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== Bibtex == | == Bibtex == | ||
| + | @inproceedings{ | ||
| + | author = {Anna Jordanous}, | ||
| + | title = {Evaluating Evaluation: Assessing Progress in Computational Creativity Research}, | ||
| + | editor = {Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease and Geraint Wiggins}, | ||
| + | booktitle = {Proceedings of the Second International Conference on Computational Creativity}, | ||
| + | series = {ICCC2011}, | ||
| + | year = {2011}, | ||
| + | month = {April}, | ||
| + | location = {México City, México}, | ||
| + | pages = {102-107}, | ||
| + | url = {http://iccc11.cua.uam.mx/proceedings/the_foundational/jordanous_iccc11.pdf, http://de.evo-art.org/index.php?title=Evaluating_Evaluation:_Assessing_Progress_in_Computational_Creativity_Research }, | ||
| + | publisher = {International Association for Computational Creativity}, | ||
| + | keywords = {computational, creativity}, | ||
| + | } | ||
== Used References == | == Used References == | ||
Aktuelle Version vom 13. November 2015, 23:21 Uhr
Inhaltsverzeichnis
Reference
Anna Jordanous: Evaluating Evaluation: Assessing Progress in Computational Creativity Research. In: Computational Creativity 2011 ICCC 2011, pp. 102-107.
DOI
Abstract
Computational creativity research has produced many computational systems that are described as creative. A comprehensive literature survey reveals that although such systems are labelled as creative, there is a distinct lack of evaluation of the creativity of creative systems. As a research community, we should adopt a more sci- entific approach to evaluation of the creativity of our systems if we are to progress in understanding creativ- ity and modelling it computationally. A methodology for creativity evaluation should accommodate differ- ent manifestations of creativity but also require a clear, definitive statement of the standards used for evaluation. This paper proposes Evaluation Guidelines, a standard but flexible approach to evaluation of the creativity of computational systems and argues that this approach should be taken up as standard practice in computa- tional creativity research. The approach is outlined and discussed, then illustrated through a comparative evalu- ation of the creativity of jazz improvisation systems.
Extended Abstract
Bibtex
@inproceedings{
author = {Anna Jordanous},
title = {Evaluating Evaluation: Assessing Progress in Computational Creativity Research},
editor = {Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease and Geraint Wiggins},
booktitle = {Proceedings of the Second International Conference on Computational Creativity},
series = {ICCC2011},
year = {2011},
month = {April},
location = {México City, México},
pages = {102-107},
url = {http://iccc11.cua.uam.mx/proceedings/the_foundational/jordanous_iccc11.pdf, http://de.evo-art.org/index.php?title=Evaluating_Evaluation:_Assessing_Progress_in_Computational_Creativity_Research },
publisher = {International Association for Computational Creativity},
keywords = {computational, creativity},
}
Used References
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Links
Full Text
http://iccc11.cua.uam.mx/proceedings/the_foundational/jordanous_iccc11.pdf
