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== Bibtex ==  
 
== Bibtex ==  
 +
@incollection{
 +
year={2010},
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isbn={978-3-642-12241-5},
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booktitle={Applications of Evolutionary Computation},
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volume={6025},
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series={Lecture Notes in Computer Science},
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editor={Di Chio, Cecilia and Brabazon, Anthony and Di Caro, GianniA. and Ebner, Marc and Farooq, Muddassar and Fink, Andreas and Grahl, Jörn and Greenfield, Gary and Machado, Penousal and O’Neill, Michael and Tarantino, Ernesto and Urquhart, Neil},
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doi={10.1007/978-3-642-12242-2_33},
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title={The Problem with Evolutionary Art Is ...},
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url={http://dx.doi.org/10.1007/978-3-642-12242-2_33 http://de.evo-art.org/index.php?title=The_Problem_with_Evolutionary_Art_Is },
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publisher={Springer Berlin Heidelberg},
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author={Galanter, Philip},
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pages={321-330},
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language={English}
 +
}
  
 
== Used References ==
 
== Used References ==

Aktuelle Version vom 1. November 2015, 22:57 Uhr


Reference

Galanter, Philip: The Problem with Evolutionary Art Is. In: EvoMUSART 2010, S. 321-330.

DOI

http://link.springer.com/10.1007/978-3-642-12242-2_33

Abstract

Computational evolutionary art has been an active practice for at least 20 years. Given the remarkable advances in that time in other realms of computing, including other forms of evolutionary computing, for many a vague feeling of disappointment surrounds evolutionary art. Aesthetic improvement in evolutionary art has been slow, and typically achieved in ways that are not widely generalizable or extensible. So what is the problem with evolutionary art? And, frankly, why isn’t it better? In this paper I respond to these questions from my point of view as a practicing artist applying both a technical and art theoretical understanding of evolutionary art. First the lack of robust fitness functions is considered with particular attention to the problem of computational aesthetic evaluation. Next the issue of genetic representation is discussed in the context of complexity and emergence. And finally, and perhaps most importantly, the need for art theory around evolutionary and generative art is discussed, and a theory that stands typical evolutionary art on its head is proposed.

Extended Abstract

Bibtex

@incollection{
year={2010},
isbn={978-3-642-12241-5},
booktitle={Applications of Evolutionary Computation},
volume={6025},
series={Lecture Notes in Computer Science},
editor={Di Chio, Cecilia and Brabazon, Anthony and Di Caro, GianniA. and Ebner, Marc and Farooq, Muddassar and Fink, Andreas and Grahl, Jörn and Greenfield, Gary and Machado, Penousal and O’Neill, Michael and Tarantino, Ernesto and Urquhart, Neil},
doi={10.1007/978-3-642-12242-2_33},
title={The Problem with Evolutionary Art Is ...},
url={http://dx.doi.org/10.1007/978-3-642-12242-2_33 http://de.evo-art.org/index.php?title=The_Problem_with_Evolutionary_Art_Is },
publisher={Springer Berlin Heidelberg},
author={Galanter, Philip},
pages={321-330},
language={English}
}

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