Generative Art 2000: Unterschied zwischen den Versionen

Version vom 16. Dezember 2014, 19:48 Uhr

Reference

DOI

Abstract

Extended Abstract

Reviews

Bibtex

Table of contents

• Celestino Soddu: From Forming to Transforming.

• Hans Dehlinger: Experimental Search for Order in the Code of Generated Drawings.

• Howard Riley: Algorithms of the Mind. The generative art of drawing.

• Andreas Lund: Evolving the Shape of Things to Come. A Comparison of Interactive Evolution and Direct Manipulation for Creative Tasks.

• Enrica Colabella: Mater Matuta.

• Jan Kubasiewicz: InfoGEOMETRY. Conceptual Prototype for Navigating InfoSPACE.

• Kenneth E. Rinaldo

• Paul Coates, Pablo Miranda: Swarm modelling.

• Alexander Koutamanis: Redirecting design generation in architecture.

• Matthew Lewis: Aesthetic Evolutionary Design with Data Flow Networks.

• Artemis Moroni, F. Von Zuben, J. Manzolli: ArTbitrariness in Music.

• Aaron Wolf Baum, Generative Interactive Music.

• Gabriel Maldonado: Travels in Space and Time, Explorations of Virtual SoundScapes, Multi-dimensionalism of Digital Music.

• Philip Galanter: GA2: a Programming Environment for Abstract Generative Fine Art.

• Mauro Annunziato: Artificial Worlds, Virtual Generations

• Kevin McGuire: Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes.

• Roel Daru, Eric Vreedenburgh: Architectural Innovation as an evolutionary process

• Christian Derix, Robert Thum: Artificial Neural Network Spaces.

• Alex McLean, Adrian Ward, Geoff Cox: The aesthetics of generative code.

• Quinsan Ciao: 45 PM Session 8 • Hearing Architectural Design: Simulation and Auralization for Generating Better Acoustic Spaces.

• Cristiano Ceccato: On the Translation of Design Data into Design Form in Evolutionary Design.

• Matteo Codignola: Generative Recognizable Codes from Gaudi'.

• Maya Kagawa, Marcello Pinzero: Teaching Generative Design Approaches

• John Eacott: Generative music composition in practice - a critical evaluation.

• Nao Tokui and Hitoshi Iba: Music Composition with Interactive Evolutionary Computation.

• PierPaolo Brotzu: A Generative Approach to Variations in Production Processes.

• Paolo Ferrara and Gabriele Foglia: TEAnO or the computer assisted generation of manufactured aesthetic goods seen as a constrained flux of technological unconsciousness.

• Andrea Chiodi, Marco M. Vernillo: Deep architectures and exterior communication in Generative Art.

• Owen F. Ransen: Possible Futures in Computer Art Generation.

• E. Bilotta, P. Pantano and V. Talarico: Music Generation through Cellular Automata.

• J. Kabala, C. Conrado, K. van Overveld: Communicative Profiles.Generative Art Applied in Information Access Interfaces

• Marianne Selsjord

Performances

• Tim Didymus, Emilia Telese • Marianne Selsjord • Douglas Repetto • Luca Tanzini

Posters, Artworks and Installations

Robert J. Krawczyk, Antonio Pozzi, Alessandra Venino, Emilia Castellani, Francesco Deriu, Yoshiyuki Abe, Matjaz Hmeljak, Jean-Pierre Hebert, Francesco Martin, A. Spizzichino, Kenneth E. Rinaldo.

Links

Full Text

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Sonstige Links

http://www.generativeart.com/on/cic/GA2000.htm