Bridges 2011: Unterschied zwischen den Versionen
Aus de_evolutionary_art_org
(→Table of contents) |
|||
| Zeile 155: | Zeile 155: | ||
* Andreia Hall: Story Telling with a Mathematical Flavor. Pages 475–478 | * Andreia Hall: Story Telling with a Mathematical Flavor. Pages 475–478 | ||
| − | Bending Hyperbolic Kaleidoscopes | + | * Vladimir Bulatov: Bending Hyperbolic Kaleidoscopes. Pages 479–482 |
| − | |||
| − | Pages 479–482 | ||
| − | The Conformal Vega Disk | + | * Joel Langer: The Conformal Vega Disk. Pages 483–484 |
| − | |||
| − | Pages 483–484 | ||
| − | System of Visual Organization in Graphic Design | + | * Nahid Tootoonchi: System of Visual Organization in Graphic Design. Pages 485–488 |
| − | |||
| − | Pages 485–488 | ||
| − | The Eyes Have It: Focal Point Choices and Compositional Geometry in Painting | + | * Chris Bartlett: The Eyes Have It: Focal Point Choices and Compositional Geometry in Painting. Pages 489–492 |
| − | |||
| − | Pages 489–492 | ||
| − | + | * Fang You, Ming Yao and Jianmin Wang: Image Generation from Magic Squares. Pages 493–496 | |
| − | Fang You, Ming Yao and Jianmin Wang | ||
| − | Pages 493–496 | ||
| − | Taking Sides, but Who's Counting? The Decagonal Tomb Tower at Maragha | + | * Carol Bier: Taking Sides, but Who's Counting? The Decagonal Tomb Tower at Maragha. Pages 497–500 |
| − | |||
| − | Pages 497–500 | ||
| − | The Art of Manual Stone Carving as a Leap to Its Virtual Future | + | * Jacques Beck: The Art of Manual Stone Carving as a Leap to Its Virtual Future. Pages 501–504 |
| − | |||
| − | Pages 501–504 | ||
| − | A Portrait of a Quadrilateral Group | + | * Jay Zimmerman: A Portrait of a Quadrilateral Group. Pages 505–508 |
| − | |||
| − | Pages 505–508 | ||
| − | How Can Mathematics Help in Identifying a Music Style | + | * Mária Kuková: How Can Mathematics Help in Identifying a Music Style. Pages 509–510 |
| − | |||
| − | Pages 509–510 | ||
| − | Just Twist, About Minimal Origami Models Based on Polyhedra Structure | + | * Krystyna Burczyk and Wojciech Burczyk: Just Twist, About Minimal Origami Models Based on Polyhedra Structure. Pages 511–514 |
| − | |||
| − | Pages 511–514 | ||
| − | Pavimenta: A Photo Tiling Tool | + | * António Salgueiro: Pavimenta: A Photo Tiling Tool. Pages 515–518 |
| − | |||
| − | Pages 515–518 | ||
| − | Symmetry, Marks and Meaning: Observations from Brand Identity Design | + | * J.L. Marsden and B.G. Thomas: Symmetry, Marks and Meaning: Observations from Brand Identity Design. Pages 519–522 |
| − | |||
| − | Pages 519–522 | ||
| − | Designing Sculptures Inspired by Symmetric High-Genus Fullerenes with Mathematical Beading | + | * Chern Chuang, Bih-Yaw Jin and Chia-Chin Tsoo: Designing Sculptures Inspired by Symmetric High-Genus Fullerenes with Mathematical Beading. Pages 523–526 |
| − | |||
| − | Pages 523–526 | ||
| − | Conjecture and Proof: A Case of Shifting Identities in Raphael's School of Athens | + | * Katherine Smith Abbott and Stephen Abbott: Conjecture and Proof: A Case of Shifting Identities in Raphael's School of Athens. Pages 527–530 |
| − | |||
| − | Pages 527–530 | ||
| − | Amazing Labyrinths, Further Developments II | + | * Samuel Verbiese: Amazing Labyrinths, Further Developments II. Pages 531–534 |
| − | |||
| − | Pages 531–534 | ||
| − | Mandelbrot Sound Map – A Tool for Mapping Fractals into Sounds | + | * Boris Kerkez: Mandelbrot Sound Map – A Tool for Mapping Fractals into Sounds. Pages 535–538 |
| − | |||
| − | Pages 535–538 | ||
| − | Unusual Tilings and Transformations | + | * Jouko Koskinen: Unusual Tilings and Transformations. Pages 539–542 |
| − | |||
| − | Pages 539–542 | ||
| − | A Representation for Whole Numbers and Their Factors | + | * Ana Lúcia Braz Dias: A Representation for Whole Numbers and Their Factors. Pages 543–546 |
| − | |||
| − | Pages 543–546 | ||
| − | Using the Golden Ratio in Multimedia Installations – Seeking for Beauty | + | * Ana Isabel Portugal and Pedro Campos: Using the Golden Ratio in Multimedia Installations – Seeking for Beauty. Pages 547–550 |
| − | |||
| − | Pages 547–550 | ||
| − | A Brief Review of Frank O. Gehry and the Nationale-Nederlande Building | + | * Ferhan Kızıltepe: A Brief Review of Frank O. Gehry and the Nationale-Nederlande Building. Pages 551–554 |
| − | |||
| − | Pages 551–554 | ||
| − | Genetic Weapons | + | * Filipe Afonso: Genetic Weapons. Pages 555–558 |
| − | |||
| − | Pages 555–558 | ||
| − | The Sacred Cut | + | * Jay Kappraff: The Sacred Cut. Pages 559–562 |
| − | |||
| − | Pages 559–562 | ||
| − | A Group Theory Approach to (re)Constructing Sol LeWitt's Drawing Series IV, #413 | + | * Charlene Morrow and James Morrow: A Group Theory Approach to (re)Constructing Sol LeWitt's Drawing Series IV, #413 Pages 563–566 |
| − | |||
| − | Pages 563–566 | ||
| − | Transition of Matière feature of Claude Monet's Paintings Analyzed by Wavelet Transform and Co-occurrence matrix | + | * Toshihiro Bando, Kenichiro Nishida and Yasunari Sasaki: Transition of Matière feature of Claude Monet's Paintings Analyzed by Wavelet Transform and Co-occurrence matrix. Pages 567–570 |
| − | |||
| − | Pages 567–570 | ||
| − | Image Processing with Mathematica 8 | + | * Bruce Torrence: Image Processing with Mathematica 8. Pages 571–572 |
| − | |||
| − | Pages 571–572 | ||
| − | Adventure of a Simple Circle (in the Jungle of My Mind) | + | * Evangelina Sousa: Adventure of a Simple Circle (in the Jungle of My Mind). Pages 573–576 |
| − | |||
| − | Pages 573–576 | ||
| − | Bridging Theater and Mathematics: a Playwright's View | + | * David M. White: Bridging Theater and Mathematics: a Playwright's View. Pages 577–578 |
| − | |||
| − | Pages 577–578 | ||
| − | Bridging Theater and Mathematics: a Mathematician's View | + | * Alexei Kolesnikov: Bridging Theater and Mathematics: a Mathematician's View. Pages 579–580 |
| − | |||
| − | Pages 579–580 | ||
| − | Decorating Regular Tiles with Arcs | + | * David A. Reimann: Decorating Regular Tiles with Arcs. Pages 581–584 |
| − | |||
| − | Pages 581–584 | ||
| − | Animation of Object-Oriented Program Execution | + | * Peter Boothe and Sandro Badame: Animation of Object-Oriented Program Execution. Pages 585–588 |
| − | |||
| − | Pages 585–588 | ||
| − | Cubic Fuzzy Precision: Tau-scaled Fractals from Plain-Vanilla Pentagrids | + | * James F. Hausman and Fabien Vienne: Cubic Fuzzy Precision: Tau-scaled Fractals from Plain-Vanilla Pentagrids. Pages 589–592 |
| − | |||
| − | Pages 589–592 | ||
| − | Conformal Tiling on a Torus | + | * John M. Sullivan: Conformal Tiling on a Torus. Pages 593–596 |
| − | |||
| − | Pages 593–596 | ||
| − | How Not to Bring Your Product to Market | + | * Michael Stranahan, Carlos Neumann and Paul Hildebrandt: How Not to Bring Your Product to Market. Pages 597–600 |
| − | |||
| − | Pages 597–600 | ||
| − | + | * Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes: Design Thinking LAB: Math Goes Fashion. Pages 601–604 | |
| − | Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes | ||
| − | Pages 601–604 | ||
| − | Sundials from Toroid Surfaces | + | * Stephen Luecking: Sundials from Toroid Surfaces. Pages 605–608 |
| − | |||
| − | Pages 605–608 | ||
| − | SPHERES + CUBES = x^n+y^n+z^n = 0 | + | * William F. Duffy: SPHERES + CUBES = x^n+y^n+z^n = 0. Pages 609–612 |
| − | |||
| − | Pages 609–612 | ||
| − | + | * György Darvas and Tamás F. Farkas: Graphic illustration of Elementary Particles. Pages 613–616 | |
| − | György Darvas and Tamás F. Farkas | ||
| − | Pages 613–616 | ||
| − | + | * Mary Wahr: Decalcomania. Pages 617–620 | |
| − | Mary Wahr | ||
| − | Pages 617–620 | ||
| − | Using Mathematics to Make Poetry | + | * JoAnne Growney: Using Mathematics to Make Poetry. Pages 621–624 |
| − | |||
| − | Pages 621–624 | ||
| − | Pieces of Pi? Polyhedra, Orthoschemes and Dihedral Kaleidoscopes | + | * Curtis Palmer: Pieces of Pi? Polyhedra, Orthoschemes and Dihedral Kaleidoscopes. Pages 625–628 |
| − | |||
| − | Pages 625–628 | ||
| − | Build Something Beautiful and Interesting with Giant Triangles: An Entry to Deep Mathematics. | + | * Simon Morgan and Jacqueline Sack: Build Something Beautiful and Interesting with Giant Triangles: An Entry to Deep Mathematics. Pages 629–630 |
| − | |||
| − | Pages 629–630 | ||
| − | Calculating and Singing the Melody Sequences in Fauré's Song “Les Matelots” | + | * Miriam Fradera Gajo: Calculating and Singing the Melody Sequences in Fauré's Song “Les Matelots”. Pages 631–632 |
| − | |||
| − | Pages 631–632 | ||
| − | The Vasarely Playhouse: Look and Combine! | + | * Slavik Jablan and Kristóf Fenyvesi: The Vasarely Playhouse: Look and Combine! Pages 633–636 |
| − | |||
| − | Pages 633–636 | ||
| − | Alabaster Sculpture Workshops | + | * Nicholas Durnan: Alabaster Sculpture Workshops. Pages 637–638 |
| − | |||
| − | Pages 637–638 | ||
| − | Exploring the Arts with Mathematica | + | * Christopher Carlson: Exploring the Arts with Mathematica. Pages 639–640 |
| − | |||
| − | Pages 639–640 | ||
| − | An Exploration of Froebel's Gift Number 14 Leads to Monolinear, Re-entrant, Dichromic Mono-Polyomino Weavings | + | * Eva Knoll and Wendy Landry: An Exploration of Froebel's Gift Number 14 Leads to Monolinear, Re-entrant, Dichromic Mono-Polyomino Weavings. Pages 641–648 |
| − | |||
| − | Pages 641–648 | ||
| − | + | * Mike Naylor and Vi Hart: Human Geometry Workshop. Pages 649–656 | |
| − | Mike Naylor and Vi Hart | ||
| − | Pages 649–656 | ||
| − | + | * Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes: Workshop Design Thinking Lab: Math Goes Fashion. Pages 657–658 | |
| − | Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes | ||
| − | Pages 657–658 | ||
| − | Mathematical Modeling of Cartoon Images and Other Objects | + | * M.G. Marques and M. Pires: Mathematical Modeling of Cartoon Images and Other Objects. Pages 659–664 |
| − | |||
| − | Pages 659–664 | ||
| − | A Workshop on Stellation Inspired Sculpture | + | * Eve Torrence: A Workshop on Stellation Inspired Sculpture. Pages 665–670 |
| − | |||
| − | Pages 665–670 | ||
| − | Folding Your Way to Understanding | + | * Nick Fout and Jenn Marker: Folding Your Way to Understanding. Pages 671–678 |
| − | |||
| − | Pages 671–678 | ||
| − | + | * Aaltje Berendina Aaten and Tom Goris: Triangle Tessellation Workshop. Pages 679–680 | |
| − | Aaltje Berendina Aaten and Tom Goris | ||
| − | Pages 679–680 | ||
| + | * Sarah Abdellahi and Tom Goris: The Geometry of Paradise Flowers. Pages 681–684 | ||
| − | The | + | * Gail Kaplan and Chris Bartlett: The Magical Power of Our Eye: A Student Centered Approach to Building Bridges between Mathematics and Art. Pages 685–692 |
| − | |||
| − | Pages | ||
| − | The | + | * João Pedro Xavier and Eliana Manuel Pinho: The Partial Implantation, At 1:2 Scale, of Rabaçal's Roman Villa. Pages 693–694 |
| − | |||
| − | Pages | ||
| − | + | * Manuel Arala Chaves: Proposal for a Workshop on Symmetry of Plane Patterns. Pages 695–696 | |
| − | |||
| − | Pages | ||
| − | |||
| − | |||
| − | |||
== Links == | == Links == | ||
Version vom 9. Dezember 2014, 22:18 Uhr
Inhaltsverzeichnis
Reference
Reza Sarhangi, Carlo Séquin: Bridges 2011, Mathematics, Music, Art, Architecture, Culture. 14th Annual Bridges Conference in the University of Coimbra, Portugal, 2011. ISBN: 978-0-9846042-6-5
DOI
Abstract
Extended Abstract
Reviews
Bibtex
Table of contents
- The Editors: Front Matter http://archive.bridgesmathart.org/2011/frontmatter.pdf
- Kelly Delp and Bill Thurston: Playing With Surfaces: Spheres, Monkey Pants, and Zippergons. Pages 1–8
- Paulus Gerdes: African Basketry: Interweaving Art and Mathematics in Mozambique. Pages 9–16
- Sarah Glaz: The Poetry of Prime Numbers. Pages 17–24
- Stanley Spencer: Creating Two and Three Dimensional Fractals from the Nets of the Platonic Solids. Pages 25–32
- Francesco De Comité: A New Kind of Three-Dimensional Anamorphosis. Pages 33–38
- Paul Gailiunas: A Mad Weave Tetrahedron. Pages 39–44
- Gary R. Greenfield: Abstract Overlays using a Transport Network Model. Pages 45–50
- Anne Burns: The Art of Complex Flow Diagrams. Pages 51–58
- Slavik Jablan, Ljiljana Radović and Radmila Sazdanović: Polyhedral Knots and Links. Pages 59–64
- Javier Barrallo and Santiago Sánchez-Beitia: The Geometry of Organic Architecture: The Works of Eduardo Torroja, Felix Candela and Miguel Fisac. Pages 65–72
- Tom Verhoeff and Koos Verhoeff: From Chain-link Fence to Space-Spanning Mathematical Structures. Pages 73–80
- Ana Rebelo, Filipe Paszkiewicz, Carlos Guedes, André R. S. Marçal and Jaime Cardoso: A Method for Music Symbols Extraction based on Musical Rules. Pages 81–88
- Mike Naylor: Abacaba! – Using a Mathematical Pattern to Connect Art, Music, Poetry and Literature. Pages 89–96
- José L. Besada Portas: Egyptian Architecture, Posadas' Metaphor for Composition. Pages 97–104
- Robert W. Fathauer: Photographic Fractal Trees. Pages 105–112
- Jim R. Paulsen and Reza Sarhangi: Sentinels: Sculptures Inspired by the Native Americans' Culture. Pages 113–120
- Carlo H. Séquin: Tori Story. Pages 121–130
- Jiří Chmelík and Jiří Sochor: Virtual Environment Kit for Visual Arts. Pages 131–138
- Bjarne Jespersen: Three Approaches to Regular Linked Structures. Pages 139–146
- B. Lynn Bodner: A Nine- and Twelve-Pointed Star Polygon Design of the Tashkent Scrolls. Pages 147–154
- Mark J. Stock: Algorithmic Fluid Imagery. Pages 155–162
- Qing Xing, Gabriel Esquivel, Ryan Collier, Michael Tomaso and Ergun Akleman: Spulenkorb: Utilize Weaving Methods in Architectural Design. Pages 163–170
- John Sharp: Rigge Envelopes as Art Inspiration. Pages 171–178
- Dmitri Kozlov: Resilient Knots and Links As Form-Finding Structures. Pages 179–186
- Tiffany C. Inglis and Craig S. Kaplan: Sudoku Art. Pages 187–194
- Tatiana Bonch-Osmolovskaya: Formal Literary Constraints in the Works of Boris Grinberg. Pages 195–200
- Christopher Carlson: Arc Forms: Interactive Exploration of a Discrete Combinatorial Design Space. Pages 201–208
- Craig S. Kaplan: Smooth Self-Similar Curves. Pages 209–216
- E.S. Hur and B.G. Thomas: Transformative Modular Textile Design. Pages 217–224
- Bruce Kessler, Janet Tassell and Tressa Tullis: Operation Comics: The Story Continues. Pages 225–232
- George Sioros and Carlos Guedes: A Formal Approach for High-Level Automatic Rhythm Generation. Pages 233–240
- James Mai: Phi Divisions of the Square: a Categorization of Composition Strategies. Pages 241–248
- Robert Bosch: Opt Art: Special Cases. Pages 249–256
- László Vörös: Art in Shadows of the Six-Dimensional Cube. Pages 257–262
- Jean-Marc Castéra: Flying Patterns. Pages 263–270
- Abdalla G. M. Ahmed: Mathematical Hints for Parameter Selection for AA Patterns. Pages 271–278
- Russell Jay Hendel: Visual Representations of Biblical Poetic Parallelism. Pages 279–286
- José Oliveira Martins: Pitch-Space Lattices: Tonnetze and Other Transpositional Networks. Pages 287–294
- Douglas McKenna: From Lissajous to Pas de Deux to Tattoo: The Graphic Life of a Beautiful Loop. Pages 295–302
- David Swart: Warping Pictures Nicely. Pages 303–310
- Douglas Dunham: Hyperbolic Truchet Tilings. Pages 311–318
- Rinus Roelofs: Through and Around Instead of Over and Under: Another Way of Weaving. Pages 319–328
- Susan Gerofsky: “Without Emotion, There Is Nothing Left But Burden”: Teaching Mathematics Through Heathcote's Improvisational Drama. Pages 329–336
- Darrah Chavey: Symmetry Orbits: When Artists and Mathematicians Disagree. Pages 337–344
- Rachel Wells Hall, Bob Isaacs, Amy Ksir and Rick Mohr: The Dynamics of Grid Square Dances. Pages 345–350
- Fernando Blasco: Performing Mathematical Magic. Pages 351–356
- George Hart: Symmetric Stick Puzzles. Pages 357–364
- Marcella Giulia Lorenzi and Mauro Francaviglia: Geometry as a Source of Inspiration in Contemporary Art. Pages 365–372
- Dániel Erdély: The SpHidron Conjecture. Pages 373–378
- Kenneth Brecher: Kepler's Mysterium Cosmographicum: A Bridge Between Art and Astronomy? Pages 379–386
- Sándor Kabai: Inside and Outside the Rhombic Hexecontahedron. Pages 387–394
- João Pedro Xavier and Eliana Manuel Pinho: The Roman Villa in Rabaçal and Álvaro Siza. Pages 395–402
- Manuel Arala Chaves: Good Stamps for Wallpaper Patterns. Pages 403–410
- Elaine Krajenke Ellison: Using Triangle Parts to Create a Paper Quilt. Pages 411–414
- Daniela Velichová: Geometric Structures and Forms as Visual Art Compositions. Pages 415–418
- Mehrdad Garousi and Hamed Akbari: A Virtual Installation of Sierpinski Triangle. Pages 419–422
- Aylin Gazi and Koray Korkmaz: A Method for Expandable Regular Tessellation. Pages 423–426
- Susan McBurney: Creative Circle Design. Pages 427–430
- M. Paula Serra De Oliveira and Francesco Marconi: At What Level Do Mathematical References Act In Contemporary Architecture? Pages 431–434
- Tim Boykett, Tina Auer and Andreas Mayrhofer: 20 Seconds Into the Future: Narrative Space for Maths Motivations. Pages 435–438
- Peter Meijer: Mathematical Furniture. Pages 439–442
- Daniela Rinaudo, Marcella Giulia Lorenzi and Mauro Francaviglia: The Idea of Time, Motion and Dynamism in Art. Pages 443–446
- Dirk Huylebrouck: Soccer Balls. Pages 447–450
- Andrzej K. Brodzik: Introduction to Ideal Quilts. Pages 451–454
- Liviu Stoicoviciu, Gheorghe Samoilă, Marcella Giulia Lorenzi and Mauro Francaviglia: Painting in Geometric Key, Pages 455–458
- Marcella Giulia Lorenzi, Mauro Francaviglia and Rick Doble: Futurism, Geometry of “Photodynamism” and Digital Photography. Pages 459–462
- Elisa Conversano, Mauro Francaviglia, Marcella Giulia Lorenzi and Laura Tedeschini Lalli: Geometric Forms that Persist in Art and Architecture. Pages 463–466
- Vincenzo Iorfida, Marcella Giulia Lorenzi and Mauro Francaviglia: Fractal Aesthetics in Geometrical Art Forms. Pages 467–470
- Gabriel Esquivel: Malbec, Ornament and Rustication. Pages 471–474
- Andreia Hall: Story Telling with a Mathematical Flavor. Pages 475–478
- Vladimir Bulatov: Bending Hyperbolic Kaleidoscopes. Pages 479–482
- Joel Langer: The Conformal Vega Disk. Pages 483–484
- Nahid Tootoonchi: System of Visual Organization in Graphic Design. Pages 485–488
- Chris Bartlett: The Eyes Have It: Focal Point Choices and Compositional Geometry in Painting. Pages 489–492
- Fang You, Ming Yao and Jianmin Wang: Image Generation from Magic Squares. Pages 493–496
- Carol Bier: Taking Sides, but Who's Counting? The Decagonal Tomb Tower at Maragha. Pages 497–500
- Jacques Beck: The Art of Manual Stone Carving as a Leap to Its Virtual Future. Pages 501–504
- Jay Zimmerman: A Portrait of a Quadrilateral Group. Pages 505–508
- Mária Kuková: How Can Mathematics Help in Identifying a Music Style. Pages 509–510
- Krystyna Burczyk and Wojciech Burczyk: Just Twist, About Minimal Origami Models Based on Polyhedra Structure. Pages 511–514
- António Salgueiro: Pavimenta: A Photo Tiling Tool. Pages 515–518
- J.L. Marsden and B.G. Thomas: Symmetry, Marks and Meaning: Observations from Brand Identity Design. Pages 519–522
- Chern Chuang, Bih-Yaw Jin and Chia-Chin Tsoo: Designing Sculptures Inspired by Symmetric High-Genus Fullerenes with Mathematical Beading. Pages 523–526
- Katherine Smith Abbott and Stephen Abbott: Conjecture and Proof: A Case of Shifting Identities in Raphael's School of Athens. Pages 527–530
- Samuel Verbiese: Amazing Labyrinths, Further Developments II. Pages 531–534
- Boris Kerkez: Mandelbrot Sound Map – A Tool for Mapping Fractals into Sounds. Pages 535–538
- Jouko Koskinen: Unusual Tilings and Transformations. Pages 539–542
- Ana Lúcia Braz Dias: A Representation for Whole Numbers and Their Factors. Pages 543–546
- Ana Isabel Portugal and Pedro Campos: Using the Golden Ratio in Multimedia Installations – Seeking for Beauty. Pages 547–550
- Ferhan Kızıltepe: A Brief Review of Frank O. Gehry and the Nationale-Nederlande Building. Pages 551–554
- Filipe Afonso: Genetic Weapons. Pages 555–558
- Jay Kappraff: The Sacred Cut. Pages 559–562
- Charlene Morrow and James Morrow: A Group Theory Approach to (re)Constructing Sol LeWitt's Drawing Series IV, #413 Pages 563–566
- Toshihiro Bando, Kenichiro Nishida and Yasunari Sasaki: Transition of Matière feature of Claude Monet's Paintings Analyzed by Wavelet Transform and Co-occurrence matrix. Pages 567–570
- Bruce Torrence: Image Processing with Mathematica 8. Pages 571–572
- Evangelina Sousa: Adventure of a Simple Circle (in the Jungle of My Mind). Pages 573–576
- David M. White: Bridging Theater and Mathematics: a Playwright's View. Pages 577–578
- Alexei Kolesnikov: Bridging Theater and Mathematics: a Mathematician's View. Pages 579–580
- David A. Reimann: Decorating Regular Tiles with Arcs. Pages 581–584
- Peter Boothe and Sandro Badame: Animation of Object-Oriented Program Execution. Pages 585–588
- James F. Hausman and Fabien Vienne: Cubic Fuzzy Precision: Tau-scaled Fractals from Plain-Vanilla Pentagrids. Pages 589–592
- John M. Sullivan: Conformal Tiling on a Torus. Pages 593–596
- Michael Stranahan, Carlos Neumann and Paul Hildebrandt: How Not to Bring Your Product to Market. Pages 597–600
- Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes: Design Thinking LAB: Math Goes Fashion. Pages 601–604
- Stephen Luecking: Sundials from Toroid Surfaces. Pages 605–608
- William F. Duffy: SPHERES + CUBES = x^n+y^n+z^n = 0. Pages 609–612
- György Darvas and Tamás F. Farkas: Graphic illustration of Elementary Particles. Pages 613–616
- Mary Wahr: Decalcomania. Pages 617–620
- JoAnne Growney: Using Mathematics to Make Poetry. Pages 621–624
- Curtis Palmer: Pieces of Pi? Polyhedra, Orthoschemes and Dihedral Kaleidoscopes. Pages 625–628
- Simon Morgan and Jacqueline Sack: Build Something Beautiful and Interesting with Giant Triangles: An Entry to Deep Mathematics. Pages 629–630
- Miriam Fradera Gajo: Calculating and Singing the Melody Sequences in Fauré's Song “Les Matelots”. Pages 631–632
- Slavik Jablan and Kristóf Fenyvesi: The Vasarely Playhouse: Look and Combine! Pages 633–636
- Nicholas Durnan: Alabaster Sculpture Workshops. Pages 637–638
- Christopher Carlson: Exploring the Arts with Mathematica. Pages 639–640
- Eva Knoll and Wendy Landry: An Exploration of Froebel's Gift Number 14 Leads to Monolinear, Re-entrant, Dichromic Mono-Polyomino Weavings. Pages 641–648
- Mike Naylor and Vi Hart: Human Geometry Workshop. Pages 649–656
- Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes: Workshop Design Thinking Lab: Math Goes Fashion. Pages 657–658
- M.G. Marques and M. Pires: Mathematical Modeling of Cartoon Images and Other Objects. Pages 659–664
- Eve Torrence: A Workshop on Stellation Inspired Sculpture. Pages 665–670
- Nick Fout and Jenn Marker: Folding Your Way to Understanding. Pages 671–678
- Aaltje Berendina Aaten and Tom Goris: Triangle Tessellation Workshop. Pages 679–680
- Sarah Abdellahi and Tom Goris: The Geometry of Paradise Flowers. Pages 681–684
- Gail Kaplan and Chris Bartlett: The Magical Power of Our Eye: A Student Centered Approach to Building Bridges between Mathematics and Art. Pages 685–692
- João Pedro Xavier and Eliana Manuel Pinho: The Partial Implantation, At 1:2 Scale, of Rabaçal's Roman Villa. Pages 693–694
- Manuel Arala Chaves: Proposal for a Workshop on Symmetry of Plane Patterns. Pages 695–696
Links
Full Text
http://archive.bridgesmathart.org/2011/index.html
