Generative Art 1999

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Abstract

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Table of contents

  • Adrian Ward, Geoff Cox: The Authorship of Generative Art.
  • Alejandro Pazos, Antonino Santos, Julián Dorado, J. J. Romero Cardalda & J. L. Rodriguez Carballal: Artificial Music Composer.
  • Alvise Simondetti: Experiments in rule based design and computer generated physical prototypes.
  • Anna Chupa, Michael Chupa: Generative Texture Maps for Animation.
  • Celestino Soddu: Recognizability of designer imprinting in generative artwork.
  • Chiron Mottram, Alan Penn: Slugfest.
  • Cristiano Ceccato: Mädler-Haus: on the Use of Geometrically Flexible Design in Architectural Reconstruction Projects.
  • Cristiano Ceccato, Laurence Liauw: Parametric Urbanism: Explorations in Generative Urban.
  • Enrica Colabella: The shadow of the night.
  • Franca Calio', Elena Marchetti: Linear algebra and creative process.
  • Gabriel Maldonado: Generating digital music with DirectCsound.
  • Giuseppe Caglioti: Ambiguity in art and Science.
  • Hans Dehlinger: Minimized generative principles for large scale drawings: an experimental approach and its results.
  • Howard Riley: Semiotics and Generative Art.
  • Jônatas Manzolli: Generative Polymodal Music Process.
  • Kai Strehlke: xWORLDS, the implementation of a three-dimensional collaborative sketch tool within the context of a third year design course.
  • Luca Ambrosini, Marco Longatti, Hajime Miyajima: Time sections, abstract machines.
  • M. Annunziato, P. Pierucci: The Art of Emergence.
  • Mahesh Senagala: Artistic Process, Cybernetics of Self and the Epistemology of Digital Technology.
  • Mariana Neagu: On Linguistic Aspects from a Cross-cultural Perspective.
  • Mark C. Burry and Grant M. Dunlop: Paramorphism: Design Surface and Substance.
  • Mark Goulthorpe: Hyposurface: from Autoplastic to Alloplastic Space.
  • P.S.Coates, L. Hazarika: The use of genetic programming for applications in the field of spatial composition.
  • Peter Stebbing: The mother's smile: an unconscious source for generative form in visual expression and design.
  • Philip Van Loocke: Complex aesthetic forms that solve mathematical and cognitive problems.
  • Piero Meogrossi: The Idea of Rome: the shape of utopy.
  • Pietro Pedeferri: Nobili’s Art: an example of generative Art of 1826.
  • Quinsan Ciao: Breeds in Artificial Design.
  • R. Neal Elzenga, Michael S. Pontecorvo: Arties: Meta-Design as Evolving Colonies of Artistic Agents.
  • Riccardo Antonini: Let's Improvise Together.
  • Roel Daru: Hunting design memes in the architectural studio.

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