Bridges 1998: Unterschied zwischen den Versionen
Aus de_evolutionary_art_org
(Die Seite wurde neu angelegt: „== Reference == Reza Sarhangi: Bridges 1998, Mathematics, Music, Art, Architecture, Culture. 1th Annual Bridges Conference, 1998. ISBN 0-9665201-0-6. == DOI …“) |
(kein Unterschied)
|
Version vom 13. Dezember 2014, 13:50 Uhr
Inhaltsverzeichnis
Reference
Reza Sarhangi: Bridges 1998, Mathematics, Music, Art, Architecture, Culture. 1th Annual Bridges Conference, 1998. ISBN 0-9665201-0-6.
DOI
Abstract
Extended Abstract
Reviews
Bibtex
Table of contents
- The Editors: Front Matter http://archive.bridgesmathart.org/1998/frontmatter.pdf
- Carlo H. Séquin: Art, Math, and Computers: New Ways of Creating Pleasing Shapes. Pages 1–10 http://archive.bridgesmathart.org/1998/bridges1998-1.html http://archive.bridgesmathart.org/1998/bridges1998-1.pdf
- Kim Williams: Architecture and Mathematics: Art, Music and Science. Pages 11–20
- Brent Collins: Finding an Integral Equation of Design and Mathematics. Pages 21–28
- Gary R. Greenfield: New Directions for Evolving Expressions. Pages 29–36
- David Gerhard: Automatic Interval Naming Using Relative Pitch. Pages 37–48
- Charles O. Perry: Continuum, Broken Symmetry, and More. Pages 49–54
- Helena Verrill: Origami Tessellations. Pages 55–68
- Pozzi Escot: The Poetics of Mathematics in Music. Pages 69–72
- Douglas D. Peden: Bridges of Mathematics, Art, and Physics. Pages 73–82
- Jorge Carrera Bolaños: Chaos Theory and the Fall of the Aztec Empire. Pages 83–86
- Joel K. Haack: The Mathematics of Steve Reich's "Clapping Music". Pages 87–92
- Reza Sarhangi and Bruce D. Martin: The Circle: A Paradigm for Paradox. Pages 93–112
- Glenn Clark and Shea Zellweger: Let the Mirrors Do the Thinking. Pages 113–120
- Stephen Eberhart: Pythagorean and Platonic Bridges between Geometry and Algebra. Pages 121–128
- John V.C. Nye: Subjective Fidelity and Problems of Measurement in Audio Reproduction. Pages 129–138
- Nat Friedman: Hyperseeing, Hypersculptures and Space Curves. Pages 139–156
- John Sharp: Problems with Holbein's Ambassadors and the Anamorphosis of the Skull. Pages 157–166
- Ross McCluney: Conveying Large Numbers to General Audiences. Pages 167–174
- Solomon Marcus: Mathematics and Poetry: Discrepancies within Similarities. Pages 175–180
- Boris D. Lubachevsky, Ron L. Graham and Frank H. Stillinger: Spontaneous Patterns in Disk Packings. Pages 181–194
- George W. Hart: Icosahedral Constructions. Pages 195–202
- Don R. Schol: Mathematics in Three Dimensional Design: The Integration of Mathematical Thinking into the Design Core. Pages 203–208
- Martin Golubitsky and Ian Melbourne: A Symmetry Classification of Columns. Pages 209–224
- Daniel F. Daniel: Math and Metaphor. Pages 225–236
- Mara Alagić: A Visual Presentation of Rank-Ordered Sets. Pages 237–244
- Bruce D. Martin and Reza Sarhangi: Symmetry, Chemistry and Escher's Tiles. Pages 245–254
- Ben Nicholson, Jay Kappraff and Saori Hisano: A Taxonomy of Ancient Geometry Based on the Hidden Pavements of Michelangelo's Lurentian Library. Pages 255–272
- Michael Leyton: Symmetry, Causality, Mind - Abstract. Pages 273–274
- John Sharp: Sliceform Sculptures-a Bridge between Art and Mathematics - Abstract. Pages 275–276
- Jarmila Doubravová: Interpersonal Hypothesis and the GUHA Method - Abstract. Pages 277–278
- Thomas Michael Stephens: Eco-Mathematic/Geometric Aspects of a Design Proposal for Landscape/Public Art - Abstract. Pages 279–280
- Carol Martin Watts and Donald J. Watts: Traces of the Geometrical Ordering of Roman Florence - Abstract. Pages 281–281
- Arun K. Mitra: The Violin Surface Fitting - Abstract. Pages 282–282
- Clifford Singer: Geometrical Poetry - Abstract. Pages 283–286
- Steve Padget: Geometry as Libera(l)ing Art in Wren's St. Paul's Cathedral - Abstract. Pages 287–288
- Thomas Michael Stephens: Relationships of Science, Mathematics and My Constructive Art: A Personal Survey - Abstract. Pages 289–290
- Daniel Fitzgerald: What is the Difference between a Banjo and a Harley-Davidson Motorcycle? Answer: You Can Tune the Harley - Abstract. Pages 291–292
Links
Full Text
http://archive.bridgesmathart.org/1998/index.html
