Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results
Inhaltsverzeichnis
Reference
Dehlinger, H.E.: Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results. In: Proceedings of GA 1999: Generative Art 1999, 2nd International Conference. Generative Design Lab of Politecnico di Milano (1999)
DOI
Abstract
The line as an element or linear structures as such can be observed in many circumstances and in many places of our daily life´s. Lines have poly semantic characteristics and the word line is denoting much more than a long thin mark made by a pencil. The concept of a line is a very rich concept, and it seems, each epoch of art is developing its own codes for lines to deposit its world views within them. The emergence of generative approaches is characteristic of our epoch, and it is lines as elements of drawings generated by algorithms, executed on machines, and drawn with a pen equipped plotter on which this work is based.
Extended Abstract
Bibtex
Used References
[1] Soddu, C., Generative Art. Proceedings of the 1998 Milan First International Conference Generative Art ´98. Generative Design Lab, Milan Polytechnic, Milan 1998.
[2] William of Ockham, ca. 1285 - 1349; 14th century logician and Franciscan friar. Occam`s (or Ockham`s) Razor is a philosophical principle attributed to him, stating: Entia non sunt multiplicanda praeter necessitatem"
[2] Dehlinger, H.E., A Genetic Approach to the Generation of Line Drawings; Proceedings of the AISB´99 Symposium on Creative Evolutionary Systems, Edinburgh College of Art and Division of Informatics, University of Edinburgh, 1999
[3] Verostko, Roman, Artist, Professor Emeritus, Minneapolis College of Art and Design. http://www.verostko.com
[4] cited from memory of a personal conversation
[5] Steller, Erwin; Aspekte Konstruktiver Kunst XXI, E-Werk Hallen für Kunst, Freiburg, 1999.
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Full Text
http://www.generativeart.com/on/cic/99/0299.htm
