Generative Art 1999: Unterschied zwischen den Versionen
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== Table of contents== | == Table of contents== | ||
| − | * Adrian Ward, Geoff Cox: The Authorship of Generative Art. http://www.generativeart.com/on/cic/99/0399.htm | + | * Adrian Ward, Geoff Cox: [[The Authorship of Generative Art]]. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/0399.htm |
| − | * Alejandro Pazos, Antonino Santos, Julián Dorado, J. J. Romero Cardalda & J. L. Rodriguez Carballal: Artificial Music Composer. http://www.generativeart.com/on/cic/99/abst43.htm | + | * Alejandro Pazos, Antonino Santos, Julián Dorado, J. J. Romero Cardalda & J. L. Rodriguez Carballal: Artificial Music Composer. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst43.htm |
| − | * Alvise Simondetti: Experiments in rule based design and computer generated physical prototypes. http://www.generativeart.com/on/cic/99/abst42.htm | + | * Alvise Simondetti: Experiments in rule based design and computer generated physical prototypes. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst42.htm |
| − | * Anna Chupa, Michael Chupa: Generative Texture Maps for Animation. http://www.generativeart.com/on/cic/99/0499.htm | + | * Anna Chupa, Michael Chupa: Generative Texture Maps for Animation. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/0499.htm |
| − | * Celestino Soddu: Recognizability of designer imprinting in generative artwork. http://www.generativeart.com/on/cic/99/0199.htm | + | * Celestino Soddu: Recognizability of designer imprinting in generative artwork. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/0199.htm |
| − | * Chiron Mottram, Alan Penn: Slugfest. http://www.generativeart.com/on/cic/99/1199.htm | + | * Chiron Mottram, Alan Penn: Slugfest. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1199.htm |
| − | * Cristiano Ceccato: Mädler-Haus: on the Use of Geometrically Flexible Design in Architectural Reconstruction Projects. http://www.generativeart.com/on/cic/99/1499.htm | + | * Cristiano Ceccato: Mädler-Haus: on the Use of Geometrically Flexible Design in Architectural Reconstruction Projects. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1499.htm |
| − | * Cristiano Ceccato, Laurence Liauw: Parametric Urbanism: Explorations in Generative Urban. http://www.generativeart.com/on/cic/99/abst31.htm | + | * Cristiano Ceccato, Laurence Liauw: Parametric Urbanism: Explorations in Generative Urban. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst31.htm |
| − | * Enrica Colabella: The shadow of the night. http://www.generativeart.com/on/cic/99/1099.htm | + | * Enrica Colabella: The shadow of the night. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1099.htm |
| − | * Franca Calio', Elena Marchetti: Linear algebra and creative process. http://www.generativeart.com/on/cic/99/1699.htm | + | * Franca Calio', Elena Marchetti: Linear algebra and creative process. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1699.htm |
| − | * Gabriel Maldonado: Generating digital music with DirectCsound. http://www.generativeart.com/on/cic/99/0599.htm | + | * Gabriel Maldonado: Generating digital music with DirectCsound. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/0599.htm |
| − | * Giuseppe Caglioti: Ambiguity in art and Science. http://www.generativeart.com/on/cic/99/abst23.htm | + | * Giuseppe Caglioti: Ambiguity in art and Science. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst23.htm |
| − | * Hans Dehlinger: | + | * Hans Dehlinger: [[Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results]]. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/0299.htm |
| − | * Howard Riley: Semiotics and Generative Art. http://www.generativeart.com/on/cic/99/0399.htm | + | * Howard Riley: Semiotics and Generative Art. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/0399.htm wrong link!! |
| − | * Jônatas Manzolli: Generative Polymodal Music Process. http://www.generativeart.com/on/cic/99/abst35.htm | + | * Jônatas Manzolli: Generative Polymodal Music Process. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst35.htm |
| − | * Kai Strehlke: xWORLDS, the implementation of a three-dimensional collaborative sketch tool within the context of a third year design course. http://www.generativeart.com/on/cic/99/abst38.htm | + | * Kai Strehlke: xWORLDS, the implementation of a three-dimensional collaborative sketch tool within the context of a third year design course. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst38.htm |
| − | * Luca Ambrosini, Marco Longatti, Hajime Miyajima: Time sections, abstract machines. http://www.generativeart.com/on/cic/99/abst44.htm | + | * Luca Ambrosini, Marco Longatti, Hajime Miyajima: Time sections, abstract machines. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst44.htm |
| − | * M. Annunziato, P. Pierucci: The Art of Emergence. http://www.generativeart.com/on/cic/99/2399.htm | + | * M. Annunziato, P. Pierucci: The Art of Emergence. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/2399.htm |
| − | * Mahesh Senagala: Artistic Process, Cybernetics of Self and the Epistemology of Digital Technology. http://www.generativeart.com/on/cic/99/abst25.htm | + | * Mahesh Senagala: Artistic Process, Cybernetics of Self and the Epistemology of Digital Technology. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst25.htm |
| − | * Mariana Neagu: On Linguistic Aspects from a Cross-cultural Perspective. http://www.generativeart.com/on/cic/99/2899.htm | + | * Mariana Neagu: On Linguistic Aspects from a Cross-cultural Perspective. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/2899.htm |
* Mark C. Burry and Grant M. Dunlop: Paramorphism: Design Surface and Substance. no link | * Mark C. Burry and Grant M. Dunlop: Paramorphism: Design Surface and Substance. no link | ||
| − | * Mark Goulthorpe: Hyposurface: from Autoplastic to Alloplastic Space. http://www.generativeart.com/on/cic/99/2999.htm | + | * Mark Goulthorpe: Hyposurface: from Autoplastic to Alloplastic Space. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/2999.htm |
| − | * P.S.Coates, L. Hazarika: The use of genetic programming for applications in the field of spatial composition. http://www.generativeart.com/on/cic/99/abst40.htm | + | * P.S.Coates, L. Hazarika: [[The use of genetic programming for applications in the field of spatial composition]]. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst40.htm |
| − | * Peter Stebbing: The mother's smile: an unconscious source for generative form in visual expression and design. http://www.generativeart.com/on/cic/99/0999.htm | + | * Peter Stebbing: The mother's smile: an unconscious source for generative form in visual expression and design. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/0999.htm |
| − | * Philip Van Loocke: Complex aesthetic forms that solve mathematical and cognitive problems. http://www.generativeart.com/on/cic/99/1399.htm | + | * Philip Van Loocke: [[Complex aesthetic forms that solve mathematical and cognitive problems]]. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1399.htm |
| − | * Piero Meogrossi: The Idea of Rome: the shape of utopy. http://www.generativeart.com/on/cic/99/1599.htm | + | * Piero Meogrossi: The Idea of Rome: the shape of utopy. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1599.htm |
| − | * Pietro Pedeferri: Nobili’s Art: an example of generative Art of 1826. http://www.generativeart.com/on/cic/99/1999.htm | + | * Pietro Pedeferri: Nobili’s Art: an example of generative Art of 1826. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1999.htm |
| − | * Quinsan Ciao: Breeds in Artificial Design. http://www.generativeart.com/on/cic/99/abst24.htm | + | * Quinsan Ciao: Breeds in Artificial Design. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst24.htm |
| − | * R. Neal Elzenga, Michael S. Pontecorvo: Arties: Meta-Design as Evolving Colonies of Artistic Agents. | + | * R. Neal Elzenga, Michael S. Pontecorvo: [[Arties: Meta-Design as Evolving Colonies of Artistic Agents]]. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/1799.htm |
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| + | * Riccardo Antonini: Let's Improvise Together. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/abst45.htm | ||
| + | * Roel Daru: Hunting design memes in the architectural studio. In: [[Generative Art 1999]]. http://www.generativeart.com/on/cic/99/2199.htm | ||
== Links == | == Links == | ||
Aktuelle Version vom 28. Dezember 2014, 11:11 Uhr
Inhaltsverzeichnis
Reference
DOI
Abstract
Extended Abstract
Reviews
Bibtex
Table of contents
- Adrian Ward, Geoff Cox: The Authorship of Generative Art. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/0399.htm
- Alejandro Pazos, Antonino Santos, Julián Dorado, J. J. Romero Cardalda & J. L. Rodriguez Carballal: Artificial Music Composer. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst43.htm
- Alvise Simondetti: Experiments in rule based design and computer generated physical prototypes. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst42.htm
- Anna Chupa, Michael Chupa: Generative Texture Maps for Animation. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/0499.htm
- Celestino Soddu: Recognizability of designer imprinting in generative artwork. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/0199.htm
- Chiron Mottram, Alan Penn: Slugfest. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1199.htm
- Cristiano Ceccato: Mädler-Haus: on the Use of Geometrically Flexible Design in Architectural Reconstruction Projects. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1499.htm
- Cristiano Ceccato, Laurence Liauw: Parametric Urbanism: Explorations in Generative Urban. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst31.htm
- Enrica Colabella: The shadow of the night. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1099.htm
- Franca Calio', Elena Marchetti: Linear algebra and creative process. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1699.htm
- Gabriel Maldonado: Generating digital music with DirectCsound. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/0599.htm
- Giuseppe Caglioti: Ambiguity in art and Science. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst23.htm
- Hans Dehlinger: Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/0299.htm
- Howard Riley: Semiotics and Generative Art. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/0399.htm wrong link!!
- Jônatas Manzolli: Generative Polymodal Music Process. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst35.htm
- Kai Strehlke: xWORLDS, the implementation of a three-dimensional collaborative sketch tool within the context of a third year design course. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst38.htm
- Luca Ambrosini, Marco Longatti, Hajime Miyajima: Time sections, abstract machines. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst44.htm
- M. Annunziato, P. Pierucci: The Art of Emergence. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/2399.htm
- Mahesh Senagala: Artistic Process, Cybernetics of Self and the Epistemology of Digital Technology. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst25.htm
- Mariana Neagu: On Linguistic Aspects from a Cross-cultural Perspective. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/2899.htm
- Mark C. Burry and Grant M. Dunlop: Paramorphism: Design Surface and Substance. no link
- Mark Goulthorpe: Hyposurface: from Autoplastic to Alloplastic Space. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/2999.htm
- P.S.Coates, L. Hazarika: The use of genetic programming for applications in the field of spatial composition. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst40.htm
- Peter Stebbing: The mother's smile: an unconscious source for generative form in visual expression and design. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/0999.htm
- Philip Van Loocke: Complex aesthetic forms that solve mathematical and cognitive problems. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1399.htm
- Piero Meogrossi: The Idea of Rome: the shape of utopy. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1599.htm
- Pietro Pedeferri: Nobili’s Art: an example of generative Art of 1826. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1999.htm
- Quinsan Ciao: Breeds in Artificial Design. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst24.htm
- R. Neal Elzenga, Michael S. Pontecorvo: Arties: Meta-Design as Evolving Colonies of Artistic Agents. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/1799.htm
- Riccardo Antonini: Let's Improvise Together. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/abst45.htm
- Roel Daru: Hunting design memes in the architectural studio. In: Generative Art 1999. http://www.generativeart.com/on/cic/99/2199.htm
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