Steve DiPaola
Inhaltsverzeichnis
Person
Steve DiPaola ist ein Kognitionswissenschaftler, Künstler und Wissenschaftler mit den Forschungsschwerpunkten Künstlische Intelligenz, Interaktion und Computergrafik. Er ist Direktor des Kognitionswissenschaftlichen Programmes an der Simon Fraser University (Vancouver, Canada) und Associate Professor an der School of Interactive Arts and Technology, einer interdisziplinären Forschungs- und Ausbildungseinrichtung für computerunterstützte Kunst und Wissenschaft.
Wissenschaftliche Tätigkeit
Künstlerische Tätigkeit
Publikationen
2014
2013
Steve DiPaola: Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space. In: Electronic Visualisation in Arts and Culture, Bowen, Keene, Ng, (Eds), pp 213-227, Springer, 2013. http://ivizlab.sfu.ca/papers/evabook2013.pdf
Steve DiPaola, McCaig R., Carson K., Salevati S., & Sorenson N.: Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition. In: Proc. International Conference on Computational Creativity, pp 40-4, 2013. http://ivizlab.sfu.ca/papers/iccc2013.pdf
Choi S. K., Steve DiPaola: How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity. In: Proc. Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013b.pdf
Steve DiPaola, Smith A.: Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica. In: Proc: Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013a.pdf
2012
- Hasti Seifi, Steve DiPaola, James T. Enns: Exploring the Effect of Color Palette in Painterly Rendered Character Sequences. In: Douglas W. Cunningham, Donald H. House (Eds.): Workshop on Computational Aesthetics 2012. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH12/089-097 http://ivizlab.sfu.ca/papers/cae2012.pdf
Gabora, L., Steve DiPaola: How Did Humans Become So Creative? A Computational Approach. In: Proc. International Conference on Computational Creativity, pp 203-211, 2012. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.388.5479 http://ivizlab.sfu.ca/papers/iccc2012.pdf
2011
- Steve DiPaola and Nathan Sorenson: CGP, Creativity and Art. In: Cartesian Genetic Programming, Natural Computing Series, pp. 293-307, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_10 http://ivizlab.sfu.ca/papers/cgp2010.pdf
- Steve DiPaola Sorenson, N., Pasquier, P.: A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels. Transactions on Computational Intelligence and AI in Games, Vol 3, No 3, pp 229-244, 2011. http://dx.doi.org/10.1109/TCIAIG.2011.2161310 http://ivizlab.sfu.ca/papers/tciaig2011.pdf
2010
- Steve DiPaola, S, Riebe C, Enns J,: Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science. Leonardo, Vol 43, No 3, pp 145-151, 2010. http://dx.doi.org/10.1162/leon.2010.43.2.145 http://ivizlab.sfu.ca/papers/leonardo2009.pdf
- Steve DiPaola, Dalvandi A, Amini P: Exploring Persian Rug Design Using a Computational Evolutionary Approach. In: Proc. Electronic Visualisation and the Arts, pp. 121-128. British Computer Society. London, 2010. http://dl.acm.org/citation.cfm?id=2227200 http://ivizlab.sfu.ca/papers/eva2010b.pdf
2009
- Steve DiPaola, Gabora, L.: Incorporating characteristics of human creativity into an evolutionary art algorithm. Genetic Programming and Evolvable Machines 10(2), 97–110 (2009). DOI: http://link.springer.com/article/10.1007%2Fs10710-008-9074-x http://arxiv.org/pdf/1001.1401 http://ivizlab.sfu.ca/papers/genprog2009.pdf
- Steve DiPaola: Following the masters: Viewer gaze is directed by relative detail in painted portraits. In: Riebe C, Steve DiPaola, Enns J,: Abstracts of the Vision Sciences Society, 9th Annual Meeting, #144, May, 2009. http://www2.psych.ubc.ca/~ennslab/Vision_Lab/Research_files/Riebe%20et%20al.%202009%20Following%20the%20masters-%20Viewer%20gaze%20is%20directed%20by%20relative%20detail%20in%20painted%20portraits_1.pdf
- Steve DiPaola: Exploring a Parameterized Portrait Painting Space. Intl Journal of Art and Technology, Vol 2, No 1-2, pp 82-93, 2009. http://dx.doi.org/10.1504/IJART.2009.024059 http://ivizlab.sfu.ca/papers/ijat2009.pdf https://www.researchgate.net/profile/Steve_Dipaola/publication/249923214_Exploring_a_parameterised_portrait_painting_space/links/546bb87b0cf2f5eb18092476.pdf?ev=pub_int_doc_dl&origin=publication_detail&inViewer=true
Steve DiPaola: Darwin, Creativity, and Evolutionary Programming. In: 150 Years after Origin: Biological, Historical and Philosophical Perspectives, Proceedings of Canadian Darwin Conference, University of Toronto, 4 pages, 2009.
Steve DiPaola: Quantifying artist’s use of human vision constructs to influence viewer eye gaze, In: Proc. SPIE Human Vision and Imaging, Int. Society for Optical Engineering, 6 pages, 2009.
2008
Steve DiPaola: The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv. In: Proc. Electronic Visualisation and the Arts, 8 pages, London, 2008. http://ivizlab.sfu.ca/papers/eva2008.pdf
Steve DiPaola: Darwin’s Enduring Legacy – Images of computational evolution of creativity research. The Journal Nature, Selected by the Nature editors to accompany this essay (Commissioned, not peer reviewed). Vol 451, pp 632-633, Feb, 2008. http://ivizlab.sfu.ca/papers/nature2008.pdf
Steve DiPaola: Computationally Rendered Painterly Portrait Spaces. Artciencia: Art & Science Journal, Vol 4, No 9, pp 1-8, October-January, 2008. http://summit.sfu.ca/system/files/iritems1/604/dipaola-computationallyrendered.pdf
2007
Steve DiPaola: A Knowledge Based Approach to Modeling Portrait Painting Methodology. In: Proc. Electronic Visualisation and the Arts, 10 pages, London, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.86.2686 http://ivizlab.sfu.ca/media/DiPaola_EVA07.pdf
Steve DiPaola, Gabora L.: Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm. In: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.1183 http://dx.doi.org/10.1007/s10710-008-9074-x http://www.vub.ac.be/CLEA/liane/papers/gecco07.pdf
Arya A, Steve DiPaola: Face Modeling and Animation Language for MPEG-4 XMT Framework. IEEE Transactions on Multimedia, Vol 9, No 6, pp 1137-1146, 2007. http://dx.doi.org/10.1109/TMM.2007.902862 http://ivizlab.sfu.ca/papers/ieeemm2007.pdf
Steve DiPaola: Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach. In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007. DOI: http://dx.doi.org/10.1117/12.706594 http://ivizlab.sfu.ca/papers/spiehvision2007.pdf
2006
Steve DiPaola: Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity. In Proc: iDMAa Conference (Intl Digital Media and Arts Association), 7 pages, 2006. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.152.8968 http://www.units.muohio.edu/codeconference/papers/papers/idmapaper1.pdf
Steve DiPaola: Artificial Intelligence Systems in New Media Art and Design. Artciencia: Art & Science Journal, Vol 2, No 4, pp 1-8, August-October, 2006. http://summit.sfu.ca/item/603 http://summit.sfu.ca/system/files/iritems1/603/dipaola-artificialintelligence.pdf
2005
Steve DiPaola: Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Fun. In Proc: Electronic Visualisation and the Arts, 10 pages, London. July. 2005. http://www.dipaola.org/evolve/darwin/dipaola_eva05.doc
2004
Steve DiPaola: Face, Portrait, Mask - the Virtuality of the Synthetic Face. New Forms Festival Conference, Vancouver Art Gallery, 7 pages, Vancouver, 2004. http://summit.sfu.ca/item/566 http://summit.sfu.ca/system/files/iritems1/566/dipaola-faceportraitmask.pdf
2002
Steve DiPaola: Investigating Face Space: In ACM SIGGRAPH 2002 Conference Abstracts and Applications, (San Antonio, Texas, July 21 - 26, 2002). SIGGRAPH '02. ACM, New York, NY, pp 207-207. 2002. http://dx.doi.org/10.1145/1242073.1242220 http://www.dipaola.org/facespace/ http://www.dipaola.org/facespace/facespace.pdf
Steve DiPaola: FaceSpace: A Facial Spatial-Domain Toolkit. In Proc: IEEE Information Visualization, London, pp 105-109, 2002. http://dx.doi.org/10.1109/IV.2002.1028763
1991
Steve DiPaola: Extending the Range of Facial Types. IEEE Journal of Visualization and Computer Animation, Vol 2, No 4, pp 129-131, 1991. http://summit.sfu.ca/system/files/iritems1/50/dipaola-extendingtherange_rev.pdf
Externe Links
http://www.dipaola.org/ homepage
http://www.dipaola.org/work.php?category=publications
sdipaola ät sfu.ca
http://www.dipaola.org/contact.php#Email
https://www.researchgate.net/profile/Steve_Dipaola
Mitglied der Masterminds of Evolutionary Art
