The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music: Unterschied zwischen den Versionen
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+ | == Reference == | ||
+ | {{LitBook |Autor = [[Juan Romero]], [[Penousal Machado]] (Herausgeber) |Titel = [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540728764 | Seiten = 460 }} | ||
+ | == DOI == | ||
+ | http://link.springer.com/10.1007/978-3-540-72877-1 | ||
+ | == Abstract == | ||
+ | == Extended Abstract == | ||
+ | == Bibtex == | ||
+ | == Table of contents == | ||
+ | 19 chapters | ||
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− | + | ===Evolutionary Art=== | |
− | Evolutionary Art | ||
Matthew Lewis: Evolutionary Visual Art and Design. 3-37 | Matthew Lewis: Evolutionary Visual Art and Design. 3-37 | ||
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Jon McCormack: Facing the Future: Evolutionary Possibilities for Human-Machine Creativity. 417-451 | Jon McCormack: Facing the Future: Evolutionary Possibilities for Human-Machine Creativity. 417-451 | ||
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+ | == Links == | ||
+ | === Full Text === | ||
+ | [extern file] | ||
+ | |||
+ | [[intern file]] | ||
+ | |||
+ | === Sonstige Links === |
Version vom 20. Oktober 2014, 10:10 Uhr
Inhaltsverzeichnis
Reference
Juan Romero, Penousal Machado (Herausgeber): The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. 1 Aufl., Springer, Berlin, 2007, ISBN 978-3540728764, 460 Seiten.
DOI
http://link.springer.com/10.1007/978-3-540-72877-1
Abstract
Extended Abstract
Bibtex
Table of contents
19 chapters
Evolutionary Art
Matthew Lewis: Evolutionary Visual Art and Design. 3-37
John P. Collomosse: Evolutionary Search for the Artistic Rendering of Photographs. 39-62
Scott Draves: Evolution and Collective Intelligence of the Electric Sheep. 63-78
Evolutionary Music
James McDermott, Niall J. L. Griffith, Michael O’Neill: Evolutionary Computation Applied to Sound Synthesis. 81-101
Tim Blackwell: Swarm Granulation. 103-122
Rafael Ramirez, Amaury Hazan, Jordi Marine, Xavier Serra: Evolutionary Computing for Expressive Music Performance. 123-142
Real-World Applications
Christian Jacob, Gerald Hushlak: Evolutionary and Swarm Design in Science, Art, and Music. 145-166
Martin Hemberg, Una-May O’Reilly, Achim Menges, Katrin Jonas, Michel da Costa Gonçalves: Genr8: Architects’ Experience with an Emergent Design Tool. 167-188
Charlie D. Frowd, Peter J. B. Hancock: Evolving Human Faces. 189-210
A.E. Eiben: Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers. 211-224
Artistic Perspectives
Nicolas Monmarché, Isabelle Mahnich, Mohamed Slimane: Artificial Art Made by Artificial Ants. 227-247
Günter Bachelier: Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Process. 249-268
J. J. Ventrella: Evolving Structure in Liquid Music. 269-288
Alan Dorin: A Survey of Virtual Ecosystems in Generative Electronic Art. 289-309
Philip Galanter: Complexism and the Role of Evolutionary Art. 311-332
Future Perspectives
Craig Neufeld, Brian J. Ross, William Ralph: The Evolution of Artistic Filters. 335-356
Gary R. Greenfield: Co-evolutionary Methods in Evolutionary Art. 357-380
Penousal Machado, Juan Romero, Bill Manaris: Experiments in Computational Aesthetics. 381-415
Jon McCormack: Facing the Future: Evolutionary Possibilities for Human-Machine Creativity. 417-451
Links
Full Text
[extern file]