Evolving Mondrian-Style Artworks: Unterschied zwischen den Versionen

Aus de_evolutionary_art_org
Wechseln zu: Navigation, Suche
(Die Seite wurde neu angelegt: „ == Referenz == Miri Weiss Cohen, Leticia Cherchiglia, Rachel Costa: Evolving Mondrian-Style Artworks. In: EvoMUSART 2017, 338-353. == D…“)
 
(→‎Used References)
 
Zeile 30: Zeile 30:
  
 
== Used References ==  
 
== Used References ==  
−
1. Milner, J.: Mondrian. Phaidon Press, New York (2011)Google Scholar
+
1. Milner, J.: Mondrian. Phaidon Press, New York (2011) http://scholar.google.com/scholar_lookup?title=Mondrian&author=J.%20Milner&publication_year=2011
  
−
2. Seuphor, M.: Piet Mondrian: Life and Work. Harry N. Abrams Inc, New York (1957)Google Scholar
+
2. Seuphor, M.: Piet Mondrian: Life and Work. Harry N. Abrams Inc, New York (1957) http://scholar.google.com/scholar_lookup?title=Piet%20Mondrian%3A%20Life%20and%20Work&author=M.%20Seuphor&publication_year=1957
  
−
3. Henning, E.B.: A classic painting by Piet Mondrian. Bull. Clevel. Museum Art 55(8), 243–249 (1968)Google Scholar
+
3. Henning, E.B.: A classic painting by Piet Mondrian. Bull. Clevel. Museum Art 55(8), 243–249 (1968) http://scholar.google.com/scholar_lookup?title=A%20classic%20painting%20by%20Piet%20Mondrian&author=EB.%20Henning&journal=Bull.%20Clevel.%20Museum%20Art&volume=55&issue=8&pages=243-249&publication_year=1968
  
−
4. Hill, A.: Art and mathesis: Mondrian’s structures. Leonardo 1(3), 233–242 (1968)CrossRefGoogle Scholar
+
4. Hill, A.: Art and mathesis: Mondrian’s structures. Leonardo 1(3), 233–242 (1968) https://doi.org/10.2307/1571867 http://scholar.google.com/scholar_lookup?title=Art%20and%20mathesis%3A%20Mondrian%E2%80%99s%20structures&author=A.%20Hill&journal=Leonardo&volume=1&issue=3&pages=233-242&publication_year=1968
  
−
5. Taylor, R.: Pollock, Mondrian and nature: recent scientific investigations. Chaos Complex. Lett. 1(3), 265–277 (2003)MATHGoogle Scholar
+
5. Taylor, R.: Pollock, Mondrian and nature: recent scientific investigations. Chaos Complex. Lett. 1(3), 265–277 (2003) http://www.emis.de/MATH-item?1197.00044 http://scholar.google.com/scholar_lookup?title=Pollock%2C%20Mondrian%20and%20nature%3A%20recent%20scientific%20investigations&author=R.%20Taylor&journal=Chaos%20Complex.%20Lett.&volume=1&issue=3&pages=265-277&publication_year=2003
  
−
6. Lewis, M.: Evolutionary visual art and design. In: Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series. Springer, Berlin Heidelberg (2008)Google Scholar
+
6. Lewis, M.: Evolutionary visual art and design. In: Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series. Springer, Berlin Heidelberg (2008) http://scholar.google.com/scholar_lookup?title=Evolutionary%20visual%20art%20and%20design&author=M.%20Lewis&publication_year=2008
  
−
7. Locher, P.J.: The usefulness of eye movement recordings to subject an aesthetic episode with visual art to empirical scrutiny. Psychol. Sci. 48(2), 106–114 (2006)Google Scholar
+
7. Locher, P.J.: The usefulness of eye movement recordings to subject an aesthetic episode with visual art to empirical scrutiny. Psychol. Sci. 48(2), 106–114 (2006) http://scholar.google.com/scholar_lookup?title=The%20usefulness%20of%20eye%20movement%20recordings%20to%20subject%20an%20aesthetic%20episode%20with%20visual%20art%20to%20empirical%20scrutiny&author=PJ.%20Locher&journal=Psychol.%20Sci.&volume=48&issue=2&pages=106-114&publication_year=2006
  
−
8. McManus, I.C., Cheema, B., Stoker, J.: The aesthetics of composition: a study of Mondrian. Empirical Stud. Arts 11, 83–94 (1993)CrossRefGoogle Scholar
+
8. McManus, I.C., Cheema, B., Stoker, J.: The aesthetics of composition: a study of Mondrian. Empirical Stud. Arts 11, 83–94 (1993) https://doi.org/10.2190/HXR4-VU9A-P5D9-BPQQ http://scholar.google.com/scholar_lookup?title=The%20aesthetics%20of%20composition%3A%20a%20study%20of%20Mondrian&author=IC.%20McManus&author=B.%20Cheema&author=J.%20Stoker&journal=Empirical%20Stud.%20Arts&volume=11&pages=83-94&publication_year=1993
  
−
9. Latto, R., Brain, D., Kelly, B.: An oblique effect in aesthetics: Homage to Mondrian (1872–1944). Perception 29(8), 981–987 (2000)CrossRefGoogle Scholar
+
9. Latto, R., Brain, D., Kelly, B.: An oblique effect in aesthetics: Homage to Mondrian (1872–1944). Perception 29(8), 981–987 (2000) https://doi.org/10.1068/p2352 http://scholar.google.com/scholar_lookup?title=An%20oblique%20effect%20in%20aesthetics%3A%20Homage%20to%20Mondrian%20%281872%E2%80%931944%29&author=R.%20Latto&author=D.%20Brain&author=B.%20Kelly&journal=Perception&volume=29&issue=8&pages=981-987&publication_year=2000
  
−
10. Noll, A.M.: Human or Machine: a subjective comparison of Piet Mondrian’s “composition with Lines” (1917) and a computer-generated picture. Psychol. Record 16, 1–10 (1966)Google Scholar
+
10. Noll, A.M.: Human or Machine: a subjective comparison of Piet Mondrian’s “composition with Lines” (1917) and a computer-generated picture. Psychol. Record 16, 1–10 (1966) http://scholar.google.com/scholar_lookup?title=Human%20or%20Machine%3A%20a%20subjective%20comparison%20of%20Piet%20Mondrian%E2%80%99s%20%E2%80%9Ccomposition%20with%20Lines%E2%80%9D%20%281917%29%20and%20a%20computer-generated%20picture&author=AM.%20Noll&journal=Psychol.%20Record&volume=16&pages=1-10&publication_year=1966
  
−
11. Schufreider, G.: Overpowering the center: three compositions by Mondrian. J. Aesthetics Art Criticism 44(1), 13–28 (1985)CrossRefGoogle Scholar
+
11. Schufreider, G.: Overpowering the center: three compositions by Mondrian. J. Aesthetics Art Criticism 44(1), 13–28 (1985) https://doi.org/10.2307/430536 http://scholar.google.com/scholar_lookup?title=Overpowering%20the%20center%3A%20three%20compositions%20by%20Mondrian&author=G.%20Schufreider&journal=J.%20Aesthetics%20Art%20Criticism&volume=44&issue=1&pages=13-28&publication_year=1985
  
−
12. Vaughan, W.: The Mondrian Maker. Supplement to Computers and Art History Group, First Issue (1985)Google Scholar
+
12. Vaughan, W.: The Mondrian Maker. Supplement to Computers and Art History Group, First Issue (1985) https://scholar.google.com/scholar?q=Vaughan%2C%20W.%3A%20The%20Mondrian%20Maker.%20Supplement%20to%20Computers%20and%20Art%20History%20Group%2C%20First%20Issue%20%281985%29
  
 
13. Michelson, A.: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? (1982). Retrieved http://www.jstor.org/stable/778361
 
13. Michelson, A.: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? (1982). Retrieved http://www.jstor.org/stable/778361
  
−
14. Blotkamp, C.: Mondrian: The Art of Destruction. Reaktion Books, London (1994)Google Scholar
+
14. Blotkamp, C.: Mondrian: The Art of Destruction. Reaktion Books, London (1994) http://scholar.google.com/scholar_lookup?title=Mondrian%3A%20The%20Art%20of%20Destruction&author=C.%20Blotkamp&publication_year=1994
  
−
15. Bois, Y.A., Joosten, J., Rudenstine, A.Z., Janssen, H.: Piet Mondrian 1872–1944. Leonardo Arte, Milan (1994)Google Scholar
+
15. Bois, Y.A., Joosten, J., Rudenstine, A.Z., Janssen, H.: Piet Mondrian 1872–1944. Leonardo Arte, Milan (1994) http://scholar.google.com/scholar_lookup?title=Piet%20Mondrian%201872%E2%80%931944&author=YA.%20Bois&author=J.%20Joosten&author=AZ.%20Rudenstine&author=H.%20Janssen&publication_year=1994
  
−
16. Overy, P.: Here-I-Am-Again-Piet: a Mondrian for the Nineties. Art Hist. 18(4), 584–595 (1995)CrossRefGoogle Scholar
+
16. Overy, P.: Here-I-Am-Again-Piet: a Mondrian for the Nineties. Art Hist. 18(4), 584–595 (1995) https://doi.org/10.1111/j.1467-8365.1995.tb00644.x http://scholar.google.com/scholar_lookup?title=Here-I-Am-Again-Piet%3A%20a%20Mondrian%20for%20the%20Nineties&author=P.%20Overy&journal=Art%20Hist.&volume=18&issue=4&pages=584-595&publication_year=1995
  
−
17. Zhang, K., Yu, J.: Generation of kandinsky art. Leonardo 49(1), 48–54 (2016)CrossRefGoogle Scholar
+
17. Zhang, K., Yu, J.: Generation of kandinsky art. Leonardo 49(1), 48–54 (2016) https://doi.org/10.1162/LEON_a_00908 http://scholar.google.com/scholar_lookup?title=Generation%20of%20kandinsky%20art&author=K.%20Zhang&author=J.%20Yu&journal=Leonardo&volume=49&issue=1&pages=48-54&publication_year=2016
  
−
18. Eiben, E.: Evolutionary reproduction of Dutch masters: the Mondrian and Escher evolvers. In: Juan Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series, pp. 211–224. Springer, Heidelberg (2008)CrossRefGoogle Scholar
+
18. Eiben, E.: Evolutionary reproduction of Dutch masters: the Mondrian and Escher evolvers. In: Juan Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series, pp. 211–224. Springer, Heidelberg (2008) https://doi.org/10.1007/978-3-540-72877-1_10 http://scholar.google.com/scholar_lookup?title=Evolutionary%20reproduction%20of%20Dutch%20masters%3A%20the%20Mondrian%20and%20Escher%20evolvers&author=E.%20Eiben&pages=211-224&publication_year=2008
  
−
19. de Silva Garza, A.G., Lores, A.Z.: A cognitive evaluation of a computer system for generating Mondrian-like artwork. In: Gero, J.S. (ed.) Design Computing and Cognition ’04, pp. 79–96. Kluwer Academic Publishers, Worcester, Massachusetts (2004)CrossRefGoogle Scholar
+
19. de Silva Garza, A.G., Lores, A.Z.: A cognitive evaluation of a computer system for generating Mondrian-like artwork. In: Gero, J.S. (ed.) Design Computing and Cognition ’04, pp. 79–96. Kluwer Academic Publishers, Worcester, Massachusetts (2004) https://doi.org/10.1007/978-1-4020-2393-4_5 http://scholar.google.com/scholar_lookup?title=A%20cognitive%20evaluation%20of%20a%20computer%20system%20for%20generating%20Mondrian-like%20artwork&author=AG.%20Silva%20Garza&author=AZ.%20Lores&pages=79-96&publication_year=2004
  
−
20. Bentley, P., Corne, D.W. (eds.): Creative Evolutionary Systems. Morgan Kaufmann Publishers, San Francisco (2002)Google Scholar
+
20. Bentley, P., Corne, D.W. (eds.): Creative Evolutionary Systems. Morgan Kaufmann Publishers, San Francisco (2002) http://scholar.google.com/scholar_lookup?title=Creative%20Evolutionary%20Systems&publication_year=2002
  
−
21. Di Paola, S., Gabora, L.: Incorporating characteristics of human creativity into an evolutionary art algorithm. Genet. Program Evolvable Mach. 10(2), 97–110 (2009). doi:10.1007/s10710-008-9074-x CrossRefGoogle Scholar
+
21. Di Paola, S., Gabora, L.: Incorporating characteristics of human creativity into an evolutionary art algorithm. Genet. Program Evolvable Mach. 10(2), 97–110 (2009). doi:10.1007/s10710-008-9074-x https://doi.org/10.1007/s10710-008-9074-x http://scholar.google.com/scholar_lookup?title=Incorporating%20characteristics%20of%20human%20creativity%20into%20an%20evolutionary%20art%20algorithm&author=S.%20Paola&author=L.%20Gabora&journal=Genet.%20Program%20Evolvable%20Mach.&volume=10&issue=2&pages=97-110&publication_year=2009&doi=10.1007%2Fs10710-008-9074-x
  
 
22. Fogelman, M. (2011) http://fogleman.tumblr.com/post/11959143268/procedurally-generating-images-in-the-style-of
 
22. Fogelman, M. (2011) http://fogleman.tumblr.com/post/11959143268/procedurally-generating-images-in-the-style-of
Zeile 76: Zeile 76:
 
23. Machado, P., Correia, J.: Semantic aware methods for evolutionary art. In: Proceedings of the 2014 Annual Conference on Genetic and Evolutionary Computation (GECCO 2014), pp. 301–308. ACM, New York (2014). doi:http://dx.doi.org/10.1145/2576768.2598293
 
23. Machado, P., Correia, J.: Semantic aware methods for evolutionary art. In: Proceedings of the 2014 Annual Conference on Genetic and Evolutionary Computation (GECCO 2014), pp. 301–308. ACM, New York (2014). doi:http://dx.doi.org/10.1145/2576768.2598293
  
−
24. Heijer, E., Eiben, A.E.: Evolving pop art using scalable vector graphics. In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 48–59. Springer, Heidelberg (2012). doi:10.1007/978-3-642-29142-5_5 CrossRefGoogle Scholar
+
24. Heijer, E., Eiben, A.E.: Evolving pop art using scalable vector graphics. In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 48–59. Springer, Heidelberg (2012). doi:10.1007/978-3-642-29142-5_5 https://doi.org/10.1007/978-3-642-29142-5_5 http://scholar.google.com/scholar_lookup?title=Evolving%20pop%20art%20using%20scalable%20vector%20graphics&author=E.%20Heijer&author=AE.%20Eiben&pages=48-59&publication_year=2012
  
−
25. Bergen, S.R.: Evolving stylized images using a user-interactive genetic algorithm. In: Proceedings of the 11th Annual Conference Companion on Genetic and Evolutionary Computation Conference: Late Breaking Papers, GECCO 2009, New York, NY, USA, ACM, pp. 2745–2752 (2009)Google Scholar
+
25. Bergen, S.R.: Evolving stylized images using a user-interactive genetic algorithm. In: Proceedings of the 11th Annual Conference Companion on Genetic and Evolutionary Computation Conference: Late Breaking Papers, GECCO 2009, New York, NY, USA, ACM, pp. 2745–2752 (2009) https://scholar.google.com/scholar?q=Bergen%2C%20S.R.%3A%20Evolving%20stylized%20images%20using%20a%20user-interactive%20genetic%20algorithm.%20In%3A%20Proceedings%20of%20the%2011th%20Annual%20Conference%20Companion%20on%20Genetic%20and%20Evolutionary%20Computation%20Conference%3A%20Late%20Breaking%20Papers%2C%20GECCO%202009%2C%20New%20York%2C%20NY%2C%20USA%2C%20ACM%2C%20pp.%202745%E2%80%932752%20%282009%29
  
−
26. Cook, T.E.: GAUGUIN: generating art using genetic algorithms and user input naturally. In: Proceedings of the 9th Annual Conference Companion on Genetic and Evolutionary Computation, London, United Kingdom (2007)Google Scholar
+
26. Cook, T.E.: GAUGUIN: generating art using genetic algorithms and user input naturally. In: Proceedings of the 9th Annual Conference Companion on Genetic and Evolutionary Computation, London, United Kingdom (2007) https://scholar.google.com/scholar?q=Cook%2C%20T.E.%3A%20GAUGUIN%3A%20generating%20art%20using%20genetic%20algorithms%20and%20user%20input%20naturally.%20In%3A%20Proceedings%20of%20the%209th%20Annual%20Conference%20Companion%20on%20Genetic%20and%20Evolutionary%20Computation%2C%20London%2C%20United%20Kingdom%20%282007%29
  
−
27. Silva Garza, A.G., Lores, A.Z.: Case-based art. In: Muñoz-Ávila, H., Ricci, F. (eds.) ICCBR 2005. LNCS (LNAI), vol. 3620, pp. 237–251. Springer, Heidelberg (2005). doi:10.1007/11536406_20 CrossRefGoogle Scholar
+
27. Silva Garza, A.G., Lores, A.Z.: Case-based art. In: Muñoz-Ávila, H., Ricci, F. (eds.) ICCBR 2005. LNCS (LNAI), vol. 3620, pp. 237–251. Springer, Heidelberg (2005). doi:10.1007/11536406_20 https://doi.org/10.1007/11536406_20 http://scholar.google.com/scholar_lookup?title=Case-based%20art&author=AG.%20Silva%20Garza&author=AZ.%20Lores&pages=237-251&publication_year=2005
  
−
28. Sims, K.: Artificial evolution for computer graphics. In: Proceedings of the 18th Annual Conference on Computer Graphics and Interactive Techniques (SIGGRAPH 1991), Vol. 25, No. 4, pp. 319–328 (1991)Google Scholar
+
28. Sims, K.: Artificial evolution for computer graphics. In: Proceedings of the 18th Annual Conference on Computer Graphics and Interactive Techniques (SIGGRAPH 1991), Vol. 25, No. 4, pp. 319–328 (1991) https://scholar.google.com/scholar?q=Sims%2C%20K.%3A%20Artificial%20evolution%20for%20computer%20graphics.%20In%3A%20Proceedings%20of%20the%2018th%20Annual%20Conference%20on%20Computer%20Graphics%20and%20Interactive%20Techniques%20%28SIGGRAPH%201991%29%2C%20Vol.%2025%2C%20No.%204%2C%20pp.%20319%E2%80%93328%20%281991%29
  
−
29. Romero, J., Machado, P. (eds.): The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series. Springer, Heidelberg (2007)Google Scholar
+
29. Romero, J., Machado, P. (eds.): The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series. Springer, Heidelberg (2007) http://scholar.google.com/scholar_lookup?title=The%20Art%20of%20Artificial%20Evolution%3A%20A%20Handbook%20on%20Evolutionary%20Art%20and%20Music&publication_year=2007
  
−
30. Trist, K., Ciesielski, V., Barile, P.: Can’t see the forest: using an evolutionary algorithm to produce an animated artwork. In: Huang, F., Wang, R.-C. (eds.) ArtsIT 2009. LNICSSITE, vol. 30, pp. 255–262. Springer, Heidelberg (2010). doi:10.1007/978-3-642-11577-6_32 CrossRefGoogle Scholar
+
30. Trist, K., Ciesielski, V., Barile, P.: Can’t see the forest: using an evolutionary algorithm to produce an animated artwork. In: Huang, F., Wang, R.-C. (eds.) ArtsIT 2009. LNICSSITE, vol. 30, pp. 255–262. Springer, Heidelberg (2010). doi:10.1007/978-3-642-11577-6_32 https://doi.org/10.1007/978-3-642-11577-6_32 http://scholar.google.com/scholar_lookup?title=Can%E2%80%99t%20see%20the%20forest%3A%20using%20an%20evolutionary%20algorithm%20to%20produce%20an%20animated%20artwork&author=K.%20Trist&author=V.%20Ciesielski&author=P.%20Barile&pages=255-262&publication_year=2010
  
−
31. Liu, H., Liu, X.: generative art images by complex functions based genetic algorithm. In: León-Rovira, N. (ed.) CAI 2007. ITIFIP, vol. 250, pp. 125–134. Springer, Heidelberg (2007). doi:10.1007/978-0-387-75456-7_13 CrossRefGoogle Scholar
+
31. Liu, H., Liu, X.: generative art images by complex functions based genetic algorithm. In: León-Rovira, N. (ed.) CAI 2007. ITIFIP, vol. 250, pp. 125–134. Springer, Heidelberg (2007). doi:10.1007/978-0-387-75456-7_13 https://doi.org/10.1007/978-0-387-75456-7_13 http://scholar.google.com/scholar_lookup?title=generative%20art%20images%20by%20complex%20functions%20based%20genetic%20algorithm&author=H.%20Liu&author=X.%20Liu&pages=125-134&publication_year=2007
  
−
32. den Heijer, E., Eiben, A.E.: Using aesthetic measures to evolve art. In: IEEE Congress on Evolutionary Computation, pp. 311–320. IEEE Press (2010)Google Scholar
+
32. den Heijer, E., Eiben, A.E.: Using aesthetic measures to evolve art. In: IEEE Congress on Evolutionary Computation, pp. 311–320. IEEE Press (2010) https://scholar.google.com/scholar?q=den%20Heijer%2C%20E.%2C%20Eiben%2C%20A.E.%3A%20Using%20aesthetic%20measures%20to%20evolve%20art.%20In%3A%20IEEE%20Congress%20on%20Evolutionary%20Computation%2C%20pp.%20311%E2%80%93320.%20IEEE%20Press%20%282010%29
  
−
33. Johnson, M.G., Muday, J.A., Schirillo, J.A.: When viewing variations in paintings by mondrian, aesthetic preferences correlate with pupil size. Psychol. Aesthetics Creativity Arts 4(3), 161–167 (2010). doi:10.1037/a0018155 CrossRefGoogle Scholar
+
33. Johnson, M.G., Muday, J.A., Schirillo, J.A.: When viewing variations in paintings by mondrian, aesthetic preferences correlate with pupil size. Psychol. Aesthetics Creativity Arts 4(3), 161–167 (2010). doi:10.1037/a0018155 https://doi.org/10.1037/a0018155 http://scholar.google.com/scholar_lookup?title=When%20viewing%20variations%20in%20paintings%20by%20mondrian%2C%20aesthetic%20preferences%20correlate%20with%20pupil%20size&author=MG.%20Johnson&author=JA.%20Muday&author=JA.%20Schirillo&journal=Psychol.%20Aesthetics%20Creativity%20Arts&volume=4&issue=3&pages=161-167&publication_year=2010&doi=10.1037%2Fa0018155
  
−
34. Simon, D.: Evolutionary Optimization Algorithms. Wiley, Hoboken (2013)Google Scholar
+
34. Simon, D.: Evolutionary Optimization Algorithms. Wiley, Hoboken (2013) http://scholar.google.com/scholar_lookup?title=Evolutionary%20Optimization%20Algorithms&author=D.%20Simon&publication_year=2013
  
−
35. Heijer, E.: Evolving glitch art. In: Machado, P., McDermott, J., Carballal, A. (eds.) EvoMUSART 2013. LNCS, vol. 7834, pp. 109–120. Springer, Heidelberg (2013). doi:10.1007/978-3-642-36955-1_10 CrossRefGoogle Scholar
+
35. Heijer, E.: Evolving glitch art. In: Machado, P., McDermott, J., Carballal, A. (eds.) EvoMUSART 2013. LNCS, vol. 7834, pp. 109–120. Springer, Heidelberg (2013). doi:10.1007/978-3-642-36955-1_10 https://doi.org/10.1007/978-3-642-36955-1_10 http://scholar.google.com/scholar_lookup?title=Evolving%20glitch%20art&author=E.%20Heijer&pages=109-120&publication_year=2013
  
−
36. Goldberg, D.E., Kalyanmoy, D.: A comparative analysis of selection schemes used in genetic algorithms. Found. Genet. Algorithms 1, 69–93 (1991)MathSciNetGoogle Scholar
+
36. Goldberg, D.E., Kalyanmoy, D.: A comparative analysis of selection schemes used in genetic algorithms. Found. Genet. Algorithms 1, 69–93 (1991) http://scholar.google.com/scholar_lookup?title=A%20comparative%20analysis%20of%20selection%20schemes%20used%20in%20genetic%20algorithms&author=DE.%20Goldberg&author=D.%20Kalyanmoy&journal=Found.%20Genet.%20Algorithms&volume=1&pages=69-93&publication_year=1991
  
−
37. Chuang, Y.-C., Chen, C.-T., Hwang, C.: A real-coded genetic algorithm with a 74-direction-based crossover operator. Inf. Sci. 305, 320–348 (2015)CrossRefGoogle Scholar
+
37. Chuang, Y.-C., Chen, C.-T., Hwang, C.: A real-coded genetic algorithm with a 74-direction-based crossover operator. Inf. Sci. 305, 320–348 (2015) https://doi.org/10.1016/j.ins.2015.01.026 http://scholar.google.com/scholar_lookup?title=A%20real-coded%20genetic%20algorithm%20with%20a%2074-direction-based%20crossover%20operator&author=Y-C.%20Chuang&author=C-T.%20Chen&author=C.%20Hwang&journal=Inf.%20Sci.&volume=305&pages=320-348&publication_year=2015
−
 
 
−
38. Sivaraj, R., Ravichandran, T.: A review of selection methods in genetic algorithms. Int. J. Eng. Sci. Technol. 3(5), 3792–3797 (2011)Google Scholar
 
  
 +
38. Sivaraj, R., Ravichandran, T.: A review of selection methods in genetic algorithms. Int. J. Eng. Sci. Technol. 3(5), 3792–3797 (2011) http://scholar.google.com/scholar_lookup?title=A%20review%20of%20selection%20methods%20in%20genetic%20algorithms&author=R.%20Sivaraj&author=T.%20Ravichandran&journal=Int.%20J.%20Eng.%20Sci.%20Technol.&volume=3&issue=5&pages=3792-3797&publication_year=2011
  
 
== Links ==  
 
== Links ==  

Aktuelle Version vom 5. Dezember 2017, 21:03 Uhr

Referenz

Miri Weiss Cohen, Leticia Cherchiglia, Rachel Costa: Evolving Mondrian-Style Artworks. In: EvoMUSART 2017, 338-353.

DOI

https://doi.org/10.1007/978-3-319-55750-2_23

Abstract

This paper describes a Genetic Algorithm (GA) software system for automatically generating Mondrian-style symmetries and abstract artwork. The research examines Mondrian’s paintings from 1922 through 1932 and analyses the balances, color symmetries and composition in these paintings. We used a set of eleven criteria to define the automated system. We then translated and formulized these criteria into heuristics and criteria that can be measured and used in the GA algorithm. The software includes a module that provides a range of GA parameter values for interactive selection. Despite a number of limitations, the method yielded high quality results with colors close to those of Mondrian and rectangles that did not overlap and fit the canvas.

Extended Abstract

Bibtex

@incollection{
year={2017},
isbn={978-3-319-55750-2},
booktitle={Evolutionary and Biologically Inspired Music, Sound, Art and Design},
volume={10198},
series={Lecture Notes in Computer Science},
editor={Correia, João and Ciesielski, Vic and Liapis, Antonios},
doi={doi.org/10.1007/978-3-319-55750-2_23},
title={Evolving Mondrian-Style Artworks},
url={https://link.springer.com/chapter/10.1007/978-3-319-55750-2_23 http://de.evo-art.org/index.php?title=Evolving_Mondrian-Style_Artworks},
publisher={Springer International Publishing},
keywords={Art-style mondrian; Genetic algorithm; Computer art},
author={Cohen, Miri Weiss and Cherchiglia, Leticia and Costa, Rachel},
pages={338-353},
language={English}
}

Used References

1. Milner, J.: Mondrian. Phaidon Press, New York (2011) http://scholar.google.com/scholar_lookup?title=Mondrian&author=J.%20Milner&publication_year=2011

2. Seuphor, M.: Piet Mondrian: Life and Work. Harry N. Abrams Inc, New York (1957) http://scholar.google.com/scholar_lookup?title=Piet%20Mondrian%3A%20Life%20and%20Work&author=M.%20Seuphor&publication_year=1957

3. Henning, E.B.: A classic painting by Piet Mondrian. Bull. Clevel. Museum Art 55(8), 243–249 (1968) http://scholar.google.com/scholar_lookup?title=A%20classic%20painting%20by%20Piet%20Mondrian&author=EB.%20Henning&journal=Bull.%20Clevel.%20Museum%20Art&volume=55&issue=8&pages=243-249&publication_year=1968

4. Hill, A.: Art and mathesis: Mondrian’s structures. Leonardo 1(3), 233–242 (1968) https://doi.org/10.2307/1571867 http://scholar.google.com/scholar_lookup?title=Art%20and%20mathesis%3A%20Mondrian%E2%80%99s%20structures&author=A.%20Hill&journal=Leonardo&volume=1&issue=3&pages=233-242&publication_year=1968

5. Taylor, R.: Pollock, Mondrian and nature: recent scientific investigations. Chaos Complex. Lett. 1(3), 265–277 (2003) http://www.emis.de/MATH-item?1197.00044 http://scholar.google.com/scholar_lookup?title=Pollock%2C%20Mondrian%20and%20nature%3A%20recent%20scientific%20investigations&author=R.%20Taylor&journal=Chaos%20Complex.%20Lett.&volume=1&issue=3&pages=265-277&publication_year=2003

6. Lewis, M.: Evolutionary visual art and design. In: Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series. Springer, Berlin Heidelberg (2008) http://scholar.google.com/scholar_lookup?title=Evolutionary%20visual%20art%20and%20design&author=M.%20Lewis&publication_year=2008

7. Locher, P.J.: The usefulness of eye movement recordings to subject an aesthetic episode with visual art to empirical scrutiny. Psychol. Sci. 48(2), 106–114 (2006) http://scholar.google.com/scholar_lookup?title=The%20usefulness%20of%20eye%20movement%20recordings%20to%20subject%20an%20aesthetic%20episode%20with%20visual%20art%20to%20empirical%20scrutiny&author=PJ.%20Locher&journal=Psychol.%20Sci.&volume=48&issue=2&pages=106-114&publication_year=2006

8. McManus, I.C., Cheema, B., Stoker, J.: The aesthetics of composition: a study of Mondrian. Empirical Stud. Arts 11, 83–94 (1993) https://doi.org/10.2190/HXR4-VU9A-P5D9-BPQQ http://scholar.google.com/scholar_lookup?title=The%20aesthetics%20of%20composition%3A%20a%20study%20of%20Mondrian&author=IC.%20McManus&author=B.%20Cheema&author=J.%20Stoker&journal=Empirical%20Stud.%20Arts&volume=11&pages=83-94&publication_year=1993

9. Latto, R., Brain, D., Kelly, B.: An oblique effect in aesthetics: Homage to Mondrian (1872–1944). Perception 29(8), 981–987 (2000) https://doi.org/10.1068/p2352 http://scholar.google.com/scholar_lookup?title=An%20oblique%20effect%20in%20aesthetics%3A%20Homage%20to%20Mondrian%20%281872%E2%80%931944%29&author=R.%20Latto&author=D.%20Brain&author=B.%20Kelly&journal=Perception&volume=29&issue=8&pages=981-987&publication_year=2000

10. Noll, A.M.: Human or Machine: a subjective comparison of Piet Mondrian’s “composition with Lines” (1917) and a computer-generated picture. Psychol. Record 16, 1–10 (1966) http://scholar.google.com/scholar_lookup?title=Human%20or%20Machine%3A%20a%20subjective%20comparison%20of%20Piet%20Mondrian%E2%80%99s%20%E2%80%9Ccomposition%20with%20Lines%E2%80%9D%20%281917%29%20and%20a%20computer-generated%20picture&author=AM.%20Noll&journal=Psychol.%20Record&volume=16&pages=1-10&publication_year=1966

11. Schufreider, G.: Overpowering the center: three compositions by Mondrian. J. Aesthetics Art Criticism 44(1), 13–28 (1985) https://doi.org/10.2307/430536 http://scholar.google.com/scholar_lookup?title=Overpowering%20the%20center%3A%20three%20compositions%20by%20Mondrian&author=G.%20Schufreider&journal=J.%20Aesthetics%20Art%20Criticism&volume=44&issue=1&pages=13-28&publication_year=1985

12. Vaughan, W.: The Mondrian Maker. Supplement to Computers and Art History Group, First Issue (1985) https://scholar.google.com/scholar?q=Vaughan%2C%20W.%3A%20The%20Mondrian%20Maker.%20Supplement%20to%20Computers%20and%20Art%20History%20Group%2C%20First%20Issue%20%281985%29

13. Michelson, A.: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? (1982). Retrieved http://www.jstor.org/stable/778361

14. Blotkamp, C.: Mondrian: The Art of Destruction. Reaktion Books, London (1994) http://scholar.google.com/scholar_lookup?title=Mondrian%3A%20The%20Art%20of%20Destruction&author=C.%20Blotkamp&publication_year=1994

15. Bois, Y.A., Joosten, J., Rudenstine, A.Z., Janssen, H.: Piet Mondrian 1872–1944. Leonardo Arte, Milan (1994) http://scholar.google.com/scholar_lookup?title=Piet%20Mondrian%201872%E2%80%931944&author=YA.%20Bois&author=J.%20Joosten&author=AZ.%20Rudenstine&author=H.%20Janssen&publication_year=1994

16. Overy, P.: Here-I-Am-Again-Piet: a Mondrian for the Nineties. Art Hist. 18(4), 584–595 (1995) https://doi.org/10.1111/j.1467-8365.1995.tb00644.x http://scholar.google.com/scholar_lookup?title=Here-I-Am-Again-Piet%3A%20a%20Mondrian%20for%20the%20Nineties&author=P.%20Overy&journal=Art%20Hist.&volume=18&issue=4&pages=584-595&publication_year=1995

17. Zhang, K., Yu, J.: Generation of kandinsky art. Leonardo 49(1), 48–54 (2016) https://doi.org/10.1162/LEON_a_00908 http://scholar.google.com/scholar_lookup?title=Generation%20of%20kandinsky%20art&author=K.%20Zhang&author=J.%20Yu&journal=Leonardo&volume=49&issue=1&pages=48-54&publication_year=2016

18. Eiben, E.: Evolutionary reproduction of Dutch masters: the Mondrian and Escher evolvers. In: Juan Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series, pp. 211–224. Springer, Heidelberg (2008) https://doi.org/10.1007/978-3-540-72877-1_10 http://scholar.google.com/scholar_lookup?title=Evolutionary%20reproduction%20of%20Dutch%20masters%3A%20the%20Mondrian%20and%20Escher%20evolvers&author=E.%20Eiben&pages=211-224&publication_year=2008

19. de Silva Garza, A.G., Lores, A.Z.: A cognitive evaluation of a computer system for generating Mondrian-like artwork. In: Gero, J.S. (ed.) Design Computing and Cognition ’04, pp. 79–96. Kluwer Academic Publishers, Worcester, Massachusetts (2004) https://doi.org/10.1007/978-1-4020-2393-4_5 http://scholar.google.com/scholar_lookup?title=A%20cognitive%20evaluation%20of%20a%20computer%20system%20for%20generating%20Mondrian-like%20artwork&author=AG.%20Silva%20Garza&author=AZ.%20Lores&pages=79-96&publication_year=2004

20. Bentley, P., Corne, D.W. (eds.): Creative Evolutionary Systems. Morgan Kaufmann Publishers, San Francisco (2002) http://scholar.google.com/scholar_lookup?title=Creative%20Evolutionary%20Systems&publication_year=2002

21. Di Paola, S., Gabora, L.: Incorporating characteristics of human creativity into an evolutionary art algorithm. Genet. Program Evolvable Mach. 10(2), 97–110 (2009). doi:10.1007/s10710-008-9074-x https://doi.org/10.1007/s10710-008-9074-x http://scholar.google.com/scholar_lookup?title=Incorporating%20characteristics%20of%20human%20creativity%20into%20an%20evolutionary%20art%20algorithm&author=S.%20Paola&author=L.%20Gabora&journal=Genet.%20Program%20Evolvable%20Mach.&volume=10&issue=2&pages=97-110&publication_year=2009&doi=10.1007%2Fs10710-008-9074-x

22. Fogelman, M. (2011) http://fogleman.tumblr.com/post/11959143268/procedurally-generating-images-in-the-style-of

23. Machado, P., Correia, J.: Semantic aware methods for evolutionary art. In: Proceedings of the 2014 Annual Conference on Genetic and Evolutionary Computation (GECCO 2014), pp. 301–308. ACM, New York (2014). doi:http://dx.doi.org/10.1145/2576768.2598293

24. Heijer, E., Eiben, A.E.: Evolving pop art using scalable vector graphics. In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 48–59. Springer, Heidelberg (2012). doi:10.1007/978-3-642-29142-5_5 https://doi.org/10.1007/978-3-642-29142-5_5 http://scholar.google.com/scholar_lookup?title=Evolving%20pop%20art%20using%20scalable%20vector%20graphics&author=E.%20Heijer&author=AE.%20Eiben&pages=48-59&publication_year=2012

25. Bergen, S.R.: Evolving stylized images using a user-interactive genetic algorithm. In: Proceedings of the 11th Annual Conference Companion on Genetic and Evolutionary Computation Conference: Late Breaking Papers, GECCO 2009, New York, NY, USA, ACM, pp. 2745–2752 (2009) https://scholar.google.com/scholar?q=Bergen%2C%20S.R.%3A%20Evolving%20stylized%20images%20using%20a%20user-interactive%20genetic%20algorithm.%20In%3A%20Proceedings%20of%20the%2011th%20Annual%20Conference%20Companion%20on%20Genetic%20and%20Evolutionary%20Computation%20Conference%3A%20Late%20Breaking%20Papers%2C%20GECCO%202009%2C%20New%20York%2C%20NY%2C%20USA%2C%20ACM%2C%20pp.%202745%E2%80%932752%20%282009%29

26. Cook, T.E.: GAUGUIN: generating art using genetic algorithms and user input naturally. In: Proceedings of the 9th Annual Conference Companion on Genetic and Evolutionary Computation, London, United Kingdom (2007) https://scholar.google.com/scholar?q=Cook%2C%20T.E.%3A%20GAUGUIN%3A%20generating%20art%20using%20genetic%20algorithms%20and%20user%20input%20naturally.%20In%3A%20Proceedings%20of%20the%209th%20Annual%20Conference%20Companion%20on%20Genetic%20and%20Evolutionary%20Computation%2C%20London%2C%20United%20Kingdom%20%282007%29

27. Silva Garza, A.G., Lores, A.Z.: Case-based art. In: Muñoz-Ávila, H., Ricci, F. (eds.) ICCBR 2005. LNCS (LNAI), vol. 3620, pp. 237–251. Springer, Heidelberg (2005). doi:10.1007/11536406_20 https://doi.org/10.1007/11536406_20 http://scholar.google.com/scholar_lookup?title=Case-based%20art&author=AG.%20Silva%20Garza&author=AZ.%20Lores&pages=237-251&publication_year=2005

28. Sims, K.: Artificial evolution for computer graphics. In: Proceedings of the 18th Annual Conference on Computer Graphics and Interactive Techniques (SIGGRAPH 1991), Vol. 25, No. 4, pp. 319–328 (1991) https://scholar.google.com/scholar?q=Sims%2C%20K.%3A%20Artificial%20evolution%20for%20computer%20graphics.%20In%3A%20Proceedings%20of%20the%2018th%20Annual%20Conference%20on%20Computer%20Graphics%20and%20Interactive%20Techniques%20%28SIGGRAPH%201991%29%2C%20Vol.%2025%2C%20No.%204%2C%20pp.%20319%E2%80%93328%20%281991%29

29. Romero, J., Machado, P. (eds.): The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Natural Computing Series. Springer, Heidelberg (2007) http://scholar.google.com/scholar_lookup?title=The%20Art%20of%20Artificial%20Evolution%3A%20A%20Handbook%20on%20Evolutionary%20Art%20and%20Music&publication_year=2007

30. Trist, K., Ciesielski, V., Barile, P.: Can’t see the forest: using an evolutionary algorithm to produce an animated artwork. In: Huang, F., Wang, R.-C. (eds.) ArtsIT 2009. LNICSSITE, vol. 30, pp. 255–262. Springer, Heidelberg (2010). doi:10.1007/978-3-642-11577-6_32 https://doi.org/10.1007/978-3-642-11577-6_32 http://scholar.google.com/scholar_lookup?title=Can%E2%80%99t%20see%20the%20forest%3A%20using%20an%20evolutionary%20algorithm%20to%20produce%20an%20animated%20artwork&author=K.%20Trist&author=V.%20Ciesielski&author=P.%20Barile&pages=255-262&publication_year=2010

31. Liu, H., Liu, X.: generative art images by complex functions based genetic algorithm. In: León-Rovira, N. (ed.) CAI 2007. ITIFIP, vol. 250, pp. 125–134. Springer, Heidelberg (2007). doi:10.1007/978-0-387-75456-7_13 https://doi.org/10.1007/978-0-387-75456-7_13 http://scholar.google.com/scholar_lookup?title=generative%20art%20images%20by%20complex%20functions%20based%20genetic%20algorithm&author=H.%20Liu&author=X.%20Liu&pages=125-134&publication_year=2007

32. den Heijer, E., Eiben, A.E.: Using aesthetic measures to evolve art. In: IEEE Congress on Evolutionary Computation, pp. 311–320. IEEE Press (2010) https://scholar.google.com/scholar?q=den%20Heijer%2C%20E.%2C%20Eiben%2C%20A.E.%3A%20Using%20aesthetic%20measures%20to%20evolve%20art.%20In%3A%20IEEE%20Congress%20on%20Evolutionary%20Computation%2C%20pp.%20311%E2%80%93320.%20IEEE%20Press%20%282010%29

33. Johnson, M.G., Muday, J.A., Schirillo, J.A.: When viewing variations in paintings by mondrian, aesthetic preferences correlate with pupil size. Psychol. Aesthetics Creativity Arts 4(3), 161–167 (2010). doi:10.1037/a0018155 https://doi.org/10.1037/a0018155 http://scholar.google.com/scholar_lookup?title=When%20viewing%20variations%20in%20paintings%20by%20mondrian%2C%20aesthetic%20preferences%20correlate%20with%20pupil%20size&author=MG.%20Johnson&author=JA.%20Muday&author=JA.%20Schirillo&journal=Psychol.%20Aesthetics%20Creativity%20Arts&volume=4&issue=3&pages=161-167&publication_year=2010&doi=10.1037%2Fa0018155

34. Simon, D.: Evolutionary Optimization Algorithms. Wiley, Hoboken (2013) http://scholar.google.com/scholar_lookup?title=Evolutionary%20Optimization%20Algorithms&author=D.%20Simon&publication_year=2013

35. Heijer, E.: Evolving glitch art. In: Machado, P., McDermott, J., Carballal, A. (eds.) EvoMUSART 2013. LNCS, vol. 7834, pp. 109–120. Springer, Heidelberg (2013). doi:10.1007/978-3-642-36955-1_10 https://doi.org/10.1007/978-3-642-36955-1_10 http://scholar.google.com/scholar_lookup?title=Evolving%20glitch%20art&author=E.%20Heijer&pages=109-120&publication_year=2013

36. Goldberg, D.E., Kalyanmoy, D.: A comparative analysis of selection schemes used in genetic algorithms. Found. Genet. Algorithms 1, 69–93 (1991) http://scholar.google.com/scholar_lookup?title=A%20comparative%20analysis%20of%20selection%20schemes%20used%20in%20genetic%20algorithms&author=DE.%20Goldberg&author=D.%20Kalyanmoy&journal=Found.%20Genet.%20Algorithms&volume=1&pages=69-93&publication_year=1991

37. Chuang, Y.-C., Chen, C.-T., Hwang, C.: A real-coded genetic algorithm with a 74-direction-based crossover operator. Inf. Sci. 305, 320–348 (2015) https://doi.org/10.1016/j.ins.2015.01.026 http://scholar.google.com/scholar_lookup?title=A%20real-coded%20genetic%20algorithm%20with%20a%2074-direction-based%20crossover%20operator&author=Y-C.%20Chuang&author=C-T.%20Chen&author=C.%20Hwang&journal=Inf.%20Sci.&volume=305&pages=320-348&publication_year=2015

38. Sivaraj, R., Ravichandran, T.: A review of selection methods in genetic algorithms. Int. J. Eng. Sci. Technol. 3(5), 3792–3797 (2011) http://scholar.google.com/scholar_lookup?title=A%20review%20of%20selection%20methods%20in%20genetic%20algorithms&author=R.%20Sivaraj&author=T.%20Ravichandran&journal=Int.%20J.%20Eng.%20Sci.%20Technol.&volume=3&issue=5&pages=3792-3797&publication_year=2011

Links

Full Text

internal file


Sonstige Links

Abgerufen von „http://de.evo-art.org/index.php?title=Evolving_Mondrian-Style_Artworks&oldid=33230“