Symmetry and Symmetry-Breaking - An Approach to Understanding Beauty

Aus de_evolutionary_art_org
Version vom 31. Januar 2015, 12:29 Uhr von Gbachelier (Diskussion | Beiträge) (Die Seite wurde neu angelegt: „ == Reference == Carol Bier: Symmetry and Symmetry-Breaking - An Approach to Understanding Beauty. In: Bridges 2005. Pages 219–226 == DOI == == A…“)

(Unterschied) ← Nächstältere Version | Aktuelle Version (Unterschied) | Nächstjüngere Version → (Unterschied)
Wechseln zu: Navigation, Suche


Reference

Carol Bier: Symmetry and Symmetry-Breaking - An Approach to Understanding Beauty. In: Bridges 2005. Pages 219–226

DOI

Abstract

Considering the relationship of symmetry and beauty, the author examines three textiles from the collection of Doris Duke at Shangri La in Honolulu. Referring to abstract expressionism of the 20th century as antithetical to symmetry, and the Arts & Crafts Movement of the 19th century as countering the insistency of industrial mass production, Bier explores the relative roles of symmetry and symmetry-breaking in the construction of three embroideries (called suzani, after the Persian and Tajik word for “needlework”), using as her point of departure a recent research initiative, the Shangri La Suzani Project. The study of colors, motifs, stitches, designs and patterns suggests the identification of a local aesthetic preference for local symmetries without global symmetry, and global symmetries without local symmetry. These embroideries typify styles associated with Bukhara in the 19th century. The results of this research lead to more general consideration of symmetry and symmetry-breaking in the construction of beauty.

Extended Abstract

Bibtex

Used References

[1] B. Beckley with D. Shapiro. Uncontrollable Beauty: Toward a New Aesthetics. Allworth Press, New York NY. 1998.

[2] C. Bier. Mathematical Truth and Beauty: The Case of Oriental Carpets, Institute for the Humanities Notes (University of Michigan), September 1998.

[3] C. Bier. Choices and Contraints: Pattern Formation in Oriental Carpets, Forma 15, pp. 127-32. 2000.

[4] C. Bier. Symmetry-Breaking in Oriental Carpets: The Case for Beauty, ISIS-Symmetry. CD-ROM. Sydney, 2001.

[5] C. Bier, A. Perlman, and S. Indio. The Shangri La Research Project: Preliminary Report (typescript). 2005.

[6] D. Black. Embroidered Flowers from Thrace to Tartary. David Black Oriental Carpets. London. 1981.

[7] M. Brüderlein. Ornament and Abstraction: The Dialogue between non-Western, Modern, and Contemporary Art. Fondation Beyeler, 2001.

[8] E. H. Gombrich. The Sense of Order: A Study in the Psychology of Decorative Art. The Wrightsman Lectures. Cornell University Press, Ithaca NY. Second edition, 1984.

[9] O. Grabar. The Mediation of Ornament. Bollingen Series XXXV/38. PrincetonUniversity Press, Princeton. 1992.

[10] E. J. Grube. Keshte: Central Asian Embroideries – The Marshall and Marilyn R. Wolf Collection. 2003.

[11] B. Grünbaum and G. C. Shephard. Tilings and Patterns. W. H. Freeman, New York. 1987.

[12] K. Fitz Gibbon and A. Hale. Ikat: Silks of Central Asia. The Guido Goldman Collection. London. 1997.

[13] K. Fitz Gibbon and A. Hale. Ikat: Splendid Silks of Central Asia. Laurence King, London, 2000.

[14] I. Hargittai and M. Hargittai. Symmetry: A Unifying Concept. Shelter Publications, Bolinas CA. 1994.

[15] R. Hasson. Flowering Gardens along the Silk Road. The L. A. Mayer Museum of Islamic Art, Jerusalem, 2001.

[16] L. M. Lederman and C. T. Hill. Symmetry and the Beautiful Universe. Prometheus Books, Amherst NY. 2004.

[17] S. Littlefield. Doris Duke’s Shangri La. Doris Duke Foundation for Islamic Art, 2002.

[18] H. Meinhardt. The Algorithmic Beauty of Sea Shells. Springer-Verlag, New York, Berlin, Heidelberg. 1995.

[19] D. Schattschneider. M.C. Escher: Visions of Symmetry. Abrams, New York NY. Revised edition, 2004.

[20] J.A. Staab. Katherine Westphal and Wearable Art, Textile Society of America 2004 Symposium Proceedings. Ed. C. Bier. Pp. 227-33 (CD-ROM). OmniPress, 2005.

[21] C. Sumner and G. Petherbridge. Bright Flowers: Textiles and Ceramics of Central Asia. Sydney. 2004.

[22] J. Taube. Vok Collection: Suzani. A Textile Art from Central Asia. Herold Verlagsaulieferung, Munich. 1994.

[23] J. Trilling. Ornament: A Modern Perspective. University of Washington Press, Seattle. 2003.

[24] D. K. Washburn and D. W. Crowe. Symmetries of Culture: Theories and Practice of Plane Pattern Analysis. University of Washington Press, Seattle. 1998.

[25] D. K. Washburn and D. W. Crowe, eds. Symmetry Comes of Age: The Role of Pattern in Culture. University of Washington Press, Seattle. 2004.

[26] H. Weyl. Symmetry. Princeton University Press, Princeton. 1951.

[27] Y. Yanai. Suzani: Central Asian Embroideries. Haaretz Museum, Tel Aviv. 1986.


Links

Full Text

http://archive.bridgesmathart.org/2005/bridges2005-219.pdf

intern file

Sonstige Links

http://archive.bridgesmathart.org/2005/bridges2005-219.html