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| | ==Konferenzen, Workshops== | | ==Konferenzen, Workshops== |
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| − | [http://www.informatik.uni-trier.de/~Ley/db/conf/cae/index.html Proceedingsüberblick] | + | Gesamtüberblick über die [[Computational Aesthetics Conferences]] |
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| − | ===Computational Aesthetics 2013===
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| − | Donald H. House, Cindy Grimm (Eds.): Workshop on Computational Aesthetics, Anaheim, California, USA, 2013. Proceedings. ACM 2013. ISBN 978-1-4503-2203-4
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| − | ===Computational Aesthetics 2012===
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| − | Douglas W. Cunningham, Donald H. House (Eds.): Computational Aesthetics 2012: Eurographics Workshop on Computational Aesthetics, Annecy, France, 4-6 June 2012. Proceedings. Eurographics Association 2012 ISBN 978-3-905674-43-9
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| − | ===Computational Aesthetics 2011===
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| − | Douglas W. Cunningham, Tobias Isenberg (Eds.): Computational Aesthetics 2011: Eurographics Workshop on Computational Aesthetics, Vancouver, Canada, 2011. Proceedings. Eurographics Association 2011 ISBN 978-1-4503-0908-0
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| − | ===Computational Aesthetics 2010===
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| − | Pauline Jepp, Oliver Deussen (Eds.): Computational Aesthetics 2010: Eurographics Workshop on Computational Aesthetics, London, United Kingdom, 2010. Eurographics Association 2010 ISBN 978-3-905674-24-8
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| − | ===Computational Aesthetics 2009===
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| − | Oliver Deussen, Peter Hall (Eds.): Computational Aesthetics 2009: Eurographics Workshop on Computational Aesthetics, Victoria, British Columbia, Canada, 2009. Eurographics Association 2009 ISBN 978-3-905674-17-0
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| − | ===Computational Aesthetics 2008===
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| − | Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8
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| − | ===Computational Aesthetics 2007===
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| − | Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging, Banff, Alberta, Canada, June 20-22, 2007. Eurographics Association 2007 ISBN 978-3-905673-43-2
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| − | ===Computational Aesthetics 2006===
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| − | Bruce Gooch, Laszlo Neumann, Werner Purgathofer and Mateu Sbert: Computational Aesthetics 2006: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2006 - 06221 Dagstuhl Report. Internationales Begegnungs- und Forschungszentrum für Informatik (IBFI), Schloss Dagstuhl, 2007, Dagstuhl, ISSN 1862-4405 http://drops.dagstuhl.de/opus/volltexte/2007/875/
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| − | ===Computational Aesthetics 2005===
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| − | Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005
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| − | László Neumann, Mateu Sbert, Bruce Gooch, Werner Purgathofer (Eds.): Computational Aesthetics 2005: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2005, Girona, Spain, May 18-20, 2005. Eurographics Association 2005 ISBN 3-905673-27-4
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| Zeile 55: |
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| | ===Artikel aus dem Kontext Evolutionäre Kunst=== | | ===Artikel aus dem Kontext Evolutionäre Kunst=== |
| − | Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu; An Interface for Fitness Function Design. In: EvoMUSART 2014, S. 13-25 | + | Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu; An Interface for Fitness Function Design. In: EvoMUSART 2014, S. 13-25. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_2 |
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| − | Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73
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| − | Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84
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| − | Gary Greenfield: An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images. In: EvoMUSART 2014, S. 85-94
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| − | Jon McCormack: Aesthetics, Art, Evolution. In: EvoMUSART 2013, S. 1-12
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| − | Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58
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| − | Kate Reed: Aesthetic Measures for Evolutionary Vase Design. In: EvoMUSART 2013, S. 59-71
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| − | | |
| − | João Correia, Penousal Machado, Juan Romero, Adrián Carballal: Feature Selection and Novelty in Computational Aesthetics. In: EvoMUSART 2013, S. 133-144
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| − | Colin G. Johnson: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: EvoMUSART 2012, S. 129-140
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| − | Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164
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| − | Heijer, E. den; Eiben, A.E.: Evolving Art Using Multiple Aesthetic Measures. In: EvoMUSART 2011, S. 234-243
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| − | Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403
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| − | Heijer, E. den; Eiben, A.E.: Comparing Aesthetic Measures for Evolutionary Art. In: EvoMUSART 2010, S. 311-320
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| − | | |
| − | Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415.
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| − | Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641
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| − | Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446
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| − | Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456
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| − | Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569
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| − | ===Artikel aus Computational Aesthetics Konferenzen===
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| − | CAe 2013
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| − | Fill Patterns
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| − | Amir Semmo, Jan Eric Kyprianidis, Matthias Trapp, Jürgen Döllner: Real-Time Rendering of Water Surfaces with Cartography-Oriented Design. 5-14
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| − | Zainab AlMeraj, Craig S. Kaplan, Paul Asente: Patch-Based Geometric Texture Synthesis. 15-20
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| − | Modeling Characters
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| − | Shelley Gao, Christopher Werner, Amy Ashurst Gooch: Morphable guidelines for the human head. 21-28
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| − | Human Interfaces and Education
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| − | Colin Ware: Perceiving Complex Causation Through Interaction. 29-36
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| − | Algorithm aesthetics
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| − | Angus Forbes, Tobias Höllerer, George Legrady: Generative Fluid Profiles for Interactive Media Arts Projects. 37-44
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| − | Michael Burch, Daniel Weiskopf: The Aesthetics of Rapidly-Exploring Random Trees. 45-52
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| − | Pixels and Vectors
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| − | Marta Kryven, Elodie Fourquet: Generating Knitting Patterns from a Sketch: a CSP Approach. 53-62
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| − | Paul Asente, Nathan Carr: Creating Contour Gradients using 3D Bevels. 63-66
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| − | Image Processing / Vision
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| − | Paul L. Rosin, Yu-Kun Lai: Non-Photorealistic Rendering with Spot Colour. 67-76
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| − | Peter M. Hall, Yi-Zhe Song: Simple Art as Abstractions of Photographs. 77-86
| |
| − | Xihe Gao, Stephen Brooks, Dirk V. Arnold: Virtual Photograph Based Saliency Analysis of High Dynamic Range Images. 87-92
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| − | Seyed Ali Amirshahi, Christoph Redies, Joachim Denzler: How Self-Similar are Artworks at Different Levels of Spatial Resolution?. 93-100
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| − | CAe 2012
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| − | Art in Action
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| − | Jarek Rossignac, Mark Luffel, Alvar Vinacua: SAMBA: Steadied Choreographies. 1-9
| |
| − | Barbara P. Castro, L. Velho, D. Kosminsky: Integrarte: Digital Art Using Body Interaction. 11-15
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| − | Patrick A. Tresset, Frederic F. Leymarie: Sketches by Paul the Robot. 17-24
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| − | Making it Change
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| − | Oliver Deussen, Thomas Lindemeier, Sören Pirk, Mark Tautzenberger: Feedback-guided Stroke Placement for a Painting Machine. 25-33
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| − | Matt Lockyer, Lyn Bartram: The aMotion Toolkit: Painting with Affective Motion Textures. 35-43
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| − | Ashwin Bangalore, Donald H. House: A Technique for Art Direction of Physically Based Fire Simulation. 45-54
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| − | Aesthetics and Perspective
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| − | Shehroz S. Khan, Daniel Vogel: Evaluating Visual Aesthetics in Photographic Portraiture. 55-62
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| − | Brian Wyvill, Paul G. Kry, Raimund Seidel, David Mould: Determining an Aesthetic Inscribed Curve. 63-70
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| − | Carol MacGillivray, B. Mathez, Frederic Fol Leymarie: Developing a System of Screen-less Animation for Experiments in Perception of Movement. 71-80
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| − | Pixelation and Colour
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| − | Henrik Lieng, Christian Richardt, Neil A. Dodgson: Random Discrete Colour Sampling. 81-87
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| − | Hasti Seifi, Steve DiPaola, James T. Enns: Exploring the Effect of Color Palette in Painterly Rendered Character Sequences. 89-97
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| − | Lines, Strokes and Textures in 3D
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| − | Pradeep Garigipati, Ergun Akleman: Duotone Surfaces. 99-106
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| − | Qing Xing, Ergun Akleman, Gabriel Taubin, Jianer Chen: Surface Covering Curves. 107-114
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| − | Image Processing / Image to Art
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| − | Jordan Miller, David Mould: Accurate and Discernible Photocollages. 115-124
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| − | CAe 2011
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| − | Evaluation and Aesthetics
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| − | Jay Vidyarthi, Bernhard E. Riecke, Alissa Nicole Antle: Sympathetic Guitar: Humans Respond Socially to Interactive Technology in an Abstract, Expressive Context. 9-16
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| − | Illusions
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| − | Marc Alexa, Wojciech Matusik: Images from Self-Occlusion. 17-24
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| − | Tiffany Inglis, Craig S. Kaplan: Generating Op Art Lines. 25-32
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| − | Symmetry and Geometry
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| − | Brian Cullen, Carol O'Sullivan: Symmetry Hybrids. 33-38
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| − | Sketching & Design
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| − | A. Wanner: Building The Plotter - an Aesthetic Exploration with Drawing Robots. 39-46
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| − | Rendering and Abstraction
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| − | J. Love, P. Pasquier, B. Wyvill, S. Gibson, George Tzanetakis: Aesthetic Agents: Swarm-based Non-photorealistic Rendering using Multiple Images. 47-54
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| − | Animation
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| − | Shelley Gao, Lucy Pullen, Amy Ashurst Gooch: Double Meandering Algorithm: From Drawing Game to Automated Animation. 55-62
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| − | Enhancing Sketching
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| − | Travis Kirton: Artistic Canvases for Gestural and Non-linear Typography. 63-70
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| − | Light and Shadow
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| − | Aleksandra Dulic, Kenneth C. Newby: Performing Animator Instrument for Live Media. 71-80
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| − | Perception
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| − | Christopher Gat, Hanyu Zhang, Daniel M. Germán, Melanie Tory: gamutHeatMap: Visualizing the Colour Shift of Rendering Intent Transformations. 81-88
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| − | Matt Lockyer, Lyn Bartram, Bernhard E. Riecke: Simple Motion Textures for Ambient Affect. 89-96
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| − | Christian Richardt, Lech Swirski, Ian P. Davies, Neil A. Dodgson: Predicting Stereoscopic Viewing Comfort Using a Coherence-Based Computational Model. 97-104
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| − | Artistic Stylization
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| − | Jonathan Haber, Sean Lynch, M. Sheelagh T. Carpendale: ColourVis: Exploring Colour Usage in Paintings Over Time. 105-112
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| − | Visualization & Beautification
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| − | Kristin Carlson, Thecla Schiphorst, C. Shaw: ActionPlot: A Visualization Tool for Contemporary Dance Analysis. 113-120
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| − | Pattarawut Subyen, Diego S. Maranan, Thecla Schiphorst, Philippe Pasquier, Lyn Bartram: EMVIZ: The Poetics of Movement Quality Visualization. 121-128
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| − | Modelling and Concepts
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| − | Nader Hamekasi, Faramarz F. Samavati, Ahmad H. Nasri: Interactive Modeling of Muqarnas. 129-136
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| − | CAe 2010
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| − | Weird Images
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| − | Ligang Liu, Yong Jin, Qingbiao Wu: Realtime Aesthetic Image Retargeting. 1-8
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| − | Thomas K. Sharpless, Bruno Postle, Daniel M. Germán: Pannini: A New Projection for RenderingWide Angle Perspective Images . 9-16
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| − | László Neumann, Ramón Hegedüs: A Robust and Universal Gradient Domain Imaging Solver Using Gradient Variables and Locally Varying Metrics. 17-24
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| − | Suggestive Lines
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| − | Mayank Singh, Scott Schaefer: Suggestive Hatching. 25-32
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| − | Brian Wyvill, Neil A. Dodgson: Recursive Scene Graphs for Art and Design. 33-40
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| − | Christian Hörr, Guido Brunnett, Christian Vix: Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts. 41-49
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| − | Marc Ruiz, Imma Boada, Miquel Feixas, Mateu Sbert: Interactive Volume Illustration Using Intensity Filtering. 51-58
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| − | Magic Brushes
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| − | Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. 59-66
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| − | Simon Colton: Stroke Matching for Paint Dances. 67-74
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| − | Freaky Geometry
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| − | Michael Hansmeyer: Subdivision Beyond Smoothness. 75-81
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| − | Kate Kinnear, Craig S. Kaplan: Procedural Generation of Surface Detail for Science Fiction Spaceships. 83-90
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| − | Davide Cavagnino, Marco Gribaudo: Discretization of 3D Models Using Voxel Elements of Different Shapes. 91-98
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| − | Mental to Metal
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| − | Jaume Rigau, Miquel Feixas, Mateu Sbert, Christian Wallraven: Toward Auvers Period: Evolution of van Gogh's Style. 99-106
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| − | Crossover
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| − | Elodie Fourquet: Learning about Shadows from Artists. 107-114
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| − | CAe 2009
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| − | Using Curves
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| − | Ling Xu, David Mould: Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields. 1-8
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| − | Sanghyun Seo, Jinwan Park, Kyunghyun Yoon: A Painterly Rendering Based on Stroke Profile and Database. 9-16
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| − | Soon Tee Teoh: Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings. 17-24
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| − | Depicting the Natural World
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| − | Yasuhiro Akagi, Mitsunori Kataama, Katsuhiro Kitajima: Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts. 25-32
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| − | Margarita Bratkova, William B. Thompson, Peter Shirley: Automatic Views of Natural Scenes. 33-40
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| − | Pauline Jepp, Bruno Araújo, Joaquim A. Jorge, Brian Wyvill, Mario Costa Sousa: Style Nodes and Repolygonization for Hierarchical Tree-Based Implicit Surface Modelling. 41-48
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| − | Aesthetic Analyses
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| − | Mathias Pohl, Markus Schmitt, Stephan Diehl: Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis. 49-56
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| − | Marcel Spehr, Christian Wallraven, Roland W. Fleming: Image Statistics for Clustering Paintings According to their Visual Appearance. 57-64
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| − | Using and Modelling Cameras
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| − | Nisha Sudarsanam, Cindy Grimm, Karan Singh: CubeCam: A Screen-space Camera Manipulation Tool. 65-71
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| − | Chuan Li, Peter M. Hall, Philip Willis: ARTcams: Attributed Rational Tensor Cameras. 73-81
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| − | Min H. Kim, Jan Kautz: Consistent Scene Illumination using a Chromatic Flash. 83-89
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| − | Image Manipulation
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| − | Stephen Brooks: Movie Posters from Video by Example. 91-98
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| − | Cindy Grimm: Adding Lighting and Viewing Effects to Digital Images. 99-105
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| − | Neil A. Dodgson, Mark Grundland, Rahul Vohra: Contrast Brushes: Interactive Image Enhancement by Direct Manipulation. 107-114
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| − | Automated Synthesis
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| − | Alex Kalaidjian, Craig S. Kaplan, Stephen Mann: Automated Landscape Painting in the Style of Bob Ross. 115-122
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| − | Oliver Deussen: Aesthetic Placement of Points Using Generalized Lloyd Relaxation. 123-128
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| − | | |
| − | Aesthetics
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| − | Lyn Bartram, Ai Nakatani: Distinctive Parameters of Expressive Motion. 129-136
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| − | Christian Wallraven, Douglas W. Cunningham, Jaume Rigau, Miquel Feixas, Mateu Sbert: Aesthetic Appraisal of Art - from Eye Movements to Computers. 137-144
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| − | CAe 2008
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| − | Artistic Content
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| − | Murat Germen: Inadvertent - Ars Accidentalis. 1-8
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| − | Elodie Fourquet: Composition in Perspectives. 9-16
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| − | Sven Banisch, Mateu Sbert: Fast Visualisation and Interactive Design of Deterministic Fractals. 17-24
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| − | Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: Animating Persian Floral Patterns. 25-32
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| − | Annotation and Representation
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| − | Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. 33-40
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| − | Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. 41-48
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| − | Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. 49-56
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| − | Stylized Rendering
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| − | Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: Watercolor Illustrations of CAD Data. 57-63
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| − | Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: Arty Shapes. 65-72
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| − | Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. 73-80
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| − | Computational Photography
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| − | Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. 81-88
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| − | László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. 89-97
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| − | Daniel M. Germán: Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent. 99-106
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| − | Automated Analysis of Art
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| − | Neil A. Dodgson: Regularity and Randomness in Bridget Riley's Aarly Op Art. 107-114
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| − | Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh's Paintings. 115-122
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| − | Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: Pictorial Analysis of Line-drawings. 123-130
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| − | Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: Perceptual and Computational Categories in Art. 131-138
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| − | [University of Trier]
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| − | CAe 2007
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| − | Computer Graphics and Projections
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| − | Daniel M. Germán, Pablo d'Angelo, Michael Gross, Bruno Postle: New Methods to Project Panoramas for Practical and Aesthetic Purposes. 15-22
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| − | Daniel M. Germán, Lloyd Burchill, Alexandre Duret-Lutz, Sébastien Pérez-Duarte, Emmanuel Pérez-Duarte, Josh Sommers: Flattening the Viewable Sphere. 23-28
| |
| − | Francisco González García, Mateu Sbert, Miquel Feixas: An Information-Theoretic Ambient Occlusion. 29-36
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| − | Stylized Images
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| − | Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: Composition Principles for Quality Depiction and Aesthetics. 37-44
| |
| − | David Mould: Stipple Placement using Distance in a Weighted Graph. 45-52
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| − | Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: Aesthetics of Hand-Drawn vs. Computer-Generated Stippling. 53-56
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| − | | |
| − | Colors and Visualization
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| − | | |
| − | Chris Bennett, Jody Ryall, Leo Spalteholz, Amy Gooch: The Aesthetics of Graph Visualization. 57-64
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| − | Caroline Larboulette: Celtic Knots Colorization based on Color Harmony Principles. 65-72
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| − | László Neumann, Martin Cadík, Antal Nemcsics: An Efficient Perception-based Adaptive Color to Gray Transformation. 73-80
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| − | | |
| − | Model Manipulation
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| − | | |
| − | Franz Gruber, Georg Glaeser: Magnetism and Minimal Surfaces - a Different Tool for Surface Design. 81-88
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| − | Douglas W. Cunningham, Christian Wallraven, Roland W. Fleming, Wolfgang Straßer: Perceptual Reparameterization of Material Properties. 89-96
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| − | Yuki Morimoto, Reiji Tsuruno, Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing. 97-104
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| − | | |
| − | Style Analysis and Metrics
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| − | | |
| − | Jaume Rigau, Miquel Feixas, Mateu Sbert: Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity. 105-112
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| − | Marc Alexa: Extracting the Essence from Sets of Images. 113-120
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| − | | |
| − | Interaction
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| − | | |
| − | Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell, Heinrich H. Bülthoff: In the Eye of the Beholder - Perception of Indeterminate Art. 121-128
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| − | Arlene Stamp, Tobias Isenberg, M. Sheelagh T. Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist. 129-134
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| − | Holly Schmidt, Uta Hinrichs, Alan Dunning, M. Sheelagh T. Carpendale: memory [en]code - Building a Collective Memory within a Tabletop Installation. 135-142
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| − | David W. Sprague, Amy Ashurst Gooch: Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments. 143-149
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| − | | |
| − | Artistic Papers
| |
| − | | |
| − | Jeremy Rotsztain: ColorScheme. 151-156
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| − | Randy Jones: A Poetics of Simulation for Audiovisual Performance. 157-162
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| − | Vicky Isley, Paul Smith: Theatre of Restless Automata. 163-166
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| − | Elif E. Ayiter: The Bridge Project. 167-170
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| − | Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. 171-177
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| − | CAe 2005
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| − | http://www.informatik.uni-trier.de/~ley/db/conf/cae/cae2005.html
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| − | | |
| − | Computational Aesthetics
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| − | | |
| − | Gary Greenfield: On the Origins of the Term "Computational Aesthetics". 9-12
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| − | Florian Hoenig: Defining Computational Aesthetics. 13-18
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| − | | |
| − | Non-Photorealistic Rendering
| |
| − | | |
| − | Hui Xu, Nathan Gossett, Baoquan Chen: Abstraction and Depiction of Sparsely Scanned Outdoor Environments. 19-27
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| − | Gianpiero di Blasi, Giovanni Gallo, Maria P. Petralia: Fast Techniques for Mosaic Rendering. 29-39
| |
| − | Tobias Isenberg, M. Sheelagh T. Carpendale, Mario Costa Sousa: Breaking the Pixel Barrier. 41-48
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| − | Matthew Kaplan, Elaine Cohen: A Generative Model For Dynamic Canvas Motion. 49-56
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| − | Mario Costa Sousa, Amy Ashurst Gooch, Bruce Gooch: Illustrative Scientific Visualization Framework. 57-65
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| − | Brian Wyvill, Kevin Foster, Pauline Jepp, Ryan Schmidt, Mario Costa Sousa, Joaquim A. Jorge: Sketch Based Construction and Rendering of Implicit Models. 67-74
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| − | | |
| − | Color and Imaging
| |
| − | | |
| − | Todor Georgiev: Aesthetics in Covariant Image Reconstruction. 75-81
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| − | Amy Ashurst Gooch, Bruce Gooch: Enhancing Perceived Depth in Images Via Artistic Matting. 83-89
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| − | Gary R. Greenfield, Donald H. House: A Palette-Driven Approach to Image Color Transfer. 91-99
| |
| − | Mark Grundland, Neil A. Dodgson: Color Search and Replace. 101-109
| |
| − | Attila Neumann, László Neumann: Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching. 111-122
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| − | | |
| − | Geometry
| |
| − | | |
| − | Georg Glaeser: On Nonlinear Perspectives in Science, Art and Nature. 123-132
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| − | Alain Marty: Straight away on Curved Spaces. 133-141
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| − | Efstathios Stavrakis, Margrit Gelautz: Computer Generated Stereoscopic Artwork. 143-149
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| − | | |
| − | Metrics of Aesthetics
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| − | | |
| − | Gary R. Greenfield: Designing Metrics for the Purpose of Aesthetically Evaluating. 151-158
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| − | Kresimir Matkovic, László Neumann, Attila Neumann, Thomas Psik, Werner Purgathofer: Global Contrast Factor - a New Approach to Image Contrast. 159-167
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| − | Esteve del Acebo, Mateu Sbert: Benford's Law for Natural and Synthetic Images. 169-176
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| − | Jaume Rigau, Miquel Feixas, Mateu Sbert: An Information-Theoretic Framework for Image Complexity. 177-184
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| − | Mateu Sbert, Dimitri Plemenos, Miquel Feixas, Francisco González García: Viewpoint Quality: Measures and Applications. 185-192
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| − | | |
| − | Visualization
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| − | | |
| − | Timo Götzelmann, Kamran Ali, Knut Hartmann, Thomas Strothotte: Form Follows Function: Aesthetic Interactive Labels. 193-200
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| − | Mario Costa Sousa, David S. Ebert, Don Stredney, Nikolai A. Svakhine: Illustrative Visualization for Medical Training. 201-208
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| − | Ivan Viola, Eduard Gröller: Smart Visibility in Visualization. 209-216
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| − | | |
| − | Color Design
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| − | | |
| − | Gary W. Meyer, Clement Shimizu: Computational Automotive Color Appearance. 217-222
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| − | Clement Shimizu, Gary W. Meyer: Computer Aided Color Appearance Design using Environment Map Based Lighting. 223-230
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| − | László Neumann, Antal Nemcsics, Attila Neumann: Computational Color Harmony based on Coloroid System. 231-240
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| − | Alexander Wilkie, Caroline Larboulette, Werner Purgathofer: Spectral Colour Order Systems and Appearance Metrics for Fluorescent Solid Colours. 241-245
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| | + | Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_6 |
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| | + | Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_7 |
| | | | |
| | + | Gary Greenfield: An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images. In: EvoMUSART 2014, S. 85-94. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_8 |
| | | | |
| | + | Jon McCormack: Aesthetics, Art, Evolution. In: EvoMUSART 2013, S. 1-12. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_1 |
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| | + | Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_5 |
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| | + | Kate Reed: Aesthetic Measures for Evolutionary Vase Design. In: EvoMUSART 2013, S. 59-71. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_6 |
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| | + | João Correia, Penousal Machado, Juan Romero, Adrián Carballal: Feature Selection and Novelty in Computational Aesthetics. In: EvoMUSART 2013, S. 133-144. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_12 |
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| | + | Colin G. Johnson: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: EvoMUSART 2012, S. 129-140. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_12 |
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| | + | Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_14 |
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| | + | Heijer, E. den; Eiben, A.E.: Evolving Art Using Multiple Aesthetic Measures. In: EvoMUSART 2011, S. 234-243. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_24 |
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| | + | Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_40 |
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| | + | Heijer, E. den; Eiben, A.E.: Comparing Aesthetic Measures for Evolutionary Art. In: EvoMUSART 2010, S. 311-320. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_ |
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| | + | Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18 |
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| | + | Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641. DOI: http://link.springer.com/10.1007/11732242_60 |
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| | + | Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_45 |
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| | + | Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_46 |
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| | + | Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569. DOI: http://link.springer.com/10.1007/3-540-36605-9_51 |
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| | http://en.wikipedia.org/wiki/Aesthetics#Computational_inference_of_aesthetics | | http://en.wikipedia.org/wiki/Aesthetics#Computational_inference_of_aesthetics |
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| − | [http://www.computational-aesthetics.org/index_ca05.html Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005] 18 - 20 May, 2005 in Girona, Spain
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| − |
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| − | Proceedings http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH05
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| − |
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| − |
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| − | Non-photorealistic Rendering 1
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| − |
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| − | - T. Isenberg, M. Costa Sousa, M. Sheelagh T. Carpendale: Breaking the Pixel Barrier
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| − |
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| − | - B. Wyvill, K. Foster, P. Jepp, R. Schmidt, M. Costa Sousa, J. A. Jorge: Stylistic Rendering of Implicit Models
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| − |
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| − | - M. Grundland, Ch. Gibbs, N. A. Dodgson: Stylized Rendering for Multiresolution Image Representation
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| − |
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| − | - M. Costa Sousa, B. Gooch, A. Gooch: The NPR Pipeline
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| − | Stylization Techniques
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| − |
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| − | - M. Kaplan, E. Cohen: Stylizations- Automatically Producing Expressive Renderings and Drawings
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| − |
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| − | - E. Akleman: Automatic Creation of Expressive Caricatures: A Grand Challenge For Computer Graphics
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| − |
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| − | - B. Chen : Abstraction and Depiction of Sparsely Scanned Outdoor Environments
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| − |
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| − | INVITED TALK: David Salesin: From Kant to Computation: Why Aesthetics Matter Now More than Ever, and What We Can Do about It
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| − | Non- photorealistic Rendering 2
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| − |
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| − | -J. Wan Park, Kyung hyun Yoon: Layered Mosaics for Stackable Objects
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| − | - G. Di Blasi, G. Gallo, M. Petralia: Fast Techniques for Mosaic Rendering
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| − |
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| − | - M. Kaplan, E. Cohen: A Generative Model For Dynamic Canvas Motion
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| − |
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| − | - E. Stavrakis, M. Gelautz: Computer Generated Stereoscopic Artwork
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| − | Visualization Methods
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| − |
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| − | - I. Viola, M. E. Gröller: Smart Visibility in Visualization
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| − | - D. S. Ebert, D. Stredney, M. Costa Sousa: Computer- generated Illustrative Visualization Medical Training
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| − |
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| − | - D. House, A. Bair, C. Ware : On the Optimization of Visualizations of Complex Phenomena
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| − | Color Transfer
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| − | - Ph. Bekaert, K. Vanhoutte, E. Joris: Radical Confluence: Translating Omni- Directional Video into Strategies of Performativity
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| − |
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| − | - G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer
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| − |
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| − | - L. Neumann, A. Neumann: Color- Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching
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| − | Artistic Imaging
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| − |
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| − | - T. Georgiev: Aesthetics in Covariant Image Reconstruction
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| − | - L. Neumann, A. Neumann: Gradient Domain Imaging
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| − | - G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer
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| − | Color
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| − | - A. Wilkie, C. Larboulette, W. Purgathofer: Spectral Colour Ordering Systems and Appearance Metrics for Fluorescent Solid Colours
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| − |
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| − | - G. W. Meyer, C. Shimizu: Computational Automotive Color Appearance
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| − |
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| − | - L. Neumann, A. Nemcsics, A. Neumann: Computational Color Harmony based on Coloroid System
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| − |
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| − | - B. Gooch: Color2Gray: Salience- Preserving Color Removal
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| − | INVITED TALK: Antal Nemcsics: The Coloroid color-order system and its application in the environmental color planning
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| − | Metrics
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| − |
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| − | - B. Gooch: Enhancing Perceived Depth in Images Via Artistic Matting
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| − |
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| − | - J. Rigau, M. Feixas, M. Sbert: An Information Theoretic Framework for Image Complexity
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| − |
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| − | - G. R. Greenfield: On Designing and Testing Metrics to Aesthetically Evaluate Images
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| − |
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| − | - K. Matkovic, A. Neumann, L. Neumann, Th. Psik, W. Purgathofer: Global Contrast Factor and a Framework for Aesthetical Metrics
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| − | Metrics and Complexity
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| − | - D. Plemenos, M. Sbert, M. Feixas: Viewpoint complexity of 3D scenes: definitions and applications
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| − |
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| − | - K. Hartmann, K. Ali, T. Götzelmann, Th. Strothotte: Form Follows Function: Aesthetic Labeling Styles
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| − | - E. Del Acebo, M. Sbert: How Benford's Law can help in image analysis and classification
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| − |
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| − | INVITED TALK: Oliver Deussen: Good looking landscapes, do we need more than accurate rendering?
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| − | Art
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| − | - G. Glaeser: Non-linear Perspectives in Nature, Art and Science
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| − | - A. Marty: Straight away on curved spaces
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| − | - A. Moroni: ArTbitrating JaVOX: an evolutionary environment for visual and sound composition
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| − | [http://www.dagstuhl.de/programm/kalender/semhp/?semnr=06221 Computational Aesthetics in Graphics, Visualization and Imaging CAe 2006] 28. Mai – 02. Juni 2006, Dagstuhl Seminar 06221
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| − | [http://www.computational-aesthetics.org/2007/ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2007] 20–22 June 2007 Banff, Alberta, Canada
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| − | Proceedings: http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH07
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| − | [http://www.computational-aesthetics.org/2008/ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2008] June 18–20 2008 Lisbon, Portugal
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| − | [http://www.cs.rug.nl/svcg/cae2009/ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2009] May 28–30 2009 Victoria, British Columbia, Canada
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| − | Using Curves
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| − | Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields (Ling Xu and David Mould)
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| − | A Painterly Rendering on Stroke Profile and Database (SangHyun Seo, JinWan Par, and KyungHyun Yoon)
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| − | Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings (Soon Tee Teoh)
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| − | Depicting the Natural World
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| − | Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts (Yasuhiro Akagi, Mitsunori Kataama, and Katsuhiro Kitajima)
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| − |
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| − | Automatic Views of Natural Scenes (Margarita Bratkova, William B. Thompson, and Peter Shirley)
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| − |
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| − | Style Nodes for Hierarchical Tree-Based Implicit Surface Modelling (Pauline Jepp, Bruno Rodrigues De Araujo, Joaquim Jorge, Brian Wyvill, and Mario Costa Sousa)
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| − |
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| − | Aesthetic Analyses
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| − | Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis (Stephan Diehl, Mathias Pohl, and Markus Schmitt)
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| − |
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| − | Image Statistics for Clustering Paintings According to Their Visual Appearance (Christian Wallraven)
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| − |
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| − | Using and Modelling Cameras
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| − | CubeCam: A Screen-Space Camera Manipulation Tool (Cindy Grimm, Nisha Sudarsanam Singh, and Karan Singh)
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| − |
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| − | ARTcams: Attributed Rational Tensor Cameras (Chuan Li, Peter Hall, and Phillip Willis)
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| − |
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| − | Consistent Scene Illumination using a Chromatic Flash (Jan Kautz and Min H. Kim)
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| − |
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| − | Image Manipulation
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| − |
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| − | Movie Posters from Video by Example (Stephen Brooks)
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| − |
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| − | Adding Lighting and Viewing Effects to Digital Images (Cindy Grimm)
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| − | Contrast Brushes: Direct, Local, Contrast Adjustment (Neil Dodgson, Mark Grundland, and Rahul Vohra)
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| − |
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| − | Automated Synthesis
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| − |
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| − | Automated Landscape Painting in the Style of Bob Ross (Alex Kalaidjian, Craig S. Kaplan, and Stephen Mann)
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| − |
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| − | Aesthetic Placement of Points Using Generalized Lloyd Relaxation (Oliver Deussen)
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| − |
| |
| − | Aesthetics
| |
| − |
| |
| − | Distinctive Parameters of Expressive Motion (Lyn Bartram and Ai Nakatani)
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| − |
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| − | Aesthetic Appraisal of Art – From Eye Movements to Computers (Christian Wallraven)
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| |
| − | [ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2010] 978-3-905674-24-8
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| − |
| |
| − | SECTION: Weird images
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| − |
| |
| − | Ligang Liu, Yong Jin, Qingbiao Wu: Realtime aesthetic image retargeting. doi>10.2312/COMPAESTH/COMPAESTH10/001-008
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| − |
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| − | Thomas K. Sharpless, Bruno Postle, Daniel M. German: Pannini: a new projection for rendering wide angle perspective images. doi>10.2312/COMPAESTH/COMPAESTH10/009-016
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| − |
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| − | László Neumann, Ramón Hegedüs: A robust and universal gradient domain imaging solver using gradient variables and locally varying metrics. doi>10.2312/COMPAESTH/COMPAESTH10/017-024
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| − | SECTION: Suggestive lines
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| − |
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| − | Mayank Singh, Scott Schaefer: Suggestive hatching. doi>10.2312/COMPAESTH/COMPAESTH10/025-032
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| − |
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| − | Brian Wyvill, Neil A. Dodgson: Recursive scene graphs for art and design. doi>10.2312/COMPAESTH/COMPAESTH10/033-040
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| − |
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| − | Christian Hörr, Guido Brunnett, Christian Vix: Line drawings vs. curvature shading: scientific illustration of range scanned artefacts. doi>10.2312/COMPAESTH/COMPAESTH10/041-049
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| − |
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| − | Marc Ruiz, Imma Boada, Miquel Feixas, Mateu Sbert: Interactive volume illustration using intensity filtering. doi>10.2312/COMPAESTH/COMPAESTH10/051-058
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| − |
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| − | SECTION: Magic brushes
| |
| − |
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| − | L. Northam, J. Istead, C. Kaplan: Brush stroke ordering techniques for painterly rendering. doi>10.2312/COMPAESTH/COMPAESTH10/059-066
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| − |
| |
| − | Simon Colton: Stroke matching for paint dances. doi>10.2312/COMPAESTH/COMPAESTH10/067-074
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| − |
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| − | SECTION: Freaky geometry
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| − |
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| − | Michael Hansmeyer: Subdivision beyond smoothness. doi>10.2312/COMPAESTH/COMPAESTH10/075-081
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| − |
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| − | Kate Kinnear, Craig S. Kaplan: Procedural generation of surface detail for science fiction spaceships. doi>10.2312/COMPAESTH/COMPAESTH10/083-090
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| − |
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| − | Davide Cavagnino, Marco Gribaudo: Discretization of 3D models using voxel elements of different shapes. doi>10.2312/COMPAESTH/COMPAESTH10/091-098
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| − |
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| − | SECTION: Mental to metal
| |
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| − | Jaume Rigau, Miquel Feixas, Mateu Sbert, Christian Wallraven: Toward Auvers period: evolution of van Gogh's style. doi>10.2312/COMPAESTH/COMPAESTH10/099-106
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| − | Elodie Fourquet: Learning about shadows from artists. doi>10.2312/COMPAESTH/COMPAESTH10/107-114
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| | [[Begriffe_zur_Evolutionären_Kunst | zurück zur Liste der Begriffe]] | | [[Begriffe_zur_Evolutionären_Kunst | zurück zur Liste der Begriffe]] |
Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_6
Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_7
Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_5
Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_14
Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_40
Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18
Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641. DOI: http://link.springer.com/10.1007/11732242_60
Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_45
Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_46
Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569. DOI: http://link.springer.com/10.1007/3-540-36605-9_51
