Bridges 1998

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Reference

Reza Sarhangi: Bridges 1998, Mathematics, Music, Art, Architecture, Culture. 1th Annual Bridges Conference, 1998. ISBN 0-9665201-0-6.

DOI

Abstract

Extended Abstract

Reviews

Bibtex

Table of contents

  • Kim Williams: Architecture and Mathematics: Art, Music and Science. Pages 11–20
  • Brent Collins: Finding an Integral Equation of Design and Mathematics. Pages 21–28
  • Gary R. Greenfield: New Directions for Evolving Expressions. Pages 29–36
  • David Gerhard: Automatic Interval Naming Using Relative Pitch. Pages 37–48
  • Charles O. Perry: Continuum, Broken Symmetry, and More. Pages 49–54
  • Helena Verrill: Origami Tessellations. Pages 55–68
  • Pozzi Escot: The Poetics of Mathematics in Music. Pages 69–72
  • Douglas D. Peden: Bridges of Mathematics, Art, and Physics. Pages 73–82
  • Jorge Carrera Bolaños: Chaos Theory and the Fall of the Aztec Empire. Pages 83–86
  • Joel K. Haack: The Mathematics of Steve Reich's "Clapping Music". Pages 87–92
  • Reza Sarhangi and Bruce D. Martin: The Circle: A Paradigm for Paradox. Pages 93–112
  • Glenn Clark and Shea Zellweger: Let the Mirrors Do the Thinking. Pages 113–120
  • Stephen Eberhart: Pythagorean and Platonic Bridges between Geometry and Algebra. Pages 121–128
  • John V.C. Nye: Subjective Fidelity and Problems of Measurement in Audio Reproduction. Pages 129–138
  • Nat Friedman: Hyperseeing, Hypersculptures and Space Curves. Pages 139–156
  • John Sharp: Problems with Holbein's Ambassadors and the Anamorphosis of the Skull. Pages 157–166
  • Ross McCluney: Conveying Large Numbers to General Audiences. Pages 167–174
  • Solomon Marcus: Mathematics and Poetry: Discrepancies within Similarities. Pages 175–180
  • Boris D. Lubachevsky, Ron L. Graham and Frank H. Stillinger: Spontaneous Patterns in Disk Packings. Pages 181–194
  • George W. Hart: Icosahedral Constructions. Pages 195–202
  • Don R. Schol: Mathematics in Three Dimensional Design: The Integration of Mathematical Thinking into the Design Core. Pages 203–208
  • Martin Golubitsky and Ian Melbourne: A Symmetry Classification of Columns. Pages 209–224
  • Daniel F. Daniel: Math and Metaphor. Pages 225–236
  • Mara Alagić: A Visual Presentation of Rank-Ordered Sets. Pages 237–244
  • Bruce D. Martin and Reza Sarhangi: Symmetry, Chemistry and Escher's Tiles. Pages 245–254
  • Ben Nicholson, Jay Kappraff and Saori Hisano: A Taxonomy of Ancient Geometry Based on the Hidden Pavements of Michelangelo's Lurentian Library. Pages 255–272
  • Michael Leyton: Symmetry, Causality, Mind - Abstract. Pages 273–274
  • John Sharp: Sliceform Sculptures-a Bridge between Art and Mathematics - Abstract. Pages 275–276
  • Jarmila Doubravová: Interpersonal Hypothesis and the GUHA Method - Abstract. Pages 277–278
  • Thomas Michael Stephens: Eco-Mathematic/Geometric Aspects of a Design Proposal for Landscape/Public Art - Abstract. Pages 279–280
  • Carol Martin Watts and Donald J. Watts: Traces of the Geometrical Ordering of Roman Florence - Abstract. Pages 281–281
  • Arun K. Mitra: The Violin Surface Fitting - Abstract. Pages 282–282
  • Clifford Singer: Geometrical Poetry - Abstract. Pages 283–286
  • Steve Padget: Geometry as Libera(l)ing Art in Wren's St. Paul's Cathedral - Abstract. Pages 287–288
  • Thomas Michael Stephens: Relationships of Science, Mathematics and My Constructive Art: A Personal Survey - Abstract. Pages 289–290
  • Daniel Fitzgerald: What is the Difference between a Banjo and a Harley-Davidson Motorcycle? Answer: You Can Tune the Harley - Abstract. Pages 291–292


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http://archive.bridgesmathart.org/1998/index.html

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Sonstige Links

http://bridgesmathart.org/past-conferences/1998-2/

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