Bridges 2017: Unterschied zwischen den Versionen
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* The Editors: Front Matter. http://archive.bridgesmathart.org/2017/frontmatter.pdf | * The Editors: Front Matter. http://archive.bridgesmathart.org/2017/frontmatter.pdf | ||
+ | * Alice Major: Numbers with Personality. In: [[Bridges 2017]], Pages 1–8. http://archive.bridgesmathart.org/2017/bridges2017-1.html http://archive.bridgesmathart.org/2017/bridges2017-1.pdf | ||
− | + | HyperRogue: Playing with Hyperbolic Geometry | |
+ | Eryk Kopczyński, Dorota Celińska and Marek Čtrnáct | ||
+ | Pages 9–16 | ||
+ | |||
+ | Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork | ||
+ | Taneli Luotoniemi | ||
+ | Pages 17–24 | ||
+ | |||
+ | Sculptural Forms Based on Radially-developing Fractal Curves | ||
+ | Robert Fathauer | ||
+ | Pages 25–32 | ||
+ | |||
+ | Non-euclidean Virtual Reality I: Explorations of H³ | ||
+ | Vi Hart, Andrea Hawksley, Elisabetta Matsumoto and Henry Segerman | ||
+ | Pages 33–40 | ||
+ | |||
+ | Non-euclidean Virtual Reality II: Explorations of H² ✕ E | ||
+ | Vi Hart, Andrea Hawksley, Elisabetta Matsumoto and Henry Segerman | ||
+ | Pages 41–48 | ||
+ | |||
+ | Invertible Infinity: A Toroidal Fashion Statement | ||
+ | Ellie Baker and Charles Wampler | ||
+ | Pages 49–56 | ||
+ | |||
+ | DNA-inspired Basketmaking: Scaffold-Strand Construction of Wireframe Sculptures | ||
+ | James Mallos | ||
+ | Pages 57–62 | ||
+ | |||
+ | Making Math Visible | ||
+ | George Hart and Elisabeth Heathfield | ||
+ | Pages 63–70 | ||
+ | |||
+ | Interwoven Islamic Geometric Patterns | ||
+ | Craig S. Kaplan | ||
+ | Pages 71–78 | ||
+ | |||
+ | Magnetic Sphere Constructions | ||
+ | Henry Segerman and Rosa Zwier | ||
+ | Pages 79–86 | ||
+ | |||
+ | An Algorithmic Approach to Obtain Generalized 2D Meander-Patterns | ||
+ | Saied Zarrinmehr, Ergun Akleman, Mahmood Ettehad, Negar Kalantar, Alireza Borhani Haghighi and Shinjiro Sueda | ||
+ | Pages 87–94 | ||
+ | |||
+ | Fun with Integer Sequences | ||
+ | Kerry Mitchell | ||
+ | Pages 95–102 | ||
+ | |||
+ | A Survey of Symmetry Samplers | ||
+ | Susan Goldstine | ||
+ | Pages 103–110 | ||
+ | |||
+ | New Kinds of Fractal Patterns | ||
+ | Douglas Dunham and John Shier | ||
+ | Pages 111–116 | ||
+ | |||
+ | Homage to Eva Hild | ||
+ | Carlo H. Séquin | ||
+ | Pages 117–124 | ||
+ | |||
+ | Artwork Inspired by Dual Dodecahedra and Icosahedra | ||
+ | Stephen Wassell and Mark Reynolds | ||
+ | Pages 125–130 | ||
+ | |||
+ | Natural Color Symmetry | ||
+ | Frank A. Farris | ||
+ | Pages 131–138 | ||
+ | |||
+ | Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences | ||
+ | Adam Colestock | ||
+ | Pages 139–146 | ||
+ | |||
+ | Obtaining the H and T Honeycomb from a Cross-Section of the 16-cell Honeycomb | ||
+ | Hideki Tsuiki | ||
+ | Pages 147–152 | ||
+ | |||
+ | Art of Infinity | ||
+ | Kenneth Brecher | ||
+ | Pages 153–158 | ||
+ | |||
+ | A Geometrical Representation and Visualization of Möbius Transformation Groups | ||
+ | Kento Nakamura and Kazushi Ahara | ||
+ | Pages 159–166 | ||
+ | |||
+ | Geometric Factors and the Well Dressed Solids of Archimedes | ||
+ | Stan Spencer | ||
+ | Pages 167–174 | ||
+ | |||
+ | A General Method for Building Topological Models of Polyhedra | ||
+ | Mircea Draghicescu | ||
+ | Pages 175–182 | ||
+ | |||
+ | A Peg Solitaire Font | ||
+ | Taishi Oikawa, Kazuaki Yamazaki, Tomoko Taniguchi and Ryuhei Uehara | ||
+ | Pages 183–188 | ||
+ | |||
+ | Modelling Seashells Shapes and Pigmentation Patterns: Experiments with 3D Printing | ||
+ | Francesco de Comité | ||
+ | Pages 189–196 | ||
+ | |||
+ | Hopeless Love and Other Lattice Walks | ||
+ | Tom Verhoeff and Koos Verhoeff | ||
+ | Pages 197–204 | ||
+ | |||
+ | Aspects of Symmetry in Bobbin Lace | ||
+ | Veronika Irvine and Frank Ruskey | ||
+ | Pages 205–212 | ||
+ | |||
+ | Hidden Beauty in Penrose Tiling: Weavings & Lace | ||
+ | Douglas Burkholder | ||
+ | Pages 213–220 | ||
+ | |||
+ | Versatile Genius: A Case Study Intersecting Math, Science, Art, and California's National Parks | ||
+ | Leslie Love Stone and Christopher S. Brownell | ||
+ | Pages 221–228 | ||
+ | |||
+ | Tuti Inter-Weaving | ||
+ | Abdalla Ahmed and Oliver Deussen | ||
+ | Pages 229–236 | ||
+ | |||
+ | Flowsnake Earth | ||
+ | Jacob Rus | ||
+ | Pages 237–244 | ||
+ | |||
+ | Inter-transformability II | ||
+ | John Hiigli and Stephen Weil | ||
+ | Pages 245–252 | ||
+ | |||
+ | Kissing Rings, Bracelets, Roses and Canadian Magnetic Coins: Circle Packing with Ferrite Block Magnets and Magnetic Sheet | ||
+ | Maria Victoria Canullo, Veronika Irvine and Robin Linhope Willson | ||
+ | Pages 253–260 | ||
+ | |||
+ | A Mathematics and Digital Art Course | ||
+ | Vincent Matsko | ||
+ | Pages 261–268 | ||
+ | |||
+ | Conics from Polygons: The Chord Ratio Construction | ||
+ | Scott Vorthmann, David Hall and David Richter | ||
+ | Pages 269–276 | ||
+ | |||
+ | Zometool Tribute to Fabien Vienne at Bridges Finland 2016 | ||
+ | Samuel Verbiese | ||
+ | Pages 277–282 | ||
+ | |||
+ | The Artful Kaleidoscopes of the Circular and Spherical Bells | ||
+ | Carlos Puente | ||
+ | Pages 283–290 | ||
+ | |||
+ | Dichromatic Dances | ||
+ | Karl Schaffer | ||
+ | Pages 291–298 | ||
+ | |||
+ | The Golden Ratio: How Close Is Close Enough? | ||
+ | Lisa Lajeunesse | ||
+ | Pages 299–304 | ||
+ | |||
+ | Seeing and Hearing the Eigenvectors of a Fluid | ||
+ | Aaron Jones, Joann Kuchera-Morin and Theodore Kim | ||
+ | Pages 305–312 | ||
+ | |||
+ | On Infinite Kepler-Poinsot Polyhedra | ||
+ | Dirk Huylebrouck | ||
+ | Pages 313–320 | ||
+ | |||
+ | Combinatorics in the Art of the Twentieth Century | ||
+ | Lali Barrière | ||
+ | Pages 321–328 | ||
+ | |||
+ | Morphing TSP Art | ||
+ | David Swart | ||
+ | Pages 329–334 | ||
+ | |||
+ | Short Papers | ||
+ | |||
+ | 3D Printed Tours | ||
+ | Robert Bosch | ||
+ | Pages 335–338 | ||
+ | |||
+ | Great Books, Poetry and Mathematics | ||
+ | Emily Grosholz | ||
+ | Pages 339–342 | ||
+ | |||
+ | Hyparhedra Revisited | ||
+ | Eve Torrence | ||
+ | Pages 343–346 | ||
+ | |||
+ | Topological Images with Modular Block Print Tiles | ||
+ | Felicia Tabing | ||
+ | Pages 347–350 | ||
+ | |||
+ | 3D Printing in the Secondary Mathematics Classroom | ||
+ | Patrick Honner | ||
+ | Pages 351–354 | ||
+ | |||
+ | Math Creations - A Math-Art Competition | ||
+ | Bianca Violet, Chiquira Wagner and Ekaterina Eremenko | ||
+ | Pages 355–358 | ||
+ | |||
+ | The Poetics of a Cyclic Directed Graph | ||
+ | Courtney Huse Wika and Daniel May | ||
+ | Pages 359–362 | ||
+ | |||
+ | A Temari Permutation Sampler | ||
+ | Debra K. Borkovitz | ||
+ | Pages 363–366 | ||
+ | |||
+ | The English Translation of the 1652 Edition of J-F Niceron's Perspective Curieuse | ||
+ | James Hunt and Sylvia Hunt | ||
+ | Pages 367–370 | ||
+ | |||
+ | Triskelion Block Families | ||
+ | Akihiro Matsuura and Hiroshi Shirane | ||
+ | Pages 371–374 | ||
+ | |||
+ | Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions | ||
+ | Caroline Bowen | ||
+ | Pages 375–378 | ||
+ | |||
+ | Ballistic Deposition and Aesthetic Patterns | ||
+ | Gary Greenfield | ||
+ | Pages 379–382 | ||
+ | |||
+ | Applying Helical Triangle Tessellations in Folded Light Art | ||
+ | Jiangmei Wu | ||
+ | Pages 383–386 | ||
+ | |||
+ | Émilie, an Opera about Love, Death, and Mathematics | ||
+ | Liisamaija Hautsalo and Osmo Pekonen | ||
+ | Pages 387–390 | ||
+ | |||
+ | Cartesian Lace Drawings | ||
+ | Susan Happersett | ||
+ | Pages 391–394 | ||
+ | |||
+ | Constructing Mini-tools for Tessellations | ||
+ | Loe Feijs, Jun Hu, Matthias Funk, Mayra Goevaerts, Teun Keusters and Caro Van Kessel | ||
+ | Pages 395–398 | ||
+ | |||
+ | The Sound of Space-Filling Curves | ||
+ | Herman Haverkort | ||
+ | Pages 399–402 | ||
+ | |||
+ | A Cellular Automaton for Pied-de-poule (Houndstooth) | ||
+ | Loe Feijs and Marina Toeters | ||
+ | Pages 403–406 | ||
+ | |||
+ | How to Draw a Line | ||
+ | Simon Ever-Hale | ||
+ | Pages 407–410 | ||
+ | |||
+ | Quilting the Klein Quartic | ||
+ | Elisabetta Matsumoto | ||
+ | Pages 411–414 | ||
+ | |||
+ | Turing-Like Patterns Revisited: A Peek Into The Third Dimension | ||
+ | Martin Skrodzki and Konrad Polthier | ||
+ | Pages 415–418 | ||
+ | |||
+ | Algorithmic Aesthetics: Redefining Traditional Islamic Art | ||
+ | Carol Bier | ||
+ | Pages 419–422 | ||
+ | |||
+ | On the Enumeration of Chequered Tilings in Polygons | ||
+ | Hiroaki Hamanaka, Takashi Horiyama and Ryuhei Uehara | ||
+ | Pages 423–426 | ||
+ | |||
+ | Designing Modular Sculpture Systems | ||
+ | Christopher Carlson | ||
+ | Pages 427–430 | ||
+ | |||
+ | Nebula: Live Dynamic Projection Mapping via Object Saliency | ||
+ | Sara Greenberg, Audrey G. Chung and Alexander Wong | ||
+ | Pages 431–434 | ||
+ | |||
+ | Transforming Squares to Strips in Expanded Polyhedral Forms | ||
+ | David Reimann | ||
+ | Pages 435–438 | ||
+ | |||
+ | Polyhedra: Eye Candy to Feed the Mind | ||
+ | Stacy Speyer | ||
+ | Pages 439–442 | ||
+ | |||
+ | Listening to the Logistic Map | ||
+ | Andrea Capozucca, Marco Fermani and Simone Giorgini | ||
+ | Pages 443–446 | ||
+ | |||
+ | Artistic Rendering of Curves via Lattice Paths | ||
+ | Anton Bakker and Tom Verhoeff | ||
+ | Pages 447–450 | ||
+ | |||
+ | 3D Printable Golden Sponges | ||
+ | Donald Plante | ||
+ | Pages 451–454 | ||
+ | |||
+ | Using African Designs in Virtual Manipulatives for Geometrical Concept Development | ||
+ | Philip Collett and Catherina Steyn | ||
+ | Pages 455–458 | ||
+ | |||
+ | Constructing Deltahedra from Recycled Plastic Bottles | ||
+ | Weiling He, Chengde Wu and Ergun Akleman | ||
+ | Pages 459–462 | ||
+ | |||
+ | The Complexity of Braids, Cables, and Weaves Modeled with Stranded Cellular Automata | ||
+ | Joshua Holden | ||
+ | Pages 463–466 | ||
+ | |||
+ | Inversive Diversions and Diversive Inversions | ||
+ | Gregg Helt | ||
+ | Pages 467–470 | ||
+ | |||
+ | Shaping Poems -- with Visual Forms and Counting | ||
+ | JoAnne Growney | ||
+ | Pages 471–474 | ||
+ | |||
+ | The Interval Dissonance Rate: An Analytical Look into Chromaticism of Chopin’s Op. 10 No. 2 and Scriabin's Op. 11 No. 2 | ||
+ | Nikita Mamedov and Robert Peck | ||
+ | Pages 475–478 | ||
+ | |||
+ | Obtaining Four Main Animation Cycles Using an Extremely Limited Set of Poses | ||
+ | Ergun Akleman, Derya Akleman, Ioannis Pavlidis and Pradeep Buddharaju | ||
+ | Pages 479–482 | ||
+ | |||
+ | Designing Skeletal Polyhedral Sculptures Inspired by Octet-Truss Systems and Structural Inorganic Chemistry with Bugle Beads | ||
+ | Chia-Chin Tsoo and Bih-Yaw Jin | ||
+ | Pages 483–486 | ||
+ | |||
+ | Surfaces Foliated by Planar Geodesics: A Model for Curved Wood Design | ||
+ | David Brander and Jens Gravesen | ||
+ | Pages 487–490 | ||
+ | |||
+ | Tiling Notation as Design Tool for Textile Knotting | ||
+ | Nithikul Nimkulrat, Janette Matthews and Tuomas Nurmi | ||
+ | Pages 491–494 | ||
+ | |||
+ | Visualizing Math Art Activities at the GameLab | ||
+ | Sujan Shrestha | ||
+ | Pages 495–498 | ||
+ | |||
+ | The Surprising Versatility of Edge-Matching Tiles | ||
+ | Kate Jones | ||
+ | Pages 499–502 | ||
+ | |||
+ | Triaxial Weaving for Complex Repeat Patterns and Tessellations | ||
+ | Mary Klotz | ||
+ | Pages 503–506 | ||
+ | |||
+ | Symmetric Binary Trees with Branching Ratios Larger than 1 | ||
+ | Nick Mendler and Vincent J. Matsko | ||
+ | Pages 507–510 | ||
+ | |||
+ | Introducing the Kasparian Constructions | ||
+ | Raffi J. Kasparian and Alice E. Petillo | ||
+ | Pages 511–514 | ||
+ | |||
+ | Non-Octave Guitar and Keyboard Designs for Ervin M. Wilson | ||
+ | Reilly Smethurst | ||
+ | Pages 515–518 | ||
+ | |||
+ | The Discovery and Application of the Protogon’s Spiral | ||
+ | Andrew Smith | ||
+ | Pages 519–522 | ||
+ | |||
+ | Workshop Papers | ||
+ | |||
+ | Dancing Rope and Braid Into Being: Whole-body Learning in Creating Mathematical/ Architectural Structures | ||
+ | Susan Gerofsky, Eva Knoll and James Forren | ||
+ | Pages 523–530 | ||
+ | |||
+ | Collaboration in Creating The Mathematical Poem | ||
+ | Carol Dorf | ||
+ | Pages 531–532 | ||
+ | |||
+ | From Rabbit Ears to Origami Flowers: Triangle Centers and the Concept of Function | ||
+ | Alan Russell | ||
+ | Pages 533–538 | ||
+ | |||
+ | Omnidirectional Robot Construction at the Math Class | ||
+ | Kristóf Fenyvesi, Ákos Vecsei, Diego Lieban, Zsolt Lavicza, Hogul Park and Gábor Vecsei | ||
+ | Pages 539–546 | ||
+ | |||
+ | Creating Polyhedra with Snapology | ||
+ | Faye Goldman | ||
+ | Pages 547–552 | ||
+ | |||
+ | The Magic of Anamorphosis in Elementary and Middle School | ||
+ | Marina Barreto and Diego Lieban | ||
+ | Pages 553–556 | ||
+ | |||
+ | Star Origami | ||
+ | Joy Hsiao | ||
+ | Pages 557–562 | ||
+ | |||
+ | The Aesthetics of Colour in Mathematical Diagramming | ||
+ | Eva Knoll, Tara Taylor, Wendy Landry, Paul Carreiro, Katie Puxley and Karyn Harrison | ||
+ | Pages 563–570 | ||
+ | |||
+ | How to Use Vector Theory to Write a Story | ||
+ | Cynthia Clay | ||
+ | Pages 571–572 | ||
+ | |||
+ | Folding the Dragon Curve Fractal | ||
+ | Natalija Budinski and Miroslav Novta | ||
+ | Pages 573–578 | ||
+ | |||
+ | Thinking Visually: Triangles as Units of Area | ||
+ | Paul Gailiunas | ||
+ | Pages 579–582 | ||
+ | |||
+ | Playing in the Lux Dimension | ||
+ | Michael Acerra | ||
+ | Pages 583–588 |
Version vom 5. Dezember 2017, 21:33 Uhr
zurück zu The Bridge Conferences: art and mathematics
Inhaltsverzeichnis
Reference
David Swart, Carlo Séquin, and Kristóf Fenyvesi (eds.): Proceedings of Bridges 2017: Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Waterloo, Ontario, Canada, 27-31 July. Tessellations Publishing, Phoenix, Arizona, 2017. ISBN 978-1-938664-22-9
DOI
Abstract
Extended Abstract
Reviews
Bibtex
@proceedings{bridges2017:1, editor = {David Swart, Carlo Séquin, and Kristóf Fenyvesi}, booktitle = {Proceedings of Bridges 2017: Mathematics, Music, Art, Architecture, Culture}, year = {2017}, isbn = {978-1-938664-22-9}, issn = {1099-6702}, publisher = {Tessellations Publishing}, address = {Phoenix, Arizona}, url = {http://bridgesmathart.org/past-conferences/bridges-2017/ http://archive.bridgesmathart.org/2017/index.html} }
Table of contents
- The Editors: Front Matter. http://archive.bridgesmathart.org/2017/frontmatter.pdf
- Alice Major: Numbers with Personality. In: Bridges 2017, Pages 1–8. http://archive.bridgesmathart.org/2017/bridges2017-1.html http://archive.bridgesmathart.org/2017/bridges2017-1.pdf
HyperRogue: Playing with Hyperbolic Geometry Eryk Kopczyński, Dorota Celińska and Marek Čtrnáct Pages 9–16
Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork Taneli Luotoniemi Pages 17–24
Sculptural Forms Based on Radially-developing Fractal Curves Robert Fathauer Pages 25–32
Non-euclidean Virtual Reality I: Explorations of H³ Vi Hart, Andrea Hawksley, Elisabetta Matsumoto and Henry Segerman Pages 33–40
Non-euclidean Virtual Reality II: Explorations of H² ✕ E Vi Hart, Andrea Hawksley, Elisabetta Matsumoto and Henry Segerman Pages 41–48
Invertible Infinity: A Toroidal Fashion Statement Ellie Baker and Charles Wampler Pages 49–56
DNA-inspired Basketmaking: Scaffold-Strand Construction of Wireframe Sculptures James Mallos Pages 57–62
Making Math Visible George Hart and Elisabeth Heathfield Pages 63–70
Interwoven Islamic Geometric Patterns Craig S. Kaplan Pages 71–78
Magnetic Sphere Constructions Henry Segerman and Rosa Zwier Pages 79–86
An Algorithmic Approach to Obtain Generalized 2D Meander-Patterns Saied Zarrinmehr, Ergun Akleman, Mahmood Ettehad, Negar Kalantar, Alireza Borhani Haghighi and Shinjiro Sueda Pages 87–94
Fun with Integer Sequences Kerry Mitchell Pages 95–102
A Survey of Symmetry Samplers Susan Goldstine Pages 103–110
New Kinds of Fractal Patterns Douglas Dunham and John Shier Pages 111–116
Homage to Eva Hild Carlo H. Séquin Pages 117–124
Artwork Inspired by Dual Dodecahedra and Icosahedra Stephen Wassell and Mark Reynolds Pages 125–130
Natural Color Symmetry Frank A. Farris Pages 131–138
Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences Adam Colestock Pages 139–146
Obtaining the H and T Honeycomb from a Cross-Section of the 16-cell Honeycomb Hideki Tsuiki Pages 147–152
Art of Infinity Kenneth Brecher Pages 153–158
A Geometrical Representation and Visualization of Möbius Transformation Groups Kento Nakamura and Kazushi Ahara Pages 159–166
Geometric Factors and the Well Dressed Solids of Archimedes Stan Spencer Pages 167–174
A General Method for Building Topological Models of Polyhedra Mircea Draghicescu Pages 175–182
A Peg Solitaire Font Taishi Oikawa, Kazuaki Yamazaki, Tomoko Taniguchi and Ryuhei Uehara Pages 183–188
Modelling Seashells Shapes and Pigmentation Patterns: Experiments with 3D Printing Francesco de Comité Pages 189–196
Hopeless Love and Other Lattice Walks Tom Verhoeff and Koos Verhoeff Pages 197–204
Aspects of Symmetry in Bobbin Lace Veronika Irvine and Frank Ruskey Pages 205–212
Hidden Beauty in Penrose Tiling: Weavings & Lace Douglas Burkholder Pages 213–220
Versatile Genius: A Case Study Intersecting Math, Science, Art, and California's National Parks Leslie Love Stone and Christopher S. Brownell Pages 221–228
Tuti Inter-Weaving Abdalla Ahmed and Oliver Deussen Pages 229–236
Flowsnake Earth Jacob Rus Pages 237–244
Inter-transformability II John Hiigli and Stephen Weil Pages 245–252
Kissing Rings, Bracelets, Roses and Canadian Magnetic Coins: Circle Packing with Ferrite Block Magnets and Magnetic Sheet Maria Victoria Canullo, Veronika Irvine and Robin Linhope Willson Pages 253–260
A Mathematics and Digital Art Course Vincent Matsko Pages 261–268
Conics from Polygons: The Chord Ratio Construction Scott Vorthmann, David Hall and David Richter Pages 269–276
Zometool Tribute to Fabien Vienne at Bridges Finland 2016 Samuel Verbiese Pages 277–282
The Artful Kaleidoscopes of the Circular and Spherical Bells Carlos Puente Pages 283–290
Dichromatic Dances Karl Schaffer Pages 291–298
The Golden Ratio: How Close Is Close Enough? Lisa Lajeunesse Pages 299–304
Seeing and Hearing the Eigenvectors of a Fluid Aaron Jones, Joann Kuchera-Morin and Theodore Kim Pages 305–312
On Infinite Kepler-Poinsot Polyhedra Dirk Huylebrouck Pages 313–320
Combinatorics in the Art of the Twentieth Century Lali Barrière Pages 321–328
Morphing TSP Art David Swart Pages 329–334
Short Papers
3D Printed Tours Robert Bosch Pages 335–338
Great Books, Poetry and Mathematics Emily Grosholz Pages 339–342
Hyparhedra Revisited Eve Torrence Pages 343–346
Topological Images with Modular Block Print Tiles Felicia Tabing Pages 347–350
3D Printing in the Secondary Mathematics Classroom Patrick Honner Pages 351–354
Math Creations - A Math-Art Competition Bianca Violet, Chiquira Wagner and Ekaterina Eremenko Pages 355–358
The Poetics of a Cyclic Directed Graph Courtney Huse Wika and Daniel May Pages 359–362
A Temari Permutation Sampler Debra K. Borkovitz Pages 363–366
The English Translation of the 1652 Edition of J-F Niceron's Perspective Curieuse James Hunt and Sylvia Hunt Pages 367–370
Triskelion Block Families Akihiro Matsuura and Hiroshi Shirane Pages 371–374
Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions Caroline Bowen Pages 375–378
Ballistic Deposition and Aesthetic Patterns Gary Greenfield Pages 379–382
Applying Helical Triangle Tessellations in Folded Light Art Jiangmei Wu Pages 383–386
Émilie, an Opera about Love, Death, and Mathematics Liisamaija Hautsalo and Osmo Pekonen Pages 387–390
Cartesian Lace Drawings Susan Happersett Pages 391–394
Constructing Mini-tools for Tessellations Loe Feijs, Jun Hu, Matthias Funk, Mayra Goevaerts, Teun Keusters and Caro Van Kessel Pages 395–398
The Sound of Space-Filling Curves Herman Haverkort Pages 399–402
A Cellular Automaton for Pied-de-poule (Houndstooth) Loe Feijs and Marina Toeters Pages 403–406
How to Draw a Line Simon Ever-Hale Pages 407–410
Quilting the Klein Quartic Elisabetta Matsumoto Pages 411–414
Turing-Like Patterns Revisited: A Peek Into The Third Dimension Martin Skrodzki and Konrad Polthier Pages 415–418
Algorithmic Aesthetics: Redefining Traditional Islamic Art Carol Bier Pages 419–422
On the Enumeration of Chequered Tilings in Polygons Hiroaki Hamanaka, Takashi Horiyama and Ryuhei Uehara Pages 423–426
Designing Modular Sculpture Systems Christopher Carlson Pages 427–430
Nebula: Live Dynamic Projection Mapping via Object Saliency Sara Greenberg, Audrey G. Chung and Alexander Wong Pages 431–434
Transforming Squares to Strips in Expanded Polyhedral Forms David Reimann Pages 435–438
Polyhedra: Eye Candy to Feed the Mind Stacy Speyer Pages 439–442
Listening to the Logistic Map Andrea Capozucca, Marco Fermani and Simone Giorgini Pages 443–446
Artistic Rendering of Curves via Lattice Paths Anton Bakker and Tom Verhoeff Pages 447–450
3D Printable Golden Sponges Donald Plante Pages 451–454
Using African Designs in Virtual Manipulatives for Geometrical Concept Development Philip Collett and Catherina Steyn Pages 455–458
Constructing Deltahedra from Recycled Plastic Bottles Weiling He, Chengde Wu and Ergun Akleman Pages 459–462
The Complexity of Braids, Cables, and Weaves Modeled with Stranded Cellular Automata Joshua Holden Pages 463–466
Inversive Diversions and Diversive Inversions Gregg Helt Pages 467–470
Shaping Poems -- with Visual Forms and Counting JoAnne Growney Pages 471–474
The Interval Dissonance Rate: An Analytical Look into Chromaticism of Chopin’s Op. 10 No. 2 and Scriabin's Op. 11 No. 2 Nikita Mamedov and Robert Peck Pages 475–478
Obtaining Four Main Animation Cycles Using an Extremely Limited Set of Poses Ergun Akleman, Derya Akleman, Ioannis Pavlidis and Pradeep Buddharaju Pages 479–482
Designing Skeletal Polyhedral Sculptures Inspired by Octet-Truss Systems and Structural Inorganic Chemistry with Bugle Beads Chia-Chin Tsoo and Bih-Yaw Jin Pages 483–486
Surfaces Foliated by Planar Geodesics: A Model for Curved Wood Design David Brander and Jens Gravesen Pages 487–490
Tiling Notation as Design Tool for Textile Knotting Nithikul Nimkulrat, Janette Matthews and Tuomas Nurmi Pages 491–494
Visualizing Math Art Activities at the GameLab Sujan Shrestha Pages 495–498
The Surprising Versatility of Edge-Matching Tiles Kate Jones Pages 499–502
Triaxial Weaving for Complex Repeat Patterns and Tessellations Mary Klotz Pages 503–506
Symmetric Binary Trees with Branching Ratios Larger than 1 Nick Mendler and Vincent J. Matsko Pages 507–510
Introducing the Kasparian Constructions Raffi J. Kasparian and Alice E. Petillo Pages 511–514
Non-Octave Guitar and Keyboard Designs for Ervin M. Wilson Reilly Smethurst Pages 515–518
The Discovery and Application of the Protogon’s Spiral Andrew Smith Pages 519–522
Workshop Papers
Dancing Rope and Braid Into Being: Whole-body Learning in Creating Mathematical/ Architectural Structures Susan Gerofsky, Eva Knoll and James Forren Pages 523–530
Collaboration in Creating The Mathematical Poem Carol Dorf Pages 531–532
From Rabbit Ears to Origami Flowers: Triangle Centers and the Concept of Function Alan Russell Pages 533–538
Omnidirectional Robot Construction at the Math Class Kristóf Fenyvesi, Ákos Vecsei, Diego Lieban, Zsolt Lavicza, Hogul Park and Gábor Vecsei Pages 539–546
Creating Polyhedra with Snapology Faye Goldman Pages 547–552
The Magic of Anamorphosis in Elementary and Middle School Marina Barreto and Diego Lieban Pages 553–556
Star Origami Joy Hsiao Pages 557–562
The Aesthetics of Colour in Mathematical Diagramming Eva Knoll, Tara Taylor, Wendy Landry, Paul Carreiro, Katie Puxley and Karyn Harrison Pages 563–570
How to Use Vector Theory to Write a Story Cynthia Clay Pages 571–572
Folding the Dragon Curve Fractal Natalija Budinski and Miroslav Novta Pages 573–578
Thinking Visually: Triangles as Units of Area Paul Gailiunas Pages 579–582
Playing in the Lux Dimension Michael Acerra Pages 583–588