Interaction-based Authoring for Scalable Co-creative Agents: Unterschied zwischen den Versionen
(Die Seite wurde neu angelegt: „== Reference == Mikhail Jacob and Brian Magerko: Interaction-based Authoring for Scalable Co-creative Agents. In: Computational Creativity 2015 ICCC 2015…“) |
(→Bibtex) |
||
| Zeile 32: | Zeile 32: | ||
location = {Park City, Utah, USA}, | location = {Park City, Utah, USA}, | ||
pages = {236-243}, | pages = {236-243}, | ||
| − | url = {http://computationalcreativity.net/iccc2015/proceedings/10_3Jacob.pdf}, | + | url = {http://computationalcreativity.net/iccc2015/proceedings/10_3Jacob.pdf }, |
| − | url = {http://de.evo-art.org/index.php?title=Interaction-based_Authoring_for_Scalable_Co-creative_Agents}, | + | url = {http://de.evo-art.org/index.php?title=Interaction-based_Authoring_for_Scalable_Co-creative_Agents }, |
publisher = {International Association for Computational Creativity}, | publisher = {International Association for Computational Creativity}, | ||
keywords = {computational, creativity}, | keywords = {computational, creativity}, | ||
Version vom 30. Oktober 2015, 22:05 Uhr
Inhaltsverzeichnis
Reference
Mikhail Jacob and Brian Magerko: Interaction-based Authoring for Scalable Co-creative Agents. In: Computational Creativity 2015 ICCC 2015, 236-243.
DOI
Abstract
This article presents a novel approach to authoring cocreative systems - called interaction-based authoring - that combines ideas from case-based learning and imitative learning, while emphasizing its use in open-ended co-creative application domains. This work suggests an alternative to manually authoring knowledge for computationally creative agents that relies on user interaction “in the wild” as opposed to high-effort manual authoring beforehand. The Viewpoints AI installation is described as an instantiation of the interaction-based authoring approach. Finally, the interaction-based authoring approach is evaluated within the Viewpoints AI installation and the results are discussed guiding development and further evaluation in the future.
Extended Abstract
Bibtex
@inproceedings{
author = {Jacob, Mikhail and Magerko, Brian},
title = {Interaction-based Authoring for Scalable Co-creative Agents},
booktitle = {Proceedings of the Sixth International Conference on Computational Creativity},
series = {ICCC2015},
year = {2015},
month = {Jun},
location = {Park City, Utah, USA},
pages = {236-243},
url = {http://computationalcreativity.net/iccc2015/proceedings/10_3Jacob.pdf },
url = {http://de.evo-art.org/index.php?title=Interaction-based_Authoring_for_Scalable_Co-creative_Agents },
publisher = {International Association for Computational Creativity},
keywords = {computational, creativity},
}
Used References
Behrends, A., Müller, S., & Dziobek, I. 2012. Moving in and out of synchrony: A concept for a new intervention fostering empathy through interactional movement and dance. Arts in Psychotherapy, 39(2), 107–116.
Boden, M. A. 2003. The creative mind: myths and mechanisms. Psychology Press.
Bogart, A., & Landau, T. 2005. The viewpoints book: a practical guide to viewpoints and composition. New York: Theatre Communications Group.
Brooke, J. 2013. SUS!: A Retrospective. Journal of Usability Studies, 8(2), 29–40.
Chen, S., Nelson, M. j, Sullivan, A., & Mateas, M. 2009. Evaluating the Authorial Leverage of Drama Management. In Proceedings of the AAAI 2009 Spring Symposium on Interactive Narrative Technologies II (pp. 20–23).
Cherry, E., & Latulipe, C. 2014. Quantifying the Creativity Support of Digital Tools through the Creativity Support Index. ACM Transactions on Computer-Human Interaction, 21, 1–25.
Colton, S. 2008. Creativity Versus the Perception of Creativity in Computational Systems. In Proceedings of AAAI Spring Symposium on Creative Systems (pp. 14–20).
Colton, S., & Wiggins, G. A. 2012. Computational creativity: The final frontier? In L. De Raedt, C. Bessiere, & D. Dubois (Eds.), 20th European Conference on Artificial Intelligence: (Vol. 242, pp. 21–26).
Csikszentmihalyi, M. 1997. Flow and the Psychology of Discovery and Invention. New York: HarperPerennial.
Csinger, A., Booth, K. S., & Poole, D. 1994. AI meets authoring: User models for untelligent multimedia. Artificial Intelligence Review, 8, 447–468.
Davis, N., Popova, Y., Sysoev, I., Hsiao, C.-P., Zhang, D., & Magerko, B. 2014. Building Artistic Computer Colleagues with an Enactive Model of Creativity. In Proceedings of the Fifth International Conference on Computational Creativity (ICCC 2014). Ljubljana, Slovenia.
Hall, M., National, H., Frank, E., Holmes, G., Pfahringer, B., Reutemann, P., & Witten, I. H. 2009. The WEKA Data Mining Software!: An Update. SIGKDD Explorations, 11(1), 10–18.
Hastings, E. J., Guha, R. K., & Stanley, K. O. 2009. Automatic content generation in the galactic arms race video game. IEEE Transactions on Computational Intelligence and AI in Games, 1(4), 245–263.
Hatfield, E., Cacioppo, J., & Rapson, R. 1994. Emotional contagion. Current Directions in Psychological Science (Vol. 2, pp. 96–99). Cambridge University Press.
Hecker, C., Raabe, B., Enslow, R. W., DeWeese, J., Maynard, J., & van Prooijen, K. 2008. Real-time motion retargeting to highly varied user-created morphologies. ACM Transactions on Graphics (TOG), 27(3).
Hoffman, G., & Weinberg, G. 2010. Gesture-based humanrobot jazz improvisation. In Proceedings - IEEE International Conference on Robotics and Automation (pp. 582–587).
Hsu, W. 2008. Two approaches for interaction management in timbre-aware improvisation systems. In Proceedings of the International Computer Music Conference (ICMC). Belfast
Jackson, S. a, Martin, A. J., & Eklund, R. C. 2008. Long and short measures of flow: the construct validity of the FSS-2, DFS-2, and new brief counterparts. Journal of Sport & Exercise Psychology, 30, 561–587.
Jacob, M., Coisne, G., Gupta, A., Sysoev, I., Verma, G. G., & Magerko, B. 2013b. Viewpoints AI. In Proceedings of the Ninth Annual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (AIIDE). Boston, MA.
Jacob, M., Zook, A., & Magerko, B. 2013a. Viewpoints AI: Procedurally Representing and Reasoning about Gestures. In Proceedings of the Digital Games Research Association (DiGRA). Atlanta, GA.
Kahol, K., Tripathi, P., & Panchanathan, S. 2004. Automated gesture segmentation from dance sequences. In Proceedings - Sixth IEEE International Conference on Automatic Face and Gesture Recognition (pp. 883–888).
Klimmt, C., Hartmann, T., & Frey, A. 2007. Effectance and control as determinants of video game enjoyment. Cyberpsychology & Behavior!: The Impact of the Internet, Multimedia and Virtual Reality on Behavior and Society, 10(6), 845–847.
Laird, J. 2012. The Soar cognitive architecture. MIT Press. Latulipe, C., Charlotte, U. N. C., Huskey, S., Beasley, R., & Nifong, N. 2011. SoundPainter. In Proceedings of the 8th ACM conference on Creativity and cognition (pp. 439– 440).
MacDonald, L., Brosz, J., Nacenta, M. a., & Carpendale, S. 2015. Designing the Unexpected: Endlessly Fascinating Interaction for Interactive Installations. In Proceedings of the Ninth International Conference on Tangible, Embedded, and Embodied Interaction - TEI ’14 (pp. 41– 48).
Magerko, B., Permar, J., Jacob, M., Comerford, M., & Smith, J. 2014. An Overview of Computational Cocreative Pretend Play with a Human. In Proceedings of First Workshop on Playful Virtual Characters at the Fourteenth Annual Conference on Intelligent Virtual Agents. Boston, MA.
O’Neill, B., Piplica, A., Fuller, D., & Magerko, B. 2011. A knowledge-based framework for the collaborative improvisation of scene introductions. In Proceedings of the 4th International Conference on Interactive Digital Storytelling (pp. 85–96). Vancouver, Canada.
Reidsma, D., van Welbergen, H., Poppe, R., Bos, P., & Nijholt, A. 2006. Towards Bi-directional Dancing Interaction. In Entertainment Computing - ICEC 2006 (pp. 1–12).
Thom, B. 2000. BoB: an interactive improvisational music companion. In Proceedings of the fourth international conference on Autonomous agents (pp. 309-316). ACM. Tomasello, M. 2000. The Cultural Origins of Human Cognition. Harvard University Press.
Vermeulen, I. E., Roth, C., Vorderer, P., & Klimmt, C. 2010. Measuring user responses to interactive stories: Towards a standardized assessment tool. In Interactive Storytelling (pp. 38–43).
Vorderer, P., Klimmt, C., & Ritterfeld, U. 2004. Enjoyment: At the Heart of Media Entertainment. Communication Theory, 14, 388–408.
Links
Full Text
http://computationalcreativity.net/iccc2015/proceedings/10_3Jacob.pdf
