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| | ==Konferenzen, Workshops== | | ==Konferenzen, Workshops== |
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| − | [http://www.informatik.uni-trier.de/~Ley/db/conf/cae/index.html Proceedingsüberblick] | + | Gesamtüberblick über die [[Computational Aesthetics Conferences]] |
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| − | ===Computational Aesthetics 2013===
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| − | Donald H. House, Cindy Grimm (Eds.): Workshop on Computational Aesthetics, Anaheim, California, USA, 2013. Proceedings. ACM 2013. ISBN 978-1-4503-2203-4
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| − | ===Computational Aesthetics 2012===
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| − | Douglas W. Cunningham, Donald H. House (Eds.): Computational Aesthetics 2012: Eurographics Workshop on Computational Aesthetics, Annecy, France, 4-6 June 2012. Proceedings. Eurographics Association 2012 ISBN 978-3-905674-43-9
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| − | ===Computational Aesthetics 2011===
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| − | Douglas W. Cunningham, Tobias Isenberg (Eds.): Computational Aesthetics 2011: Eurographics Workshop on Computational Aesthetics, Vancouver, Canada, 2011. Proceedings. Eurographics Association 2011 ISBN 978-1-4503-0908-0
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| − | ===Computational Aesthetics 2010===
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| − | Pauline Jepp, Oliver Deussen (Eds.): Computational Aesthetics 2010: Eurographics Workshop on Computational Aesthetics, London, United Kingdom, 2010. Eurographics Association 2010 ISBN 978-3-905674-24-8
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| − | ===Computational Aesthetics 2009===
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| − |
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| − | Oliver Deussen, Peter Hall (Eds.): Computational Aesthetics 2009: Eurographics Workshop on Computational Aesthetics, Victoria, British Columbia, Canada, 2009. Eurographics Association 2009 ISBN 978-3-905674-17-0
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| − |
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| − | ===Computational Aesthetics 2008===
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| − | Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8
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| − |
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| − | ===Computational Aesthetics 2007===
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| − |
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| − | Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging, Banff, Alberta, Canada, June 20-22, 2007. Eurographics Association 2007 ISBN 978-3-905673-43-2
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| − |
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| − | ===Computational Aesthetics 2006===
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| − | Bruce Gooch, Laszlo Neumann, Werner Purgathofer and Mateu Sbert: Computational Aesthetics 2006: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2006 - 06221 Dagstuhl Report. Internationales Begegnungs- und Forschungszentrum für Informatik (IBFI), Schloss Dagstuhl, 2007, Dagstuhl, ISSN 1862-4405 http://drops.dagstuhl.de/opus/volltexte/2007/875/
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| − |
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| − | ===Computational Aesthetics 2005===
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| − |
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| − | Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005
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| − | László Neumann, Mateu Sbert, Bruce Gooch, Werner Purgathofer (Eds.): Computational Aesthetics 2005: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2005, Girona, Spain, May 18-20, 2005. Eurographics Association 2005 ISBN 3-905673-27-4
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| Zeile 55: |
Zeile 20: |
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| | ===Artikel aus dem Kontext Evolutionäre Kunst=== | | ===Artikel aus dem Kontext Evolutionäre Kunst=== |
| − | Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu; An Interface for Fitness Function Design. In: EvoMUSART 2014, S. 13-25 | + | Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu; An Interface for Fitness Function Design. In: EvoMUSART 2014, S. 13-25. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_2 |
| − | | |
| − | Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73
| |
| − | | |
| − | Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84
| |
| − | | |
| − | Gary Greenfield: An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images. In: EvoMUSART 2014, S. 85-94
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| − | | |
| − | Jon McCormack: Aesthetics, Art, Evolution. In: EvoMUSART 2013, S. 1-12
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| − | | |
| − | Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58
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| − | | |
| − | Kate Reed: Aesthetic Measures for Evolutionary Vase Design. In: EvoMUSART 2013, S. 59-71
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| − | | |
| − | João Correia, Penousal Machado, Juan Romero, Adrián Carballal: Feature Selection and Novelty in Computational Aesthetics. In: EvoMUSART 2013, S. 133-144
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| − | | |
| − | Colin G. Johnson: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: EvoMUSART 2012, S. 129-140
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| − | | |
| − | Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164
| |
| − | | |
| − | Heijer, E. den; Eiben, A.E.: Evolving Art Using Multiple Aesthetic Measures. In: EvoMUSART 2011, S. 234-243
| |
| − | | |
| − | Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403
| |
| − | | |
| − | Heijer, E. den; Eiben, A.E.: Comparing Aesthetic Measures for Evolutionary Art. In: EvoMUSART 2010, S. 311-320
| |
| − | | |
| − | Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415.
| |
| − | | |
| − | Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641
| |
| − | | |
| − | Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446
| |
| − | | |
| − | Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456
| |
| − | | |
| − | Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569
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| − | | |
| − | | |
| − | | |
| − | | |
| − | ===Artikel aus Computational Aesthetics Konferenzen===
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| − | | |
| − | ====Computational Aesthetics 2013====
| |
| − | | |
| − | '''Fill Patterns'''
| |
| − | | |
| − | * Amir Semmo, Jan Eric Kyprianidis, Matthias Trapp, Jürgen Döllner: Real-Time Rendering of Water Surfaces with Cartography-Oriented Design. 5-14 DOI: 10.1145/2487276.2487277
| |
| − | * Zainab AlMeraj, Craig S. Kaplan, Paul Asente: Patch-Based Geometric Texture Synthesis. 15-20 DOI: 10.1145/2487276.2487278
| |
| − | | |
| − | '''Modeling Characters'''
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| − | | |
| − | * Shelley Gao, Christopher Werner, Amy Ashurst Gooch: Morphable guidelines for the human head. 21-28 DOI: 10.1145/2487276.2487281
| |
| − | | |
| − | '''Human Interfaces and Education'''
| |
| − | | |
| − | * Colin Ware: Perceiving Complex Causation Through Interaction. 29-36 DOI: 10.1145/2487276.2487279
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| − | | |
| − | '''Algorithm aesthetics'''
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| − | | |
| − | * Angus Forbes, Tobias Höllerer, George Legrady: Generative Fluid Profiles for Interactive Media Arts Projects. 37-44 DOI: 10.1145/2487276.2487287
| |
| − | * Michael Burch, Daniel Weiskopf: The Aesthetics of Rapidly-Exploring Random Trees. 45-52 DOI: 10.1145/2487276.2487285
| |
| − | | |
| − | '''Pixels and Vectors'''
| |
| − | | |
| − | * Marta Kryven, Elodie Fourquet: Generating Knitting Patterns from a Sketch: a CSP Approach. 53-62 DOI: 10.1145/2487276.2487284
| |
| − | * Paul Asente, Nathan Carr: Creating Contour Gradients using 3D Bevels. 63-66 DOI: 10.1145/2487276.2487283
| |
| − | | |
| − | '''Image Processing / Vision'''
| |
| − | | |
| − | * Paul L. Rosin, Yu-Kun Lai: Non-Photorealistic Rendering with Spot Colour. 67-76 DOI: 10.1145/2487276.2487280
| |
| − | * Peter M. Hall, Yi-Zhe Song: Simple Art as Abstractions of Photographs. 77-86 DOI: 10.1145/2487276.2487288
| |
| − | * Xihe Gao, Stephen Brooks, Dirk V. Arnold: Virtual Photograph Based Saliency Analysis of High Dynamic Range Images. 87-92 DOI: 10.1145/2487276.2487286
| |
| − | * Seyed Ali Amirshahi, Christoph Redies, Joachim Denzler: How Self-Similar are Artworks at Different Levels of Spatial Resolution?. 93-100 DOI: 10.1145/2487276.2487282
| |
| | | | |
| | + | Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_6 |
| | | | |
| | + | Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_7 |
| | | | |
| | + | Gary Greenfield: An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images. In: EvoMUSART 2014, S. 85-94. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_8 |
| | | | |
| − | ====Computational Aesthetics 2012====
| + | Jon McCormack: Aesthetics, Art, Evolution. In: EvoMUSART 2013, S. 1-12. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_1 |
| | | | |
| − | '''Art in Action'''
| + | Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_5 |
| | | | |
| − | * Jarek Rossignac, Mark Luffel, Alvar Vinacua: SAMBA: Steadied Choreographies. 1-9 DOI: 10.2312/COMPAESTH/COMPAESTH12/001-009
| + | Kate Reed: Aesthetic Measures for Evolutionary Vase Design. In: EvoMUSART 2013, S. 59-71. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_6 |
| − | * Barbara P. Castro, L. Velho, D. Kosminsky: Integrarte: Digital Art Using Body Interaction. 11-15 DOI: 10.2312/COMPAESTH/COMPAESTH12/011-015
| |
| − | * Patrick A. Tresset, Frederic F. Leymarie: Sketches by Paul the Robot. 17-24 DOI: 10.2312/COMPAESTH/COMPAESTH12/017-024
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| | | | |
| − | '''Making it Change'''
| + | João Correia, Penousal Machado, Juan Romero, Adrián Carballal: Feature Selection and Novelty in Computational Aesthetics. In: EvoMUSART 2013, S. 133-144. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_12 |
| | | | |
| − | * Oliver Deussen, Thomas Lindemeier, Sören Pirk, Mark Tautzenberger: Feedback-guided Stroke Placement for a Painting Machine. 25-33 DOI: 10.2312/COMPAESTH/COMPAESTH12/025-033
| + | Colin G. Johnson: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: EvoMUSART 2012, S. 129-140. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_12 |
| − | * Matt Lockyer, Lyn Bartram: The aMotion Toolkit: Painting with Affective Motion Textures. 35-43 DOI: 10.2312/COMPAESTH/COMPAESTH12/035-043
| |
| − | * Ashwin Bangalore, Donald H. House: A Technique for Art Direction of Physically Based Fire Simulation. 45-54 DOI: 10.2312/COMPAESTH/COMPAESTH12/045-054
| |
| | | | |
| − | '''Aesthetics and Perspective'''
| + | Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_14 |
| | | | |
| − | * Shehroz S. Khan, Daniel Vogel: Evaluating Visual Aesthetics in Photographic Portraiture. 55-62 DOI: 10.2312/COMPAESTH/COMPAESTH12/055-062
| + | Heijer, E. den; Eiben, A.E.: Evolving Art Using Multiple Aesthetic Measures. In: EvoMUSART 2011, S. 234-243. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_24 |
| − | * Brian Wyvill, Paul G. Kry, Raimund Seidel, David Mould: Determining an Aesthetic Inscribed Curve. 63-70 DOI: 10.2312/COMPAESTH/COMPAESTH12/063-070
| |
| − | * Carol MacGillivray, B. Mathez, Frederic Fol Leymarie: Developing a System of Screen-less Animation for Experiments in Perception of Movement. 71-80 DOI: 10.2312/COMPAESTH/COMPAESTH12/071-080
| |
| | | | |
| − | '''Pixelation and Colour'''
| + | Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_40 |
| | | | |
| − | * Henrik Lieng, Christian Richardt, Neil A. Dodgson: Random Discrete Colour Sampling. 81-87 DOI: 10.2312/COMPAESTH/COMPAESTH12/081-087
| + | Heijer, E. den; Eiben, A.E.: Comparing Aesthetic Measures for Evolutionary Art. In: EvoMUSART 2010, S. 311-320. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_ |
| − | * Hasti Seifi, Steve DiPaola, James T. Enns: Exploring the Effect of Color Palette in Painterly Rendered Character Sequences. 89-97 DOI: 10.2312/COMPAESTH/COMPAESTH12/089-097
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| | | | |
| − | '''Lines, Strokes and Textures in 3D'''
| + | Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18 |
| | | | |
| − | * Pradeep Garigipati, Ergun Akleman: Duotone Surfaces. 99-106 DOI: 10.2312/COMPAESTH/COMPAESTH12/099-106
| + | Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641. DOI: http://link.springer.com/10.1007/11732242_60 |
| − | * Qing Xing, Ergun Akleman, Gabriel Taubin, Jianer Chen: Surface Covering Curves. 107-114 DOI: 10.2312/COMPAESTH/COMPAESTH12/107-114
| |
| | | | |
| − | '''Image Processing, Image to Art'''
| + | Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_45 |
| | | | |
| − | * Jordan Miller, David Mould: Accurate and Discernible Photocollages. 115-124 DOI: 10.2312/COMPAESTH/COMPAESTH12/115-124
| + | Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_46 |
| | | | |
| | + | Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569. DOI: http://link.springer.com/10.1007/3-540-36605-9_51 |
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| | | | |
| − | ====Computational Aesthetics 2011====
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| − |
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| − | '''Evaluation and Aesthetics'''
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| − | * Jay Vidyarthi, Bernhard E. Riecke, Alissa Nicole Antle: Sympathetic Guitar: Humans Respond Socially to Interactive Technology in an Abstract, Expressive Context. 9-16 DOI: 10.2312/COMPAESTH/COMPAESTH11/009-016
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| − |
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| − | '''Illusions'''
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| − |
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| − | * Marc Alexa, Wojciech Matusik: Images from Self-Occlusion. 17-24 DOI: 10.2312/COMPAESTH/COMPAESTH11/017-024
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| − | * Tiffany Inglis, Craig S. Kaplan: Generating Op Art Lines. 25-32 DOI: 10.2312/COMPAESTH/COMPAESTH11/025-032
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| − | '''Symmetry and Geometry'''
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| − |
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| − | * Brian Cullen, Carol O'Sullivan: Symmetry Hybrids. 33-38 DOI: 10.2312/COMPAESTH/COMPAESTH11/033-038
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| − |
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| − | '''Sketching & Design'''
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| − |
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| − | * A. Wanner: Building The Plotter - an Aesthetic Exploration with Drawing Robots. 39-46 DOI: 10.2312/COMPAESTH/COMPAESTH11/039-046
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| − |
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| − | '''Rendering and Abstraction'''
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| − |
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| − | * J. Love, P. Pasquier, B. Wyvill, S. Gibson, George Tzanetakis: Aesthetic Agents: Swarm-based Non-photorealistic Rendering using Multiple Images. 47-54 DOI: 10.2312/COMPAESTH/COMPAESTH11/047-054
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| − | '''Animation'''
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| − |
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| − | * Shelley Gao, Lucy Pullen, Amy Ashurst Gooch: Double Meandering Algorithm: From Drawing Game to Automated Animation. 55-62 DOI: 10.2312/COMPAESTH/COMPAESTH11/055-062
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| − |
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| − | '''Enhancing Sketching'''
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| − |
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| − | * Travis Kirton: Artistic Canvases for Gestural and Non-linear Typography. 63-70 DOI: 10.2312/COMPAESTH/COMPAESTH11/063-070
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| − |
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| − | '''Light and Shadow'''
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| − |
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| − | * Aleksandra Dulic, Kenneth C. Newby: Performing Animator Instrument for Live Media. 71-80 DOI: 10.2312/COMPAESTH/COMPAESTH11/071-080
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| − | '''Perception'''
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| − |
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| − | * Christopher Gat, Hanyu Zhang, Daniel M. Germán, Melanie Tory: gamutHeatMap: Visualizing the Colour Shift of Rendering Intent Transformations. 81-88 DOI: 10.2312/COMPAESTH/COMPAESTH11/081-088
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| − | * Matt Lockyer, Lyn Bartram, Bernhard E. Riecke: Simple Motion Textures for Ambient Affect. 89-96 DOI: 10.2312/COMPAESTH/COMPAESTH11/089-096
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| − | * Christian Richardt, Lech Swirski, Ian P. Davies, Neil A. Dodgson: Predicting Stereoscopic Viewing Comfort Using a Coherence-Based Computational Model. 97-104 DOI: 10.2312/COMPAESTH/COMPAESTH11/097-104
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| − |
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| − | '''Artistic Stylization'''
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| − |
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| − | * Jonathan Haber, Sean Lynch, M. Sheelagh T. Carpendale: ColourVis: Exploring Colour Usage in Paintings Over Time. 105-112 DOI: 10.2312/COMPAESTH/COMPAESTH11/105-112
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| − | '''Visualization & Beautification'''
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| − |
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| − | * Kristin Carlson, Thecla Schiphorst, C. Shaw: ActionPlot: A Visualization Tool for Contemporary Dance Analysis. 113-120 DOI: 10.2312/COMPAESTH/COMPAESTH11/113-120
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| − | * Pattarawut Subyen, Diego S. Maranan, Thecla Schiphorst, Philippe Pasquier, Lyn Bartram: EMVIZ: The Poetics of Movement Quality Visualization. 121-128 DOI: 10.2312/COMPAESTH/COMPAESTH11/121-128
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| − | '''Modelling and Concepts'''
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| − | * Nader Hamekasi, Faramarz F. Samavati, Ahmad H. Nasri: Interactive Modeling of Muqarnas. 129-136 DOI: 10.2312/COMPAESTH/COMPAESTH11/129-136
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| − | ====Computational Aesthetics 2010====
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| − |
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| − | '''Weird Images'''
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| − |
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| − | * Ligang Liu, Yong Jin, Qingbiao Wu: Realtime Aesthetic Image Retargeting. 1-8 doi: 10.2312/COMPAESTH/COMPAESTH10/001-008
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| − | * Thomas K. Sharpless, Bruno Postle, Daniel M. Germán: Pannini: A New Projection for RenderingWide Angle Perspective Images . doi: 9-16 10.2312/COMPAESTH/COMPAESTH10/009-016
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| − | * László Neumann, Ramón Hegedüs: A Robust and Universal Gradient Domain Imaging Solver Using Gradient Variables and Locally Varying Metrics. 17-24 doi: 10.2312/COMPAESTH/COMPAESTH10/017-024
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| − | '''Suggestive Lines'''
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| − | * Mayank Singh, Scott Schaefer: Suggestive Hatching. 25-32 doi: 10.2312/COMPAESTH/COMPAESTH10/025-032
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| − | * Brian Wyvill, Neil A. Dodgson: Recursive Scene Graphs for Art and Design. 33-40 doi: 10.2312/COMPAESTH/COMPAESTH10/033-040
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| − | * Christian Hörr, Guido Brunnett, Christian Vix: Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts. 41-49 doi: 10.2312/COMPAESTH/COMPAESTH10/041-049
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| − | * Marc Ruiz, Imma Boada, Miquel Feixas, Mateu Sbert: Interactive Volume Illustration Using Intensity Filtering. 51-58 doi: 10.2312/COMPAESTH/COMPAESTH10/051-058
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| − | '''Magic Brushes'''
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| − |
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| − | * Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. 59-66 doi: 10.2312/COMPAESTH/COMPAESTH10/059-066
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| − | * Simon Colton: Stroke Matching for Paint Dances. 67-74 doi:10.2312/COMPAESTH/COMPAESTH10/067-074
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| − | '''Freaky Geometry'''
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| − | * Michael Hansmeyer: Subdivision Beyond Smoothness. 75-81 doi: 10.2312/COMPAESTH/COMPAESTH10/075-081
| |
| − | * Kate Kinnear, Craig S. Kaplan: Procedural Generation of Surface Detail for Science Fiction Spaceships. 83-90 doi: 10.2312/COMPAESTH/COMPAESTH10/083-090
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| − | * Davide Cavagnino, Marco Gribaudo: Discretization of 3D Models Using Voxel Elements of Different Shapes. 91-98 doi: 10.2312/COMPAESTH/COMPAESTH10/091-098
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| − |
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| − | '''Mental to Metal'''
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| − |
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| − | * Jaume Rigau, Miquel Feixas, Mateu Sbert, Christian Wallraven: Toward Auvers Period: Evolution of van Gogh's Style. 99-106 doi: 10.2312/COMPAESTH/COMPAESTH10/099-106
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| − |
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| − | '''Crossover'''
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| − |
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| − | * Elodie Fourquet: Learning about Shadows from Artists. 107-114 doi: 10.2312/COMPAESTH/COMPAESTH10/107-114
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| − |
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| − |
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| − |
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| − |
| |
| − | ====Computational Aesthetics 2009====
| |
| − |
| |
| − | '''Using Curves'''
| |
| − |
| |
| − | * Ling Xu, David Mould: Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields. 1-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/001-008
| |
| − | * Sanghyun Seo, Jinwan Park, Kyunghyun Yoon: A Painterly Rendering Based on Stroke Profile and Database. 9-160 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/009-016
| |
| − | * Soon Tee Teoh: Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings. 17-240 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/017-024
| |
| − |
| |
| − | '''Depicting the Natural World'''
| |
| − |
| |
| − | * Yasuhiro Akagi, Mitsunori Kataama, Katsuhiro Kitajima: Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts. 25-320 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/025-032
| |
| − | * Margarita Bratkova, William B. Thompson, Peter Shirley: Automatic Views of Natural Scenes. 33-400 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/033-040
| |
| − | * Pauline Jepp, Bruno Araújo, Joaquim A. Jorge, Brian Wyvill, Mario Costa Sousa: Style Nodes and Repolygonization for Hierarchical Tree-Based Implicit Surface Modelling. 41-480 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/041-048
| |
| − |
| |
| − | '''Aesthetic Analyses'''
| |
| − |
| |
| − | *Mathias Pohl, Markus Schmitt, Stephan Diehl: Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis. 49-560 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/049-056
| |
| − | *Marcel Spehr, Christian Wallraven, Roland W. Fleming: Image Statistics for Clustering Paintings According to their Visual Appearance. 57-640 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/057-064
| |
| − |
| |
| − | '''Using and Modelling Cameras'''
| |
| − |
| |
| − | * Nisha Sudarsanam, Cindy Grimm, Karan Singh: CubeCam: A Screen-space Camera Manipulation Tool. 65-710 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/065-071
| |
| − | * Chuan Li, Peter M. Hall, Philip Willis: ARTcams: Attributed Rational Tensor Cameras. 73-810 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/073-081
| |
| − | * Min H. Kim, Jan Kautz: Consistent Scene Illumination using a Chromatic Flash. 83-890 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/083-089
| |
| − |
| |
| − | '''Image Manipulation'''
| |
| − |
| |
| − | * Stephen Brooks: Movie Posters from Video by Example. 91-980 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/091-098
| |
| − | * Cindy Grimm: Adding Lighting and Viewing Effects to Digital Images. 99-1050 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/099-105
| |
| − | * Neil A. Dodgson, Mark Grundland, Rahul Vohra: Contrast Brushes: Interactive Image Enhancement by Direct Manipulation. 107-1140 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/107-114
| |
| − |
| |
| − | '''Automated Synthesis'''
| |
| − |
| |
| − | * Alex Kalaidjian, Craig S. Kaplan, Stephen Mann: Automated Landscape Painting in the Style of Bob Ross. 115-1220 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/115-122
| |
| − | * Oliver Deussen: Aesthetic Placement of Points Using Generalized Lloyd Relaxation. 123-1280 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/123-128
| |
| − |
| |
| − | '''Aesthetics'''
| |
| − |
| |
| − | * Lyn Bartram, Ai Nakatani: Distinctive Parameters of Expressive Motion. 129-1360 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/129-136
| |
| − | * Christian Wallraven, Douglas W. Cunningham, Jaume Rigau, Miquel Feixas, Mateu Sbert: Aesthetic Appraisal of Art - from Eye Movements to Computers. 137-1440 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/137-144
| |
| − |
| |
| − |
| |
| − |
| |
| − | ====Computational Aesthetics 2008====
| |
| − | '''Artistic Content'''
| |
| − |
| |
| − | * Murat Germen: Inadvertent - Ars Accidentalis. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008
| |
| − | * Elodie Fourquet: Composition in Perspectives. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016
| |
| − | * Sven Banisch, Mateu Sbert: Fast Visualisation and Interactive Design of Deterministic Fractals. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024
| |
| − | * Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: Animating Persian Floral Patterns. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032
| |
| − |
| |
| − | '''Annotation and Representation'''
| |
| − |
| |
| − | * Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. 33-40 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/033-040
| |
| − | * Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. 41-48 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048
| |
| − | * Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. 49-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056
| |
| − |
| |
| − | '''Stylized Rendering'''
| |
| − |
| |
| − | * Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: Watercolor Illustrations of CAD Data. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056
| |
| − | * Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: Arty Shapes. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072
| |
| − | * Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/073-080
| |
| − |
| |
| − | '''Computational Photography'''
| |
| − |
| |
| − | * Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/081-088
| |
| − | * László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/089-097
| |
| − | * Daniel M. Germán: Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent. 99-106 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106
| |
| − |
| |
| − | '''Automated Analysis of Art'''
| |
| − |
| |
| − | * Neil A. Dodgson: Regularity and Randomness in Bridget Riley's Aarly Op Art. 107-114 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/107-114
| |
| − | * Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh's Paintings. 115-122 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122
| |
| − | * Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: Pictorial Analysis of Line-drawings. 123-130 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/123-130
| |
| − | * Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: Perceptual and Computational Categories in Art. 131-138 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138
| |
| − |
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| − |
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| − |
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| − |
| |
| − | ====Computational Aesthetics 2007====
| |
| − | '''Computer Graphics and Projections'''
| |
| − |
| |
| − | * Daniel M. Germán, Pablo d'Angelo, Michael Gross, Bruno Postle: New Methods to Project Panoramas for Practical and Aesthetic Purposes. 15-22
| |
| − | * Daniel M. Germán, Lloyd Burchill, Alexandre Duret-Lutz, Sébastien Pérez-Duarte, Emmanuel Pérez-Duarte, Josh Sommers: Flattening the Viewable Sphere. 23-28
| |
| − | * Francisco González García, Mateu Sbert, Miquel Feixas: An Information-Theoretic Ambient Occlusion. 29-36
| |
| − |
| |
| − | '''Stylized Images'''
| |
| − |
| |
| − | * Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: Composition Principles for Quality Depiction and Aesthetics. 37-44
| |
| − | * David Mould: Stipple Placement using Distance in a Weighted Graph. 45-52
| |
| − | * Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: Aesthetics of Hand-Drawn vs. Computer-Generated Stippling. 53-56
| |
| − |
| |
| − | '''Colors and Visualization'''
| |
| − |
| |
| − | * Chris Bennett, Jody Ryall, Leo Spalteholz, Amy Gooch: The Aesthetics of Graph Visualization. 57-64
| |
| − | * Caroline Larboulette: Celtic Knots Colorization based on Color Harmony Principles. 65-72
| |
| − | * László Neumann, Martin Cadík, Antal Nemcsics: An Efficient Perception-based Adaptive Color to Gray Transformation. 73-80
| |
| − |
| |
| − | '''Model Manipulation'''
| |
| − |
| |
| − | * Franz Gruber, Georg Glaeser: Magnetism and Minimal Surfaces - a Different Tool for Surface Design. 81-88
| |
| − | * Douglas W. Cunningham, Christian Wallraven, Roland W. Fleming, Wolfgang Straßer: Perceptual Reparameterization of Material Properties. 89-96
| |
| − | * Yuki Morimoto, Reiji Tsuruno, Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing. 97-104
| |
| − |
| |
| − | '''Style Analysis and Metrics'''
| |
| − |
| |
| − | * Jaume Rigau, Miquel Feixas, Mateu Sbert: Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity. 105-112
| |
| − | * Marc Alexa: Extracting the Essence from Sets of Images. 113-120
| |
| − |
| |
| − | '''Interaction'''
| |
| − |
| |
| − | * Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell, Heinrich H. Bülthoff: In the Eye of the Beholder - Perception of Indeterminate Art. 121-128
| |
| − | * Arlene Stamp, Tobias Isenberg, M. Sheelagh T. Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist. 129-134
| |
| − | * Holly Schmidt, Uta Hinrichs, Alan Dunning, M. Sheelagh T. Carpendale: memory [en]code - Building a Collective Memory within a Tabletop Installation. 135-142
| |
| − | * David W. Sprague, Amy Ashurst Gooch: Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments. 143-149
| |
| − |
| |
| − | '''Artistic Papers'''
| |
| − |
| |
| − | * Jeremy Rotsztain: ColorScheme. 151-156
| |
| − | * Randy Jones: A Poetics of Simulation for Audiovisual Performance. 157-162
| |
| − | * Vicky Isley, Paul Smith: Theatre of Restless Automata. 163-166
| |
| − | * Elif E. Ayiter: The Bridge Project. 167-170
| |
| − | * Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. 171-177
| |
| − |
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| − |
| |
| − |
| |
| − |
| |
| − | ====Computational Aesthetics 2006 ====
| |
| − | kein Proceedings, sondern nur Abstract-Sammlung als Dagstuhl Report 06221
| |
| − |
| |
| − | * Bartz, Dirk; Fischer, Jan; Salah, Zein; Cunningham, Douglas; Wallraven, Christian: Stylized Reality
| |
| − | * Cadik, Martin; Wimmer, M.; Neumann, L.; Artusi, A.: Evaluation of Tone Mapping Operators Using Image Attributes
| |
| − | * Cadik, Martin; Neumann, László: Evaluation of Tone Mapping Operators Using Image Attributes
| |
| − | * Cunningham, Douglas W.; Wallraven, Christian; Bartz, Dirk; Fischer, Jan; Bülthoff, Heinrich H.; Straßer, Wolfgang: Facial expressions, stylization, and psychophysical evaluation
| |
| − | * Ebert, David S.; Sousa, Mario Costa; Stredney, Don; Svakhine, Nikolai: Illustrative Visualization: Goals and Questions
| |
| − | * Feixas, Miquel; Sbert, Mateu; González, Francisco; Rigau, Jaume: A Unified Information-Theoretic Framework for Viewpoint Selection
| |
| − | * Glaeser, Georg; Gruber, Franz: The Beauty of Developable Surfaces
| |
| − | * Amy Gooch: Visualizing Pentimenti: the Hidden History in a Painting
| |
| − | * Gary R. Greenfield: Evolutionary Computation and Image Re-Coloring
| |
| − | * Hartmann, Knut; Götzelmann, Timo ; Kamran, Ali; Strothotte, Thomas: Mapped Pictures: Aesthetic Image Annotations
| |
| − | * Donald H. House: An Approach to the Perceptual Optimization of Visualizations
| |
| − | * Interrante, Victoria; Saunders, P. Coleman: Color Aesthetics in Visualization and Natural Images
| |
| − | * Isenberg, Tobias; Neumann, Petra; Carpendale, Sheelagh; Costa Sousa, Mario; Jorge, Joaquim A.: Aesthetics of Hand-Drawn and Computer-Generated Illustrations
| |
| − | * Jepp, Pauline; Wyvill, Brian; Sousa, Mario Costa: Flocking Strokes
| |
| − | * Craig S. Kaplan: A note on optimization
| |
| − | * Leyvand, Tommer; Cohen-Or, Daniel; Dror, Gideon; Lischinski, Dani: Digital Face Beautification
| |
| − | * Gary Meyer: What Will Make Us Aesthetics Experts?
| |
| − | * Smith, Kaleigh; Krawczyk, Grzegorz; Myszkowski, Karol; Seidel, Hans-Peter: Beyond Tone Mapping: Enhanced Depiction of Tone Mapped HDR Images http://www.mpi-inf.mpg.de/resources/hdr/enhancedHDR/
| |
| − | * Klaus Müller: Sub-Resolution Detail Generation for Illustrative Rendering Using Constrained Texture Synthesis
| |
| − | * Neumann, Attila; Neumann László: High Dynamic Range Imaging using Multi-CLAHE methods
| |
| − | * Neumann, László; Cadik, Martin: Gradient Importance based High Dynamic Range Imaging
| |
| − | * Georg Petschnigg: Faithful Color with Flash
| |
| − | * Sbert, Mateu; Feixas, Miquel; González, Francisco; García, Ismael; Castelló, Pascual Chover Miguel: A Unified Information-Theoretic Framework for Viewpoint Selection: Applications to Mesh Visibility, Saliency and Simplification
| |
| − | * Georgios Stylianou: Crest Lines and Viewpoint Selection
| |
| − | * Vazquez, Pere-Pau; Andújar, Carlos: Silhouette-aware saliency
| |
| − | * Ivan Viola: Importance-Driven Focus of Attention
| |
| − | * Daniel Weiskopf: Aesthetics and Relativity
| |
| − |
| |
| − |
| |
| − |
| |
| − |
| |
| − | ====Computational Aesthetics 2005====
| |
| − |
| |
| − | http://www.informatik.uni-trier.de/~ley/db/conf/cae/cae2005.html
| |
| − |
| |
| − | '''Computational Aesthetics'''
| |
| − |
| |
| − | * Gary Greenfield: On the Origins of the Term "Computational Aesthetics". 9-12
| |
| − | * Florian Hoenig: Defining Computational Aesthetics. 13-18
| |
| − |
| |
| − | '''Non-Photorealistic Rendering'''
| |
| − |
| |
| − | * Hui Xu, Nathan Gossett, Baoquan Chen: Abstraction and Depiction of Sparsely Scanned Outdoor Environments. 19-27
| |
| − | * Gianpiero di Blasi, Giovanni Gallo, Maria P. Petralia: Fast Techniques for Mosaic Rendering. 29-39
| |
| − | * Tobias Isenberg, M. Sheelagh T. Carpendale, Mario Costa Sousa: Breaking the Pixel Barrier. 41-48
| |
| − | * Matthew Kaplan, Elaine Cohen: A Generative Model For Dynamic Canvas Motion. 49-56
| |
| − | * Mario Costa Sousa, Amy Ashurst Gooch, Bruce Gooch: Illustrative Scientific Visualization Framework. 57-65
| |
| − | * Brian Wyvill, Kevin Foster, Pauline Jepp, Ryan Schmidt, Mario Costa Sousa, Joaquim A. Jorge: Sketch Based Construction and Rendering of Implicit Models. 67-74
| |
| − |
| |
| − | '''Color and Imaging'''
| |
| − |
| |
| − | * Todor Georgiev: Aesthetics in Covariant Image Reconstruction. 75-81
| |
| − | * Amy Ashurst Gooch, Bruce Gooch: Enhancing Perceived Depth in Images Via Artistic Matting. 83-89
| |
| − | * Gary R. Greenfield, Donald H. House: A Palette-Driven Approach to Image Color Transfer. 91-99
| |
| − | * Mark Grundland, Neil A. Dodgson: Color Search and Replace. 101-109
| |
| − | * Attila Neumann, László Neumann: Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching. 111-122
| |
| − |
| |
| − | '''Geometry'''
| |
| − |
| |
| − | * Georg Glaeser: On Nonlinear Perspectives in Science, Art and Nature. 123-132
| |
| − | * Alain Marty: Straight away on Curved Spaces. 133-141
| |
| − | * Efstathios Stavrakis, Margrit Gelautz: Computer Generated Stereoscopic Artwork. 143-149
| |
| − |
| |
| − | '''Metrics of Aesthetics'''
| |
| − |
| |
| − | * Gary R. Greenfield: Designing Metrics for the Purpose of Aesthetically Evaluating. 151-158
| |
| − | * Kresimir Matkovic, László Neumann, Attila Neumann, Thomas Psik, Werner Purgathofer: Global Contrast Factor - a New Approach to Image Contrast. 159-167
| |
| − | * Esteve del Acebo, Mateu Sbert: Benford's Law for Natural and Synthetic Images. 169-176
| |
| − | * Jaume Rigau, Miquel Feixas, Mateu Sbert: An Information-Theoretic Framework for Image Complexity. 177-184
| |
| − | * Mateu Sbert, Dimitri Plemenos, Miquel Feixas, Francisco González García: Viewpoint Quality: Measures and Applications. 185-192
| |
| − |
| |
| − | '''Visualization'''
| |
| − |
| |
| − | * Timo Götzelmann, Kamran Ali, Knut Hartmann, Thomas Strothotte: Form Follows Function: Aesthetic Interactive Labels. 193-200
| |
| − | * Mario Costa Sousa, David S. Ebert, Don Stredney, Nikolai A. Svakhine: Illustrative Visualization for Medical Training. 201-208
| |
| − | * Ivan Viola, Eduard Gröller: Smart Visibility in Visualization. 209-216
| |
| − |
| |
| − | '''Color Design'''
| |
| − |
| |
| − | * Gary W. Meyer, Clement Shimizu: Computational Automotive Color Appearance. 217-222
| |
| − | * Clement Shimizu, Gary W. Meyer: Computer Aided Color Appearance Design using Environment Map Based Lighting. 223-230
| |
| − | * László Neumann, Antal Nemcsics, Attila Neumann: Computational Color Harmony based on Coloroid System. 231-240
| |
| − | * Alexander Wilkie, Caroline Larboulette, Werner Purgathofer: Spectral Colour Order Systems and Appearance Metrics for Fluorescent Solid Colours. 241-245
| |
| | | | |
| | ==Externe Links== | | ==Externe Links== |
| Zeile 484: |
Zeile 64: |
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| | http://en.wikipedia.org/wiki/Aesthetics#Computational_inference_of_aesthetics | | http://en.wikipedia.org/wiki/Aesthetics#Computational_inference_of_aesthetics |
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| − | [http://www.computational-aesthetics.org/index_ca05.html Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005] 18 - 20 May, 2005 in Girona, Spain
| |
| − |
| |
| − | Proceedings http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH05
| |
| − |
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| − |
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| − | Non-photorealistic Rendering 1
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| − |
| |
| − | - T. Isenberg, M. Costa Sousa, M. Sheelagh T. Carpendale: Breaking the Pixel Barrier
| |
| − |
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| − | - B. Wyvill, K. Foster, P. Jepp, R. Schmidt, M. Costa Sousa, J. A. Jorge: Stylistic Rendering of Implicit Models
| |
| − |
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| − | - M. Grundland, Ch. Gibbs, N. A. Dodgson: Stylized Rendering for Multiresolution Image Representation
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| − |
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| − | - M. Costa Sousa, B. Gooch, A. Gooch: The NPR Pipeline
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| − |
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| − | Stylization Techniques
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| − |
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| − | - M. Kaplan, E. Cohen: Stylizations- Automatically Producing Expressive Renderings and Drawings
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| − |
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| − | - E. Akleman: Automatic Creation of Expressive Caricatures: A Grand Challenge For Computer Graphics
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| − |
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| − | - B. Chen : Abstraction and Depiction of Sparsely Scanned Outdoor Environments
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| − |
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| − | INVITED TALK: David Salesin: From Kant to Computation: Why Aesthetics Matter Now More than Ever, and What We Can Do about It
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| − | Non- photorealistic Rendering 2
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| − |
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| − | -J. Wan Park, Kyung hyun Yoon: Layered Mosaics for Stackable Objects
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| − | - G. Di Blasi, G. Gallo, M. Petralia: Fast Techniques for Mosaic Rendering
| |
| − |
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| − | - M. Kaplan, E. Cohen: A Generative Model For Dynamic Canvas Motion
| |
| − |
| |
| − | - E. Stavrakis, M. Gelautz: Computer Generated Stereoscopic Artwork
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| − |
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| − | Visualization Methods
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| − |
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| − | - I. Viola, M. E. Gröller: Smart Visibility in Visualization
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| − |
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| − | - D. S. Ebert, D. Stredney, M. Costa Sousa: Computer- generated Illustrative Visualization Medical Training
| |
| − |
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| − | - D. House, A. Bair, C. Ware : On the Optimization of Visualizations of Complex Phenomena
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| − |
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| − | Color Transfer
| |
| − |
| |
| − | - Ph. Bekaert, K. Vanhoutte, E. Joris: Radical Confluence: Translating Omni- Directional Video into Strategies of Performativity
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| − |
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| − | - G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer
| |
| − |
| |
| − | - L. Neumann, A. Neumann: Color- Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching
| |
| − |
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| − | Artistic Imaging
| |
| − |
| |
| − | - T. Georgiev: Aesthetics in Covariant Image Reconstruction
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| − |
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| − | - L. Neumann, A. Neumann: Gradient Domain Imaging
| |
| − |
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| − | - G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer
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| − |
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| − | Color
| |
| − |
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| − | - A. Wilkie, C. Larboulette, W. Purgathofer: Spectral Colour Ordering Systems and Appearance Metrics for Fluorescent Solid Colours
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| − |
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| − | - G. W. Meyer, C. Shimizu: Computational Automotive Color Appearance
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| − |
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| − | - L. Neumann, A. Nemcsics, A. Neumann: Computational Color Harmony based on Coloroid System
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| − |
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| − | - B. Gooch: Color2Gray: Salience- Preserving Color Removal
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| − | INVITED TALK: Antal Nemcsics: The Coloroid color-order system and its application in the environmental color planning
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| − | Metrics
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| − |
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| − | - B. Gooch: Enhancing Perceived Depth in Images Via Artistic Matting
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| − | - J. Rigau, M. Feixas, M. Sbert: An Information Theoretic Framework for Image Complexity
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| − | - G. R. Greenfield: On Designing and Testing Metrics to Aesthetically Evaluate Images
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| − |
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| − | - K. Matkovic, A. Neumann, L. Neumann, Th. Psik, W. Purgathofer: Global Contrast Factor and a Framework for Aesthetical Metrics
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| − |
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| − | Metrics and Complexity
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| − |
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| − | - D. Plemenos, M. Sbert, M. Feixas: Viewpoint complexity of 3D scenes: definitions and applications
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| − |
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| − | - K. Hartmann, K. Ali, T. Götzelmann, Th. Strothotte: Form Follows Function: Aesthetic Labeling Styles
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| − |
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| − | - E. Del Acebo, M. Sbert: How Benford's Law can help in image analysis and classification
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| − |
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| − | INVITED TALK: Oliver Deussen: Good looking landscapes, do we need more than accurate rendering?
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| − |
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| − | Art
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| − |
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| − | - G. Glaeser: Non-linear Perspectives in Nature, Art and Science
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| − |
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| − | - A. Marty: Straight away on curved spaces
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| − |
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| − | - A. Moroni: ArTbitrating JaVOX: an evolutionary environment for visual and sound composition
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| − | [http://www.dagstuhl.de/programm/kalender/semhp/?semnr=06221 Computational Aesthetics in Graphics, Visualization and Imaging CAe 2006] 28. Mai – 02. Juni 2006, Dagstuhl Seminar 06221
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| − | [http://www.computational-aesthetics.org/2007/ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2007] 20–22 June 2007 Banff, Alberta, Canada
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| − | Proceedings: http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH07
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| − | [http://www.computational-aesthetics.org/2008/ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2008] June 18–20 2008 Lisbon, Portugal
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| − | [http://www.cs.rug.nl/svcg/cae2009/ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2009] May 28–30 2009 Victoria, British Columbia, Canada
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| − | Using Curves
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| − |
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| − | Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields (Ling Xu and David Mould)
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| − |
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| − | A Painterly Rendering on Stroke Profile and Database (SangHyun Seo, JinWan Par, and KyungHyun Yoon)
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| − |
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| − | Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings (Soon Tee Teoh)
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| − |
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| − | Depicting the Natural World
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| − |
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| − | Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts (Yasuhiro Akagi, Mitsunori Kataama, and Katsuhiro Kitajima)
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| − |
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| − | Automatic Views of Natural Scenes (Margarita Bratkova, William B. Thompson, and Peter Shirley)
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| − |
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| − | Style Nodes for Hierarchical Tree-Based Implicit Surface Modelling (Pauline Jepp, Bruno Rodrigues De Araujo, Joaquim Jorge, Brian Wyvill, and Mario Costa Sousa)
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| − |
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| − | Aesthetic Analyses
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| − |
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| − | Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis (Stephan Diehl, Mathias Pohl, and Markus Schmitt)
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| − |
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| − | Image Statistics for Clustering Paintings According to Their Visual Appearance (Christian Wallraven)
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| − |
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| − | Using and Modelling Cameras
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| − |
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| − | CubeCam: A Screen-Space Camera Manipulation Tool (Cindy Grimm, Nisha Sudarsanam Singh, and Karan Singh)
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| − |
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| − | ARTcams: Attributed Rational Tensor Cameras (Chuan Li, Peter Hall, and Phillip Willis)
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| − |
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| − | Consistent Scene Illumination using a Chromatic Flash (Jan Kautz and Min H. Kim)
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| − |
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| − | Image Manipulation
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| − |
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| − | Movie Posters from Video by Example (Stephen Brooks)
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| − |
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| − | Adding Lighting and Viewing Effects to Digital Images (Cindy Grimm)
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| − |
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| − | Contrast Brushes: Direct, Local, Contrast Adjustment (Neil Dodgson, Mark Grundland, and Rahul Vohra)
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| − |
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| − | Automated Synthesis
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| − |
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| − | Automated Landscape Painting in the Style of Bob Ross (Alex Kalaidjian, Craig S. Kaplan, and Stephen Mann)
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| − |
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| − | Aesthetic Placement of Points Using Generalized Lloyd Relaxation (Oliver Deussen)
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| − |
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| − | Aesthetics
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| − |
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| − | Distinctive Parameters of Expressive Motion (Lyn Bartram and Ai Nakatani)
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| − |
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| − | Aesthetic Appraisal of Art – From Eye Movements to Computers (Christian Wallraven)
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| | [[Begriffe_zur_Evolutionären_Kunst | zurück zur Liste der Begriffe]] | | [[Begriffe_zur_Evolutionären_Kunst | zurück zur Liste der Begriffe]] |
Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_6
Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_7
Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_5
Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_14
Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_40
Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18
Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641. DOI: http://link.springer.com/10.1007/11732242_60
Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_45
Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_46
Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569. DOI: http://link.springer.com/10.1007/3-540-36605-9_51
