Computational Creativity 2010 ICCC 2010

Aus de_evolutionary_art_org
Version vom 27. Januar 2015, 12:52 Uhr von Gbachelier (Diskussion | Beiträge) (Die Seite wurde neu angelegt: „== Reference == Dan Ventura, Alison Pease, Rafael P ́erez y P ́erez, Graeme Ritchie and Tony Veale (eds.): Proceedings of the First International Conference …“)

(Unterschied) ← Nächstältere Version | Aktuelle Version (Unterschied) | Nächstjüngere Version → (Unterschied)
Wechseln zu: Navigation, Suche

Reference

Dan Ventura, Alison Pease, Rafael P ́erez y P ́erez, Graeme Ritchie and Tony Veale (eds.): Proceedings of the First International Conference on Computational Creativity Computational Creativity 2010 ICCC 2010. Lisbon, Portugal, January 2010

DOI

Abstract

Extended Abstract

Reviews

Bibtex

Table of contents

Music: Patterns and Harmony

  • Tom Collins, Robin Laney, Alistair Willis, Paul Garthwaite: Using Discovered, Polyphonic Patterns to Filter Computer-generated Music. 1-10.
  • Raymond Whorley, Geraint Wiggins, Christophe Rhodes, Marcus Pearce: Development of Techniques for the Computational Modelling of Harmony. 11-15.
  • Arne Eigenfeldt, Philippe Pasquier: Realtime Generation of Harmonic Progressions Using Constrained Markov Selection. 16-25.

Visual Art

  • David Norton, Derrall Heath, Dan Ventura: Establishing Appreciation in a Creative System. 26-35.
  • Anna Krzeczkowska, Jad El-Hage, Simon Colton, Stephen Clark: Automated Collage Generation - With Intent. 36-40.
  • Penousal Machado, Henrique Nunes: A Step Towards the Evolution of Visual Languages. 41-50.

Analogy and Metaphor

  • Bipin Indurkhya: On the Role of Metaphor in Creative Cognition. 51-59.
  • Alison Pease, Markus Guhe, Alan Smaill: Some Aspects of Analogical Reasoning in Mathematical Creativity. 60-64.
  • Keith McGreggor, Maithilee Kunda, Ashok Goel: A Fractal Approach Towards Visual Analogy. 65-74.

Stories

  • Jichen Zhu, Santiago Ontanon: Towards Analogy-Based Story Generation. 75-84.
  • Pablo Gervas, Carlos Leon: Story Generation Driven by System-Modified Evaluation Validated by Human Judges. 85-89.
  • Rafael Perez y Perez, Santiago Negrete, Eduardo Peñaloza, Vicente Castellanos, Rafael Ávila and Christian Lemaitre: MEXICA-Impro: A Computational Model for Narrative Improvisation. 90-99


Social Aspects

  • Rob Saunders, Petra Gemeinboeck, Adrian Lombard, Dan Bourke, Baki Kocaballi: Curious Whispers: An Embodied Artificial Creative System. 100-109.
  • Andrés Gómez de Silva Garza and John Gero: Elementary Social Interactions and Their Effects on Creativity: A Computational Simulation. 110-119.

Foundations

  • Kyle E. Jennings: Search Strategies and the Creative Process. 130-139.

Music: Creation/Generation

Automatic Generation of Music for Inducing Emotive Response . . . . . . . . . 140 Kristine Monteith, Tony Martinez, Dan Ventura

Real-Time Emotion-Driven Music Engine . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 Alex Rodr ́ıguez L ́ opez, Ant ́ onio Pedro Oliveira, Am ́ılcar Cardoso

Tabla Gyan: An Artificial Tabla Improviser . . . . . . . . . . . . . . . . . . . . . . . . . . 155 Parag Chordia, Alex Rae

Creativity Support: Tools On the Impact of Chat Communication on Computer-Supported Idea Generation Processes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 Florian Forster, Marc Ren ́e Frieß, Michele Brocco, Georg Groh

Live Coding Towards Computational Creativity . . . . . . . . . . . . . . . . . . . . . . . 175 Alex McLean, Geraint Wiggins

On Two Desiderata for Creativity Support Tools . . . . . . . . . . . . . . . . . . . . . . 180 Wai Yeap, Tommi Opas, Narges Mahyar

Creativity Support: Applications Bisociative Knowledge Discovery for Microarray Data Analysis . . . . . . . . . 190 Igor Mozeti ̆c, Nada Lavra ̆c, Vid Podpe ̆can, Petra Kralj Novak, He- lena Motaln, Marko Petek, Kristina Gruden, Hannu Toivonen, Kimmo Kulovesi Domain Bridging Associations Support Creativity . . . . . . . . . . . . . . . . . . . . . 200 Tobias K ̈ otter, Kilian Thiel, Michael R. Berthold Measuring Creativity in Software Development . . . . . . . . . . . . . . . . . . . . . . . 205 Courtney Nelson, Bradley Brummel, Frank Grove, Noah Jorgenson, Sandip Sen, Rose Gamble

Music: Improvisation and Interaction Clap-along: A Negotiation Strategy for Creative Musical Interaction with Computational Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 Michael Young, Oliver Bown A Fitness Function for Creativity in Jazz Improvisation and Beyond . . . . . 223 Anna Jordanous Learning to Create Jazz Melodies Using Deep Belief Nets . . . . . . . . . . . . . . 228 Greg Bickerman, Sam Bosley, Peter Swire, Robert M. Keller

Evolution and Design

  • Simon Colton, Jeremy Gow, Pedro Torres, Paul Cairns: Experiments in Objet Trouve Browsing. 238-247.
  • Celso M. de Melo, Jonathan Gratch: Evolving Expression of Emotions Through Color in Virtual Humans Using Genetic Algorithms. 248-257.
  • Nathan Sorenson, Philippe Pasquier: The Evolution of Fun: Automatic Level Design Through Challenge Modeling. 258-267.

Linguistics

  • Chris Venour, Graeme Ritchie, Chris Mellish: Quantifying Humorous Lexical Incongruity. 268-277.
  • Anna Jordanous: Defining Creativity: Finding Keywords for Creativity Using Corpus Linguistics Techniques. 278-287.


Show and Tell Session Automated Jazz Improvisation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288 Robert M. Keller The Painting Fool Teaching Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289 Simon Colton Generative Music Systems for Live Performance . . . . . . . . . . . . . . . . . . . . . . 290 Andrew R. Brown, Toby Gifford, Rene Wooller Realtime Generation of Harmonic Progressions in Kinetic Engine . . . . . . . 291 Arne Eigenfeldt, Philippe Pasquier The Continuator Strikes Back: a Controllable Bebop Improvisation Generator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292 Fran ̧cois Pachet Software Engineering Rewards for Brainstorming Online (SEREBRO) . . . 293 Frank Grove, Noah Jorgenson, Sandip Sen, Rose Gamble Piano prosthesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294 Michael Young A Visual Language for Darwin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295 Penousal Machado, Henrique Nunes Using Computational Models to Harmonise Melodies . . . . . . . . . . . . . . . . . . 296 Raymond Whorley, Geraint Wiggins, Christophe Rhodes, Marcus Pearce User-Controlling Expressed Emotions in Music with EDME . . . . . . . . . . . . 297 Alex Rodr ́ıguez L ́ opez, Ant ́ onio Pedro Oliveira, Am ́ılcar Cardoso Swarm Painting Atelier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298 Paulo Urbano



Links

Full Text

http://eden.dei.uc.pt/~amilcar/ftp/e-Proceedings_ICCC-X.pdf

intern file

Sonstige Links

http://creative-systems.dei.uc.pt/

Abgerufen von „http://de.evo-art.org/index.php?title=Computational_Creativity_2010_ICCC_2010&oldid=3816“