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Reference
Ljiljana Radovic and Slavik Jablan: Vasarely's Work—Invitation to Mathematical and Combinatorial Visual Games. In: Bridges 2010. Pages 127–134
DOI
Abstract
We analyze Victor Vasarely’s works from the viewpoints of the theory of visual perception, mathematics and modularity. The conclusion is that almost all construction methods, modular elements, optical effects, and visual illusions belonging to these fields were (re)discovered by Vasarely, mostly by intuition, creative visual thinking, and experimenting, and then used in his artworks.
Extended Abstract
Bibtex
Used References
[1] Collection of the Vasarely Museum, Pécs 1 .
[2] C. Barrett, Op art, Studio Vista, London, 1970.
[3] R. Arnheim, Visual thinking, University of California Press, Berkeley, 1969.
[4] S.V. Jablan, Symmetry, Ornament and Modularity, World Scientific, New Jersey, London, Singapore, Hong Kong, 2002.
[5] S.V. Jablan, Modularity in Science and Art, Visual Mathematics, 4, 1, 2002 (http://www.mi.sanu.ac.rs/vismath/jablan/cover.htm).
[6] B. Ernst, The Magic Mirror of M.C. Escher, Taschen, 1994.
[7] Lj. Radovic and S. Jablan, Antisymmetry and Modularity in Ornamental Art, Visual Mathematics, 3, 2, 2001 (reprint from “Bridges” Proceedings, 2001, pp. 55-66), (http://www.mi.sanu.ac.rs/vismath/radovic/index.html)
[8] N. Asakura, Fundamental Problems of Creating in the Three-Dimensional Space, Rikuyosha Publishing, Tokyo, 1992.
[9] R. Sarhangi, S. Jablan and R. Sazdanovic, Modularity in Medieval Persian Mosaics: Textual, Empirical, Analytical, and Theoretical Considerations, Visual Mathematics, 7, 1, 2005 (reprint from “Bridges” Proceedings, 2004, pp. 281-292), (http://www.mi.sanu.ac.rs/vismath/sarhangi/index.html)
[10] A. Kitaoka, Akiyoshi’s illusion pages, http://www.ritsumei.ac.jp/~akitaoka/index-e.html
[11] From the Collections of the Janus Pannonius Museum in Pécs, Olmouc Museum of Art, Janos Pannonius Museum, Pécs, 2007.
Links
Full Text
http://archive.bridgesmathart.org/2010/bridges2010-127.pdf
