Artificial Art Made by Artificial Ants: Unterschied zwischen den Versionen
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== Bibtex == | == Bibtex == | ||
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| + | == Used References == | ||
| + | Bonabeau, E., Dorigo, M., Theraulaz, G. (1999). Swarm Intelligence: From Natural to Artificial Systems. Oxford University Press. New York | ||
| + | |||
| + | Root-Bernstein, R. (2001). Music, creativity and scientific thinking. Leonardo, 34(1): 63–68 | ||
| + | |||
| + | Guéret, C., Monmarché, N., Slimane, M. (2004). Ants can play music. In: Fourth International Workshop on Ant Colony Optimization and Swarm Intelligence (ANTS 2004). Lecture Notes in Computer Science. Université Libre de Bruxelles, Belgique. Springer, 310–317 | ||
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| + | Aupetit, S., Bordeau, V., Monmarché, N., Slimane, M., Venturini, G. (2003). Interactive Evolution of Ant Paintings. In: IEEE Congress on Evolutionary Computation. Vol. 2. Canberra. IEEE Press, 1376–1383 | ||
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| + | Hölldobler, B., Wilson, E. (1990). The Ants. Springer | ||
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| + | Stützle, T., Dorigo, M. (1999). ACO algorithms for the Traveling Salesman Problem. In Miettinen, K., Mäkelä, M., Neittaanmäki, P., Periaux, J., eds.: Evolutionary Algorithms in Engineering and Computer Science: Recent Advances in Genetic Algorithms, Evolution Strategies, Evolutionary Programming, Genetic Programming and Industrial Applications. John Wiley & Sons | ||
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| + | Dorigo, M., Stützle, T. (2004). Ant Colony Optimization. MIT Press | ||
| + | |||
| + | Lopez de Mantaras, R., Arcos, J. (2002). AI and music, from composition to expressive performance. AI magazine, 23(3): 43–57 | ||
| + | T., J. (1996). Self-Similar Melodies. Edition 75 | ||
| + | |||
| + | hen, C., Miikkulainen, R. (2001). Creating melodies with evolving recurrent neural networks. In: Proceedings of the 2001 International Joint Conference on Neural Networks (IJCNN–2001), 2241–2246 | ||
| + | |||
| + | Eck, D., Schmidhuber, J. (2002). Finding temporal structure in music: Blues improvisation with LSTM recurrent networks. In Bourlard, H., ed.: Proceedings of IEEE Workshop on Neural Networks for Signal Processing XII, 747–756 | ||
| + | |||
| + | Henz, M., Lauer, S., Zimmermann, D. (1996). COMPOzE — intention-based music composition through constraint programming. In: Proceedings of the 8th IEEE International Conference on Tools with Artificial Intelligence. Toulouse, France. IEEE Computer Society Press, 118–121 | ||
| + | |||
| + | Wulfhorst, R.D., Flores, L.V., Nakayama, L., Flores, C.D., Alvares, L.O.C., Viccari, R.M. (2001). An open architecture for a musical multi-agent system. In: Proceedings of Brazilian Symposium on Computer Music | ||
| + | |||
| + | Moroni, A., Manzolli, J., Von Zuben, F., Gudwin, R. (2000). Vox populi: An interactive evolutionary system for algorithmic music composition. Leonardo Music Journal, 10: 49–54 | ||
| + | |||
| + | Todd, P., Werner, G. (1998). Frankensteinian Methods for Evolutionary Music Composition. In Griffith, N., Todd, P., eds.: Musical Networks: Parallel Distributed Perception and Performance. MIT Press/Bradford Books | ||
| + | |||
| + | Bentley, P., Corne, D., eds. (2001). Creative Evolutionary Systems. Morgan Kaufmann | ||
| + | |||
| + | Cope, D. (1990). Pattern matching as an engine for the computer simulation of musical style. In Association, I.C.M., ed.: Proceedings of the International Computer Music Conference. San Francisco, 288–291 | ||
| + | |||
| + | Franklin, J. (2001). Multi-phase learning for jazz improvisation and interaction. In: Proceedings of the Eighth Biennal Symposium on Art and Technology. New London, Connecticut | ||
| + | |||
| + | Biles, J. (1994). GEMJAM: a genetic algorithm for generating jazz solos. In: Proceedings of the International Computer Music Conference. San Francisco. International Computer Music Association, 131–137 | ||
| + | |||
| + | Morales-Manzanares, R., Morales, E., Danenberg, R., Berger, J. (2001). SICIB: An interactive music composition system using body movements. New Music Research, 25(2): 25–36 | ||
| + | |||
| + | Todd, P., Miranda, E. (2003). Putting some (artificial) life into models of musical creativity. In Deliege, I., Wiggins, G., eds.: Musical Creativity: Current Research in Theory and Practise. Psychology Press | ||
| + | |||
| + | Blackwell, T., P., B. (2002). Improvised music with swarms. In: Proceedings of the World Congress on Evolutionary Computation (CEC’2002), 1462–1467 | ||
| + | |||
| + | Blackwell, T., M., Y. (2004). Swarm granulator. In Raidl, G.R., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops2004: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, EvoSTOC. Lecture Notes in Computer Science. Coimbra, Portugal. Springer, 399–408 | ||
| + | |||
| + | Tzafestas, E. (2000). Integrating drawing tools with behavioral modeling in digital painting. In: Proceedings of the 1st International Workshop “Bridging the Gap: Bringing Together New Media Artists and Multimedia Technologists”. Los Angeles, CA | ||
| + | |||
| + | Moura, L., Garcia Pereira, H. (2004). Man + Robots: Symbiotic Art. Institut d’art contemporain. Villeurbanne, France | ||
| + | |||
| + | Urbano, P. (2005). Playing in the pheromone playground: Experiences in swarm painting. In Rothlauf, F., et al., eds.: Applications on Evolutionary Computing: EvoWorkkshops 2005: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC. Lecture Notes in Computer Science. Lausanne, Switzerland. Springer Berlin/Heidelberg, 527 | ||
| + | |||
| + | Ramos, V., Almeida, F. (2000). Artificial ant colonies in digital image habitats – a mass behaviour effect study on pattern recognition. In Dorigo, M., Middendoff, M., Stützle, T., eds.: From Ant Colonies to Artificial Ants: Proceedings of the Second International Workshop on Ant Algorithms (ANTS’2000). Brussels, Belgium, 113–116 | ||
| + | |||
| + | Bourjot, C., Chevrier, V., Thomas, V. (2003). A new swarm mechanism based on social spiders colonies: from web weaving to region detection. Web Intelligence and Agent Systems: An International Journal – WIAS | ||
| + | |||
| + | Campolongo, G., Vena, S. (2006). Science of networks and music: A new approach on musical analysis and creation. In Rothlauf, F., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops2006: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoInteraction, EvoMUSART, EvoSTOC. Lecture Notes in Computer Science. Springer, 642–651 | ||
| + | |||
| + | Dorigo, M., Maniezzo, V., Colorni, A. (1996). The Ant System: Optimization by a colony of cooperating agents. IEEE Transactions on Systems, Man, and Cybernetics–Part B, 26(1): 29–41 | ||
| + | |||
| + | Minsky, M. (1993). Music, Mind and Meaning. In Schwanauer, S., Levitt, D., eds.: Machine Models of Music. MIT Press, 327–354 | ||
| + | |||
| + | Lebocey, P., Fortune, J., Puret, A., Monmarché, N., Gaucher, P., Slimane, M., Lastu, D. (2006). On the popularization of artificial insects: an interactive exhibition for a wide audience to explain and demonstrate computer science and robotic problem solving taking inspiration of insects. In Dorigo, M., Gambardella, L., Birattari, M., Martinoli, A., Poli, R., Stützle, T., eds.: Ant Colony Optimization and Swarm Intelligence, 5th International Workshop, ANTS 2006. Lecture Notes in Computer Science. Bruxelles, Belgium. Springer, 476–483 | ||
| + | |||
| + | Monmarché, N., Slimane, M., Venturini, G. (2003). Fourmis artistiques ou l’art artificiel pictural et musical. In: Hypertextes et Hypermédias, Réalisations, Outils & Méthodes (H2PTM’03). Paris, France. Hermes, 109–118 | ||
| + | |||
| + | Greenfield, G. (2005). Evolutionary methods for ant colony paintings. In Rothlauf, F., et al., eds.: Applications on Evolutionary Computing: EvoWorkkshops 2005: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC. Lecture Notes in Computer Science. Lausanne, Switzerland, 478 | ||
| + | |||
| + | Lesbros, V. (1996). From images to sounds, a dual representation. Computer Music Journal, 20(3): 59–69 | ||
== Links == | == Links == | ||
Version vom 12. Oktober 2014, 09:32 Uhr
Inhaltsverzeichnis
Referenz
Monmarche, Nicolas; Mahnich, Isabelle; Slimane, Mohamed: Artificial Art Made by Artificial Ants. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 227-247.
DOI
http://link.springer.com/10.1007/978-3-540-72877-1_11
Abstract
We present how we have considered the artificial ant paradigm as a tool for the generation of music and painting. From an aesthetic perspective, we are interested in demonstrating that swarm intelligence and self-organization can lead to spatio-temporal structures that can reach an artistic dimension. In our case, the use of artificial pheromones can lead to the creation of melodies thanks to a cooperative behavior of the ant-agents but also to the emergence of abstract paintings thanks to competitive behaviors within the artificial colonies. The user’s point of view is also taken into account through interactive genetic algorithms.
Extended Abstract
Bibtex
Used References
Bonabeau, E., Dorigo, M., Theraulaz, G. (1999). Swarm Intelligence: From Natural to Artificial Systems. Oxford University Press. New York
Root-Bernstein, R. (2001). Music, creativity and scientific thinking. Leonardo, 34(1): 63–68
Guéret, C., Monmarché, N., Slimane, M. (2004). Ants can play music. In: Fourth International Workshop on Ant Colony Optimization and Swarm Intelligence (ANTS 2004). Lecture Notes in Computer Science. Université Libre de Bruxelles, Belgique. Springer, 310–317
Aupetit, S., Bordeau, V., Monmarché, N., Slimane, M., Venturini, G. (2003). Interactive Evolution of Ant Paintings. In: IEEE Congress on Evolutionary Computation. Vol. 2. Canberra. IEEE Press, 1376–1383
Hölldobler, B., Wilson, E. (1990). The Ants. Springer
Stützle, T., Dorigo, M. (1999). ACO algorithms for the Traveling Salesman Problem. In Miettinen, K., Mäkelä, M., Neittaanmäki, P., Periaux, J., eds.: Evolutionary Algorithms in Engineering and Computer Science: Recent Advances in Genetic Algorithms, Evolution Strategies, Evolutionary Programming, Genetic Programming and Industrial Applications. John Wiley & Sons
Dorigo, M., Stützle, T. (2004). Ant Colony Optimization. MIT Press
Lopez de Mantaras, R., Arcos, J. (2002). AI and music, from composition to expressive performance. AI magazine, 23(3): 43–57 T., J. (1996). Self-Similar Melodies. Edition 75
hen, C., Miikkulainen, R. (2001). Creating melodies with evolving recurrent neural networks. In: Proceedings of the 2001 International Joint Conference on Neural Networks (IJCNN–2001), 2241–2246
Eck, D., Schmidhuber, J. (2002). Finding temporal structure in music: Blues improvisation with LSTM recurrent networks. In Bourlard, H., ed.: Proceedings of IEEE Workshop on Neural Networks for Signal Processing XII, 747–756
Henz, M., Lauer, S., Zimmermann, D. (1996). COMPOzE — intention-based music composition through constraint programming. In: Proceedings of the 8th IEEE International Conference on Tools with Artificial Intelligence. Toulouse, France. IEEE Computer Society Press, 118–121
Wulfhorst, R.D., Flores, L.V., Nakayama, L., Flores, C.D., Alvares, L.O.C., Viccari, R.M. (2001). An open architecture for a musical multi-agent system. In: Proceedings of Brazilian Symposium on Computer Music
Moroni, A., Manzolli, J., Von Zuben, F., Gudwin, R. (2000). Vox populi: An interactive evolutionary system for algorithmic music composition. Leonardo Music Journal, 10: 49–54
Todd, P., Werner, G. (1998). Frankensteinian Methods for Evolutionary Music Composition. In Griffith, N., Todd, P., eds.: Musical Networks: Parallel Distributed Perception and Performance. MIT Press/Bradford Books
Bentley, P., Corne, D., eds. (2001). Creative Evolutionary Systems. Morgan Kaufmann
Cope, D. (1990). Pattern matching as an engine for the computer simulation of musical style. In Association, I.C.M., ed.: Proceedings of the International Computer Music Conference. San Francisco, 288–291
Franklin, J. (2001). Multi-phase learning for jazz improvisation and interaction. In: Proceedings of the Eighth Biennal Symposium on Art and Technology. New London, Connecticut
Biles, J. (1994). GEMJAM: a genetic algorithm for generating jazz solos. In: Proceedings of the International Computer Music Conference. San Francisco. International Computer Music Association, 131–137
Morales-Manzanares, R., Morales, E., Danenberg, R., Berger, J. (2001). SICIB: An interactive music composition system using body movements. New Music Research, 25(2): 25–36
Todd, P., Miranda, E. (2003). Putting some (artificial) life into models of musical creativity. In Deliege, I., Wiggins, G., eds.: Musical Creativity: Current Research in Theory and Practise. Psychology Press
Blackwell, T., P., B. (2002). Improvised music with swarms. In: Proceedings of the World Congress on Evolutionary Computation (CEC’2002), 1462–1467
Blackwell, T., M., Y. (2004). Swarm granulator. In Raidl, G.R., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops2004: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, EvoSTOC. Lecture Notes in Computer Science. Coimbra, Portugal. Springer, 399–408
Tzafestas, E. (2000). Integrating drawing tools with behavioral modeling in digital painting. In: Proceedings of the 1st International Workshop “Bridging the Gap: Bringing Together New Media Artists and Multimedia Technologists”. Los Angeles, CA
Moura, L., Garcia Pereira, H. (2004). Man + Robots: Symbiotic Art. Institut d’art contemporain. Villeurbanne, France
Urbano, P. (2005). Playing in the pheromone playground: Experiences in swarm painting. In Rothlauf, F., et al., eds.: Applications on Evolutionary Computing: EvoWorkkshops 2005: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC. Lecture Notes in Computer Science. Lausanne, Switzerland. Springer Berlin/Heidelberg, 527
Ramos, V., Almeida, F. (2000). Artificial ant colonies in digital image habitats – a mass behaviour effect study on pattern recognition. In Dorigo, M., Middendoff, M., Stützle, T., eds.: From Ant Colonies to Artificial Ants: Proceedings of the Second International Workshop on Ant Algorithms (ANTS’2000). Brussels, Belgium, 113–116
Bourjot, C., Chevrier, V., Thomas, V. (2003). A new swarm mechanism based on social spiders colonies: from web weaving to region detection. Web Intelligence and Agent Systems: An International Journal – WIAS
Campolongo, G., Vena, S. (2006). Science of networks and music: A new approach on musical analysis and creation. In Rothlauf, F., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops2006: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoInteraction, EvoMUSART, EvoSTOC. Lecture Notes in Computer Science. Springer, 642–651
Dorigo, M., Maniezzo, V., Colorni, A. (1996). The Ant System: Optimization by a colony of cooperating agents. IEEE Transactions on Systems, Man, and Cybernetics–Part B, 26(1): 29–41
Minsky, M. (1993). Music, Mind and Meaning. In Schwanauer, S., Levitt, D., eds.: Machine Models of Music. MIT Press, 327–354
Lebocey, P., Fortune, J., Puret, A., Monmarché, N., Gaucher, P., Slimane, M., Lastu, D. (2006). On the popularization of artificial insects: an interactive exhibition for a wide audience to explain and demonstrate computer science and robotic problem solving taking inspiration of insects. In Dorigo, M., Gambardella, L., Birattari, M., Martinoli, A., Poli, R., Stützle, T., eds.: Ant Colony Optimization and Swarm Intelligence, 5th International Workshop, ANTS 2006. Lecture Notes in Computer Science. Bruxelles, Belgium. Springer, 476–483
Monmarché, N., Slimane, M., Venturini, G. (2003). Fourmis artistiques ou l’art artificiel pictural et musical. In: Hypertextes et Hypermédias, Réalisations, Outils & Méthodes (H2PTM’03). Paris, France. Hermes, 109–118
Greenfield, G. (2005). Evolutionary methods for ant colony paintings. In Rothlauf, F., et al., eds.: Applications on Evolutionary Computing: EvoWorkkshops 2005: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC. Lecture Notes in Computer Science. Lausanne, Switzerland, 478
Lesbros, V. (1996). From images to sounds, a dual representation. Computer Music Journal, 20(3): 59–69
Links
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