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* The Editors: Front Matter http://archive.bridgesmathart.org/2011/frontmatter.pdf
 
* The Editors: Front Matter http://archive.bridgesmathart.org/2011/frontmatter.pdf
  
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* Kelly Delp and Bill Thurston: Playing With Surfaces: Spheres, Monkey Pants, and Zippergons. Pages 1–8
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* Kelly Delp and Bill Thurston: Playing With Surfaces: Spheres, Monkey Pants, and Zippergons. Pages 1–8 http://archive.bridgesmathart.org/2011/bridges2011-1.html http://archive.bridgesmathart.org/2011/bridges2011-1.pdf
  
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* Paulus Gerdes: African Basketry: Interweaving Art and Mathematics in Mozambique. Pages 9–16
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* Paulus Gerdes: African Basketry: Interweaving Art and Mathematics in Mozambique. Pages 9–16 http://archive.bridgesmathart.org/2011/bridges2011-9.html http://archive.bridgesmathart.org/2011/bridges2011-9.pdf
  
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* Sarah Glaz: The Poetry of Prime Numbers. Pages 17–24
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* Sarah Glaz: The Poetry of Prime Numbers. Pages 17–24 http://archive.bridgesmathart.org/2011/bridges2011-17.html http://archive.bridgesmathart.org/2011/bridges2011-17.pdf
  
 
* Stanley Spencer: Creating Two and Three Dimensional Fractals from the Nets of the Platonic Solids. Pages 25–32
 
* Stanley Spencer: Creating Two and Three Dimensional Fractals from the Nets of the Platonic Solids. Pages 25–32

Version vom 9. Dezember 2014, 22:51 Uhr

Reference

Reza Sarhangi, Carlo Séquin: Bridges 2011, Mathematics, Music, Art, Architecture, Culture. 14th Annual Bridges Conference in the University of Coimbra, Portugal, 2011. ISBN: 978-0-9846042-6-5

DOI

Abstract

Extended Abstract

Reviews

Bibtex

Table of contents

  • Stanley Spencer: Creating Two and Three Dimensional Fractals from the Nets of the Platonic Solids. Pages 25–32
  • Francesco De Comité: A New Kind of Three-Dimensional Anamorphosis. Pages 33–38
  • Paul Gailiunas: A Mad Weave Tetrahedron. Pages 39–44
  • Gary R. Greenfield: Abstract Overlays using a Transport Network Model. Pages 45–50
  • Anne Burns: The Art of Complex Flow Diagrams. Pages 51–58
  • Slavik Jablan, Ljiljana Radović and Radmila Sazdanović: Polyhedral Knots and Links. Pages 59–64
  • Javier Barrallo and Santiago Sánchez-Beitia: The Geometry of Organic Architecture: The Works of Eduardo Torroja, Felix Candela and Miguel Fisac. Pages 65–72
  • Tom Verhoeff and Koos Verhoeff: From Chain-link Fence to Space-Spanning Mathematical Structures. Pages 73–80
  • Ana Rebelo, Filipe Paszkiewicz, Carlos Guedes, André R. S. Marçal and Jaime Cardoso: A Method for Music Symbols Extraction based on Musical Rules. Pages 81–88
  • Mike Naylor: Abacaba! – Using a Mathematical Pattern to Connect Art, Music, Poetry and Literature. Pages 89–96
  • José L. Besada Portas: Egyptian Architecture, Posadas' Metaphor for Composition. Pages 97–104
  • Robert W. Fathauer: Photographic Fractal Trees. Pages 105–112
  • Jim R. Paulsen and Reza Sarhangi: Sentinels: Sculptures Inspired by the Native Americans' Culture. Pages 113–120
  • Carlo H. Séquin: Tori Story. Pages 121–130
  • Jiří Chmelík and Jiří Sochor: Virtual Environment Kit for Visual Arts. Pages 131–138
  • Bjarne Jespersen: Three Approaches to Regular Linked Structures. Pages 139–146
  • B. Lynn Bodner: A Nine- and Twelve-Pointed Star Polygon Design of the Tashkent Scrolls. Pages 147–154
  • Mark J. Stock: Algorithmic Fluid Imagery. Pages 155–162
  • Qing Xing, Gabriel Esquivel, Ryan Collier, Michael Tomaso and Ergun Akleman: Spulenkorb: Utilize Weaving Methods in Architectural Design. Pages 163–170
  • John Sharp: Rigge Envelopes as Art Inspiration. Pages 171–178
  • Dmitri Kozlov: Resilient Knots and Links As Form-Finding Structures. Pages 179–186
  • Tiffany C. Inglis and Craig S. Kaplan: Sudoku Art. Pages 187–194
  • Tatiana Bonch-Osmolovskaya: Formal Literary Constraints in the Works of Boris Grinberg. Pages 195–200
  • Christopher Carlson: Arc Forms: Interactive Exploration of a Discrete Combinatorial Design Space. Pages 201–208
  • Craig S. Kaplan: Smooth Self-Similar Curves. Pages 209–216
  • E.S. Hur and B.G. Thomas: Transformative Modular Textile Design. Pages 217–224
  • Bruce Kessler, Janet Tassell and Tressa Tullis: Operation Comics: The Story Continues. Pages 225–232
  • George Sioros and Carlos Guedes: A Formal Approach for High-Level Automatic Rhythm Generation. Pages 233–240
  • James Mai: Phi Divisions of the Square: a Categorization of Composition Strategies. Pages 241–248
  • Robert Bosch: Opt Art: Special Cases. Pages 249–256
  • László Vörös: Art in Shadows of the Six-Dimensional Cube. Pages 257–262
  • Jean-Marc Castéra: Flying Patterns. Pages 263–270
  • Abdalla G. M. Ahmed: Mathematical Hints for Parameter Selection for AA Patterns. Pages 271–278
  • Russell Jay Hendel: Visual Representations of Biblical Poetic Parallelism. Pages 279–286
  • José Oliveira Martins: Pitch-Space Lattices: Tonnetze and Other Transpositional Networks. Pages 287–294
  • Douglas McKenna: From Lissajous to Pas de Deux to Tattoo: The Graphic Life of a Beautiful Loop. Pages 295–302
  • David Swart: Warping Pictures Nicely. Pages 303–310
  • Douglas Dunham: Hyperbolic Truchet Tilings. Pages 311–318
  • Rinus Roelofs: Through and Around Instead of Over and Under: Another Way of Weaving. Pages 319–328
  • Susan Gerofsky: “Without Emotion, There Is Nothing Left But Burden”: Teaching Mathematics Through Heathcote's Improvisational Drama. Pages 329–336
  • Darrah Chavey: Symmetry Orbits: When Artists and Mathematicians Disagree. Pages 337–344
  • Rachel Wells Hall, Bob Isaacs, Amy Ksir and Rick Mohr: The Dynamics of Grid Square Dances. Pages 345–350
  • Fernando Blasco: Performing Mathematical Magic. Pages 351–356
  • George Hart: Symmetric Stick Puzzles. Pages 357–364
  • Marcella Giulia Lorenzi and Mauro Francaviglia: Geometry as a Source of Inspiration in Contemporary Art. Pages 365–372
  • Dániel Erdély: The SpHidron Conjecture. Pages 373–378
  • Kenneth Brecher: Kepler's Mysterium Cosmographicum: A Bridge Between Art and Astronomy? Pages 379–386
  • Sándor Kabai: Inside and Outside the Rhombic Hexecontahedron. Pages 387–394
  • João Pedro Xavier and Eliana Manuel Pinho: The Roman Villa in Rabaçal and Álvaro Siza. Pages 395–402
  • Manuel Arala Chaves: Good Stamps for Wallpaper Patterns. Pages 403–410
  • Elaine Krajenke Ellison: Using Triangle Parts to Create a Paper Quilt. Pages 411–414
  • Daniela Velichová: Geometric Structures and Forms as Visual Art Compositions. Pages 415–418
  • Mehrdad Garousi and Hamed Akbari: A Virtual Installation of Sierpinski Triangle. Pages 419–422
  • Aylin Gazi and Koray Korkmaz: A Method for Expandable Regular Tessellation. Pages 423–426
  • Susan McBurney: Creative Circle Design. Pages 427–430
  • M. Paula Serra De Oliveira and Francesco Marconi: At What Level Do Mathematical References Act In Contemporary Architecture? Pages 431–434
  • Tim Boykett, Tina Auer and Andreas Mayrhofer: 20 Seconds Into the Future: Narrative Space for Maths Motivations. Pages 435–438
  • Peter Meijer: Mathematical Furniture. Pages 439–442
  • Daniela Rinaudo, Marcella Giulia Lorenzi and Mauro Francaviglia: The Idea of Time, Motion and Dynamism in Art. Pages 443–446
  • Dirk Huylebrouck: Soccer Balls. Pages 447–450
  • Andrzej K. Brodzik: Introduction to Ideal Quilts. Pages 451–454
  • Liviu Stoicoviciu, Gheorghe Samoilă, Marcella Giulia Lorenzi and Mauro Francaviglia: Painting in Geometric Key, Pages 455–458
  • Marcella Giulia Lorenzi, Mauro Francaviglia and Rick Doble: Futurism, Geometry of “Photodynamism” and Digital Photography. Pages 459–462
  • Elisa Conversano, Mauro Francaviglia, Marcella Giulia Lorenzi and Laura Tedeschini Lalli: Geometric Forms that Persist in Art and Architecture. Pages 463–466
  • Vincenzo Iorfida, Marcella Giulia Lorenzi and Mauro Francaviglia: Fractal Aesthetics in Geometrical Art Forms. Pages 467–470
  • Gabriel Esquivel: Malbec, Ornament and Rustication. Pages 471–474
  • Andreia Hall: Story Telling with a Mathematical Flavor. Pages 475–478
  • Vladimir Bulatov: Bending Hyperbolic Kaleidoscopes. Pages 479–482
  • Joel Langer: The Conformal Vega Disk. Pages 483–484
  • Nahid Tootoonchi: System of Visual Organization in Graphic Design. Pages 485–488
  • Chris Bartlett: The Eyes Have It: Focal Point Choices and Compositional Geometry in Painting. Pages 489–492
  • Fang You, Ming Yao and Jianmin Wang: Image Generation from Magic Squares. Pages 493–496
  • Carol Bier: Taking Sides, but Who's Counting? The Decagonal Tomb Tower at Maragha. Pages 497–500
  • Jacques Beck: The Art of Manual Stone Carving as a Leap to Its Virtual Future. Pages 501–504
  • Jay Zimmerman: A Portrait of a Quadrilateral Group. Pages 505–508
  • Mária Kuková: How Can Mathematics Help in Identifying a Music Style. Pages 509–510
  • Krystyna Burczyk and Wojciech Burczyk: Just Twist, About Minimal Origami Models Based on Polyhedra Structure. Pages 511–514
  • António Salgueiro: Pavimenta: A Photo Tiling Tool. Pages 515–518
  • J.L. Marsden and B.G. Thomas: Symmetry, Marks and Meaning: Observations from Brand Identity Design. Pages 519–522
  • Chern Chuang, Bih-Yaw Jin and Chia-Chin Tsoo: Designing Sculptures Inspired by Symmetric High-Genus Fullerenes with Mathematical Beading. Pages 523–526
  • Katherine Smith Abbott and Stephen Abbott: Conjecture and Proof: A Case of Shifting Identities in Raphael's School of Athens. Pages 527–530
  • Samuel Verbiese: Amazing Labyrinths, Further Developments II. Pages 531–534
  • Boris Kerkez: Mandelbrot Sound Map – A Tool for Mapping Fractals into Sounds. Pages 535–538
  • Jouko Koskinen: Unusual Tilings and Transformations. Pages 539–542
  • Ana Lúcia Braz Dias: A Representation for Whole Numbers and Their Factors. Pages 543–546
  • Ana Isabel Portugal and Pedro Campos: Using the Golden Ratio in Multimedia Installations – Seeking for Beauty. Pages 547–550
  • Ferhan Kızıltepe: A Brief Review of Frank O. Gehry and the Nationale-Nederlande Building. Pages 551–554
  • Filipe Afonso: Genetic Weapons. Pages 555–558
  • Jay Kappraff: The Sacred Cut. Pages 559–562
  • Charlene Morrow and James Morrow: A Group Theory Approach to (re)Constructing Sol LeWitt's Drawing Series IV, #413 Pages 563–566
  • Toshihiro Bando, Kenichiro Nishida and Yasunari Sasaki: Transition of Matière feature of Claude Monet's Paintings Analyzed by Wavelet Transform and Co-occurrence matrix. Pages 567–570
  • Bruce Torrence: Image Processing with Mathematica 8. Pages 571–572
  • Evangelina Sousa: Adventure of a Simple Circle (in the Jungle of My Mind). Pages 573–576
  • David M. White: Bridging Theater and Mathematics: a Playwright's View. Pages 577–578
  • Alexei Kolesnikov: Bridging Theater and Mathematics: a Mathematician's View. Pages 579–580
  • David A. Reimann: Decorating Regular Tiles with Arcs. Pages 581–584
  • Peter Boothe and Sandro Badame: Animation of Object-Oriented Program Execution. Pages 585–588
  • James F. Hausman and Fabien Vienne: Cubic Fuzzy Precision: Tau-scaled Fractals from Plain-Vanilla Pentagrids. Pages 589–592
  • John M. Sullivan: Conformal Tiling on a Torus. Pages 593–596
  • Michael Stranahan, Carlos Neumann and Paul Hildebrandt: How Not to Bring Your Product to Market. Pages 597–600
  • Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes: Design Thinking LAB: Math Goes Fashion. Pages 601–604
  • Stephen Luecking: Sundials from Toroid Surfaces. Pages 605–608
  • William F. Duffy: SPHERES + CUBES = x^n+y^n+z^n = 0. Pages 609–612
  • György Darvas and Tamás F. Farkas: Graphic illustration of Elementary Particles. Pages 613–616
  • Mary Wahr: Decalcomania. Pages 617–620
  • JoAnne Growney: Using Mathematics to Make Poetry. Pages 621–624
  • Curtis Palmer: Pieces of Pi? Polyhedra, Orthoschemes and Dihedral Kaleidoscopes. Pages 625–628
  • Simon Morgan and Jacqueline Sack: Build Something Beautiful and Interesting with Giant Triangles: An Entry to Deep Mathematics. Pages 629–630
  • Miriam Fradera Gajo: Calculating and Singing the Melody Sequences in Fauré's Song “Les Matelots”. Pages 631–632
  • Slavik Jablan and Kristóf Fenyvesi: The Vasarely Playhouse: Look and Combine! Pages 633–636
  • Nicholas Durnan: Alabaster Sculpture Workshops. Pages 637–638
  • Christopher Carlson: Exploring the Arts with Mathematica. Pages 639–640
  • Eva Knoll and Wendy Landry: An Exploration of Froebel's Gift Number 14 Leads to Monolinear, Re-entrant, Dichromic Mono-Polyomino Weavings. Pages 641–648
  • Mike Naylor and Vi Hart: Human Geometry Workshop. Pages 649–656
  • Konrad Cernohous, Dominik Gross, Petra Ilias, Walter Lunzer, Ruth Mateus-Berr, Jasmin Schaitl and Peter Michael Schultes: Workshop Design Thinking Lab: Math Goes Fashion. Pages 657–658
  • M.G. Marques and M. Pires: Mathematical Modeling of Cartoon Images and Other Objects. Pages 659–664
  • Eve Torrence: A Workshop on Stellation Inspired Sculpture. Pages 665–670
  • Nick Fout and Jenn Marker: Folding Your Way to Understanding. Pages 671–678
  • Aaltje Berendina Aaten and Tom Goris: Triangle Tessellation Workshop. Pages 679–680
  • Sarah Abdellahi and Tom Goris: The Geometry of Paradise Flowers. Pages 681–684
  • Gail Kaplan and Chris Bartlett: The Magical Power of Our Eye: A Student Centered Approach to Building Bridges between Mathematics and Art. Pages 685–692
  • João Pedro Xavier and Eliana Manuel Pinho: The Partial Implantation, At 1:2 Scale, of Rabaçal's Roman Villa. Pages 693–694
  • Manuel Arala Chaves: Proposal for a Workshop on Symmetry of Plane Patterns. Pages 695–696


Links

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http://archive.bridgesmathart.org/2011/index.html

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Sonstige Links

http://bridgesmathart.org/past-conferences/bridges-2011/

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