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  1. Intern file‏‎ (1.652 Links)
  2. Internal file‏‎ (243 Links)
  3. Literatur zur Evolutionären Kunst‏‎ (125 Links)
  4. Penousal Machado‏‎ (67 Links)
  5. Gary Greenfield‏‎ (61 Links)
  6. Jon McCormack‏‎ (58 Links)
  7. Juan Romero‏‎ (48 Links)
  8. Bridges 2016‏‎ (46 Links)
  9. Brian J. Ross‏‎ (41 Links)
  10. Bridges 2013‏‎ (41 Links)
  11. Simon Colton‏‎ (39 Links)
  12. Tatsuo Unemi‏‎ (38 Links)
  13. Hideyuki Takagi‏‎ (37 Links)
  14. Philip Galanter‏‎ (34 Links)
  15. Computational Creativity 2014 ICCC 2014‏‎ (33 Links)
  16. Bridges 2012‏‎ (33 Links)
  17. Bridges 2015‏‎ (32 Links)
  18. Bridges 2011‏‎ (31 Links)
  19. Bridges 2017‏‎ (30 Links)
  20. Steve DiPaola‏‎ (30 Links)
  21. Computational Creativity 2015 ICCC 2015‏‎ (29 Links)
  22. Bridges 2006‏‎ (29 Links)
  23. Konferenzen und Workshops zur Evolutionären Kunst‏‎ (29 Links)
  24. Bridges 2014‏‎ (28 Links)
  25. Computational Aesthetics 2014‏‎ (28 Links)
  26. Computational Creativity 2010 ICCC 2010‏‎ (28 Links)
  27. Computational Creativity 2013 ICCC 2013‏‎ (27 Links)
  28. Dagstuhl Seminar 09291 2009: Computational Creativity: An Interdisciplinary Approach‏‎ (27 Links)
  29. Personen zur Evolutionären Kunst‏‎ (27 Links)
  30. Alan Dorin‏‎ (25 Links)
  31. Matthew Lewis‏‎ (25 Links)
  32. Rob Saunders‏‎ (24 Links)
  33. Bridges 2010‏‎ (23 Links)
  34. Craig S. Kaplan‏‎ (23 Links)
  35. Michael O'Neill‏‎ (23 Links)
  36. The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music‏‎ (23 Links)
  37. Computational Aesthetics 2015‏‎ (22 Links)
  38. Preference Learning‏‎ (21 Links)
  39. Bridges 2003‏‎ (21 Links)
  40. Bridges 2005‏‎ (21 Links)
  41. Bridges 2008‏‎ (21 Links)
  42. Bridges 2009‏‎ (20 Links)
  43. João Correia‏‎ (20 Links)
  44. Computational Creativity 2016 ICCC 2016‏‎ (20 Links)
  45. Oliver Bown‏‎ (20 Links)
  46. Bridges 2000‏‎ (20 Links)
  47. James McDermott‏‎ (19 Links)
  48. Jonathan Byrne‏‎ (18 Links)
  49. Anthony Brabazon‏‎ (17 Links)
  50. Computational Creativity 2011 ICCC 2011‏‎ (17 Links)
  51. Computational Creativity 2012 ICCC 2012‏‎ (17 Links)
  52. John Gero‏‎ (16 Links)
  53. Generative Art 2004‏‎ (16 Links)
  54. Adrian Carballal‏‎ (15 Links)
  55. Generative Art 2007‏‎ (15 Links)
  56. A. E. Eiben‏‎ (14 Links)
  57. EvoMUSART 2015‏‎ (13 Links)
  58. Eelco den Heijer‏‎ (13 Links)
  59. EvoMUSART 2017‏‎ (13 Links)
  60. Bridges 2001‏‎ (12 Links)
  61. Generative Art 2006‏‎ (12 Links)
  62. Generative Art 2010‏‎ (12 Links)
  63. Generative Art 2003‏‎ (11 Links)
  64. Scott Draves‏‎ (11 Links)
  65. Generative Art 2014‏‎ (11 Links)
  66. EvoMUSART 2010‏‎ (11 Links)
  67. Generative Art 2000‏‎ (11 Links)
  68. Tim Blackwell‏‎ (11 Links)
  69. Bridges 2002‏‎ (10 Links)
  70. Günter Bachelier‏‎ (10 Links)
  71. EvoMUSART 2016‏‎ (10 Links)
  72. Adrián Carballal‏‎ (10 Links)
  73. Victor Ciesielski‏‎ (10 Links)
  74. William Latham‏‎ (10 Links)
  75. Karen Trist‏‎ (10 Links)
  76. Antonino Santos‏‎ (10 Links)
  77. Generative Art 2001‏‎ (10 Links)
  78. Generative Art 2009‏‎ (10 Links)
  79. Amílcar Cardoso‏‎ (10 Links)
  80. Antonios Liapis‏‎ (9 Links)
  81. Stephen Todd‏‎ (9 Links)
  82. Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Process‏‎ (9 Links)
  83. Erik Hemberg‏‎ (9 Links)
  84. Tiago Martins‏‎ (9 Links)
  85. Bridges 2007‏‎ (9 Links)
  86. EvoMUSART 2012‏‎ (9 Links)
  87. Steven Bergen‏‎ (9 Links)
  88. Bill Manaris‏‎ (9 Links)
  89. John Collomosse‏‎ (9 Links)
  90. Jonathan Eisenmann‏‎ (9 Links)
  91. Computational Aesthetics 2016‏‎ (9 Links)
  92. Generative Art 2002‏‎ (9 Links)
  93. Palle Dahlstedt‏‎ (8 Links)
  94. Mohammad Majid al-Rifaie‏‎ (8 Links)
  95. EvoMUSART 2008‏‎ (8 Links)
  96. Henrique Nunes‏‎ (8 Links)
  97. Generative Art 2005‏‎ (8 Links)
  98. Paul Brown‏‎ (8 Links)
  99. Amilcar Cardoso‏‎ (8 Links)
  100. Joao Correia‏‎ (8 Links)
  101. EvoMUSART 2004‏‎ (8 Links)
  102. Christian Jacob‏‎ (8 Links)
  103. Paulo Urbano‏‎ (8 Links)
  104. EvoMUSART 2005‏‎ (8 Links)
  105. Open Problems in Evolutionary Music and Art‏‎ (8 Links)
  106. EvoMUSART 2013‏‎ (8 Links)
  107. David Augustus Hart‏‎ (8 Links)
  108. Michael O’Neill‏‎ (7 Links)
  109. Artificial evolution for computer graphics‏‎ (7 Links)
  110. Colin G. Johnson‏‎ (7 Links)
  111. Martin Hemberg‏‎ (7 Links)
  112. Rick Parent‏‎ (7 Links)
  113. Filipe Assunção‏‎ (7 Links)
  114. Jürgen Schmidhuber‏‎ (7 Links)
  115. Bridges 2004‏‎ (7 Links)
  116. EvoMUSART 2009‏‎ (7 Links)
  117. Evolving Figurative Images Using Expression-Based Evolutionary Art‏‎ (7 Links)
  118. Craig Reynolds‏‎ (7 Links)
  119. Alice Eldridge‏‎ (7 Links)
  120. Generative Art 2008‏‎ (7 Links)
  121. Exploring a Design Space for Patterns and Tilings Competition 2015‏‎ (7 Links)
  122. Karl Sims‏‎ (7 Links)
  123. Hugo Amaro‏‎ (7 Links)
  124. Expression-Based Evolution of Faces‏‎ (7 Links)
  125. Maarten H. Lamers‏‎ (7 Links)
  126. Walter Daelemans‏‎ (6 Links)
  127. Sebastian Von Mammen‏‎ (6 Links)
  128. EvoMUSART 2014‏‎ (6 Links)
  129. Evolutionary Visual Art and Design‏‎ (6 Links)
  130. Generative Art 2011‏‎ (6 Links)
  131. Benjamin Jefferys‏‎ (6 Links)
  132. Experiments in Computational Aesthetics‏‎ (6 Links)
  133. Anikó Ekárt‏‎ (6 Links)
  134. Fernando Graca‏‎ (6 Links)
  135. Evolutionary Art and Computers‏‎ (6 Links)
  136. Generative Art 2012‏‎ (6 Links)
  137. Michael Young‏‎ (6 Links)
  138. Vic Ciesielski‏‎ (6 Links)
  139. Picbreeder: A case study in collaborative evolutionary exploration of design space‏‎ (6 Links)
  140. Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation‏‎ (6 Links)
  141. Jon Bird‏‎ (6 Links)
  142. Yang Li‏‎ (6 Links)
  143. Graph-Based Evolution of Visual Languages‏‎ (6 Links)
  144. Olga Osorio‏‎ (6 Links)
  145. Dan Costelloe‏‎ (6 Links)
  146. Wettbewerbe zur Evolutionären Kunst‏‎ (6 Links)
  147. Generative Art 1999‏‎ (6 Links)
  148. Maria Luisa Santos‏‎ (6 Links)
  149. Miguel Nicolau‏‎ (6 Links)
  150. EvoMUSART 2011‏‎ (6 Links)
  151. Computational Aesthetics 2006‏‎ (6 Links)
  152. Evolutionäre Kunst‏‎ (6 Links)
  153. Miki Shaw‏‎ (6 Links)
  154. Frederic Fol Leymarie‏‎ (6 Links)
  155. Lawrence Kelley‏‎ (6 Links)
  156. Digitale Kunst‏‎ (6 Links)
  157. Ernesto Costa‏‎ (6 Links)
  158. Jeffrey Ventrella‏‎ (6 Links)
  159. Antonio Santos‏‎ (6 Links)
  160. Kate Reed‏‎ (6 Links)
  161. Computational Aesthetics 2008‏‎ (6 Links)
  162. Estanislao Sanmartín‏‎ (5 Links)
  163. A Step Towards the Evolution of Visual Languages‏‎ (5 Links)
  164. Pedro H. Abreu‏‎ (5 Links)
  165. Steven Rooke‏‎ (5 Links)
  166. Mohammad Ali Javaheri Javid‏‎ (5 Links)
  167. John Mark Bishop‏‎ (5 Links)
  168. Evelyne Lutton‏‎ (5 Links)
  169. EvoMUSART 2007‏‎ (5 Links)
  170. Ciaran McNally‏‎ (5 Links)
  171. Kazjon Grace‏‎ (5 Links)
  172. Peter Nordin‏‎ (5 Links)
  173. Emmanuel Cayla‏‎ (5 Links)
  174. Facing the Future: Evolutionary Possibilities for Human-Machine Creativity‏‎ (5 Links)
  175. Generative Art 2013‏‎ (5 Links)
  176. Craig Neufeld‏‎ (5 Links)
  177. Computational Aesthetics 2012‏‎ (5 Links)
  178. Generative Art 1998‏‎ (5 Links)
  179. Gerald Hushlak‏‎ (5 Links)
  180. William Ralph‏‎ (5 Links)
  181. Bridges 1998‏‎ (5 Links)
  182. Robert W. J. Flack‏‎ (5 Links)
  183. EvoMUSART 2003‏‎ (5 Links)
  184. Paul Nemirovsky‏‎ (5 Links)
  185. Michael Fenton‏‎ (5 Links)
  186. Bridges 1999‏‎ (5 Links)
  187. Robert Zimmer‏‎ (5 Links)
  188. Jonathan Chapuis‏‎ (5 Links)
  189. Sebastian Risi‏‎ (5 Links)
  190. Perry Barile‏‎ (5 Links)
  191. Elizabeth Shotton‏‎ (5 Links)
  192. Graham Wakefield‏‎ (4 Links)
  193. Nuno Correia‏‎ (4 Links)
  194. Rocio von Jungenfeld‏‎ (4 Links)
  195. EvoMUSART 2006‏‎ (4 Links)
  196. The Art of Artificial Evolution - book preface‏‎ (4 Links)
  197. Katrin Jonas‏‎ (4 Links)
  198. Kil-Sang Yoo‏‎ (4 Links)
  199. Computational Aesthetics 2009‏‎ (4 Links)
  200. Ludivine Lechat‏‎ (4 Links)
  201. Stayko Chalakov‏‎ (4 Links)
  202. Aesthetic Classification and Sorting Based on Image Compression‏‎ (4 Links)
  203. Eirini Vouliouri‏‎ (4 Links)
  204. Evolving three-dimensional objects with a generative encoding inspired by developmental biology‏‎ (4 Links)
  205. Using DNA to generate 3D organic art forms‏‎ (4 Links)
  206. Inverse Mapping with Sensitivity Analysis for Partial Selection in Interactive Evolution‏‎ (4 Links)
  207. Visual deformation by swarm – a technique for virtual liquidization of objects + Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  208. Jônatas Manzolli‏‎ (4 Links)
  209. Daryl D'Souza‏‎ (4 Links)
  210. Henrik Hautop Lund‏‎ (4 Links)
  211. Colin Johnson‏‎ (4 Links)
  212. Francisco Fernández De Vega‏‎ (4 Links)
  213. Pedro Isasi‏‎ (4 Links)
  214. Distance-based relevance feedback using a hybrid interactive genetic algorithm for image retrieval‏‎ (4 Links)
  215. Achim Menges‏‎ (4 Links)
  216. Computational Aesthetics 2010‏‎ (4 Links)
  217. Adriano Vinhas‏‎ (4 Links)
  218. Edward Zajec‏‎ (4 Links)
  219. Maciej Troc‏‎ (4 Links)
  220. Martin Perris‏‎ (4 Links)
  221. Alejandro Pazos‏‎ (4 Links)
  222. Mauro Annunziato‏‎ (4 Links)
  223. Erwin Driessens‏‎ (4 Links)
  224. Genetic algorithm-based relevance feedback for image retrieval using local similarity patterns‏‎ (4 Links)
  225. A. K. Qin‏‎ (4 Links)
  226. GenoTyp, an experiment about genetic typography‏‎ (4 Links)
  227. Mitchell Whitelaw‏‎ (4 Links)
  228. Brooke Jamieson‏‎ (4 Links)
  229. Jae C. Oh‏‎ (4 Links)
  230. A Palette-Driven Approach to Image Color Transfer‏‎ (4 Links)
  231. Jingyuan Hu‏‎ (4 Links)
  232. Joyce Wong‏‎ (4 Links)
  233. David W. Corne‏‎ (4 Links)
  234. Defining Computational Aesthetics‏‎ (4 Links)
  235. Yago Saez‏‎ (4 Links)
  236. The Problem with Evolutionary Art Is‏‎ (4 Links)
  237. Leonardo Trujillo‏‎ (4 Links)
  238. Computational Aesthetic Evaluation: Past and Future‏‎ (4 Links)
  239. Adaptive Critics for Evolutionary Artists‏‎ (4 Links)
  240. Aesthetic Evolution of L-Systems Revisited‏‎ (4 Links)
  241. Toward Greater Artistic Control for Interactive Evolution of Images and Animation‏‎ (4 Links)
  242. Michel Gonçalves‏‎ (4 Links)
  243. Exploring the Effect of Color Palette in Painterly Rendered Character Sequences‏‎ (4 Links)
  244. Vignesh Kaushik‏‎ (4 Links)
  245. Jinhong Zhang‏‎ (4 Links)
  246. Chang-Jun Hu‏‎ (4 Links)
  247. Kelly Moylan‏‎ (4 Links)
  248. Patrick Janssen‏‎ (4 Links)
  249. Pedro Torres‏‎ (4 Links)
  250. Divya Sharma‏‎ (4 Links)
  251. Peter van der Putten‏‎ (4 Links)
  252. The design of high-level features for photo quality assessment‏‎ (4 Links)
  253. Luigi Pagliarini‏‎ (4 Links)
  254. Mathematical building blocks for evolving expressions‏‎ (4 Links)
  255. Computing aesthetics with image judgement systems‏‎ (4 Links)
  256. Tristan Basa‏‎ (4 Links)
  257. An IEC-based support system for font design‏‎ (4 Links)
  258. Miguel Frade‏‎ (4 Links)
  259. Rasmus Taarnby‏‎ (4 Links)
  260. Rebeca Perez‏‎ (4 Links)
  261. An improved interactive genetic algorithm incorporating relevant feedback‏‎ (4 Links)
  262. Creative ecosystems‏‎ (4 Links)
  263. Finding Image Features Associated with High Aesthetic Value by Machine Learning‏‎ (4 Links)
  264. A Platform for Evolving Controllers for Simulated Drawing Robots‏‎ (4 Links)
  265. Juan Julián Merelo Guervós‏‎ (4 Links)
  266. Arty Shapes‏‎ (4 Links)
  267. Computational Aesthetics 2005‏‎ (4 Links)
  268. Peter J. B. Hancock‏‎ (4 Links)
  269. Luz Castro‏‎ (4 Links)
  270. Azalea Raad‏‎ (4 Links)
  271. Towards the Development of Artificial Art Critics‏‎ (4 Links)
  272. Evotype: Evolutionary Type Design‏‎ (4 Links)
  273. Michael Cook‏‎ (4 Links)
  274. Olgierd Unold‏‎ (4 Links)
  275. Feature Selection and Novelty in Computational Aesthetics‏‎ (4 Links)
  276. Janis Jefferies‏‎ (4 Links)
  277. Espen Gangvik‏‎ (4 Links)
  278. NEvAr – the assessment of an evolutionary art tool‏‎ (4 Links)
  279. Evaluation of Creative Aesthetics‏‎ (4 Links)
  280. Flocks, herds, schools. A distributed behavioural model‏‎ (4 Links)
  281. Chao Liu‏‎ (4 Links)
  282. Daniel Ashlock‏‎ (4 Links)
  283. Christian Anthony Go‏‎ (4 Links)
  284. Wim van Eck‏‎ (4 Links)
  285. The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution‏‎ (4 Links)
  286. A human-oriented image retrieval system using interactive genetic algorithm‏‎ (4 Links)
  287. Ashley Mills‏‎ (4 Links)
  288. Shahrul Badariah Mat Sah‏‎ (4 Links)
  289. Peter J. Bentley‏‎ (4 Links)
  290. Luís Correia‏‎ (4 Links)
  291. Piero Pierucci‏‎ (4 Links)
  292. Maria Verstappen‏‎ (4 Links)
  293. Tom De Smedt‏‎ (4 Links)
  294. All the truth about NEvAr‏‎ (4 Links)
  295. Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity‏‎ (4 Links)
  296. Bill Bigge‏‎ (4 Links)
  297. Una-May O'Reilly‏‎ (4 Links)
  298. Javier Segovia‏‎ (4 Links)
  299. Teresa Chambel‏‎ (4 Links)
  300. Joe Faith‏‎ (4 Links)
  301. On the Development of Critics in Evolutionary Computation Artists‏‎ (4 Links)
  302. On the Socialization of Evolutionary Art‏‎ (4 Links)
  303. Gunnar Tufte‏‎ (4 Links)
  304. Hans E. Dehlinger‏‎ (4 Links)
  305. Dave Murray-Rust‏‎ (4 Links)
  306. Won-Hyung Lee‏‎ (4 Links)
  307. Computational Aesthetics 2007‏‎ (4 Links)
  308. Liraz Mor‏‎ (4 Links)
  309. Duncan F. Gillies‏‎ (4 Links)
  310. Mario García Valdez‏‎ (4 Links)
  311. Allan Campbell‏‎ (4 Links)
  312. Evolving the Mandelbrot Set to Imitate Figurative Art‏‎ (4 Links)
  313. Ming Chen‏‎ (4 Links)
  314. Nils Svangard‏‎ (4 Links)
  315. Nuno A. C. Henriques‏‎ (4 Links)
  316. Andy Webster‏‎ (4 Links)
  317. Robot Paintings Evolved Using Simulated Robots‏‎ (4 Links)
  318. Carlos Cotta‏‎ (4 Links)
  319. Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  320. Charlie D. Frowd‏‎ (4 Links)
  321. Gustavo Olague‏‎ (4 Links)
  322. Haru (Hyunkyung) Ji‏‎ (4 Links)
  323. Oscar Sanjuan‏‎ (4 Links)
  324. Designing Metrics for the Purpose of Aesthetically Evaluating‏‎ (4 Links)
  325. Comparing Aesthetic Measures for Evolutionary Art‏‎ (4 Links)
  326. Peter M. Hall‏‎ (4 Links)
  327. Phil Husbands‏‎ (4 Links)
  328. Steven Fuchs‏‎ (4 Links)
  329. Marsha Berry‏‎ (4 Links)
  330. Computers and Creativity‏‎ (4 Links)
  331. New directions for evolving expressions‏‎ (3 Links)
  332. Nina Rask‏‎ (3 Links)
  333. Expressions, Assemblages and Grammars‏‎ (3 Links)
  334. Mohamed Slimane‏‎ (3 Links)
  335. Aneta Neumann‏‎ (3 Links)
  336. Building The Plotter - an Aesthetic Exploration with Drawing Robots‏‎ (3 Links)
  337. Feedback-guided Stroke Placement for a Painting Machine‏‎ (3 Links)
  338. Jerome Sheahan‏‎ (3 Links)
  339. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  340. On the development of evolutionary artificial artists‏‎ (3 Links)
  341. What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity‏‎ (3 Links)
  342. David Glowacki‏‎ (3 Links)
  343. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (3 Links)
  344. Simple Art as Abstractions of Photographs‏‎ (3 Links)
  345. Evolutionary L-systems‏‎ (3 Links)
  346. Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice‏‎ (3 Links)
  347. Abstract Overlays using a Transport Network Model‏‎ (3 Links)
  348. Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation‏‎ (3 Links)
  349. Software zur Evolutionären Kunst‏‎ (3 Links)
  350. Accurate and Discernible Photocollages‏‎ (3 Links)
  351. Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition‏‎ (3 Links)
  352. The aMotion Toolkit: Painting with Affective Motion Textures‏‎ (3 Links)
  353. Philip Cardiff‏‎ (3 Links)
  354. Edward Davies‏‎ (3 Links)
  355. Generative Art after Computers + artwork: TSP Analytics: solver‏‎ (3 Links)
  356. Straight away on Curved Spaces‏‎ (3 Links)
  357. Manuel Muehlbauer‏‎ (3 Links)
  358. Inadvertent - Ars Accidentalis‏‎ (3 Links)
  359. Enhancements to constrained novelty search: two-population novelty search for generating game content‏‎ (3 Links)
  360. Genetic-based approaches in ranking function discovery and optimization in information retrieval – a framework‏‎ (3 Links)
  361. Genetic Paint: A Search for Salient Paintings‏‎ (3 Links)
  362. Computers and Creativity: The Road Ahead‏‎ (3 Links)
  363. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (3 Links)
  364. Nazanin Alsadat Tabatabaei Anaraki‏‎ (3 Links)
  365. An Efficient Perception-based Adaptive Color to Gray Transformation‏‎ (3 Links)
  366. R. Nabuurs‏‎ (3 Links)
  367. An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images‏‎ (3 Links)
  368. Miri Weiss Cohen‏‎ (3 Links)
  369. Breaking the Pixel Barrier‏‎ (3 Links)
  370. Recursive Scene Graphs for Art and Design‏‎ (3 Links)
  371. Swarms on Stage – Swarm Simulations for Dance Performance‏‎ (3 Links)
  372. Interpretation-driven Visual Association‏‎ (3 Links)
  373. Symmetry Hybrids‏‎ (3 Links)
  374. Using complexity estimates in aesthetic image classification‏‎ (3 Links)
  375. Nuno Duarte‏‎ (3 Links)
  376. Vic Ciesielksi‏‎ (3 Links)
  377. Richard Watson‏‎ (3 Links)
  378. Ant Paintings Based on the Seed Foraging Behavior of P. barbatus‏‎ (3 Links)
  379. A Painterly Rendering Based on Stroke Profile and Database‏‎ (3 Links)
  380. Jim Smith‏‎ (3 Links)
  381. Customizing Aesthetics in Shared Immersive Virtual Environments‏‎ (3 Links)
  382. Josh Bongard‏‎ (3 Links)
  383. DUOTONE SURFACES: DIVISION OF A CLOSED SURFACE INTO EXACTLY TWO REGIONS‏‎ (3 Links)
  384. The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution‏‎ (3 Links)
  385. How Did Humans Become So Creative? A Computational Approach‏‎ (3 Links)
  386. Zbigniew Michalewicz‏‎ (3 Links)
  387. Color Search and Replace‏‎ (3 Links)
  388. Pannini: A New Projection for Rendering Wide Angle Perspective Images‏‎ (3 Links)
  389. Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis‏‎ (3 Links)
  390. Learning about Shadows from Artists‏‎ (3 Links)
  391. Life's What You Make: Niche Construction and Evolutionary Art‏‎ (3 Links)
  392. DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations‏‎ (3 Links)
  393. Generating Knitting Patterns from a Sketch: a CSP Approach‏‎ (3 Links)
  394. Adapting models of visual aesthetics for personalized content creation‏‎ (3 Links)
  395. Philip F. Hingston‏‎ (3 Links)
  396. Stigmmetry Prints from Patterns of Circles‏‎ (3 Links)
  397. Aesthetic evolutionary design with data flow networks‏‎ (3 Links)
  398. The void series – generative art using regulatory genes‏‎ (3 Links)
  399. Malik Nairat‏‎ (3 Links)
  400. Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent‏‎ (3 Links)
  401. Aesthetics in Covariant Image Reconstruction‏‎ (3 Links)
  402. Computer Generated Stereoscopic Artwork‏‎ (3 Links)
  403. Eons of genetically evolved algorithmic images‏‎ (3 Links)
  404. Promoting creative design in interactive evolutionary computation‏‎ (3 Links)
  405. Towards automated artificial evolution for computer-generated images‏‎ (3 Links)
  406. Interactive Evolution of Equations for Procedural Models‏‎ (3 Links)
  407. Ranking evaluation functions to improve genetic feature selection in content-based image retrieval of mammograms‏‎ (3 Links)
  408. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  409. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  410. Relevance feedback based on genetic programming for image retrieval‏‎ (3 Links)
  411. Using genetic algorithm to improve information retrieval systems‏‎ (3 Links)
  412. Synthesis of sound effects for generative animation‏‎ (3 Links)
  413. Nuno Lourenço‏‎ (3 Links)
  414. On Evolutionary Computer-Generated Art‏‎ (3 Links)
  415. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  416. Viewpoint Quality: Measures and Applications‏‎ (3 Links)
  417. On the Origins of the Term "Computational Aesthetics"‏‎ (3 Links)
  418. Flattening the Viewable Sphere‏‎ (3 Links)
  419. Form Follows Function: Aesthetic Interactive Labels‏‎ (3 Links)
  420. Watercolor Illustrations of CAD Data‏‎ (3 Links)
  421. Daryl D’Souza‏‎ (3 Links)
  422. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  423. Design by Evolution: Advances in Evolutionary Design‏‎ (3 Links)
  424. Francisco Fernández de Vega‏‎ (3 Links)
  425. Sentient sketchbook: computer-aided game level authoring‏‎ (3 Links)
  426. Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching‏‎ (3 Links)
  427. Patch-Based Geometric Texture Synthesis‏‎ (3 Links)
  428. Sketch Based Construction and Rendering of Implicit Models‏‎ (3 Links)
  429. Pedro Martins‏‎ (3 Links)
  430. Distinctive Parameters of Expressive Motion‏‎ (3 Links)
  431. Generating Op Art Lines‏‎ (3 Links)
  432. Computational Aesthetics 2011‏‎ (3 Links)
  433. Luigi C. Barone‏‎ (3 Links)
  434. Generative Art and Evolutionary Refinement‏‎ (3 Links)
  435. Enhancing Perceived Depth in Images Via Artistic Matting‏‎ (3 Links)
  436. Alessandro Re‏‎ (3 Links)
  437. Computing aesthetics‏‎ (3 Links)
  438. Mauro Castelli‏‎ (3 Links)
  439. Evolving images for entertainment‏‎ (3 Links)
  440. Rachel Costa‏‎ (3 Links)
  441. Rapid: Rating pictorial aesthetics using deep learning‏‎ (3 Links)
  442. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  443. Realtime Aesthetic Image Retargeting‏‎ (3 Links)
  444. Georgios N. Yannakakis‏‎ (3 Links)
  445. Global Contrast Factor - a New Approach to Image Contrast‏‎ (3 Links)
  446. Andrew Bishop‏‎ (3 Links)
  447. A Local Search Interface for Interactive Evolutionary Architectural Design‏‎ (3 Links)
  448. Brush Stroke Ordering Techniques for Painterly Rendering‏‎ (3 Links)
  449. On Generating Dot Paintings in the Style of Howard Arkley‏‎ (3 Links)
  450. Curvature-Controlled Aesthetic Curves Using Magnetic Fields‏‎ (3 Links)
  451. Flocking Messengers‏‎ (3 Links)
  452. The Aesthetics of the Underworld‏‎ (3 Links)
  453. On understanding the search problem for image spaces‏‎ (3 Links)
  454. Evolution of Architectural Floor Plans‏‎ (3 Links)
  455. Artificial life or surreal art?‏‎ (3 Links)
  456. The Evolution of Artistic Filters‏‎ (3 Links)
  457. Kyrre Glette‏‎ (3 Links)
  458. Frank Neumann‏‎ (3 Links)
  459. Serial Polar Transformation Motifs Revisited‏‎ (3 Links)
  460. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  461. Evolutionary Methods for Ant Colony Paintings‏‎ (3 Links)
  462. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  463. GA2: a Programming Environment for Abstract Generative Fine Art‏‎ (3 Links)
  464. Sketches by Paul the Robot‏‎ (3 Links)
  465. Leonardo Vanneschi‏‎ (3 Links)
  466. Computational Color Harmony based on Coloroid System‏‎ (3 Links)
  467. Phillip Tew‏‎ (3 Links)
  468. Pictorial Analysis of Line-drawings‏‎ (3 Links)
  469. Images from Self-Occlusion‏‎ (3 Links)
  470. Elementary Social Interactions and Their Effects on Creativity: A Computational Simulation‏‎ (3 Links)
  471. Thesis: Accurate and Discernible Photocollages‏‎ (3 Links)
  472. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  473. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  474. Constructing Conceptual Spaces for Novel Associations‏‎ (3 Links)
  475. Rajat Sodhi‏‎ (3 Links)
  476. Interactive Modeling of Muqarnas‏‎ (3 Links)
  477. An Interface for Fitness Function Design‏‎ (3 Links)
  478. Contrast Brushes: Interactive Image Enhancement by Direct Manipulation‏‎ (3 Links)
  479. Extracting the Essence from Sets of Images‏‎ (3 Links)
  480. Movie Posters from Video by Example‏‎ (3 Links)
  481. Animating Persian Floral Patterns‏‎ (3 Links)
  482. Jane Burry‏‎ (3 Links)
  483. Virtual Photograph Based Saliency Analysis of High Dynamic Range Images‏‎ (3 Links)
  484. SBArt4 as Automatic Art and Live Performance Tool‏‎ (3 Links)
  485. NEvAr – System Overview‏‎ (3 Links)
  486. A SHAPE GRAMMAR MODEL TO GENERATE ISLAMIC GEOMETRIC PATTERN‏‎ (3 Links)
  487. Evaluating Visual Aesthetics in Photographic Portraiture‏‎ (3 Links)
  488. Cycles - Blending Natural and Artificial Properties in a Generative Artwork‏‎ (3 Links)
  489. Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents‏‎ (3 Links)
  490. Changjun Hu‏‎ (3 Links)
  491. Yasser S. Arenas Rebolledo‏‎ (3 Links)
  492. Determining an Aesthetic Inscribed Curve‏‎ (3 Links)
  493. Learning How to Reinterpret Creative Problems‏‎ (3 Links)
  494. The Mutation and growth of Art by Computers‏‎ (3 Links)
  495. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (3 Links)
  496. Computational Aesthetics 2013‏‎ (3 Links)
  497. Evolved Ricochet Compositions‏‎ (3 Links)
  498. Magnetism and Minimal Surfaces - a Different Tool for Surface Design‏‎ (3 Links)
  499. Stipple Placement using Distance in a Weighted Graph‏‎ (3 Links)
  500. Thomas Mitchell‏‎ (3 Links)

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