Quelltext der Seite Evaluation of Creative Aesthetics



== Reference ==
Harold Cohen, Frieder Nake, David C. Brown, Paul Brown, Philip Galanter, Jon McCormack …: Evaluation of Creative Aesthetics. In: McCormack & d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 95-111

== DOI ==
http://link.springer.com/chapter/10.1007/978-3-642-31727-9_4

== Abstract ==
This chapter is an edited conversation on the topic of computational evaluation of artistic artefacts. The participants were Harold Cohen, Frieder Nake, David Brown, Jon McCormack, Paul Brown and Philip Galanter. It began at the Dagstuhl seminar on computers and creativity, held in Germany in 2009 and continued over a period of several months via email. The participants discuss their views on the prospects for computational evaluation of both the artistic process and the made artefact.

== Extended Abstract ==

== Bibtex == 
 @incollection{
 year={2012},
 isbn={978-3-642-31726-2},
 booktitle={Computers and Creativity},
 editor={McCormack, Jon and d’Inverno, Mark},
 doi={10.1007/978-3-642-31727-9_4},
 title={Evaluation of Creative Aesthetics},
 url={http://dx.doi.org/10.1007/978-3-642-31727-9_4 http://de.evo-art.org/index.php?title=Evaluation_of_Creative_Aesthetics },
 publisher={Springer Berlin Heidelberg},
 author={Cohen, Harold and Nake, Frieder and Brown, DavidC. and Brown, Paul and Galanter, Philip and McCormack, Jon and d’Inverno, Mark},
 pages={95-111},
 language={English}
 }

== Used References ==
Boden, M. A. (1991). The creative mind: myths & mechanisms. New York: Basic Books.

Boden, M., d’Inverno, M., & McCormack, J. (Eds.) (2009). Computational creativity: an interdisciplinary approach. Dagstuhl seminar proceedings: Vol. 09291. LZI. http://drops.dagstuhl.de/portals/index.php?semnr=09291.



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