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== Table of contents== | == Table of contents== | ||
| − | Adrian Ward, Geoff Cox | + | * Adrian Ward, Geoff Cox: The Authorship of Generative Art. |
| − | Alejandro Pazos, Antonino Santos, Julián Dorado, J. J. Romero Cardalda & J. L. Rodriguez Carballal: Artificial Music Composer. | + | * Alejandro Pazos, Antonino Santos, Julián Dorado, J. J. Romero Cardalda & J. L. Rodriguez Carballal: Artificial Music Composer. |
| − | Alvise Simondetti: Experiments in rule based design and computer generated physical prototypes. | + | * Alvise Simondetti: Experiments in rule based design and computer generated physical prototypes. |
| − | Anna Chupa, Michael Chupa: Generative Texture Maps for Animation. | + | * Anna Chupa, Michael Chupa: Generative Texture Maps for Animation. |
| − | Celestino Soddu: Recognizability of designer imprinting in generative artwork. | + | * Celestino Soddu: Recognizability of designer imprinting in generative artwork. |
| − | Chiron Mottram, Alan Penn: Slugfest. | + | * Chiron Mottram, Alan Penn: Slugfest. |
| − | Cristiano Ceccato: Mädler-Haus: on the Use of Geometrically Flexible Design in Architectural Reconstruction Projects. | + | * Cristiano Ceccato: Mädler-Haus: on the Use of Geometrically Flexible Design in Architectural Reconstruction Projects. |
| − | Cristiano Ceccato, Laurence Liauw: Parametric Urbanism: Explorations in Generative Urban. | + | * Cristiano Ceccato, Laurence Liauw: Parametric Urbanism: Explorations in Generative Urban. |
| − | Enrica Colabella: The shadow of the night. | + | * Enrica Colabella: The shadow of the night. |
| − | Franca Calio', Elena Marchetti: Linear algebra and creative process. | + | * Franca Calio', Elena Marchetti: Linear algebra and creative process. |
| − | Gabriel Maldonado: Generating digital music with DirectCsound. | + | * Gabriel Maldonado: Generating digital music with DirectCsound. |
| − | Giuseppe Caglioti: Ambiguity in art and Science. | + | * Giuseppe Caglioti: Ambiguity in art and Science. |
| − | Hans Dehlinger: Minimized generative principles for large scale drawings: an experimental approach and its results. | + | * Hans Dehlinger: Minimized generative principles for large scale drawings: an experimental approach and its results. |
| − | Howard Riley: Semiotics and Generative Art. | + | * Howard Riley: Semiotics and Generative Art. |
| − | Jônatas Manzolli: Generative Polymodal Music Process. | + | * Jônatas Manzolli: Generative Polymodal Music Process. |
| − | Kai Strehlke: xWORLDS, the implementation of a three-dimensional collaborative sketch tool within the context of a third year design course. | + | * Kai Strehlke: xWORLDS, the implementation of a three-dimensional collaborative sketch tool within the context of a third year design course. |
| − | Luca Ambrosini, Marco Longatti, Hajime Miyajima: Time sections, abstract machines. | + | * Luca Ambrosini, Marco Longatti, Hajime Miyajima: Time sections, abstract machines. |
| − | M. Annunziato, P. Pierucci: The Art of Emergence. | + | * M. Annunziato, P. Pierucci: The Art of Emergence. |
| − | Mahesh Senagala: Artistic Process, Cybernetics of Self and the Epistemology of Digital Technology. | + | * Mahesh Senagala: Artistic Process, Cybernetics of Self and the Epistemology of Digital Technology. |
| − | Mariana Neagu: On Linguistic Aspects from a Cross-cultural Perspective. | + | * Mariana Neagu: On Linguistic Aspects from a Cross-cultural Perspective. |
| − | Mark C. Burry and Grant M. Dunlop: Paramorphism: Design Surface and Substance. | + | * Mark C. Burry and Grant M. Dunlop: Paramorphism: Design Surface and Substance. |
| − | Mark Goulthorpe: Hyposurface: from Autoplastic to Alloplastic Space. | + | * Mark Goulthorpe: Hyposurface: from Autoplastic to Alloplastic Space. |
| − | P.S.Coates, L. Hazarika: The use of genetic programming for applications in the field of spatial composition. | + | * P.S.Coates, L. Hazarika: The use of genetic programming for applications in the field of spatial composition. |
| − | Peter Stebbing: The mother's smile: an unconscious source for generative form in visual expression and design. | + | * Peter Stebbing: The mother's smile: an unconscious source for generative form in visual expression and design. |
| − | Philip Van Loocke: Complex aesthetic forms that solve mathematical and cognitive problems. | + | * Philip Van Loocke: Complex aesthetic forms that solve mathematical and cognitive problems. |
| − | Piero Meogrossi: The Idea of Rome: the shape of utopy. | + | * Piero Meogrossi: The Idea of Rome: the shape of utopy. |
| − | Pietro Pedeferri: Nobili’s Art: an example of generative Art of 1826. | + | * Pietro Pedeferri: Nobili’s Art: an example of generative Art of 1826. |
| − | Quinsan Ciao: Breeds in Artificial Design. | + | * Quinsan Ciao: Breeds in Artificial Design. |
| − | R. Neal Elzenga, Michael S. Pontecorvo: Arties: Meta-Design as Evolving Colonies of Artistic Agents. | + | * R. Neal Elzenga, Michael S. Pontecorvo: Arties: Meta-Design as Evolving Colonies of Artistic Agents. |
| − | Riccardo Antonini: Let's Improvise Together | + | * Riccardo Antonini: Let's Improvise Together. |
| − | |||
| − | |||
| + | * Roel Daru: Hunting design memes in the architectural studio. | ||
== Links == | == Links == | ||
Version vom 16. Dezember 2014, 22:20 Uhr
Inhaltsverzeichnis
Reference
DOI
Abstract
Extended Abstract
Reviews
Bibtex
Table of contents
- Adrian Ward, Geoff Cox: The Authorship of Generative Art.
- Alejandro Pazos, Antonino Santos, Julián Dorado, J. J. Romero Cardalda & J. L. Rodriguez Carballal: Artificial Music Composer.
- Alvise Simondetti: Experiments in rule based design and computer generated physical prototypes.
- Anna Chupa, Michael Chupa: Generative Texture Maps for Animation.
- Celestino Soddu: Recognizability of designer imprinting in generative artwork.
- Chiron Mottram, Alan Penn: Slugfest.
- Cristiano Ceccato: Mädler-Haus: on the Use of Geometrically Flexible Design in Architectural Reconstruction Projects.
- Cristiano Ceccato, Laurence Liauw: Parametric Urbanism: Explorations in Generative Urban.
- Enrica Colabella: The shadow of the night.
- Franca Calio', Elena Marchetti: Linear algebra and creative process.
- Gabriel Maldonado: Generating digital music with DirectCsound.
- Giuseppe Caglioti: Ambiguity in art and Science.
- Hans Dehlinger: Minimized generative principles for large scale drawings: an experimental approach and its results.
- Howard Riley: Semiotics and Generative Art.
- Jônatas Manzolli: Generative Polymodal Music Process.
- Kai Strehlke: xWORLDS, the implementation of a three-dimensional collaborative sketch tool within the context of a third year design course.
- Luca Ambrosini, Marco Longatti, Hajime Miyajima: Time sections, abstract machines.
- M. Annunziato, P. Pierucci: The Art of Emergence.
- Mahesh Senagala: Artistic Process, Cybernetics of Self and the Epistemology of Digital Technology.
- Mariana Neagu: On Linguistic Aspects from a Cross-cultural Perspective.
- Mark C. Burry and Grant M. Dunlop: Paramorphism: Design Surface and Substance.
- Mark Goulthorpe: Hyposurface: from Autoplastic to Alloplastic Space.
- P.S.Coates, L. Hazarika: The use of genetic programming for applications in the field of spatial composition.
- Peter Stebbing: The mother's smile: an unconscious source for generative form in visual expression and design.
- Philip Van Loocke: Complex aesthetic forms that solve mathematical and cognitive problems.
- Piero Meogrossi: The Idea of Rome: the shape of utopy.
- Pietro Pedeferri: Nobili’s Art: an example of generative Art of 1826.
- Quinsan Ciao: Breeds in Artificial Design.
- R. Neal Elzenga, Michael S. Pontecorvo: Arties: Meta-Design as Evolving Colonies of Artistic Agents.
- Riccardo Antonini: Let's Improvise Together.
- Roel Daru: Hunting design memes in the architectural studio.
Links
Full Text
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