Jon McCormack

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Jon McCormack ist ein australischer Medienkünstler und Computerwissenschaftler. Er hält mehrere akademische Grade in Angewandter Mathematik und Computerwissenachaft an der Monash University, ein Diplom in Kunst (Film und TV) an der Swinburne University und einen PhD in Computerwissenachaft an der Monash University.


Wissenschaftliche Tätigkeit

Jon McCormack ist gegenwärtig außerordentlicher Professor in Computerwissenachaft, besitzt ein Forschungsstipendiat (ARC Australian Research Fellow) und ist Co-Direktor am Center für Electronic Media Art (CEMA) an der Monash University. CEMA ist ein interdisziplinäres Forschungszentrum zur Erforschung neuer Beziehungen zwischen Computerwissenschaften und den Künsten.

McCormacks Forschungsinteressen erstrecken sich von Generativer Kunst und Design, Kreativität, Visualisierung und Interaktion bis zu Maschinellem Lernen, L-Systeme und Entwicklungsmodellen.


Künstlerische Tätigkeit

Seit den späten 1980ern arbeitet McCormack an Computercode als Medium kreativen Ausdrucks inspiriert durch die Komplexität der natürlichen Welt. Seine Arbeit beschäftigt sich mit künstlicher elektronischer Natur, die eines Tages die natürliche, biologische Natur ersetzen könnte, die durch den menschlichen Fortschritt verloren gegangen ist.

Seine Kunstwerke wurden international durch bekannte Galerien, Museen und auf Symposien gezeigt, etwa im Museum of Modern Art (New York, USA), Tate Gallery (Liverpool, UK), ACM SIGGRAPH (USA), Prix Ars Electronica (Austria) und dem Australian Centre for the Moving Image (Australia).


Publikationen

2014

2013

Jon McCormack: Jon McCormack: Eden. in Peter Weibel and Ljiljana Fruk (eds), Molecular Aesthetics, ZKM Books/MIT Press, Karlsruhe/Boston, pp. 258-260, 2013 http://mitpress.mit.edu/books/molecular-aesthetics

Jon McCormack: "Evolutionary and A-Life Art: Cosmic Pyramids and the Origination of Novelty in Machines" (English with Russian translation) in Dmitry Bulatov (ed), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), National Centre for Contemporary Arts, Kaliningrad, Russia, pp. 84-101, 2013.

2012

Jon McCormack, Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012

Alan Dorin, J. McCabe, Jon McCormack, G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012. http://www.tandfonline.com/doi/abs/10.1080/14626268.2012.709940

A. Pirnia and Jon McCormack, "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf


2011

Jon McCormack and P. McIlwain, "Generative Composition with Nodal", in E. R. Miranda (ed): A-Life for Music: Music and Computer Models of Living Systems, A-R Editions, Inc. Middleton, Wisconsin, 2011, pp. 99-113

2010

2009

Oliver Bown, A. Eldridge and Jon McCormack: "Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects", Organised Sound Vol 14(2), Cambridge University Press, August 2009, pp. 188-196 http://www.csse.monash.edu.au/~jonmc/research/Papers/OrganisedSound2009.pdf

Jon McCormack: The Evolution of Sonic Ecosystems. In: Komosinski, Maciej; Adamatzky, Andrew (eds.), Artificial Life Models in Software (Second Edition), Springer, Berlin 2009 revised paper on Eden for the second edition of this book http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf

Jon McCormack, A. Eldridge, Alan Dorin and P. McIlwain, "Generative Algorithms for Making Music: Emergence, Evolution and Ecosystems", in R.T. Dean (ed.) The Oxford Handbook of Computer Music, Oxford University Press, pp. 354–379, 2009 http://www.oup.com/us/catalog/general/subject/Music/MusicHistoryWestern/TwentiethCentury/?view=usa&ci=9780195331615


2008

  • P. Brown, D. W. Cunningham, V. Interrante and Jon McCormack (eds), Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics in Graphics, Visualisation and Imaging, Eurographics Association, Aire-la-Ville, Switzerland, ISBN 978-3-905674-08-8, 2008

2007

Jon McCormack, P. McIlwain, A. Lane & A. Dorin, "Generative Composition with Nodal", in E.R. Miranda (ed.) Workshop on Music and Artificial Life (ECAL 2007), Lisbon, Portugal, 2007. http://www.csse.monash.edu.au/~jonmc/research/Papers/Nodal.pdf

2006

P. McIlwain, Jon McCormack, A. Dorin & A. Lane, "Composing With Nodal Networks", in Proceedings of the 2006 Australasian Computer Music Conference (ACMC), Haines (ed.), 2006, ACMA, Fitzroy, Australia 2006, pp. 101-7. http://www.csse.monash.edu.au/~jonmc/research/Papers/McilwainACMA06.pdf

2005

  • Jon McCormack: "A Developmental Model for Generative Media", in M. S. Capcarrere, A. A. Freitas, P. J. Bentley, C. G. Johnson and J. Timmis (eds), Lecture Notes in Artificial Intelligence, Vol 3630 [Proceedings of the 8th European Conf. on Advances in Artificial Life, (ECAL 2005), Canterbury, UK, 5-9 September 2005 ], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, ISBN-10: 3-540-28848-1, ISBN-13: 978-540-28848-0, pp 88-97. http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL05.pdf

P. McIlwain & Jon McCormack: "Design Issues in Musical Composition Networks", in T. Opie and A. Brown (eds), Proceedings of the Australiasian Computer Music Conference (ACMA), Queensland University of Technology, Brisbane, Australia. 12 - 14 July 2005, pp. 96-101. http://www.csse.monash.edu.au/~jonmc/research/Papers/acmc05-096-101.pdf

Jon McCormack: On the Evolution of Sonic Ecosystems. In: Adamatzky, A. & M. Komosinski (eds), Artificial Life Models in Software, Springer-Verlag, London. pp. 211-230. DOI: http://link.springer.com/chapter/10.1007/1-84628-214-4_9 http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf

2004

2003

Jon McCormack: Evolving Sonic Ecosystems. In: A Adamatzky (ed), The International Journal of Systems & Cybernetics - Kybernetes, Vol 32, Issue 1/2, 2003, Emerald, Northampton, UK, ISSN: 0368-492X, pp 184-202. http://www.csse.monash.edu.au/~jonmc/research/Papers/Kybernetes.pdf

Jon McCormack: Art and the Mirror of Nature. Digital Creativity, Vol 14, Issue 1, 2003 (Special issue on Generative Computation and the Arts, edited by Paul Brown), Swets & Zeitlinger BV, The Netherlands, ISSN: 1462-6268, pp 3-22.

2002

2001

Jon McCormack: Eden: an evolutionary sonic ecosystem. In: J. Kelemen and P. Sosik (eds), Lecture Notes in Artificial Intelligence, Vol 2159, Advances in Artificial Life, Proceedings of the 6th European Conference (ECAL), Prague, Czech Republic, 10 - 14 September 2001], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, 2001, pp 133-142. DOI: http://dx.doi.org/10.1007/3-540-44811-X_13 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL01.pdf

Alan Dorin and Jon McCormack: First Iteration – A Conference on Generative Systems in the Electronic Arts", Leonardo, Vol 34, Issue 3, (June 2001) and Issue 4 (August 2001), The MIT Press, Cambridge, MA, USA, ISSN: 0024-094X, pp 239-242.

1997

1996

Jon McCormack: Grammar Based Music Composition. In: Complex Systems 96: From Local Interactions to Global Phenomena, R. Stocker et. al., eds, ISO Press, Amsterdam, pp. 320-336. http://www.csse.monash.edu.au/~jonmc/research/Papers/L-systemsMusic.pdf

1993


Externe Links

http://jonmccormack.info/~jonmc/sa/ homepage

Jon.McCormack ät monash.edu

https://www.researchgate.net/profile/Jon_Mccormack4

Mitglied der Masterminds of Evolutionary Art


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