Computational Creativity 2012 ICCC 2012: Unterschied zwischen den Versionen
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'''Keynote Speaker''' | '''Keynote Speaker''' | ||
| − | Steven M. Smith: Mechanisms of Creative Cognition: Theory and Research | + | * Steven M. Smith: Mechanisms of Creative Cognition: Theory and Research. |
'''Session 1 Conceptual Blending Chair: [[Simon Colton]]''' | '''Session 1 Conceptual Blending Chair: [[Simon Colton]]''' | ||
| − | From Conceptual “Mash-ups” to “Bad-ass” Blends: A Robust Computational Model of Conceptual Blending | + | * Tony Veale: From Conceptual “Mash-ups” to “Bad-ass” Blends: A Robust Computational Model of Conceptual Blending. |
| − | |||
| − | + | * Boyang Li, Alexander Zook, Nicholas Davis and Mark Riedl: Goal-Driven Conceptual Blending: A Computational Approach for Creativity. | |
| − | Boyang Li, Alexander Zook, Nicholas Davis and Mark Riedl | ||
| − | |||
| − | |||
| − | Chair: Pablo Gervás | + | '''Session 2 Analogy Chair: Pablo Gervás''' |
| − | A Creative Analogy Machine: Results and Challenges | + | Diarmuid O’Donoghue and Mark T. Keane: A Creative Analogy Machine: Results and Challenges. |
| − | |||
| − | + | * Atilim Gunes Baydin, Ramon Lopez De Mantaras and Santiago Ontanon: Automated Generation of Cross-Domain Analogies via Evolutionary Computation. | |
| − | Atilim Gunes Baydin, Ramon Lopez De Mantaras and Santiago Ontanon | ||
| − | + | * Matjaz Jursic, Bojan Cestnik, Tanja Urbancic and Nada Lavrac: Cross-domain literature mining: Finding bridging concepts with CrossBee. | |
| − | Matjaz Jursic, Bojan Cestnik, Tanja Urbancic and Nada Lavrac | ||
| − | |||
| − | |||
| − | Chair: Nick Montfort | + | '''Session 3 Search Chair: Nick Montfort''' |
| − | A closer look at creativity as search | + | * Graeme Ritchie: A closer look at creativity as search. |
| − | |||
| − | Creative Search Trajectories and their Implications | + | * v: Creative Search Trajectories and their Implications. |
| − | |||
| − | |||
| − | |||
| − | Chair: Dan Ventura | + | ''''Session 4 Reflections Chair: Dan Ventura''' |
| − | The Creative Computer as Romantic Hero? or, What Kind of Creative Personae do Computational Creativity Systems Exemplify? | + | * Colin Johnson: The Creative Computer as Romantic Hero? or, What Kind of Creative Personae do Computational Creativity Systems Exemplify? |
| − | |||
| − | Whence is creativity? | + | * Bipin Indurkhya: Whence is creativity? |
| − | |||
| − | Computational and Collective Creativity: Who’s Being Creative? | + | * Mary Lou Maher: Computational and Collective Creativity: Who’s Being Creative? |
| − | |||
| − | + | * Lior Noy, Yuval Hart, Natalie Andrew, Omer Ramote, Avi Mayo and Uri Alon: Computers can’t jump? A quantitative approach for studying creative leaps. | |
| − | Lior Noy, Yuval Hart, Natalie Andrew, Omer Ramote, Avi Mayo and Uri Alon | ||
| − | + | * John Charnley, Alison Pease, and Simon Colton: On the Notion of Framing in Computational Creativity. | |
| − | John Charnley, Alison Pease, and Simon Colton | ||
| − | + | * Nick Montfort and Natalia Fedorova: Small-Scale Creative Systems. | |
| − | Nick Montfort and Natalia Fedorova | ||
| − | |||
| − | + | '''Session 5 Generative Systems Chair: Graeme Ritchie''' | |
| − | |||
| − | |||
| − | + | * Kristine Monteith, Tony Martinez and Dan Ventura: Automatic Generation of Melodic Accompaniments for Lyrics. | |
| − | + | * Simon Colton, Jacob Goodwin and Tony Veale: Full-FACE Poetry Generation. | |
| − | |||
| − | + | * Rafael Pérez y Pérez, Nora Morales and Luis Rodríguez: Illustrating a Computer Generated Narrative. | |
| − | + | [pdf] | |
| − | + | * Amy K. Hoover, Paul A. Szerlip, Marie E. Norton, Trevor A. Brindle, Zachary Merritt and Kenneth O. Stanley: Generating a Complete Multipart Musical Composition from a Single Monophonic. Melody with Functional Scaffolding | |
| − | |||
| − | + | '''Session 6 Evaluation I Chair: Alison Pease''' | |
| − | |||
| − | |||
| − | |||
| − | + | * Richard Morris, Scott Burton, Paul Bodily and Dan Ventura: Soup Over Bean of Pure Joy: Culinary Ruminations of an Artificial Chef. | |
| − | + | * Adam Burnett, Evon Khor, Philippe Pasquier and Arne Eigenfeldt: Validation of Harmonic Progression Generator Using Classical Music. | |
| − | |||
| − | + | * Try Agustini and Ruli Manurung: Automatic evaluation of punning riddle template extraction. | |
| − | |||
| − | + | '''Session 7 Evaluation II Chair: Rafael Pérez y Pérez''' | |
| − | |||
| − | |||
| − | |||
| − | + | * Arne Eigenfeldt, Philippe Pasquier and Adam Burnett: Evaluating Musical Metacreation. | |
| − | + | * Adam Linson, Chris Dobbyn and Robin Laney: Critical issues in evaluating freely improvising interactive music systems. | |
| − | |||
| − | + | * Jichen Zhu: Towards a New Evaluation Approach in Computational Narrative Systems. | |
| − | |||
| − | + | '''Session 8 Computers Being Creative Chair: Kyle Jennings''' | |
| − | |||
| − | |||
| − | |||
| − | + | * Robert Keller, August Toman-Yih, Alexandra Schofield and Zack Merritt: A Creative Improvisational Companion Based on Idiomatic Harmonic Bricks. | |
| + | [pdf] | ||
| − | + | * Robert Smith, Aaron Dennis and Dan Ventura: Automatic Composition from Non-musical Inspiration Sources. | |
| − | Robert | ||
| − | + | * Stefan Rank, Steve Hoffmann, Hans-Georg Struck, Ulrike Spierling and Paolo Petta: Creativity in Configuring Affective Agents for Interactive Storytelling. | |
| − | |||
| − | + | * Shinji Ogawa, Bipin Indurkhya and Aleksander Byrski: A Meme-Based Architecture for Modeling Creativity. | |
| − | |||
| − | + | * Lorenzo Gatti, Marco Guerini, Charles Callaway, Oliviero Stock and Carlo Strapparava: Creatively Subverting Messages in Posters. | |
| − | |||
| − | + | '''Session 9 Cognition and Computation Chair: Tony Veale''' | |
| − | |||
| − | |||
| − | + | * Geraint Wiggins: Crossing the Threshold Paradox: Creative Cognition in the Global Workspace. | |
| − | |||
| − | |||
| − | + | * Ricardo Sosa and [[John Gero]]: Brainstorming in Solitude and Teams: The Role of Group Influence. | |
| − | + | * Kazjon Grace, [[John Gero]] and [[Rob Saunders]]: Representational affordances and creativity in association-based systems. | |
| − | |||
| − | + | * Liane Gabora and Steve Dipaola: How Did Humans Become So Creative? A Computational Approach. | |
| − | + | ||
| + | '''Session 10 Creativity and Language Chair: Geraint A. Wiggins''' | ||
| − | + | * Jukka M. Toivanen, Hannu Toivonen, Alessandro Valitutti and Oskar Gross: Corpus-Based Generation of Content and Form in Poetry. | |
| − | |||
| − | + | * Anna Jordanous and Bill Keller: Weaving creativity into the Semantic Web: a language-processing approach. | |
| − | |||
| − | |||
| − | |||
| − | + | '''Interactive Demonstrations''' | |
| − | + | * Arne Eigenfeldt: Coming Together: Composition by Negotiation by Autonomous Multi-Agents. | |
| − | |||
| − | + | * Robert Keller: Continuous Improvisation and Trading with Impro-Visor. | |
| − | |||
| − | |||
| − | + | * D. Fox Harrell, Chong-U Lim, Sonny Sidhu, Jia Zhang, Ayse Gursoy and Christine Yu: Exploring Everyday Creative Responses to Social Discrimination with the Mimesis System. | |
| − | |||
| − | |||
| − | + | * James McDermott: Functional representations for music. | |
| − | |||
| − | + | * Paul A. Szerlip, Amy K. Hoover and Kenneth O. Stanley: MaestroGenesis: Computer-Assisted Musical Accompaniment Generation. | |
| − | |||
| − | + | * Matjaz Jursic, Bojan Cestnik, Tanja Urbancic and Nada Lavrac: CrossBee: Cross-Context Bisociation Explorer. | |
| − | |||
| − | + | * Kyle Jennings: Computer Software for Measuring Creative Search. | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | Computer Software for Measuring Creative Search | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| + | * Michael Cook and Simon Colton: ANGELINA – Coevolution in Automated Game Design. | ||
| + | * Gael Abadin, Bipin Indurkhya and Juan C. Burguillo-Rial: SynAPP – An online web application for exploring creativity. | ||
| + | * Antonios Liapis, Georgios N. Yannakakis and Julian Togelius: Co-creating game content using an adaptive model of user taste. | ||
Version vom 26. Januar 2015, 18:11 Uhr
Inhaltsverzeichnis
Reference
DOI
Abstract
Extended Abstract
Reviews
Bibtex
Table of contents
Keynote Speaker
- Steven M. Smith: Mechanisms of Creative Cognition: Theory and Research.
Session 1 Conceptual Blending Chair: Simon Colton
- Tony Veale: From Conceptual “Mash-ups” to “Bad-ass” Blends: A Robust Computational Model of Conceptual Blending.
- Boyang Li, Alexander Zook, Nicholas Davis and Mark Riedl: Goal-Driven Conceptual Blending: A Computational Approach for Creativity.
Session 2 Analogy Chair: Pablo Gervás
Diarmuid O’Donoghue and Mark T. Keane: A Creative Analogy Machine: Results and Challenges.
- Atilim Gunes Baydin, Ramon Lopez De Mantaras and Santiago Ontanon: Automated Generation of Cross-Domain Analogies via Evolutionary Computation.
- Matjaz Jursic, Bojan Cestnik, Tanja Urbancic and Nada Lavrac: Cross-domain literature mining: Finding bridging concepts with CrossBee.
Session 3 Search Chair: Nick Montfort
- Graeme Ritchie: A closer look at creativity as search.
- v: Creative Search Trajectories and their Implications.
'Session 4 Reflections Chair: Dan Ventura
- Colin Johnson: The Creative Computer as Romantic Hero? or, What Kind of Creative Personae do Computational Creativity Systems Exemplify?
- Bipin Indurkhya: Whence is creativity?
- Mary Lou Maher: Computational and Collective Creativity: Who’s Being Creative?
- Lior Noy, Yuval Hart, Natalie Andrew, Omer Ramote, Avi Mayo and Uri Alon: Computers can’t jump? A quantitative approach for studying creative leaps.
- John Charnley, Alison Pease, and Simon Colton: On the Notion of Framing in Computational Creativity.
- Nick Montfort and Natalia Fedorova: Small-Scale Creative Systems.
Session 5 Generative Systems Chair: Graeme Ritchie
- Kristine Monteith, Tony Martinez and Dan Ventura: Automatic Generation of Melodic Accompaniments for Lyrics.
- Simon Colton, Jacob Goodwin and Tony Veale: Full-FACE Poetry Generation.
- Rafael Pérez y Pérez, Nora Morales and Luis Rodríguez: Illustrating a Computer Generated Narrative.
[pdf]
- Amy K. Hoover, Paul A. Szerlip, Marie E. Norton, Trevor A. Brindle, Zachary Merritt and Kenneth O. Stanley: Generating a Complete Multipart Musical Composition from a Single Monophonic. Melody with Functional Scaffolding
Session 6 Evaluation I Chair: Alison Pease
- Richard Morris, Scott Burton, Paul Bodily and Dan Ventura: Soup Over Bean of Pure Joy: Culinary Ruminations of an Artificial Chef.
- Adam Burnett, Evon Khor, Philippe Pasquier and Arne Eigenfeldt: Validation of Harmonic Progression Generator Using Classical Music.
- Try Agustini and Ruli Manurung: Automatic evaluation of punning riddle template extraction.
Session 7 Evaluation II Chair: Rafael Pérez y Pérez
- Arne Eigenfeldt, Philippe Pasquier and Adam Burnett: Evaluating Musical Metacreation.
- Adam Linson, Chris Dobbyn and Robin Laney: Critical issues in evaluating freely improvising interactive music systems.
- Jichen Zhu: Towards a New Evaluation Approach in Computational Narrative Systems.
Session 8 Computers Being Creative Chair: Kyle Jennings
- Robert Keller, August Toman-Yih, Alexandra Schofield and Zack Merritt: A Creative Improvisational Companion Based on Idiomatic Harmonic Bricks.
[pdf]
- Robert Smith, Aaron Dennis and Dan Ventura: Automatic Composition from Non-musical Inspiration Sources.
- Stefan Rank, Steve Hoffmann, Hans-Georg Struck, Ulrike Spierling and Paolo Petta: Creativity in Configuring Affective Agents for Interactive Storytelling.
- Shinji Ogawa, Bipin Indurkhya and Aleksander Byrski: A Meme-Based Architecture for Modeling Creativity.
- Lorenzo Gatti, Marco Guerini, Charles Callaway, Oliviero Stock and Carlo Strapparava: Creatively Subverting Messages in Posters.
Session 9 Cognition and Computation Chair: Tony Veale
- Geraint Wiggins: Crossing the Threshold Paradox: Creative Cognition in the Global Workspace.
- Ricardo Sosa and John Gero: Brainstorming in Solitude and Teams: The Role of Group Influence.
- Kazjon Grace, John Gero and Rob Saunders: Representational affordances and creativity in association-based systems.
- Liane Gabora and Steve Dipaola: How Did Humans Become So Creative? A Computational Approach.
Session 10 Creativity and Language Chair: Geraint A. Wiggins
- Jukka M. Toivanen, Hannu Toivonen, Alessandro Valitutti and Oskar Gross: Corpus-Based Generation of Content and Form in Poetry.
- Anna Jordanous and Bill Keller: Weaving creativity into the Semantic Web: a language-processing approach.
Interactive Demonstrations
- Arne Eigenfeldt: Coming Together: Composition by Negotiation by Autonomous Multi-Agents.
- Robert Keller: Continuous Improvisation and Trading with Impro-Visor.
- D. Fox Harrell, Chong-U Lim, Sonny Sidhu, Jia Zhang, Ayse Gursoy and Christine Yu: Exploring Everyday Creative Responses to Social Discrimination with the Mimesis System.
- James McDermott: Functional representations for music.
- Paul A. Szerlip, Amy K. Hoover and Kenneth O. Stanley: MaestroGenesis: Computer-Assisted Musical Accompaniment Generation.
- Matjaz Jursic, Bojan Cestnik, Tanja Urbancic and Nada Lavrac: CrossBee: Cross-Context Bisociation Explorer.
- Kyle Jennings: Computer Software for Measuring Creative Search.
- Michael Cook and Simon Colton: ANGELINA – Coevolution in Automated Game Design.
- Gael Abadin, Bipin Indurkhya and Juan C. Burguillo-Rial: SynAPP – An online web application for exploring creativity.
- Antonios Liapis, Georgios N. Yannakakis and Julian Togelius: Co-creating game content using an adaptive model of user taste.
Links
Full Text
http://www.computationalcreativity.net/proceedings/ICCC-2012-Proceedings.pdf
Sonstige Links
http://computationalcreativity.net/iccc2012/the-conference-program/
