Computer-Ästhetik
Inhaltsverzeichnis
- 1 Begriff
- 2 Ästhetik Maße und Metriken
- 3 Konferenzen, Workshops
- 3.1 Computational Aesthetics 2013
- 3.2 Computational Aesthetics 2012
- 3.3 Computational Aesthetics 2011
- 3.4 Computational Aesthetics 2010
- 3.5 Computational Aesthetics 2009
- 3.6 Computational Aesthetics 2008
- 3.7 Computational Aesthetics 2007
- 3.8 Computational Aesthetics 2006
- 3.9 Computational Aesthetics 2005
- 4 Artikel
- 5 Externe Links
Begriff
Ästhetik Maße und Metriken
Konferenzen, Workshops
Computational Aesthetics 2013
Donald H. House, Cindy Grimm (Eds.): Workshop on Computational Aesthetics, Anaheim, California, USA, 2013. Proceedings. ACM 2013. ISBN 978-1-4503-2203-4
Computational Aesthetics 2012
Douglas W. Cunningham, Donald H. House (Eds.): Computational Aesthetics 2012: Eurographics Workshop on Computational Aesthetics, Annecy, France, 4-6 June 2012. Proceedings. Eurographics Association 2012 ISBN 978-3-905674-43-9
Computational Aesthetics 2011
Douglas W. Cunningham, Tobias Isenberg (Eds.): Computational Aesthetics 2011: Eurographics Workshop on Computational Aesthetics, Vancouver, Canada, 2011. Proceedings. Eurographics Association 2011 ISBN 978-1-4503-0908-0
Computational Aesthetics 2010
Pauline Jepp, Oliver Deussen (Eds.): Computational Aesthetics 2010: Eurographics Workshop on Computational Aesthetics, London, United Kingdom, 2010. Eurographics Association 2010 ISBN 978-3-905674-24-8
Computational Aesthetics 2009
Oliver Deussen, Peter Hall (Eds.): Computational Aesthetics 2009: Eurographics Workshop on Computational Aesthetics, Victoria, British Columbia, Canada, 2009. Eurographics Association 2009 ISBN 978-3-905674-17-0
Computational Aesthetics 2008
Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8
Computational Aesthetics 2007
Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging, Banff, Alberta, Canada, June 20-22, 2007. Eurographics Association 2007 ISBN 978-3-905673-43-2
Computational Aesthetics 2006
Bruce Gooch, Laszlo Neumann, Werner Purgathofer and Mateu Sbert: Computational Aesthetics 2006: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2006 - 06221 Dagstuhl Report. Internationales Begegnungs- und Forschungszentrum für Informatik (IBFI), Schloss Dagstuhl, 2007, Dagstuhl, ISSN 1862-4405 http://drops.dagstuhl.de/opus/volltexte/2007/875/
Computational Aesthetics 2005
Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005 László Neumann, Mateu Sbert, Bruce Gooch, Werner Purgathofer (Eds.): Computational Aesthetics 2005: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2005, Girona, Spain, May 18-20, 2005. Eurographics Association 2005 ISBN 3-905673-27-4
Artikel
Artikel aus dem Kontext Evolutionäre Kunst
Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu; An Interface for Fitness Function Design. In: EvoMUSART 2014, S. 13-25
Andrew Bishop, Vic Ciesielski, Karen Trist: Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value. In: EvoMUSART 2014, S. 62-73
Luz Castro, Rebeca Perez, Antonino Santos, Adrian Carballal: Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems. In: EvoMUSART 2014, S. 74-84
Gary Greenfield: An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images. In: EvoMUSART 2014, S. 85-94
Jon McCormack: Aesthetics, Art, Evolution. In: EvoMUSART 2013, S. 1-12
Victor Ciesielski, Perry Barile, Karen Trist: Finding Image Features Associated with High Aesthetic Value by Machine Learning. In: EvoMUSART 2013, S. 47-58
Kate Reed: Aesthetic Measures for Evolutionary Vase Design. In: EvoMUSART 2013, S. 59-71
João Correia, Penousal Machado, Juan Romero, Adrián Carballal: Feature Selection and Novelty in Computational Aesthetics. In: EvoMUSART 2013, S. 133-144
Colin G. Johnson: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: EvoMUSART 2012, S. 129-140
Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, S. 153-164
Heijer, E. den; Eiben, A.E.: Evolving Art Using Multiple Aesthetic Measures. In: EvoMUSART 2011, S. 234-243
Romero, Juan; Machado, Penousal; Carballal, Adrian; Osorio, Olga: Aesthetic Classification and Sorting Based on Image Compression. In: EvoMUSART 2011, S. 394-403
Heijer, E. den; Eiben, A.E.: Comparing Aesthetic Measures for Evolutionary Art. In: EvoMUSART 2010, S. 311-320
Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415.
Basa, Tristan; Go, Christian Anthony; Yoo, Kil-Sang; Lee, Won-Hyung: Using Physiological Signals to Evolve Art. In: EvoMUSART 2006, S. 633-641
Machado, Penousal; Romero, Juan; Santos, Maria Luisa; Cardoso, Amilcar; Manaris, Bill: Adaptive Critics for Evolutionary Artists. In: EvoMUSART 2004, S. 437-446
Svangard, Nils; Nordin, Peter: Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric. In: EvoMUSART 2004, S. 447-456
Romero, Juan; Machado, Penousal; Santos, Antonio; Cardoso, Amilcar: On the Development of Critics in Evolutionary Computation Artists. In: EvoMUSART 2003, S. 559-569
Artikel aus Computational Aesthetics Konferenzen
Computational Aesthetics 2013
Fill Patterns
- Amir Semmo, Jan Eric Kyprianidis, Matthias Trapp, Jürgen Döllner: Real-Time Rendering of Water Surfaces with Cartography-Oriented Design. 5-14
- Zainab AlMeraj, Craig S. Kaplan, Paul Asente: Patch-Based Geometric Texture Synthesis. 15-20
Modeling Characters
- Shelley Gao, Christopher Werner, Amy Ashurst Gooch: Morphable guidelines for the human head. 21-28
Human Interfaces and Education
- Colin Ware: Perceiving Complex Causation Through Interaction. 29-36
Algorithm aesthetics
- Angus Forbes, Tobias Höllerer, George Legrady: Generative Fluid Profiles for Interactive Media Arts Projects. 37-44
- Michael Burch, Daniel Weiskopf: The Aesthetics of Rapidly-Exploring Random Trees. 45-52
Pixels and Vectors
- Marta Kryven, Elodie Fourquet: Generating Knitting Patterns from a Sketch: a CSP Approach. 53-62
- Paul Asente, Nathan Carr: Creating Contour Gradients using 3D Bevels. 63-66
Image Processing / Vision
- Paul L. Rosin, Yu-Kun Lai: Non-Photorealistic Rendering with Spot Colour. 67-76
- Peter M. Hall, Yi-Zhe Song: Simple Art as Abstractions of Photographs. 77-86
- Xihe Gao, Stephen Brooks, Dirk V. Arnold: Virtual Photograph Based Saliency Analysis of High Dynamic Range Images. 87-92
- Seyed Ali Amirshahi, Christoph Redies, Joachim Denzler: How Self-Similar are Artworks at Different Levels of Spatial Resolution?. 93-100
CAe 2012
Art in Action
Jarek Rossignac, Mark Luffel, Alvar Vinacua: SAMBA: Steadied Choreographies. 1-9 Barbara P. Castro, L. Velho, D. Kosminsky: Integrarte: Digital Art Using Body Interaction. 11-15 Patrick A. Tresset, Frederic F. Leymarie: Sketches by Paul the Robot. 17-24
Making it Change
Oliver Deussen, Thomas Lindemeier, Sören Pirk, Mark Tautzenberger: Feedback-guided Stroke Placement for a Painting Machine. 25-33 Matt Lockyer, Lyn Bartram: The aMotion Toolkit: Painting with Affective Motion Textures. 35-43 Ashwin Bangalore, Donald H. House: A Technique for Art Direction of Physically Based Fire Simulation. 45-54
Aesthetics and Perspective
Shehroz S. Khan, Daniel Vogel: Evaluating Visual Aesthetics in Photographic Portraiture. 55-62 Brian Wyvill, Paul G. Kry, Raimund Seidel, David Mould: Determining an Aesthetic Inscribed Curve. 63-70 Carol MacGillivray, B. Mathez, Frederic Fol Leymarie: Developing a System of Screen-less Animation for Experiments in Perception of Movement. 71-80
Pixelation and Colour
Henrik Lieng, Christian Richardt, Neil A. Dodgson: Random Discrete Colour Sampling. 81-87 Hasti Seifi, Steve DiPaola, James T. Enns: Exploring the Effect of Color Palette in Painterly Rendered Character Sequences. 89-97
Lines, Strokes and Textures in 3D
Pradeep Garigipati, Ergun Akleman: Duotone Surfaces. 99-106 Qing Xing, Ergun Akleman, Gabriel Taubin, Jianer Chen: Surface Covering Curves. 107-114
Image Processing / Image to Art
Jordan Miller, David Mould: Accurate and Discernible Photocollages. 115-124
CAe 2011
Evaluation and Aesthetics
Jay Vidyarthi, Bernhard E. Riecke, Alissa Nicole Antle: Sympathetic Guitar: Humans Respond Socially to Interactive Technology in an Abstract, Expressive Context. 9-16
Illusions
Marc Alexa, Wojciech Matusik: Images from Self-Occlusion. 17-24 Tiffany Inglis, Craig S. Kaplan: Generating Op Art Lines. 25-32
Symmetry and Geometry
Brian Cullen, Carol O'Sullivan: Symmetry Hybrids. 33-38
Sketching & Design
A. Wanner: Building The Plotter - an Aesthetic Exploration with Drawing Robots. 39-46
Rendering and Abstraction
J. Love, P. Pasquier, B. Wyvill, S. Gibson, George Tzanetakis: Aesthetic Agents: Swarm-based Non-photorealistic Rendering using Multiple Images. 47-54
Animation
Shelley Gao, Lucy Pullen, Amy Ashurst Gooch: Double Meandering Algorithm: From Drawing Game to Automated Animation. 55-62
Enhancing Sketching
Travis Kirton: Artistic Canvases for Gestural and Non-linear Typography. 63-70
Light and Shadow
Aleksandra Dulic, Kenneth C. Newby: Performing Animator Instrument for Live Media. 71-80
Perception
Christopher Gat, Hanyu Zhang, Daniel M. Germán, Melanie Tory: gamutHeatMap: Visualizing the Colour Shift of Rendering Intent Transformations. 81-88 Matt Lockyer, Lyn Bartram, Bernhard E. Riecke: Simple Motion Textures for Ambient Affect. 89-96 Christian Richardt, Lech Swirski, Ian P. Davies, Neil A. Dodgson: Predicting Stereoscopic Viewing Comfort Using a Coherence-Based Computational Model. 97-104
Artistic Stylization
Jonathan Haber, Sean Lynch, M. Sheelagh T. Carpendale: ColourVis: Exploring Colour Usage in Paintings Over Time. 105-112
Visualization & Beautification
Kristin Carlson, Thecla Schiphorst, C. Shaw: ActionPlot: A Visualization Tool for Contemporary Dance Analysis. 113-120 Pattarawut Subyen, Diego S. Maranan, Thecla Schiphorst, Philippe Pasquier, Lyn Bartram: EMVIZ: The Poetics of Movement Quality Visualization. 121-128
Modelling and Concepts
Nader Hamekasi, Faramarz F. Samavati, Ahmad H. Nasri: Interactive Modeling of Muqarnas. 129-136
CAe 2010
Weird Images
Ligang Liu, Yong Jin, Qingbiao Wu: Realtime Aesthetic Image Retargeting. 1-8 Thomas K. Sharpless, Bruno Postle, Daniel M. Germán: Pannini: A New Projection for RenderingWide Angle Perspective Images . 9-16 László Neumann, Ramón Hegedüs: A Robust and Universal Gradient Domain Imaging Solver Using Gradient Variables and Locally Varying Metrics. 17-24
Suggestive Lines
Mayank Singh, Scott Schaefer: Suggestive Hatching. 25-32 Brian Wyvill, Neil A. Dodgson: Recursive Scene Graphs for Art and Design. 33-40 Christian Hörr, Guido Brunnett, Christian Vix: Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts. 41-49 Marc Ruiz, Imma Boada, Miquel Feixas, Mateu Sbert: Interactive Volume Illustration Using Intensity Filtering. 51-58
Magic Brushes
Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. 59-66 Simon Colton: Stroke Matching for Paint Dances. 67-74
Freaky Geometry
Michael Hansmeyer: Subdivision Beyond Smoothness. 75-81 Kate Kinnear, Craig S. Kaplan: Procedural Generation of Surface Detail for Science Fiction Spaceships. 83-90 Davide Cavagnino, Marco Gribaudo: Discretization of 3D Models Using Voxel Elements of Different Shapes. 91-98
Mental to Metal
Jaume Rigau, Miquel Feixas, Mateu Sbert, Christian Wallraven: Toward Auvers Period: Evolution of van Gogh's Style. 99-106
Crossover
Elodie Fourquet: Learning about Shadows from Artists. 107-114
CAe 2009
Using Curves
Ling Xu, David Mould: Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields. 1-8 Sanghyun Seo, Jinwan Park, Kyunghyun Yoon: A Painterly Rendering Based on Stroke Profile and Database. 9-16 Soon Tee Teoh: Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings. 17-24
Depicting the Natural World
Yasuhiro Akagi, Mitsunori Kataama, Katsuhiro Kitajima: Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts. 25-32 Margarita Bratkova, William B. Thompson, Peter Shirley: Automatic Views of Natural Scenes. 33-40 Pauline Jepp, Bruno Araújo, Joaquim A. Jorge, Brian Wyvill, Mario Costa Sousa: Style Nodes and Repolygonization for Hierarchical Tree-Based Implicit Surface Modelling. 41-48
Aesthetic Analyses
Mathias Pohl, Markus Schmitt, Stephan Diehl: Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis. 49-56 Marcel Spehr, Christian Wallraven, Roland W. Fleming: Image Statistics for Clustering Paintings According to their Visual Appearance. 57-64
Using and Modelling Cameras
Nisha Sudarsanam, Cindy Grimm, Karan Singh: CubeCam: A Screen-space Camera Manipulation Tool. 65-71 Chuan Li, Peter M. Hall, Philip Willis: ARTcams: Attributed Rational Tensor Cameras. 73-81 Min H. Kim, Jan Kautz: Consistent Scene Illumination using a Chromatic Flash. 83-89
Image Manipulation
Stephen Brooks: Movie Posters from Video by Example. 91-98 Cindy Grimm: Adding Lighting and Viewing Effects to Digital Images. 99-105 Neil A. Dodgson, Mark Grundland, Rahul Vohra: Contrast Brushes: Interactive Image Enhancement by Direct Manipulation. 107-114
Automated Synthesis
Alex Kalaidjian, Craig S. Kaplan, Stephen Mann: Automated Landscape Painting in the Style of Bob Ross. 115-122 Oliver Deussen: Aesthetic Placement of Points Using Generalized Lloyd Relaxation. 123-128
Aesthetics
Lyn Bartram, Ai Nakatani: Distinctive Parameters of Expressive Motion. 129-136 Christian Wallraven, Douglas W. Cunningham, Jaume Rigau, Miquel Feixas, Mateu Sbert: Aesthetic Appraisal of Art - from Eye Movements to Computers. 137-144
CAe 2008
Artistic Content
Murat Germen: Inadvertent - Ars Accidentalis. 1-8 Elodie Fourquet: Composition in Perspectives. 9-16 Sven Banisch, Mateu Sbert: Fast Visualisation and Interactive Design of Deterministic Fractals. 17-24 Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: Animating Persian Floral Patterns. 25-32
Annotation and Representation
Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. 33-40 Nadia Boukhelifa, David J. Duke: The Aesthetics of the Underworld. 41-48 Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. 49-56
Stylized Rendering
Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: Watercolor Illustrations of CAD Data. 57-63 Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: Arty Shapes. 65-72 Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. 73-80
Computational Photography
Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. 81-88 László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. 89-97 Daniel M. Germán: Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent. 99-106
Automated Analysis of Art
Neil A. Dodgson: Regularity and Randomness in Bridget Riley's Aarly Op Art. 107-114 Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh's Paintings. 115-122 Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: Pictorial Analysis of Line-drawings. 123-130 Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: Perceptual and Computational Categories in Art. 131-138
[University of Trier]
CAe 2007
Computer Graphics and Projections
Daniel M. Germán, Pablo d'Angelo, Michael Gross, Bruno Postle: New Methods to Project Panoramas for Practical and Aesthetic Purposes. 15-22 Daniel M. Germán, Lloyd Burchill, Alexandre Duret-Lutz, Sébastien Pérez-Duarte, Emmanuel Pérez-Duarte, Josh Sommers: Flattening the Viewable Sphere. 23-28 Francisco González García, Mateu Sbert, Miquel Feixas: An Information-Theoretic Ambient Occlusion. 29-36
Stylized Images
Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: Composition Principles for Quality Depiction and Aesthetics. 37-44 David Mould: Stipple Placement using Distance in a Weighted Graph. 45-52 Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: Aesthetics of Hand-Drawn vs. Computer-Generated Stippling. 53-56
Colors and Visualization
Chris Bennett, Jody Ryall, Leo Spalteholz, Amy Gooch: The Aesthetics of Graph Visualization. 57-64 Caroline Larboulette: Celtic Knots Colorization based on Color Harmony Principles. 65-72 László Neumann, Martin Cadík, Antal Nemcsics: An Efficient Perception-based Adaptive Color to Gray Transformation. 73-80
Model Manipulation
Franz Gruber, Georg Glaeser: Magnetism and Minimal Surfaces - a Different Tool for Surface Design. 81-88 Douglas W. Cunningham, Christian Wallraven, Roland W. Fleming, Wolfgang Straßer: Perceptual Reparameterization of Material Properties. 89-96 Yuki Morimoto, Reiji Tsuruno, Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing. 97-104
Style Analysis and Metrics
Jaume Rigau, Miquel Feixas, Mateu Sbert: Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity. 105-112 Marc Alexa: Extracting the Essence from Sets of Images. 113-120
Interaction
Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell, Heinrich H. Bülthoff: In the Eye of the Beholder - Perception of Indeterminate Art. 121-128 Arlene Stamp, Tobias Isenberg, M. Sheelagh T. Carpendale: A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist. 129-134 Holly Schmidt, Uta Hinrichs, Alan Dunning, M. Sheelagh T. Carpendale: memory [en]code - Building a Collective Memory within a Tabletop Installation. 135-142 David W. Sprague, Amy Ashurst Gooch: Individual Realities: Customizing Aesthetics in Shared Immersive Virtual Environments. 143-149
Artistic Papers
Jeremy Rotsztain: ColorScheme. 151-156 Randy Jones: A Poetics of Simulation for Audiovisual Performance. 157-162 Vicky Isley, Paul Smith: Theatre of Restless Automata. 163-166 Elif E. Ayiter: The Bridge Project. 167-170 Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. 171-177
CAe 2005
http://www.informatik.uni-trier.de/~ley/db/conf/cae/cae2005.html
Computational Aesthetics
Gary Greenfield: On the Origins of the Term "Computational Aesthetics". 9-12 Florian Hoenig: Defining Computational Aesthetics. 13-18
Non-Photorealistic Rendering
Hui Xu, Nathan Gossett, Baoquan Chen: Abstraction and Depiction of Sparsely Scanned Outdoor Environments. 19-27 Gianpiero di Blasi, Giovanni Gallo, Maria P. Petralia: Fast Techniques for Mosaic Rendering. 29-39 Tobias Isenberg, M. Sheelagh T. Carpendale, Mario Costa Sousa: Breaking the Pixel Barrier. 41-48 Matthew Kaplan, Elaine Cohen: A Generative Model For Dynamic Canvas Motion. 49-56 Mario Costa Sousa, Amy Ashurst Gooch, Bruce Gooch: Illustrative Scientific Visualization Framework. 57-65 Brian Wyvill, Kevin Foster, Pauline Jepp, Ryan Schmidt, Mario Costa Sousa, Joaquim A. Jorge: Sketch Based Construction and Rendering of Implicit Models. 67-74
Color and Imaging
Todor Georgiev: Aesthetics in Covariant Image Reconstruction. 75-81 Amy Ashurst Gooch, Bruce Gooch: Enhancing Perceived Depth in Images Via Artistic Matting. 83-89 Gary R. Greenfield, Donald H. House: A Palette-Driven Approach to Image Color Transfer. 91-99 Mark Grundland, Neil A. Dodgson: Color Search and Replace. 101-109 Attila Neumann, László Neumann: Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching. 111-122
Geometry
Georg Glaeser: On Nonlinear Perspectives in Science, Art and Nature. 123-132 Alain Marty: Straight away on Curved Spaces. 133-141 Efstathios Stavrakis, Margrit Gelautz: Computer Generated Stereoscopic Artwork. 143-149
Metrics of Aesthetics
Gary R. Greenfield: Designing Metrics for the Purpose of Aesthetically Evaluating. 151-158 Kresimir Matkovic, László Neumann, Attila Neumann, Thomas Psik, Werner Purgathofer: Global Contrast Factor - a New Approach to Image Contrast. 159-167 Esteve del Acebo, Mateu Sbert: Benford's Law for Natural and Synthetic Images. 169-176 Jaume Rigau, Miquel Feixas, Mateu Sbert: An Information-Theoretic Framework for Image Complexity. 177-184 Mateu Sbert, Dimitri Plemenos, Miquel Feixas, Francisco González García: Viewpoint Quality: Measures and Applications. 185-192
Visualization
Timo Götzelmann, Kamran Ali, Knut Hartmann, Thomas Strothotte: Form Follows Function: Aesthetic Interactive Labels. 193-200 Mario Costa Sousa, David S. Ebert, Don Stredney, Nikolai A. Svakhine: Illustrative Visualization for Medical Training. 201-208 Ivan Viola, Eduard Gröller: Smart Visibility in Visualization. 209-216
Color Design
Gary W. Meyer, Clement Shimizu: Computational Automotive Color Appearance. 217-222 Clement Shimizu, Gary W. Meyer: Computer Aided Color Appearance Design using Environment Map Based Lighting. 223-230 László Neumann, Antal Nemcsics, Attila Neumann: Computational Color Harmony based on Coloroid System. 231-240 Alexander Wilkie, Caroline Larboulette, Werner Purgathofer: Spectral Colour Order Systems and Appearance Metrics for Fluorescent Solid Colours. 241-245
Externe Links
http://www.computational-aesthetics.org/
http://en.wikipedia.org/wiki/Aesthetics#Computational_inference_of_aesthetics
Computational Aesthetics in Graphics, Visualization and Imaging CAe 2005 18 - 20 May, 2005 in Girona, Spain
Proceedings http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH05
Non-photorealistic Rendering 1
- T. Isenberg, M. Costa Sousa, M. Sheelagh T. Carpendale: Breaking the Pixel Barrier
- B. Wyvill, K. Foster, P. Jepp, R. Schmidt, M. Costa Sousa, J. A. Jorge: Stylistic Rendering of Implicit Models
- M. Grundland, Ch. Gibbs, N. A. Dodgson: Stylized Rendering for Multiresolution Image Representation
- M. Costa Sousa, B. Gooch, A. Gooch: The NPR Pipeline
Stylization Techniques
- M. Kaplan, E. Cohen: Stylizations- Automatically Producing Expressive Renderings and Drawings
- E. Akleman: Automatic Creation of Expressive Caricatures: A Grand Challenge For Computer Graphics
- B. Chen : Abstraction and Depiction of Sparsely Scanned Outdoor Environments
INVITED TALK: David Salesin: From Kant to Computation: Why Aesthetics Matter Now More than Ever, and What We Can Do about It
Non- photorealistic Rendering 2
-J. Wan Park, Kyung hyun Yoon: Layered Mosaics for Stackable Objects
- G. Di Blasi, G. Gallo, M. Petralia: Fast Techniques for Mosaic Rendering
- M. Kaplan, E. Cohen: A Generative Model For Dynamic Canvas Motion
- E. Stavrakis, M. Gelautz: Computer Generated Stereoscopic Artwork
Visualization Methods
- I. Viola, M. E. Gröller: Smart Visibility in Visualization
- D. S. Ebert, D. Stredney, M. Costa Sousa: Computer- generated Illustrative Visualization Medical Training
- D. House, A. Bair, C. Ware : On the Optimization of Visualizations of Complex Phenomena
Color Transfer
- Ph. Bekaert, K. Vanhoutte, E. Joris: Radical Confluence: Translating Omni- Directional Video into Strategies of Performativity
- G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer
- L. Neumann, A. Neumann: Color- Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching
Artistic Imaging
- T. Georgiev: Aesthetics in Covariant Image Reconstruction
- L. Neumann, A. Neumann: Gradient Domain Imaging
- G. R. Greenfield, D. H. House: A Palette- Driven Approach to Image Color Transfer
Color
- A. Wilkie, C. Larboulette, W. Purgathofer: Spectral Colour Ordering Systems and Appearance Metrics for Fluorescent Solid Colours
- G. W. Meyer, C. Shimizu: Computational Automotive Color Appearance
- L. Neumann, A. Nemcsics, A. Neumann: Computational Color Harmony based on Coloroid System
- B. Gooch: Color2Gray: Salience- Preserving Color Removal
INVITED TALK: Antal Nemcsics: The Coloroid color-order system and its application in the environmental color planning
Metrics
- B. Gooch: Enhancing Perceived Depth in Images Via Artistic Matting
- J. Rigau, M. Feixas, M. Sbert: An Information Theoretic Framework for Image Complexity
- G. R. Greenfield: On Designing and Testing Metrics to Aesthetically Evaluate Images
- K. Matkovic, A. Neumann, L. Neumann, Th. Psik, W. Purgathofer: Global Contrast Factor and a Framework for Aesthetical Metrics
Metrics and Complexity
- D. Plemenos, M. Sbert, M. Feixas: Viewpoint complexity of 3D scenes: definitions and applications
- K. Hartmann, K. Ali, T. Götzelmann, Th. Strothotte: Form Follows Function: Aesthetic Labeling Styles
- E. Del Acebo, M. Sbert: How Benford's Law can help in image analysis and classification
INVITED TALK: Oliver Deussen: Good looking landscapes, do we need more than accurate rendering?
Art
- G. Glaeser: Non-linear Perspectives in Nature, Art and Science
- A. Marty: Straight away on curved spaces
- A. Moroni: ArTbitrating JaVOX: an evolutionary environment for visual and sound composition
Computational Aesthetics in Graphics, Visualization and Imaging CAe 2006 28. Mai – 02. Juni 2006, Dagstuhl Seminar 06221
Computational Aesthetics in Graphics, Visualization and Imaging CAe 2007 20–22 June 2007 Banff, Alberta, Canada
Proceedings: http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH07
Computational Aesthetics in Graphics, Visualization and Imaging CAe 2008 June 18–20 2008 Lisbon, Portugal
Computational Aesthetics in Graphics, Visualization and Imaging CAe 2009 May 28–30 2009 Victoria, British Columbia, Canada Using Curves
Magnetic Curves: Curvature-Controlled Aesthetic Curves Using Magnetic Fields (Ling Xu and David Mould)
A Painterly Rendering on Stroke Profile and Database (SangHyun Seo, JinWan Par, and KyungHyun Yoon)
Generalized Descriptions for the Procedural Modeling of Ancient East Asian Buildings (Soon Tee Teoh)
Depicting the Natural World
Controlling Color Regions of Leaves with Painting Techniques for Landscape Arts (Yasuhiro Akagi, Mitsunori Kataama, and Katsuhiro Kitajima)
Automatic Views of Natural Scenes (Margarita Bratkova, William B. Thompson, and Peter Shirley)
Style Nodes for Hierarchical Tree-Based Implicit Surface Modelling (Pauline Jepp, Bruno Rodrigues De Araujo, Joaquim Jorge, Brian Wyvill, and Mario Costa Sousa)
Aesthetic Analyses
Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis (Stephan Diehl, Mathias Pohl, and Markus Schmitt)
Image Statistics for Clustering Paintings According to Their Visual Appearance (Christian Wallraven)
Using and Modelling Cameras
CubeCam: A Screen-Space Camera Manipulation Tool (Cindy Grimm, Nisha Sudarsanam Singh, and Karan Singh)
ARTcams: Attributed Rational Tensor Cameras (Chuan Li, Peter Hall, and Phillip Willis)
Consistent Scene Illumination using a Chromatic Flash (Jan Kautz and Min H. Kim)
Image Manipulation
Movie Posters from Video by Example (Stephen Brooks)
Adding Lighting and Viewing Effects to Digital Images (Cindy Grimm)
Contrast Brushes: Direct, Local, Contrast Adjustment (Neil Dodgson, Mark Grundland, and Rahul Vohra)
Automated Synthesis
Automated Landscape Painting in the Style of Bob Ross (Alex Kalaidjian, Craig S. Kaplan, and Stephen Mann)
Aesthetic Placement of Points Using Generalized Lloyd Relaxation (Oliver Deussen)
Aesthetics
Distinctive Parameters of Expressive Motion (Lyn Bartram and Ai Nakatani)
Aesthetic Appraisal of Art – From Eye Movements to Computers (Christian Wallraven)
[ Computational Aesthetics in Graphics, Visualization and Imaging CAe 2010] 978-3-905674-24-8
SECTION: Weird images
Ligang Liu, Yong Jin, Qingbiao Wu: Realtime aesthetic image retargeting. doi>10.2312/COMPAESTH/COMPAESTH10/001-008
Thomas K. Sharpless, Bruno Postle, Daniel M. German: Pannini: a new projection for rendering wide angle perspective images. doi>10.2312/COMPAESTH/COMPAESTH10/009-016
László Neumann, Ramón Hegedüs: A robust and universal gradient domain imaging solver using gradient variables and locally varying metrics. doi>10.2312/COMPAESTH/COMPAESTH10/017-024
SECTION: Suggestive lines
Mayank Singh, Scott Schaefer: Suggestive hatching. doi>10.2312/COMPAESTH/COMPAESTH10/025-032
Brian Wyvill, Neil A. Dodgson: Recursive scene graphs for art and design. doi>10.2312/COMPAESTH/COMPAESTH10/033-040
Christian Hörr, Guido Brunnett, Christian Vix: Line drawings vs. curvature shading: scientific illustration of range scanned artefacts. doi>10.2312/COMPAESTH/COMPAESTH10/041-049
Marc Ruiz, Imma Boada, Miquel Feixas, Mateu Sbert: Interactive volume illustration using intensity filtering. doi>10.2312/COMPAESTH/COMPAESTH10/051-058
SECTION: Magic brushes
L. Northam, J. Istead, C. Kaplan: Brush stroke ordering techniques for painterly rendering. doi>10.2312/COMPAESTH/COMPAESTH10/059-066
Simon Colton: Stroke matching for paint dances. doi>10.2312/COMPAESTH/COMPAESTH10/067-074
SECTION: Freaky geometry
Michael Hansmeyer: Subdivision beyond smoothness. doi>10.2312/COMPAESTH/COMPAESTH10/075-081
Kate Kinnear, Craig S. Kaplan: Procedural generation of surface detail for science fiction spaceships. doi>10.2312/COMPAESTH/COMPAESTH10/083-090
Davide Cavagnino, Marco Gribaudo: Discretization of 3D models using voxel elements of different shapes. doi>10.2312/COMPAESTH/COMPAESTH10/091-098
SECTION: Mental to metal
Jaume Rigau, Miquel Feixas, Mateu Sbert, Christian Wallraven: Toward Auvers period: evolution of van Gogh's style. doi>10.2312/COMPAESTH/COMPAESTH10/099-106
SECTION: Crossover
Elodie Fourquet: Learning about shadows from artists. doi>10.2312/COMPAESTH/COMPAESTH10/107-114
