MultiCam: A System for Interactive Rendering of Abstract Digital Images
Inhaltsverzeichnis
Reference
Jeffrey Smith, Ergun Akleman, Richard Davison and John Keyser: MultiCam: A System for Interactive Rendering of Abstract Digital Images. In: Bridges 2004. Pages 265–272
DOI
Abstract
In this paper, we present an artist's tool, MultiCam, to design abstract paintings with a simple, interactive, and intuitive rendering technique. This interactive rendering system is inspired by multiple view ray-tracing techniques that are based on the cubist principle of multiple views and collage.
Extended Abstract
Bibtex
Used References
[1] E. Akleman and S. Meadows, "Camera Painting", webpage: www-viz.tamu.edulfaculty/ergunlresearchlartisticdepiction/
[2] R. H. Bartels, J. C. Beatty, and B. A Barsky, An Introduction To Splines for Use in Computer Graphics & Geometric Modeling. Los Altos, Calif.: Morgan Kaufmann Publishers, Inc., 1987.
[3] D. Cooper, The Cubist Epoch. New York: Phaidon Publishers, Inc., 1971.
[4] P. Cooper, Interpreting Cezanne. London: Tate Publishing, 1996.
[5] C. Curtis, S. Anderson, K. Fleischer, and D. Salesin. "Computer-Generated Watercolor", Proc. SIGGRAPH '97, pp. 421-430, Aug., 1997.
[6] A Glassner, "Cubism and Cameras: Free-form Optics for Computer Graphics", Microsoft Technical Report, MSR-TR-20oo-05, http://www.glassner.comlandrew/cg/researchlcubismlcubism.htm
[7] A Gooch, B. Gooch, P. Shirley, and E. Cohen, "A Non-Photorealistic Lighting Model for Automatic Technical Illustration", Proc. SIGGRAPH '98, pp. 447-452, Aug., 1998. [Gooc2oo1] B. Gooch and A Gooch, Non-Photorealistic Rendering. Natick, Mass.: AK. Peters, Ltd., 2001.
[8] C. Goodman, Digital Visions Computers and Art. New York: Harry N. Abrams, Inc., 1988.
[9] P. Haeberli, "Paint by Numbers: Abstract Image Representations", Proc. SIGGRAPH '90, pp. 207- 214, Aug., 1990.
[10] C. Knight, "Composite Views: Themes and Motifs in Hockney's Art." David Hockney: A Retrospective. Organizers, M. Tuchman and S. Barron. New York: Harry N. Abrams, Inc., 1988.
[11] B. Meier, "Painterly Rendering for Animation", Proc. SIGGRAPH '96, pp. 477-484, Aug., 1996.
[12] S. Meadows and E. Akleman, "Abstract Digital Paintings Created with Painting Camera Technique", Proc. D'ART 2000lInformation Visualization 2000, London, United Kingdom, July, 2000.
[13] M. Mohr, Personal website, www.emohr.comlindex.shtml.
[14] OpenGL Architecture Review Board, M. Woo, J. Neider, T. Davis, D. Shreiner, OpenGL Programming Guide: The Official Guide to Learning OpenGL, Version 1.2. Reading, Mass.: Addison- Wesley, 1999.
[15] H. Read, A Concise History of Modern Painting. London: Thames and Hudson, 1974.
[16] D. Rogers and J.A Adams, Mathematical Elements for Computer Graphics. New York: McGraw- Hill, Inc., 1976.
[17] K. Sims, "Artificial Evolution for Computer Graphics", Proc. SIGGRAPH '91, pp. 319-328, July, 1991.
[18] S. Snibbe, Personal website, www.snibbe.comlscottlindex.html.
[19] S. Snibbe and G. Levin E., "Interactive Dynamic Abstraction", Proc. NPAR 2000, pp. 21-29, June, 2000.
[20] C. Utterback. "Liquid Time: An Exploration of Video Cubism", SIGGRAPH 2000 Conference Abstracts and Applications, p. 223, July, 2000.
Links
Full Text
http://archive.bridgesmathart.org/2004/bridges2004-265.pdf
