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- Four heads are better than one. combining face composites yields improvements in face likeness (21:16, 13. Nov. 2014)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (21:18, 13. Nov. 2014)
- Genetic programming-based construction of features for machine learning and knowledge discovery tasks (21:22, 13. Nov. 2014)
- Learning to colour greyscale images (21:40, 13. Nov. 2014)
- Evolving for the Audience (21:49, 13. Nov. 2014)
- All the truth about NEvAr (21:52, 13. Nov. 2014)
- Understanding complex systems through examples: A framework for qualitative example finding (10:37, 14. Nov. 2014)
- Has Chaos Been Explained? (10:49, 14. Nov. 2014)
- Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics (10:57, 14. Nov. 2014)
- Evolving expressions and art by choice (11:07, 14. Nov. 2014)
- A model of co-evolutionary design (11:10, 14. Nov. 2014)
- Aesthetic experience and human evolution (14:01, 14. Nov. 2014)
- Fractals and Self-Similarity (14:03, 14. Nov. 2014)
- Emergence as a Construct: History and Issues (14:10, 14. Nov. 2014)
- The science of art: a neurological theory of aesthetic experience (14:15, 14. Nov. 2014)
- Fractal analysis of Pollock’s drip paintings (14:19, 14. Nov. 2014)
- Information Distance (15:19, 14. Nov. 2014)
- Tom Ray’s hammer: emergence and excess in A-life art (15:21, 14. Nov. 2014)
- A Review of the Fractal Image Coding Literature (17:43, 14. Nov. 2014)
- Explaining emergence: Towards an ontology of levels (17:54, 14. Nov. 2014)
- No Free Lunch Theorems for Optimization (18:24, 14. Nov. 2014)
- No free lunch theorems for search (18:33, 14. Nov. 2014)
- Quantifying aesthetic preference for chaotic patterns (11:57, 15. Nov. 2014)
- Creativity, emergence and evolution in design (12:10, 15. Nov. 2014)
- Fractal analysis and aesthetic evaluation of geometrically overlapping patterns (12:12, 15. Nov. 2014)
- The further exploits of Aaron, painter (13:22, 15. Nov. 2014)
- What is complexity? (13:25, 15. Nov. 2014)
- Mixed IFS: resolution of the inverse problem using genetic programming (13:31, 15. Nov. 2014)
- Towards automated artificial evolution for computer-generated images (13:38, 15. Nov. 2014)
- Automatic generation of iterated function systems (13:45, 15. Nov. 2014)
- Is beauty in the eye of the beholder? (13:48, 15. Nov. 2014)
- Interactive Evolution of Equations for Procedural Models (13:51, 15. Nov. 2014)
- Automatic generation of strange attractors (13:54, 15. Nov. 2014)
- Image Coding Based on a Fractal Theory of Iterated Contractive Image Transformations (13:59, 15. Nov. 2014)
- Amplitude spectra of natural images (14:05, 15. Nov. 2014)
- Almost automatic computer painting (14:07, 15. Nov. 2014)
- Habitat selection as an evolutionary game (14:12, 15. Nov. 2014)
- Co-evolving parasites improves simulated evolution as an optimization procedur (14:17, 15. Nov. 2014)
- Transformations of De Stijl art: the paintings of Georges Vantongerloo and Fritz Glarner (14:22, 15. Nov. 2014)
- Low-dimensional procedure for the characterization of human faces (14:28, 15. Nov. 2014)
- The illusion of beauty (14:31, 15. Nov. 2014)
- The empirical determination of an aesthetic formula (14:32, 15. Nov. 2014)
- The Criteria used in Preferential Judgments of Geometrical Forms (14:33, 15. Nov. 2014)
- Further Evidence Regarding Preferential Judgment of Polygonal Forms (14:35, 15. Nov. 2014)
- A bona fide ethological view of art: The artification hypothesis (18:28, 15. Nov. 2014)
- Genetic Programming for Non-Photorealistic Rendering (18:47, 15. Nov. 2014)
- Interactive Evolutionary Computation by Duplication and Diversification of L-Systems (18:57, 15. Nov. 2014)
- Autonomous Evolutionary Art (19:29, 15. Nov. 2014)
- Illustrating Evolutionary Computation with Mathematica (11:51, 16. Nov. 2014)
- Curious Design Agents and Artificial Creativity (12:14, 16. Nov. 2014)
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