EvoMUSART 2015: Unterschied zwischen den Versionen
| Zeile 23: | Zeile 23: | ||
[[Allan Campbell]], [[Vic Ciesielksi]], [[A. K. Qin]]: [[Feature Discovery by Deep Learning for Aesthetic Analysis of Evolved Abstract Images]]. In: [[EvoMUSART 2015]], 27-38. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_3 | [[Allan Campbell]], [[Vic Ciesielksi]], [[A. K. Qin]]: [[Feature Discovery by Deep Learning for Aesthetic Analysis of Evolved Abstract Images]]. In: [[EvoMUSART 2015]], 27-38. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_3 | ||
| − | + | João Cordeiro: FuXi: A Fish-Driven Instrument for Real-Time Music Performance. In: [[EvoMUSART 2015]], 39-49. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_4 | |
| + | |||
| + | Clelia De Felice, Roberto De Prisco, Delfina Malandrino, Gianluca Zaccagnino…: Chorale Music Splicing System: An Algorithmic Music Composer Inspired by Molecular Splicing. In: [[EvoMUSART 2015]], 50-61. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_5 | ||
| + | |||
| + | Jared Drayton, Eduardo Miranda: Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT. In: [[EvoMUSART 2015]], 62-70. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_6 | ||
| + | |||
| + | Juan Manuel Escalante: The Sound Digestive System: A Strategy for Music and Sound Composition. In: [[EvoMUSART 2015]], 71-77. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_7 | ||
| + | |||
| + | [[Gary Greenfield]]: [[Avoidance Drawings Evolved Using Virtual Drawing Robots]]. In: [[EvoMUSART 2015]], 78-88. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_8 | ||
| + | |||
| + | David M. Hofmann: A Genetic Programming Approach to Generating Musical Compositions. In: [[EvoMUSART 2015]], 89-100. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_9 | ||
| + | |||
| + | |||
| + | Amy K. Hoover, William Cachia, Antonios Liapis, Georgios N. Yannakakis: AudioInSpace: Exploring the Creative Fusion of Generative Audio, Visuals and Gameplay. | ||
| + | |||
| + | |||
| + | |||
| + | |||
| + | |||
| + | |||
| + | |||
Version vom 30. April 2015, 16:24 Uhr
Inhaltsverzeichnis
Reference
Colin Johnson (Herausgeber), Adrian Carballal (Herausgeber), João Correia (Herausgeber): Evolutionary and Biologically Inspired Music, Sound, Art and Design: Third European Conference, EvoMUSART 2015 (LNCS 9027). 1 Aufl., Springer, Berlin, 2015, ISBN 978-3-319-16497-7, 235 Seiten.
DOI
http://link.springer.com/book/10.1007%2F978-3-319-16498-4
Abstract
This book constitutes the refereed proceedings of the 4th International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2015, held in Copenhagen, Denmark, in April 2015, co-located with the Evo* 2015 events EuroGP, EvoCOP and Evo Applications. The 23 revised full papers presented were carefully reviewed and selected from 43 submissions. They cover a wide range of topics and application areas, including generative approaches to music, graphics, game content and narrative; music information retrieval; computational aesthetics; the mechanics of interactive evolutionary computation and the art theory of evolutionary computation.
Extended Abstract
Reviews
Bibtex
Table of contents (xx chapters)
Asmaa Majid Al-Rifaie, Mohammad Majid Al-Rifaie: Generative Music with Stochastic Diffusion Search. In: EvoMUSART 2015, 1-14. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_1
Edward Braund, Eduardo Miranda: Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum. In: EvoMUSART 2015, 15-26. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_2
Allan Campbell, Vic Ciesielksi, A. K. Qin: Feature Discovery by Deep Learning for Aesthetic Analysis of Evolved Abstract Images. In: EvoMUSART 2015, 27-38. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_3
João Cordeiro: FuXi: A Fish-Driven Instrument for Real-Time Music Performance. In: EvoMUSART 2015, 39-49. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_4
Clelia De Felice, Roberto De Prisco, Delfina Malandrino, Gianluca Zaccagnino…: Chorale Music Splicing System: An Algorithmic Music Composer Inspired by Molecular Splicing. In: EvoMUSART 2015, 50-61. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_5
Jared Drayton, Eduardo Miranda: Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT. In: EvoMUSART 2015, 62-70. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_6
Juan Manuel Escalante: The Sound Digestive System: A Strategy for Music and Sound Composition. In: EvoMUSART 2015, 71-77. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_7
Gary Greenfield: Avoidance Drawings Evolved Using Virtual Drawing Robots. In: EvoMUSART 2015, 78-88. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_8
David M. Hofmann: A Genetic Programming Approach to Generating Musical Compositions. In: EvoMUSART 2015, 89-100. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_9
Amy K. Hoover, William Cachia, Antonios Liapis, Georgios N. Yannakakis: AudioInSpace: Exploring the Creative Fusion of Generative Audio, Visuals and Gameplay.
Links
Full Text
[extern file]
