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== Reference ==
 
== Reference ==
{{LitBook |Autor = [[Juan Romero]], [[Penousal Machado]] (Herausgeber) |Titel = [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540728764 | Seiten = 460 }}
+
{{LitBook |Autor = [[Juan Romero]], [[Penousal Machado]] (Herausgeber) |Titel = The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540728764 | Seiten = 460 }}
 +
 
 
== DOI ==
 
== DOI ==
 
http://link.springer.com/10.1007/978-3-540-72877-1
 
http://link.springer.com/10.1007/978-3-540-72877-1
  
 
== Abstract ==
 
== Abstract ==
 +
 +
The only up-to-date title dealing with the full range of bioinspired techniques in art and music
 +
 +
Supremely qualified editors have chaired the EVOMUSART workshop at the largest European natural computing event for the last three years
 +
 +
While improvements in computer performance are dramatically changing the computer-generated art industry, scientists in natural computing have teamed up with artists to examine how bioinspired systems can influence art, technology and even aesthetic appreciation.
 +
This comprehensive book gives an up-to-date survey of the relevant bioinspired computing research fields – such as evolutionary computation, artificial life, swarm intelligence and ant colony algorithms – and examines applications in art, music and design. The editors and contributors are researchers and artists with deep experience of the related science, tools and applications, and the book includes overviews of historical developments and future perspectives.
 +
The book will be of interest to computer scientists and artists engaged with natural computing techniques applied to art, music and design.
  
 
== Extended Abstract ==
 
== Extended Abstract ==
 +
 +
== Reviews==
 +
"A great strength of this collection is its inspirational potential. While reading it I compiled notes for five possible projects derived from (and often fusing) the techniques presented. I enjoyed reading the book, finding it both educational and thought-provoking. Anyone interested in evolved art should peruse this tome. It grants a sense of the breadth of the field and also permits readers to evaluate their personal potential and preparedness to become evolutionary artists. Serious practitioners will want this volume in their collections." (Journal of Mathematics and the Arts, Vol. 2(2), 2008, pp. 103–106)
 +
 +
"This book presents an overview of the state of the art in EMA as it gains maturity as a research discipline and artistic practice. … the book is accessible to technically competent artists and musicians, but also to artificial life researchers who may have an interest in how familiar techniques can be applied in creative settings." (Alice Eldridge, Artificial Life, Vol. 15 (2), 2009)
 +
 +
"The book is a compilation of papers and essays by computer scientists, psychologists, practicing artists, designers, and musicians who have applied the theory and techniques of evolutionary computation to the visual arts, design, and music. The ideas, examples, and writing are of uniformly high quality." (Anthony J. Duben, ACM Computing Reviews, December, 2008)
 +
 +
"The editors’ objective was to create a handbook for evolutionary art and music by providing extensive coverage of existing work, giving enough background information for newcomers to get started and to provide possible direction for research. … It is intended for a wide readership, ranging from researchers to artists … . For people already active in evolutionary art and music, or who want to start working in it, I would certainly recommend this book. It certainly deserves a place in university libraries." (Jeroen Eggermont, Genetic Programming and Evolvable Machines, Vol. 10 (1), 2009)
  
 
== Bibtex ==  
 
== Bibtex ==  
 +
@book{
 +
year={2008},
 +
isbn={978-3-540-728764},
 +
booktitle={The Art of Artificial Evolution},
 +
series={Natural Computing Series},
 +
editor={Romero, Juan and Machado, Penousal},
 +
doi={10.1007/978-3-540-72877-1},
 +
title={Evolutionary Visual Art and Design},
 +
url={http://dx.doi.org/10.1007/978-3-540-72877-1 http://de.evo-art.org/index.php?title=The_Art_of_Artificial_Evolution:_A_Handbook_on_Evolutionary_Art_and_Music },
 +
publisher={Springer Berlin Heidelberg},
 +
language={English}
 +
}
 +
  
 
== Table of contents (19 chapters) ==
 
== Table of contents (19 chapters) ==
  
 
===Preface===
 
===Preface===
[http://link.springer.com/content/pdf/bfm%3A978-3-540-72877-1%2F1.pdf Preface-pdf]
+
* [[Juan Romero]] and [[Penousal Machado]]: [[The Art of Artificial Evolution - book preface]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, S. VII-XII. http://link.springer.com/content/pdf/bfm%3A978-3-540-72877-1%2F1.pdf
  
 
===Evolutionary Art===
 
===Evolutionary Art===

Aktuelle Version vom 2. November 2015, 21:13 Uhr

Reference

Juan Romero, Penousal Machado (Herausgeber): The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. 1 Aufl., Springer, Berlin, 2007, ISBN 978-3540728764, 460 Seiten.


DOI

http://link.springer.com/10.1007/978-3-540-72877-1

Abstract

The only up-to-date title dealing with the full range of bioinspired techniques in art and music

Supremely qualified editors have chaired the EVOMUSART workshop at the largest European natural computing event for the last three years

While improvements in computer performance are dramatically changing the computer-generated art industry, scientists in natural computing have teamed up with artists to examine how bioinspired systems can influence art, technology and even aesthetic appreciation. This comprehensive book gives an up-to-date survey of the relevant bioinspired computing research fields – such as evolutionary computation, artificial life, swarm intelligence and ant colony algorithms – and examines applications in art, music and design. The editors and contributors are researchers and artists with deep experience of the related science, tools and applications, and the book includes overviews of historical developments and future perspectives. The book will be of interest to computer scientists and artists engaged with natural computing techniques applied to art, music and design.

Extended Abstract

Reviews

"A great strength of this collection is its inspirational potential. While reading it I compiled notes for five possible projects derived from (and often fusing) the techniques presented. I enjoyed reading the book, finding it both educational and thought-provoking. Anyone interested in evolved art should peruse this tome. It grants a sense of the breadth of the field and also permits readers to evaluate their personal potential and preparedness to become evolutionary artists. Serious practitioners will want this volume in their collections." (Journal of Mathematics and the Arts, Vol. 2(2), 2008, pp. 103–106)

"This book presents an overview of the state of the art in EMA as it gains maturity as a research discipline and artistic practice. … the book is accessible to technically competent artists and musicians, but also to artificial life researchers who may have an interest in how familiar techniques can be applied in creative settings." (Alice Eldridge, Artificial Life, Vol. 15 (2), 2009)

"The book is a compilation of papers and essays by computer scientists, psychologists, practicing artists, designers, and musicians who have applied the theory and techniques of evolutionary computation to the visual arts, design, and music. The ideas, examples, and writing are of uniformly high quality." (Anthony J. Duben, ACM Computing Reviews, December, 2008)

"The editors’ objective was to create a handbook for evolutionary art and music by providing extensive coverage of existing work, giving enough background information for newcomers to get started and to provide possible direction for research. … It is intended for a wide readership, ranging from researchers to artists … . For people already active in evolutionary art and music, or who want to start working in it, I would certainly recommend this book. It certainly deserves a place in university libraries." (Jeroen Eggermont, Genetic Programming and Evolvable Machines, Vol. 10 (1), 2009)

Bibtex

@book{
year={2008},
isbn={978-3-540-728764},
booktitle={The Art of Artificial Evolution},
series={Natural Computing Series},
editor={Romero, Juan and Machado, Penousal},
doi={10.1007/978-3-540-72877-1},
title={Evolutionary Visual Art and Design},
url={http://dx.doi.org/10.1007/978-3-540-72877-1 http://de.evo-art.org/index.php?title=The_Art_of_Artificial_Evolution:_A_Handbook_on_Evolutionary_Art_and_Music },
publisher={Springer Berlin Heidelberg},
language={English}
}


Table of contents (19 chapters)

Preface

Evolutionary Art

Lewis, Matthew: Evolutionary Visual Art and Design. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 3-37. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_1

Collomosse, John: Evolutionary Search for the Artistic Rendering of Photographs. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 39-62. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_2

Draves, Scott: Evolution and Collective Intelligence of the Electric Sheep. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 63-78. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_3

Evolutionary Music

James McDermott, Niall J. L. Griffith, Michael O’Neill: Evolutionary Computation Applied to Sound Synthesis. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 81-101 DOI: http://link.springer.com/chapter/10.1007/978-3-540-72877-1_4

Tim Blackwell: Swarm Granulation. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 103-122 DOI: http://link.springer.com/chapter/10.1007/978-3-540-72877-1_5

Rafael Ramirez, Amaury Hazan, Jordi Marine, Xavier Serra: Evolutionary Computing for Expressive Music Performance. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 123-142 DOI: http://link.springer.com/chapter/10.1007/978-3-540-72877-1_6

Real-World Applications

Jacob, Christian; Hushlak, Gerald: Evolutionary and Swarm Design in Science, Art, and Music. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 145-166. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_7

Hemberg, Martin; O'Reilly, Una-May; Menges, Achim; Jonas, Katrin; Gonçalves, Michel; - Fuchs, Steven: Genr8: Architects’ Experience with an Emergent Design Tool. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 167-188. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_8

Frowd, Charlie; Hancock, Peter: Evolving Human Faces. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 189-210. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_9

Eiben, A. E.: Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 211-224. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_10

Artistic Perspectives

Monmarche, Nicolas; Mahnich, Isabelle; Slimane, Mohamed: Artificial Art Made by Artificial Ants. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 227-247. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_11

Bachelier, Günter: Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Process. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 249-268. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_12

Dorin, Alan: A Survey of Virtual Ecosystems in Generative Electronic Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 289-309. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_14

Galanter, Philip: Complexism and the Role of Evolutionary Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15

Future Perspectives

Neufeld, Craig; Ross, Brian J.; Ralph, William: The Evolution of Artistic Filters. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 335-356. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_16

Greenfield, Gary: Co-evolutionary Methods in Evolutionary Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 357-380. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_17

Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18

McCormack, Jon: Facing the Future: Evolutionary Possibilities for Human-Machine Creativity. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 417-451. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_19

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