Quelltext der Seite Glitch Aesthetics


== Reference ==
Iman Moradi: Glitch Aesthetics. Thesis, School of Design Technology, Department of Architecture, The University of Huddersfield, January 27th 2004. 

== DOI ==

== Abstract ==
In music classification, the Glitch has been elevated to the prestigious status of
having its own genre. However, there have been very few discussions on the
practice of creating or capturing visual manifestations of Glitches in today’s
highly signal perfect media and pixel perfect computer interfaces. This seems
paradoxical in relation to earlier trends of discussing qualities of media and is
testament to the fact that we are becoming more silent as technology finds its
own voice.

The underlying theme in this study, was to find out what it is that drives visual
glitch artists in their desire to create glitches and to seek an answer to the
question, can the glitch be an effective medium in the ‘pantheon of artforms?’1 -
“While Glitch Music has experienced a greater amount of exposure, other forms of
Glitch Art have remained more obscure. Some have not been conceptualised as art
at all” (Motherboard, 2002). This dissertation aims to address this void and its
surrounding issues.

== Extended Abstract ==

== Bibtex == 

== Used References ==
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== Links ==
=== Full Text === 
http://www.haraldpeterstrom.com/content/5.pdfs/Iman%20Moradi%20%E2%80%93%20Glitch%20Aesthetics.pdf


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