematical Biology. Springer-Verlag, Berlin.

Levy, S. (1992). Artificial Life: The Quest for a New Creation. Penguin Books, London.


Links

Full Text

http://www.generativeart.com/on/cic/papersGA2002/20.pdf

intern file

Sonstige Links