Bridges 2010

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Reference

George W. Hart and Reza Sarhangi: Bridges 2010, Mathematics, Music, Art, Architecture, Culture. 13th Annual Bridges Conference in the City of Pécs, Hungary, 2010. ISBN: 9780984604203

DOI

Abstract

Extended Abstract

Reviews

Bibtex

Table of contents

  • Ernő Rubik: The System Approach and Design. Pages 1–1
  • László Lovász: Visual and Logical Beauty in Mathematics. Pages 2–2
  • Julian Voss-Andreae: Quantum Sculpture: Art Inspired by the Deeper Nature of Reality. Pages 3–10
  • Angela Vierling-Claassen: Models of Surfaces and Abstract Art in the Early 20th Century. Pages 11–18
  • Penousal Machado: Expressions, Assemblages and Grammars. Pages 19–26
  • Tom Verhoeff and Koos Verhoeff: Branching Miter Joints: Principles and Artwork. Pages 27–34
  • Sarah Glaz: Poetry Inspired by Mathematics. Pages 35–42
  • Yang Liu and Godfried Toussaint: Types of Repetition and Multistable Perception in the Frieze Patterns on the Marble Pavement of the Cathedral of Siena. Pages 43–50
  • Chiara Tuffanelli: Mirrors and Spheres: The Geometry within the “Tall Tree and the Eye”. Pages 51–58
  • James Mai: Compositional Constraints of Simultaneous Color Contrast: Toward a Classification of Types. Pages 59–66
  • Elaine Krajenke Ellison and John Sharp: Tiled Torus Quilt with Changing Tiles. Pages 67–74
  • Rinus Roelofs: About Weaving and Helical Holes. Pages 75–84
  • Carlo H. Séquin: My Search for Symmetrical Embeddings of Regular Maps. Pages 85–94
  • Craig S. Kaplan: Curve Evolution Schemes for Parquet Deformations. Pages 95–102
  • Robert W. Fathauer: Some Three-dimensional Self-similar Knots. Pages 103–110
  • Darrah Chavey: Strip Symmetry Groups of African Sona Designs. Pages 111–118
  • Christopher Carlson: Interactive Exploration of Corporate Logos: From Mercedes Benz to Sea Creatures. Pages 119–126
  • Ljiljana Radovic and Slavik Jablan: Vasarely's Work—Invitation to Mathematical and Combinatorial Visual Games. Pages 127–134
  • B. Lynn Bodner: Bourgoin's 14-Pointed Star Polygon Designs. Pages 135–142
  • Gary R. Greenfield: On Generating Dot Paintings in the Style of Howard Arkley. Pages 143–150
  • Bjarne Jespersen: Geometric Tools for the Magic Woodcarver. Pages 151–158
  • Hideki Tsuiki: Imaginary Cubes—Objects with Three Square Projection Images. Pages 159–166
  • Michael Hansmeyer: Design by Subdivision. Pages 167–174
  • Antal Kelle: Artformer Geometry. Pages 175–182
  • Stanley Spencer: Creating and Modifying Images Using Newton's Method for Solving Equations. Pages 183–190
  • Michael Field: Using Mathematics in Art. Pages 191–198
  • Dirk Huylebrouck: Regular Polyhedral Lattices of Genus 2: 11 Platonic Equivalents? Pages 199–206
  • Devrim Işikkaya: Early Modern Art Layouts in Breuer's Design. Pages 207–214
  • Jean-Marc Castéra: From the Angle of Quasicrystals. Pages 215–222
  • István Lénárt: Gauss, Bolyai, Lobachevsky — in General Education? (Hyperbolic Geometry as Part of the Mathematics Curriculum). Pages 223–230
  • Francesco De Comité: A General Procedure for the Construction of Mirror Anamorphoses. Pages 231–238
  • István Orosz: Art with a Double Meaning. Pages 239–246
  • Javier Barrallo: Expanding the Mandelbrot Set into Higher Dimensions. Pages 247–254
  • Douglas McKenna: Swhirling Squares: A Simple Math Flip-Book Animation. Pages 255–262
  • Douglas G. Burkholder: Brunnian Weavings. Pages 263–270
  • Caspar Schwabe: Eureka and Serendipity: The Rudolf von Laban Icosahedron and Buckminster Fuller's Jitterbug. Pages 271–278
  • György Darvas: Projection of Point Sets to a Lower Dimension with Applications in the Arts. Pages 279–286
  • Joel C. Langer: The Vitruvian Figure of Eight. Pages 287–292
  • Paul Gailiunas: A Fractal Celtic Key Pattern? Pages 293–298
  • Russell Jay Hendel: Biblical Cantillations. Pages 299–304
  • Tatiana Bonch-Osmolovskaya: Some Possibilities of Russian Combinatorial Literature. Pages 305–310
  • János Malina: Amateur and Pioneer: Simon Stevin (ca. 1548–1620) about Music Theory. Pages 311–316
  • Sándor Kabai: 30 Cubes on a Rhombic Triacontahedron. Pages 317–322
  • Michael Longuet-Higgins: On Growth, Form and Yin-Yang. Pages 323–328
  • Carsten Miller: Everything is Number—Mathematics Meets Arts. Pages 329–334
  • B.G. Thomas: Viruses and Crystals: Science Meets Design. Pages 335–340
  • Chirashree Bhattacharya and Rachel Wells Hall: Geometrical Representations of North Indian Thāts and Rāgs. Pages 341–346
  • Douglas Dunham: Hyperbolic Vasarely Patterns. Pages 347–352
  • László Vörös: Specialties of Models of the 6-dimensional Cube. Pages 353–358
  • Tim Boykett: Aesthetic and Mathematical Research: A Comparism with two Examples. Pages 359–362
  • Jesús Hernando: Alhambra's Nazari Single Tile Patterns Guided Tour. Pages 363–366
  • Zsolt Lengvarszky: An Origami Puzzle of Intersecting Cubes. Pages 367–370
  • Daylene Zielinski: Beautiful Homework: The Artists' Critique Group in the Mathematics Classroom. Pages 371–374
  • Gail Kaplan: Parabolic Connections: Linking History, Art, Acoustics, and Mathematics. Pages 375–378
  • Nahid Tootoonchi: Mathematical Interpretation of Graphic and Poster Design in Iran. Pages 379–382
  • Ma. Louise Antonette N. De Las Peñas, Eden Delight B. Provido and René P. Felix: On Torsion Free Subgroups of $p32$ and Related Colored Tilings. Pages 383–386
  • Jonathan McCabe: Cyclic Symmetric Multi-Scale Turing Patterns. Pages 387–390
  • Bih-Yaw Jin, Chern Chuang and Chia-Chin Tsoo: Constructing Molecules with Beads: The Geometry of Topologically Nontrivial Fullerenes. Pages 391–394
  • John M. Sullivan: Minimal Flowers. Pages 395–398
  • Tibor Tarnai: Ivory Polyhedra Turned on a Lathe. Pages 399–402
  • Charles Gunn: Ribbon Edges: a New Impulse for Geometric Sculpture. Pages 403–406
  • Koert Feenstra: Moiré II. Pages 407–410
  • Mehrdad Garousi and Hamid Reza Dezfoolian: Constructing Sierpinski Triangle with Rings. Pages 411–414
  • Carla Farsi: Mathematical Models for Argentine Tango. Pages 415–418
  • Nicholas Abruzzo: Toward a Tesseract Theater. Pages 419–422
  • Andreia Hall, Rosa Amélia Martins and Carlota Simões: Exploring Symmetry in Elementary Schools. Pages 423–426
  • David A. Reimann: Patterns from Archimedean Tilings Using Generalized Truchet Tiles Decorated with Simple Bézier Curves. Pages 427–430
  • Eleonóra Stettner: Playing with the Möbius Band. Pages 431–434
  • M. G. Marques and M. Pires: Creating Cartoon Images with Functions: A Pedagogical Project. Pages 435–438
  • Ferhan Kızıltepe: Review of a Cinema Film from the Perspective of Symmetry: “The Pillow Book”. Pages 439–442
  • János Erdős: Sphaerica: Interactive Spherical Geometry Software. Pages 443–446
  • Jacques Beck: Multisculpture or Polymorphic Sculpture: A Different Approach to Sculpture to Challenge and Nurture Reflection: Both in the Sculptor and in the Viewer. Pages 447–450
  • Louise Mabbs: Borromean Rings & Three Fold Knots. Pages 451–454
  • Jan W. Marcus: Cylinder Anamorphosis of Impossible Structures. Pages 455–458
  • Eliana Manuel Pinho: Ad Quadratum Ad Infinitum. Pages 459–462
  • Samuel Verbiese: The K5 Graph Turned into a Golden Pyramid. Pages 463–466
  • Mike Kostner, Franz Schubert and Carola-Bibiane Schönlieb: Chaos, Noise, Randomness and Coincidence as Constitutional for Generative Art. Pages 467–470
  • Pedro Campos and Ana Isabel Portugal: Seeing with the Mind: from the Matrix into the Cloud. Pages 471–474
  • Harlan J. Brothers: Mandel-Bach Journey: A Marriage of Musical and Visual Fractals. Pages 475–478
  • David I. McCooey: Models of Locally Regular Heptagonal Dodecahedra. Pages 479–482
  • Henry Segerman: The Sunflower Spiral and the Fibonacci Metric. Pages 483–486
  • Zoltán Juhász: Classification and Comparison of Different Folk Music Traditions Using Self Learning Algorithms. Pages 487–490
  • Toshihiro Bando, Masamichi Kobayashi, Yuri Sakurai: Matière of Painting Analyzed by Wavelet Transform. Pages 491–492
  • Ion Bica: Oscillatory Solutions for Sine-Gordon Equation. Pages 493–494
  • Anna Virágvölgyi: Tile Color Matching Using Simple Universal Cycles. Pages 495–496
  • John A. Hiigli: Intertransformability. Pages 497–498
  • Daniel Lőrincz, Brigitta Szilágyi and Ágnes Urbin: Perspective with Six Vanishing Points. Pages 499–500
  • Philippe Bootz: Use of Pseudo Functions in Digital Creation. Pages 501–502
  • Joel Varland: The Visualization of Flow. Pages 503–504
  • Julie Rogers Varland: The Qualitative and Quantitative World of Robert Wilson's Theater. Pages 505–506
  • Robert McDermott: Revisiting Mat Board Models for A Physical Proof of Five and Only Five Regular Solids or Polyhedron. Pages 507–508
  • Kenneth Brecher: Anamorphic, Kaleidoscopic and Sculptural Mirror Reflections. Pages 509–510
  • Lajos Szilassi: Locally and Globally Regular Toroids with Less than 16 Hexagonal Faces. Pages 511–512
  • F. Farkas Tamás: Impossible Ornaments. Pages 513–514
  • Vi Hart: Mathematical Balloon Twisting for Education. Pages 515–522
  • Simon Morgan, Jacqueline Sack and Eva Knoll: Creative Learning with Giant Triangles. Pages 523–530
  • Reza Sarhangi: A Workshop in Geometric Constructions of Mosaic Designs. Pages 531–538
  • E.B. Meenan and B.G. Thomas: Escher-type Tessellations and Pull-up Polyhedra: Creative Learning for the Classroom. Pages 539–544
  • János Szász Saxon: POLY-UNIVERSE—Knowledge Produce Toy Family. Pages 545–550
  • Karl Schaffer and Erik Stern: Workshop on Mathematics and Dance. Pages 551–554
  • Zsófia Ruttkay: Programming for Artists with Processing. Pages 555–558
  • Janka Szilágyi and Jill Zarazinski: Using Roller Coasters to Bridge Mathematics, Science and the Arts. Pages 559–560


Links

Full Text

http://archive.bridgesmathart.org/2010/index.html

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Sonstige Links

http://bridgesmathart.org/past-conferences/bridges-2010/

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